All posts tagged: C215

BSA Images Of The Week: 03.10.19

BSA Images Of The Week: 03.10.19

A paper published last autumn by HEC Paris and Columbia Business School finds that artists are more likely to be professionally successful if they network widely – and that their innate talent as an artist may have less to do with commercial success than many thought.

Unearthed by Artsy this week, the paper is ricocheting across social media with shock and dismay uttered by some artists who lament the hollowness of the modern graffiti/ Street Art/ Urban Art world, purporting to be distinct and above it all, yet posing in countless photos on their social pages with myriad peers and professionals and potential clients cheek-to-cheek.

It may be time that some hardcore Graffiti and Street Artists can shed some of the charades about how the globe turns, even if you are a graduate of the “School of Hard Knocks”. This movement we are witnessing toward self-promotion and marketing has always been true: This research paper doesn’t even use modern artists as a model for study – the subjects were part of the 20th Century abstract art movement and most died years ago.

You’ll recall that a central tenant of graffiti is that writers spread their names on every wall in different neighborhoods and cities to get “Fame”. As the authors of the paper Banerjee Mitali and Paul L. Ingram say, “CEOs, activists, scientists and innovators all benefit from fame. Meanwhile, the struggle for fame is becoming ever more intense and complex in a digital economy.” Download the paper here.

Yes, networking helps your career. In other breaking news, puppies are cute, the Pope is Catholic, and boys like short skirts.

This week our Images of the Week are coming to you directly from our latest visits to Madrid, Bilbao, and Bayonne. We’re excited to share what we found with BSA readers.

So here’s our weekly interview with the street, this time featuring Anna Taratiel, Artez, Aryz, C215, Dan Witz, Eltono, Invader, Monkeybird, MSW, Stinkfish, and Suso33.

Anna Taratiel. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Anna Taratiel. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Invader. Bilbao, Spain. (photo © Jaime Rojo)
Aryz. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Aryz. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Dan Witz. Madrid, Spain. (photo © Jaime Rojo)
C215 for Points de Vue Festival. Bayonne, France. (photo © Jaime Rojo)
C215 for Points de Vue Festival. Bayonne, France. (photo © Jaime Rojo)
C215 for Points de Vue Festival. Bayonne, France. (photo © Jaime Rojo)
C215 for Points de Vue Festival. Bayonne, France. (photo © Jaime Rojo)
C215 for Points de Vue Festival. Bayonne, France. (photo © Jaime Rojo)
Artez for Urvanity Arts. Madrid, Spain. (photo © Jaime Rojo)
SUSO33. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
SUSO33. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Eltono. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Stinkfish. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
MSW. Beyonne, France. (photo © Jaime Rojo)
Monkeybird. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Untitled. Sunset. Madrid, Spain. March 2019. (photo © Jaime Rojo)
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Bayonne Diary, From Alban Morlot’s Point of View

Bayonne Diary, From Alban Morlot’s Point of View

Here in Basque country you can casually drive between Bilbao (Spain) and Bayonne (France) as if you were just heading out to the shopping mall to buy new kicks. The signs of course are in multiple languages (Spanish, French, Basque) and there is much more political street art in these towns- addressing topics like fracking, racism, women’s rights and amnesty for political prisoners.

With an atmosphere that is more politically charged than other parts of the world, you can quickly forget it when you see so many rolling green hills dotted with puffy round sheep and old white farm houses along the highway.

1UP Crew (photo © Jaime Rojo)

Arriving in Bayonne we were happy to see many of the medieval small streets still boast Gothic-style cathedrals, a cloister here, the occasional castle there. It’s a walkable city with centuries of history, conservative cultural values, and a cool Street Art festival from the last few years called Points de Vue. Co-Founder Alban Morlot obliged us with a tour of the city and a multitude of murals produced over the past few years (You can read here our article of the recent 2018 edition of the festival with exclusive images from Martha Cooper and Nika Kramer).

Pantonio (photo © Jaime Rojo)

Headquartered in the public/privately run community center/gallery called SpaceJunk since the early 2000’s Alban and director Jérome Catz have been organizing shows here and in Lyons and Grenoble as their interests and network of artists has expanded. The two met when Catz was better known as a celebrity snowboarder organizing an art show for a sponsoring brand, and Marlot attended the show as a self-described “groupie”.

With a common interest is providing artists a platform and complementary abilities with funding and collecting, the two have gone on to mount shows and festivals in their organic path through the lenses of “board culture”, graffiti, Street Art, Lowbrow and Pop Surrealism.

Shows and exhibitions over the last decade and a half have included artists such as Lucy McLauchlan, Adam Neate, Will Barras, Jeff Soto, Laurence Vallières, Robert Williams, Robert Crumb, Isaac Cordal, Vhils, C215, Slinkachu, Ron English, Zevs, Shepard Fairey, JR, Lister, Augustine Kofie, Beast, NeverCrew, Monkey Bird, Daleast, and Seth.

A topic close to our heart for a decade, they also began a new film festival for there 2017 edition of the Grenoble Street Art Fest.

RNST (photo © Jaime Rojo)

Headquartered in the public/privately run community center/gallery called SpaceJunk since the early 2000’s Alban and director Jérome Catz have been organizing shows here, Lyons, and Grenoble as their interests and network of artists has expanded. The two met when Catz was better known as a celebrity snowboarder organizing an art show for a sponsoring brand, and Marlot attended the show as a self-described “groupie”.

