“I’m like a hairdresser I guess.”
Painter Anthony Lister is also a Street Artist. His surreal pop and celebrity culture-infused abstractions are candy encrusted apples which may have something sharp inside. Many are figurative studies and wire frames bending wildly into characters who cavort and mock with blunt swipes of color, overlaid by costumed sexual role play… or is that a personal projection? Did I mention elegance, defiance, wit? Wait, there is so much here! Truth is, his work can be a cock-eyed psychological tempest, jarring to the head, strangely sweet.
Anthony Lister in Brooklyn (photo © Jaime Rojo)
A decade of discovery under his superhero belt, Mr. Lister continues to analyze and build his creative practice and it always includes work inside the gallery and outside on the street. He’s currently preparing for his solo show in Sydney called “Bogan Paradise” at Gallery A.S. At the same time he’s part of a group show with a gaggle of his Aussie expats on view at 941 Geary in San Francisco for “Young and Free”, including Kid Zoom, Dabs & Myla, Dmote, New2, Ben Frost, Meggs, Ha-Ha, Reka, Rone, Sofles and Vexta. Not to mention his participation in our show last month in Los Angeles at C.A.V.E. with Thinkspace, “Street Art Saved My Life : 39 New York Stories“.
The artist took some time recently to talk to Brooklyn Street Art about his practice;Brooklyn Street Art: How much of one of your painted portraits is autobiographical? In other words, what portion of Mr. Lister is super hero, super model, furtive schoolboy, or Homer Simpson?
Anthony Lister: I don’t really think about myself when I paint. My figurative works are more like reflections of characteristics I absorb from real life day to day.
Brooklyn Street Art: If you were to wear colored glasses, which color do you think you would most likely screen the world through?
Anthony Lister: Pink, like John Lennon.
Anthony Lister in Brooklyn (photo © Jaime Rojo)
Brooklyn Street Art: Francis Bacon said, “The creative process is a cocktail of instinct, skill, culture and a highly creative feverishness.” Would you drink that cocktail?
Anthony Lister: Nice words. I agree.
Brooklyn Street Art: What role does analysis play in your creative process when bringing a painting to fruition?
Anthony Lister: Analysis is the outcome of considered processing. Constant consideration is crucial.
Anthony Lister in Brooklyn (photo © Jaime Rojo)
Brooklyn Street Art: A big piece you did on Metropolitan in Brooklyn – you reworked that face a couple of times over a period of months, producing what appeared as a slowly morphing image. Were you covering up tags, or were you unhappy with the original, or maybe combating the effects of age with a little nip and tuck?
Anthony Lister: When I re-work street paintings I think of it like I am a hairdresser. When something is in the public it has a different existence to something living privately in a residence. I’m like a hairdresser I guess.
Brooklyn Street Art: You have spoken about your work as reality, or a reaction to realities. What realities are you depicting these days?
Anthony Lister: I just finished a body of work for a solo show in Sydney. This next body of work is about contemporary Australian culture. The exhibition is titled “Bogan Paradise.”
Anthony Lister in Brooklyn (photo © Jaime Rojo)
Brooklyn Street Art: When you consider the Street Art scene that evolved around Melbourne, how would you characterize its nature in a way that differentiates it from the work in other cities around the world?
Anthony Lister: No different. This whole street art thing has sprung up post the turn of the digital revolution so it is on the Internet quick and the artists who inspire others and the ones who are easily inspired are constantly swimming in the same aesthetic pools of consciousness. Not to mention that most of the prominent artists travel lots so it is easy to see work of the same artist in multiple cities around the world at the same time.
Anthony Lister in Brooklyn (photo © Jaime Rojo)
Brooklyn Street Art: The titles you give your gallery pieces are entertaining, instructive, illustrative. Do you ever want to place a placard near a piece you’ve done on the street – just to make sure the message gets across?
Anthony Lister: No. My street practice is less thoughtful and therefore needs less commentary.
Brooklyn Street Art: When is a painting complete?
Anthony Lister: When it tells me so.
Anthony Lister in Brooklyn (photo © Jaime Rojo)
Anthony Lister in Manhattan (photo © Jaime Rojo)
Anthony Lister in Miami for Primary Flight. Detail. (photo © Jaime Rojo)
Anthony Lister in Los Angeles. LA FreeWalls (photo © Todd Mazer)
Anthony Lister in Los Angeles LA FreeWalls (photo © Todd Mazer)
Cry me a rainbow, Anthony Lister in Los Angeles. LA FreeWalls (photo © Jaime Rojo)
Anthony Lister in Venice Beach CA. (photo © Jaime Rojo)
Anthony Lister in San Francisco for Young and Free at 941 Geary (photo © Andrius Lypia)
Want to see more work? Just “Lister” it.
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