With a common interest is providing artists a platform and complementary abilities with funding and collecting, the two have gone on to mount shows and festivals in their organic path through the lenses of “board culture”, graffiti, Street Art, Lowbrow and Pop Surrealism. Shows and exhibitions over the last decade and a half have included artists such as Lucy McLauchlan, Adam Neate, Will Barras, Jeff Soto, Laurence Vallières, Robert Williams, Robert Crumb, Isaac Cordal, Vhils, C215, Slinkachu, Ron English, Zevs, Shepard Fairey, JR, Lister, Augustine Kofie, Beast, NeverCrew, Monkey Bird, Daleast, and Seth. A topic close to our heart for a decade, they have also began a film festival for there 2017 edition of the Grenoble Street Art Fest.

RNST (photo © Jaime Rojo)

As we walk through a very windy afternoon that kicks up the new construction dust that coats this neighborhood by the river, Alban talks to us about the suspicious embrace of locals and politicians of his work, the various working personalities of artists for the festival, the creation of a new currency by the Basque community, the tradition of socialist bars and political activists in the neighborhood, and his own connection to graffiti that began when he was hanging out in his hometown of Pau as a teenager with other skaters.

“We would listen to music, smoke a blunt, and skate all day. At some point graffiti became my culture,” he says of those times that formed his character and informed his aesthetic eye. “I don’t think I realized it at the time when I was a teenager but by the time I was 25 I said to myself ‘this is my culture’. I know I’m not the only one to feel this way but I knew that I wanted to share this experience and make it visible for other people in my generation.”

Jaune (photo © Jaime Rojo)

Walking and riding in a car to see murals, small installations, illegal graffiti, and formally approved artworks, you may wonder how this organizer and curator looks at his position in an evolving urban art scene that has witnessed the arrival and departure of many over the last 15 years. He says that his work has always centered on the artists, and that despite the chaos and change, this may be why he perseveres.

“My job is to know the artist and learn where they want to go and what their context is,” says Alban. “Afterwards I let them express their hearts without any conditions because I want them to have the maximum pleasure to produce their art. This way you receive the best from them.”

Jaune (photo © Jaime Rojo)

You may wonder where this philosophy comes from, and ask if he always felt this way.

“I think I just love artists so much,” he says. “People at Space Junk often ask me if I am an artist and I am not. I just consider artists to be very important in our lives and in society and I think we have to put artists in the middle of the system and not like they are just observers. I think artists belong in the center of society and I think people have to learn again how to listen to what they have to say. The way they present society is a very different point of view that helps us to understand who we are, who our neighbors are and help us to drive together.”

Our sincere thanks to Alban and Jérome for their work and hospitality and we hope you enjoy some of these pics from Bayonne.

Jaune (photo © Jaime Rojo)
Oak Oak (photo © Jaime Rojo)
Pixel Pancho (photo © Jaime Rojo)
Isaac Cordal (photo © Jaime Rojo)
Isaac Cordal (photo © Jaime Rojo)
Isaac Cordal (photo © Jaime Rojo)
Deuz (photo © Jaime Rojo)
Artist Unknown (photo © Jaime Rojo)
Veksavan Hillik (photo © Jaime Rojo)
Veksavan Hillik (photo © Jaime Rojo)
C215 (photo © Jaime Rojo)
C215 (photo © Jaime Rojo)
Dourone (photo © Jaime Rojo)
Mantra (photo © Jaime Rojo)
Xabier Anunsibai & Sebas Velasco (photo © Jaime Rojo)
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BSA “Images Of The Year” For 2018 Video

BSA “Images Of The Year” For 2018 Video

Here it is! Photographer Jaime Rojo of BSA selects a handful of his favorite images from his travels through 9 countries and around New York this year to present our 2018 BSA Images of the Year.

Seeing the vast expressions of aesthetics and anti-aesthetic behavior has been a unique experience for us. We’re thankful to all of the artists and co-conspirators for their boundless ideas and energy, perspectives and personas.

Once you accept that much of the world is in a semi-permanent chaos you can embrace it, find order in the disorder, love inside the anger, a rhythm to every street.

And yes, beauty. Hope you enjoy BSA Images of the Year 2018.


Here’s a list of the artists featured in the video. Help us out if we missed someone, or if we misspelled someones nom de plume.

1Up Crew, Abe Lincoln Jr., Adam Fujita, Adele Renault, Adrian Wilson, Alex Sena, Arkane, Banksy, Ben Eine, BKFoxx, Bond Truluv, Bordalo II, Bravin Lee, C215, Cane Morto, Charles Williams, Cranio, Crash, Dee Dee, D*Face, Disordered, Egle Zvirblyte, Ernest Zacharevic, Erre, Faith LXVII, Faust, Geronimo, Gloss Black, Guillermo S. Quintana, Ichibantei, InDecline, Indie 184, Invader, Isaac Cordal, Jayson Naylor JR, Kaos, KNS, Lena McCarthy, Caleb Neelon, LET, Anthony Lister, Naomi Rag, Okuda, Os Gemeos, Owen Dippie, Pejac, Pixel Pancho, Pork, Raf Urban, Resistance is Female, Sainer, Senor Schnu, Skewville, Slinkachu, Solus, Squid Licker, Stinkfish, Strayones, Subway Doodle, The Rus Crew, Tristan Eaton, Vegan Flava, Vhils, Viktor Freso, Vinie, Waone, Winston Tseng, Zola

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BSA Images Of The Week: 08.26.18 / Moscow Special

BSA Images Of The Week: 08.26.18 / Moscow Special

BSA-Images-Week-Jan2015

It’s part of the fascinating world that you inhabit when you follow street art – you have no idea what you will discover in any city at any time because of it’s LIVE daily evolutionary personality. Here in Moscow we don’t see so much of the improvisational extra-legal type of works that characterize cities like Rio or Berlin or Paris, but we have been seeing a bunch of familiar international names in the last few days. Here are some shots of stuff we’ve found – much of it that you will also recognize – along with some great local Moscow stuff.

We’ll bring you more of the scene at the Artmossphere Biennale this week as artists and curators like us are arriving right now at the Winzavod Center for Contemporary Art.  We’ve already seen Faith XLVII, FAUST, Adele, Martha Cooper, CaneMorto, Cedar Lewisohn … As the lounge singers say, “We’ll be here all week folks”. Don’t forget to tip your waitress.

Here’s our weekly interview with the streets, this week featuring 0331c, Ben Eine, C215, Felipe Pantone, Haculla, Interenzni Kazki, Jan & JS, Losaer, N888K, Neue, Stasdobry, The RUS Crew, Theo Lopez, Tristan Eaton, Vasya, and WK Interact.

Our top image: Interezni Kazki (photo © Jaime Rojo)

C215 (photo © Jaime Rojo)

Jana & JS (photo © Jaime Rojo)

Jana & JS (photo © Jaime Rojo)

Jana & JS (photo © Jaime Rojo)

Jana & JS (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

WK Interact (photo © Jaime Rojo)

 

The RUS Crew (photo © Jaime Rojo)

The RUS Crew (photo © Jaime Rojo)

N888K (photo © Jaime Rojo)

Ben Eine (photo © Jaime Rojo)

Ben Eine (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

Haculla (photo © Jaime Rojo)

Theo Lopez (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

NEUE (photo © Jaime Rojo)

Stasdobry (photo © Jaime Rojo)

Stasdobry (photo © Jaime Rojo)

0331c (photo © Jaime Rojo)

Vasya (photo © Jaime Rojo)

Felipe Pantone (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

LOSER (photo © Jaime Rojo)

Tristan Eaton (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

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C215 and Two Fine Ladies In Moscow

C215 and Two Fine Ladies In Moscow

BSA is in Moscow as curators of 50+ international artists in the Artmossphere Biennale 2018 for its 3rd edition called Street Art Wave. Till the end of the month we’ll working with a stellar cross section of people involved with Urban Art/Street Art/Graffiti at curious and fascinating intersections. We’re meeting with Street Artists, academics, collectors, gallerists, museum curators, organizers, and thoughtful pontificators of all sorts in studio, on the street, behind the scenes, and on display. Come with us!


Finding Street Art is sort of like a treasure hunt – one that you become addicted to and can never fully peel away from your psychological experience of the city.

Today we found by chance an eight year old stencil piece in Moscow that we had imprinted in our minds  probably ever since French Street Artist C215 first posted it on his Flickr page in 2010.  Of course his stencil style is his alone, but the style of these two figures is also impeccable – if fading from its original grandeur. If we find more information regarding their identity, we’ll update this post. In the meantime we’ll enjoy the serendipity of meeting old friends for the first time on the streets of Moscow.

C215. Moscow. August 2018. (photo © Jaime Rojo)

A shot by the artist when he first painted this in 2010 (© C215)

A shot by the artist when he first painted this in 2010 (© C215)

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Urban Art, Human Space. 6th Edition of “Avant Garde Tudela” in Spain

Urban Art, Human Space. 6th Edition of “Avant Garde Tudela” in Spain

“Contemporary Muralism” is the tag that organizers of this international exhibition gives to the current practice, and this northeastern Spanish city of 35,000 has hosted a number of primarily European Street Artists for a half dozen years here to do just that.

Miquel Wert. Avant Garde Tudela VI. Tudela, Spain. June 2018. (photo © Fer Alcalà)

“Urban art is an incomparable tool for the transformation of the public space,” say organizers, and this years roster includes SpY, Miquel Wert, Kenor and Lucas Milà. Additionally a program of workshops was given by Andrea Michaelsson – Btoy, along with round tables and conferences in which international and local speakers participated.

Miquel Wert. Avant Garde Tudela VI. Tudela, Spain. June 2018. (photo © Fer Alcalà)

Under the auspices of the Department of Culture and the City Council of Tudela – EPEL Castel Ruiz, the program of “Arte Urbano, Espacio Humano” focuses on a democratic approach to the city that recognizes the contributions of many people who make a city work.

“In the street the work merges with the morphology and geometry of the city,” says one of the curators of this years edition, Arcadi Poch, “at the artistic level the city is an extraordinarily fertile land”.

Our sincere thanks to photographer Fer Alcalà for sharing his excellent documentation here with BSA readers.

Miquel Wert. Avant Garde Tudela VI. Tudela, Spain. June 2018. (photo © Fer Alcalà)

Miquel Wert. Avant Garde Tudela VI. Tudela, Spain. June 2018. (photo © Fer Alcalà)

Btoy. Avant Garde Tudela VI. Tudela, Spain. June 2018. (photo © Fer Alcalà)

Btoy. Avant Garde Tudela VI. Tudela, Spain. June 2018. (photo © Fer Alcalà)

SpY. Avant Garde Tudela VI. Tudela, Spain. June 2018. (photo © Fer Alcalà)

SpY. Avant Garde Tudela VI. Tudela, Spain. June 2018. (photo © Fer Alcalà)

Lucas Milá. Avant Garde Tudela VI. Tudela, Spain. June 2018. (photo © courtesy of the artist)

In this new piece by Catalan artist Lucas Milá the paint itself plays a role in the story because it appears and disappears with the light and temperature – a project of photochromic paint.

In the mural, made in the town of Peralta, you can see a vegetable farmer, possibly from the area known as the Ribera, whose shirt goes from a dark blue to an absolute white covered with vegetables. Similarly in the background landscape some clouds disappear when the sun hits.

Lucas Milá. Avant Garde Tudela VI. Tudela, Spain. June 2018. (photo © courtesy of the artist)

Kenor. Avant Garde Tudela VI. Tudela, Spain. June 2018. (photo © Fer Alcalà)

Kenor. Avant Garde Tudela VI. Tudela, Spain. June 2018. (photo © Fer Alcalà)

Jorge Rodríguez Gerarda. Work in progress. Avant Garde Tudela VI. Tudela, Spain. June 2018. (photo © Fer Alcalà)

Jorge Rodríguez Gerarda. Avant Garde Tudela VI. Tudela, Spain. June 2018. (photo courtesy of the artist)

C215. Avant Garde Tudela (Work from previous edition). Detail. Tudela, Spain. June 2018. (photo © Fer Alcalà)

C215. Avant Garde Tudela (Work from previous edition). Tudela, Spain. June 2018. (photo © Fer Alcalà)


VI AVANT GARDE TUDELA Y RIBERA 2018
International Exhibition of Contemporary Muralism
‘ARTE URBANO, ESPACIO HUMANO’ VI International exhibition of contemporary muralism. Avant Garde Tudela ‘Arte Urbano Espacio humano’ is an international exhibition of contemporary muralism that was organized by the Department of Culture of the City Council of Tudela – EPEL Castel Ruiz. In this VI edition, the exhibition opened to Ribera with the participation of the towns of Arguedas and Peralta.

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Magda Danysz Brings “Art From The Streets” to Singapore Art Science Museum

Magda Danysz Brings “Art From The Streets” to Singapore Art Science Museum

“Art From the Streets”, an exhibition at the Art Science Museum in Singapore opened this weekend to coordinate with Singapore Art Week that runs from tomorrow until the end of the month with fairs, festivals and art exhibitions. Commercial art dealer and writer Magda Danysz curated the show with names she represents and whom you will be familiar with – Banksy, Shepard Fairey, Faile, and Futura, for example.

Two versions of the catalogue, one by Felipe Pantone, the other by Futura, are available on the Magda Danysz website .

But she also brings an eclectic mix of others on her roster and possibly lent from some private collections. Collectively they span many of the high profile, the saleable and known over the past 5 decades from various disciplines and philosophical practices; In the case of Jacques Villeglé, whose practice of lacerating posters in the 1960s predates Failes’ by 4 decades, a lineage can be drawn. Other connections are not as easy.

Ultimately the collection gives a sense of the vast number of personalities and techniques that have characterized the street practice in Europe and North America primarily without focusing on any one specialty too greatly. Here are the revered names along with mid-career folks and current darlings who are sure to leave a mark. There is also a small inclusion of more regional favorites like Eko Nugroho from Indonesia, and Singapore’s Speak Cryptic, who each were on hand this weekend with many of the artists for the opening.

Giving tours with microphone in hand during the opening days, the energetic Ms. Danysz educates new fans and potential buyers about an organic artists scene that grew from the streets and is now more frequently being offered for sale in places such as her three gallery locations in London, Paris, and Shanghai. Today it is slowly appearing more often in museums as well.

“Conscious that promotion of the emerging scene is necessary, Magda Danysz took part in many fairs,” says a press release, “such as for example Art Brussels, Arte Fiera in Bologna, Artissima in Torino, Fiac in Paris or Pulse in New York, and is one of the four galleries at the origin of the Show Off Paris art fair.”

This weekend’s activities included short presentations panel discussions and a screen of Wild Style.

Art from the Streets tickets are $17.00 on the Marina Bay Sands website.


A complete list of artists varies online with artists listed on the museum website including:

Banksy, Tarek Benaoum, Stéphane Bisseuil, Blade, Crash, Speak Cryptic, D*face, Fab 5 Freddy, FAILE, Shepard Fairey (aka Obey), Futura, Invader, JR, L’Atlas, Ludo, M-City, Nasty, Eko Nugroho, Nunca, Felipe Pantone, Quik, Lee Quinones, Blek le Rat, Rero, Remi Rough, André Saraiva, Seen, Seth, Sten Lex, Tanc, Hua Tunan, Yok & Sheryo, YZ, Zevs “and many more“.

Elsewhere online the roster is said to include 2Koa, Jef Aérosol, Ash, André, A-One, Aplickone, Banksy, Benjamin Duquenne, Tarek Benaoum, Stephane Bisseuil, Blek Le Rat, Boulaone, C215, Crash, Dface, Dondi, Dran, Eror729, Shepard Fairey, Faile, Futura, Keith Haring, Isham, Jayone, Jonone, Jr, Katre, Kaws, L’atlas, Lem, Ludo, Barry Mc Gee, Mikostic, Miss.Tic, Mode 2, Steve More, Nasty, Nord, Yoshi Omori, Os Gemeos, Psyckoze, Quik, Rammellzee, Recidivism, Rero, Remi Rough, Seen, Seth, Skki, Sore, Space Invader, Spazm, Spécio, Swoon, Tanc, Toxick, Vhils, Jacques Villeglé, Nick Walker, West, Yz, Zevs, Zhang Dali, Zlotykamien and Zuba.

 

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BSA Images Of The Week: 02.26.17

BSA Images Of The Week: 02.26.17

BSA-Images-Week-Jan2015

Always good to get to Berlin to see what waves of text and pattern and outrage and snark and myriad metaphor are more-or-less relentlessly rippling across buildings and empty lots. The rippling effect was swelled by 4 days of rain, which makes windows streak with rivlets and wheat-pastes peel from the top, leaning forward and down and toward their demise, often sticking to themselves, halved and horrid in the process.

Nonetheless we got a lot of work done, seeing artists, urban gallerists, and of course the labyrinthine interior of the ‘secret’ project that is no secret any longer, the five floor Berlin HAUS, a former bank building in a well trafficked part of the city that is swarmed every day and nearly every night with graffiti writers, professional painters, Street Artists, illustrators, and the like – mainly, if not entirely, Germany based artists doing elaborate installations throughout.

Also checked out the new Project M show opening this week at Urban Nation “RADIUS” curated by Boris Niehaus (JUST), Christian Hundertmark (C100 and Art of Rebellion books) & Rudolf David Klöckner (URBANSHIT). The show runs for 6 weeks and again is exclusively German in its roster including names like Case Maclaim, Dave the Chimp, Flying Förtress, Formula 76, Low BrosMadCMoses & TapsNomadPatrick Hartl & C100Rocco and his brothersSatOneSweetunoVarious & GouldZelle AsphaltkulturXOOOOX, and Hatch Sticker Museum.

Across the street in the under-construction UN museum space the scene was a “secret dinner” for 100 thrown by Director Yasha Young to stir up the buzz for the inaugural exhibit in September as well as take stock of the hundreds of artist locally and internationally who have been part of the UN before the doors even open. In attendance were artists, graffiti writers, arts writers, photographers, academics, cultural organizers, supporters, elected officials, a spare ambassador or two, all lined up to hear of few speeches, a video or two about programming – and eat off plates designed by 100 or so artists.

But the real story of course was the stuff we found on the streets – legal and illegal, a bit of dashed text and time intensive murals. Berlin doesn’t stop surprising you, and regardless of rain that completely drenched us, we didn’t care frankly.

Here’s our weekly interview with the streets, this week featuring: 1Up, Alaniz, Berlin Kidz, BoxiTrixi, C215, Crisp, Damien Mitchell, Dave the Chimp, Don John, Eins92, Fink 22, Gilf!, Icy & Sot, K, Missing Girls, Priznu, Rinth-WLNY, Sozl35, Telmo & Miel, and Various & Gould.

Top image: Telmo & Miel. Detail. In collaboration with The Haus. Berlin. February 2017. (photo © Jaime Rojo)

Telmo & Miel. In collaboration with The Haus. Berlin. February 2017. (photo © Jaime Rojo)

Telmo & Miel. Detail. In collaboration with The Haus. Berlin. February 2017. (photo © Jaime Rojo)

Various & Gould. In collaboration with Urban Nation Museum For Urban Contemporary Art. February 2017. (photo © Jaime Rojo)

Dave The Chimp. In collaboration with Urban Nation Museum For Urban Contemporary Art. February 2017. (photo © Jaime Rojo)

Dave The Chimp. Berlin. February 2017. (photo © Jaime Rojo)

C215. Berlin. February 2017. (photo © Jaime Rojo)

C215. Berlin. February 2017. (photo © Jaime Rojo)

1UP. Berlin. February 2017. (photo © Jaime Rojo)

1UP. Berlin. February 2017. (photo © Jaime Rojo)

1UP. Berlin. February 2017. (photo © Jaime Rojo)

1UP. Berlin. February 2017. (photo © Jaime Rojo)

Alaniz and friends. Berlin. February 2017. (photo © Jaime Rojo)

Damien Mitchell (photo © Jaime Rojo)

Sozl35. Berlin. February 2017. (photo © Jaime Rojo)

Gilf! (photo © Jaime Rojo)

Priznu. Berlin. February 2017. (photo © Jaime Rojo)

#missinggirls. Berlin. February 2017. (photo © Jaime Rojo)

Eins92. Berlin. February 2017. (photo © Jaime Rojo)

Don John. Berlin. February 2017. (photo © Jaime Rojo)

Berlin Kidz. Berlin. February 2017. (photo © Jaime Rojo)

Berlin Kidz. Berlin. February 2017. (photo © Jaime Rojo)

Berlin Kidz. Berlin. February 2017. (photo © Jaime Rojo)

Fink 22. Berlin. February 2017. (photo © Jaime Rojo)

Rinth_WLNY. Berlin. February 2017. (photo © Jaime Rojo)

Unidentified artist. Berlin. February 2017. (photo © Jaime Rojo)

BoxiTrixi. Berlin. February 2017. (photo © Jaime Rojo)

K. Berlin. February 2017. (photo © Jaime Rojo)

Unidentified artist. Berlin. February 2017. (photo © Jaime Rojo)

We liked the composition between this Icy & Sot stencil and the Korn sticker. Berlin. February 2017. (photo © Jaime Rojo)

Crisp. Berlin. February 2017. (photo © Jaime Rojo)

Unidentified artist. Berlin. February 2017. (photo © Jaime Rojo)

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BSA “Images Of The Year” for 2016 (VIDEO)

BSA “Images Of The Year” for 2016 (VIDEO)

brooklyn-street-art-images-of-the-year-2016-dface-jaime-rojo-740

Of the thousands of images he took this year in places like New York, Berlin, Dresden, Moscow, Marrakesh, Detroit and Miami, photographer Jaime Rojo found that the figurative image still stands prominently in the Street Art scene – along with text-based, abstract and animal world themes.

Surprisingly the scene does not appear to be addressing the troubled and contentious matters of the political and social realms in a large way, but the D.I.Y. scene keeps alive and defies the forces of homogeneity with one-of-a-kind small wheat-pastes, stencils, sculptures, and aerosol sprayed pieces alongside the enormous and detailed paintings that take days to complete.

Every Sunday on BrooklynStreetArt.com, we present “Images Of The Week”, our regular interview with the street. Primarily New York based, BSA interviewed, shot, and displayed images from Street Artists from more than 100 cities over the last year, making the site a truly global resource for artists, fans, collectors, gallerists, museums, curators, academics, and others in the creative ecosystem. We are proud of the help we have given and thankful to the community for what you give back to us and we hope you enjoy this collection – some of the best from 2016.

Brooklyn Street Art 2016 Images of the Year by Jaime Rojo includes the following artists;

1Up, Above, Adele Renault, Alaniz, Amy Smalls, George Vidas, GEN2, Apexer, BordaloII, Buff Monster, C215, Collin Van Der Sluijs, Super A, David Choe, D*Face, Duke Riley, El Sol 25, Sean 9 Lugo, EQC, Faile, Faith47, Faust, Shantell Martin, Felipe Pantone, Hueman, Droid907, Icy & Sot, InDecline, Invader, JJ Veronis, Jilly Ballistic, John Ahearn, JR, London Kaye, Louis Masai, MadC, Marshal Arts, Mongolz, MSK, Rime, Myth, Nina Chanel, Optic Ninja, Otto Osch Schade, Panmela Castro, Plastic Jesus, QRST, Reed b More, Remi Rough, REVS, Self Made, Sharon Dela Cruz, Maripussy, Specter, Stikman, Strok, Swoon, Ted Pim, Thievin’ Stephen, Farin Purth, Thomas Allen, Tobo, Uriginal, Vermibus, Vhils, Wing, Yes Two, Zola.

The artist featured on the main graphic is D*Face as shot by Jaime Rojo in New York.

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Urban Contemporary Inside the Fair : BSA x UN BERLIN ART BASEL 2016: Dispatch 6

Urban Contemporary Inside the Fair : BSA x UN BERLIN ART BASEL 2016: Dispatch 6

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Art Basel in Miami is part of an annual three city fair that includes Hong Kong and it’s name sake Basel in Switzerland. This years fair in Miami hosts 269 galleries and your brain will be fried after the first 150, in an excellent way.

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Okuda at Retrospect Galleries. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

An art fair is not really a rarefied environment but many patrons walk with that air, presumably because they find it to be a flattering look, but most people are just excited to discover new ideas and techniques for channeling the creative spirit in a multitude of ways.

Far from the action of the actual graffiti and Street Art scene in long rows of white wall cubicles that average the price of a new car to rent for four days, SCOPE nonetheless has a healthy number of Street Artists represented with studio pieces that rock as hard as any killer piece under a bridge.

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Felipe Pantone at Mirus Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

Inside this environment we’re probably calling the category Urban Contemporary and it’s always interesting to see how the street practice translates to a frame on a wall – and who can do it successfully. Maybe it shouldn’t, but it’s always surprising to see how many other derivative, hackneyed, or underwhelming works are proudly on display – by artists whose main connection to actual street culture is tenuous at best.

But imitators and replicators have existed in every genre of the plastic arts for as long as anyone reading this has been alive, so it shouldn’t be a shock when you have seen 5 Banksy-esque canvasses even before you stop at the commissary for your $14 pressed vegetable panini.

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Hueman at Mirus Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

For the actual fans and collectors of actual graffiti and Street Artists, it may be irksome to see the common tropes of colorful paint drips and ironic pop images mutated and slapped with cleverness – especially in view of the fact that there is a fleet of new kids outside in our cities and streets today whose work is regularly amazing.

Since many of the current generation of Street Artists have had a little or a lot of formal training as artists, the quality of work in the good spots is very high and we were happy to find many excellent pieces throughout the fair by folks whose name you may recognize. Here is a sampling of pieces we found during an audit of this year’s SCOPE just so you have an idea of the offerings.

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Cinta Vidal at Thinkspace Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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Cyrcle at Station 16 Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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Clet Abraham at Graffik Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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Dotmasters at Graffik Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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Sitk at Graffik Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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2501 and Cryptik at Innerstate Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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Pixel Pancho at Innerstate Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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Swoon at Chandran Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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Logan Hicks and Joe Iurato at Station 16 Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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C215 at Next Street Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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Kurar at Next Street Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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Denis McNett at Paradigm Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)


This article is the result of a collaborative partnership with BSA and Urban Nation (UN).

 

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C215: “100 Walls For Youth” Begins with 27 Children in Stencil Portrait

C215: “100 Walls For Youth” Begins with 27 Children in Stencil Portrait

“France has been a crossroads and a host country forever: Greeks, Romans, Teutons, Vikings, Arabs all settled here in antiquity and then in the middle ages. The Spanish, Russian, Italian, and Polish came here more recently, not to mention the North Africans, and Africans, the Indo-Chinese, Lebanese, and Iranians who have taken refuge. Even the Chinese have recently settled here successfully. Today we have the Syrians who come to us and we must welcome them,” says Street Artist C215 of his newest mural of children’s faces.

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c215. 100 Walls for Youth. Sarcelles, France. September 2016. (photo © courtesy of 100 Walls for Youth)

The inaugural mural for the project 100 WALLS FOR YOUTH, C215 has made a strongly resolute defense of his views on Liberté, égalité, fraternité  – the motto of the French. He also throws in one more: Laïcité –  a core concept in the French constitution which formally states that France is a secular republic. This is going to be a powerful campaign, based on what we have heard from artistic director Gautier Jourdain of the LE M.U.R. association and the Gallerie Mathgoth, which he runs with his wife Mathilde in the 13th Arrondissement of Paris.

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c215. 100 Walls for Youth. Sarcelles, France. September 2016. (photo © courtesy of 100 Walls for Youth)

After sitting with and photographing 27 different school children in June, C215 created stencils of each of them to paint on the street here in Paris where they all live. This would be a remarkable project if only for the effort and the talent, but in a time of stewing anti-immigrant fervor in France and other areas of Europe that has awakened the right wing and the would-be racists among us, this wall takes on additional significance.

This wall is part of what will be a much larger effort under the patronage of Mr. Francois Hollande, the President of the French Republic, says Mr. Jourdain, of the project that will spread to school walls and walls near other schools in partner cities with the help of many other Street Artists around the world.

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c215. 100 Walls for Youth. Sarcelles, France. September 2016. (photo © courtesy of 100 Walls for Youth)

As these murals and artworks provide an open gallery and an effective method for discussing these issues, organizers hope that this will be an unprecedented artistic adventure reaching many in the contemporary art world along with people on the street. Gaultier tells us the intentions and messages are those “built around altruistic values of respect, solidarity, diversity and brotherhood, citizenship and tolerance.”

BSA will be bringing you more of these walls by Street Artists as they come to neighborhoods around the city and globe. We have already heard of a number of them in the pipes! But first, here is C215 to start off the festivities.

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c215. 100 Walls for Youth. Sarcelles, France. September 2016. (photo © courtesy of 100 Walls for Youth)

“For the first of these frescoes, we wanted an iconic artist who is able to send a strong message,” says Gautier. “C215 seemed like the guy who could deliver this.”

On his Facebook page, C215 met with much praise for the project, and a fair number of intolerant, xenophobic, and racist ones. There were even some insisting that the country is being flooded deliberately as part of a neoliberal “One World Order” plan to dilute the culture and ruin everything. Sorry, France. If it helps at all, we’ve had the same kinds of people yelping about those new immigrant groups every twenty years or so throughout history – and the US is a nation comprised almost entirely of immigrants. Go figure.

“France has no ethnic or religious orientation,” C215 says. “France is a melting pot, a crossroads which since antiquity welcomes the peoples and the aggregates, in the mixing for a common ideal, which is today one of the republic.” Laïcité!

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c215. 100 Walls for Youth. Sarcelles, France. September 2016. (photo © courtesy of 100 Walls for Youth)

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c215. 100 Walls for Youth. Sarcelles, France. September 2016. (photo © courtesy of 100 Walls for Youth)

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c215. 100 Walls for Youth. Sarcelles, France. September 2016. (photo © courtesy of 100 Walls for Youth)

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c215. 100 Walls for Youth. Sarcelles, France. September 2016. (photo © courtesy of 100 Walls for Youth)

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c215. 100 Walls for Youth. Sarcelles, France. Septiembre 2016. (photo © courtesy of 100 Walls for Youth)

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Jardin Rouge: A Unique Garden for Street Artists to Grow In

Jardin Rouge: A Unique Garden for Street Artists to Grow In

The soil in this garden is a deep rich red hue, as is the lifeblood that pumps through this modern compound with echoes of Egyptian mastaba architecture. Jardin Rouge invites Street Artists, graffiti artists, and urban artists to step around the peacocks that strut around the grounds of this North African oasis and to come inside to paint.

Painting outside is encouraged as well.

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Hendrik Berkeich AKA ECB. Jardin Rouge, Morocco. (photo © Jaime Rojo)

25 minutes outside of Marrakesh in the middle of a 32 acre olive grove, this is an artist’s residency unlike many, where vandals are invited. They also are encouraged to push themselves creatively and develop their skills, techniques and try new disciplines outside their comfort zones.

Created and funded largely by one visionary collector, a private French businessman of Russian heritage who says he discovered his own love of graffiti using china marker on city walls while he was a homeless teen in the 1960s, the residency stands apart from others in the full spectrum of support and direction it gives.

From French portrait stencilist C215 and German aerosol portraitist ECB to members of New York’s graffiti stars Tats Cru to the Franco-Congolese painter Kouka, the aerosol atmospherics of Benjamin Laading and abstractly juicy tag clouds of Sun7, the commonality of these street practitioners is their willingness to experiment, and their drive to produce quality work. Quietly building a reputation with this invitation-only residency, high quality shows marketed directly to collectors, and a new ambitious museum space with the Montresso Foundation, Jardin Rouge is setting its own standard.

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C215. Jardin Rouge, Morocco. (photo © Jaime Rojo)

“When artists come here we ask them to express themselves in their own style. The second thing we ask is to concentrate on the quality of their work and the craft. I don’t like artists who don’t take care of their quality, I don’t respect them,” says Jean-Louis, a white maned lion with firm opinions and an empathetic gaze.

“Also it is about presentation – a lot of artists have no idea how to present their work – but we always talk to the artist about how to make their final presentation, their final work.” When he describes this dynamic, you realize that as an artist, no matter what level of professionalism you enter Jardin Rouge with, it will raise a notch or two by the time you leave.

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Kouka. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Speaking to current and former artists-in-residence, it’s clear that it is a tight ship with an expert crew. All materials, needs, and ideas can be discussed, and there is a focus on professionalism and readiness for development. Sun7 (or Sunset), a dynamic expressionist and graffiti writer who still runs a fatcap and a thick marker across city walls in Paris, London, New York as well as the occasional corporate brand gig, told us on a recent Saturday morning that he had gone into Marrakesh the night before to party with friends until sunrise, but he was determined to get into the studio by 10 am regardless. “These guys give us so much and I want to make sure I’m giving my best back too.”

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Sun7. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Jean-Louis purchased the area near the Ouidane village in 2003 and began coaching his first artist in 2007, not realizing that the guidance he was giving to one would grow into the double digits in terms of artists who he now works with. The Montresso foundation is essentially sponsored by its founder and by donations from different partners and art collectors.

“At the beginning of Jardin Rouge this was my hobby. Then artists began hearing about this little by little and asking if they could come for a residency. We began the project slowly and became perhaps more professional and expanded our team,” he says. Collectors were slow to come as well, but eventually that changed thanks to well-attended openings, studio visits, and a marketing push that produces print catalogues and video pieces about the artists.

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The Montresso Foundation on the grounds of Jardin Rouge, Morocco. (photo © Jaime Rojo)

“We started to do something more attractive and more people began to hear about this, and also collectors began to hear about it. We have a lot of collectors and they are not necessarily so interested in street art per se but when they come to a place like this their perception of street art begins to change.”

BSA: We have noticed that it is very important here to encourage artists to test themselves in new mediums that maybe they are not comfortable with but it is perhaps your philosophy to encourage them to do something outside of their normal practice. Can you talk about that because it is not something that we normally see.
Jean-Louis: At the beginning the idea was to meet with some young artists, some street artists and to give them the possibility to make something. I never want to encroach on their technique. You have your talents you have your technique. But slowly I began asking artists to please try to do something that was not in the street, perhaps with canvas or for something else. This was the idea in the beginning – to help some artists to grow.

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TILT. Jardin Rouge, Morocco. (photo © Jaime Rojo)

“It is a place to do something different from what you are doing in your own studio,” says TILT, who has had two residencies here, and who is intensely working on two concurrent shows with Jardin Rouge this year. “I think the good thing is that you don’t have the environment, you don’t have the pressure that you have when you are in your own studio, in your own city and surrounded by people you know.”

During an interview we did with him there we found that a familiar story continued to emerge; a supportive environment can actually make artists dream bigger.

“So here you can try and you can fail,” TILT says. “And if you fail its okay – it’s part of the game. It’s a huge space and maybe you don’t have to think about all of the materials because it is also easy to get them here. The structure is so well managed that if you need something, something is going to come to you. So you think totally differently, it is like a “deluxe” studio. Your mind is not stopped because you thought ‘oh I wanted to do that but I can’t’ because the frame is going to cost too much… or I need 6 or 7 people to help me move this car from one room to another. So its like everything is possible and that can really open up your mind.”

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Steven P. Harrington of BrooklynStreetArt.com interviews TILT. Jardin Rouge, Morocco. (photo © Jaime Rojo)

The Toulouse, France-born graffiti writer speaks from his own experience since the centerpieces of his new two-location show required cutting an entire car in half, reconstructing and stabilizing it, and mounting the half cars in two locations in two countries.

“When we decided to do the giant piece, the big car, I also wanted to experiment with something, to try to work with a different material, and since I think my work is kind of dirty – dirty graffiti, primitive graffiti – far from what Street Art can represent – I think that my work needs more knowledge about the history of graffiti, about the letters, about the texture, about accumulation. I had never worked with drywall and these other materials – it’s a super difficult medium to work with and so I thought that Jardin Rouge was probably the right place to try to make it work.”

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TILT. Detail. Montresso Foundation. Jardin Rouge, Morocco. (photo © Jaime Rojo)

The “Voyage Aller Retour (Outbound and Return Trip)” show was constructed over many weeks and made at Jardin Rouge studios, with the “Outbound Trip” shown at the Marrakesh Biennale this spring and the “Return Trip” half shown for the Epoxy event at Musée Les Abbatoirs in Toulouse, France in June.

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TILT. Detail. Montresso Foundation. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Each half of the car is piled comically high with worldly goods that are tied to the roof, and the entire car with possessions is sprayed with aerosol graffiti tags, throw ups, bubble letters and drippy callouts to peers and their family members. Two directions of migration are represented, with one carrying home-made and natural goods and articles that a family in the country may bring to the city, and the other transporting the electronic entertainment and consumer goods that a metropolitan family car might bring to relatives in the country. It’s a metaphor in degrees that addresses first and third world migration as well and a graffiti-covered touchstone that indirectly speaks to the refugee crises affecting war-torn Syria and much of Europe

Writer and cultural critic Butterfly describes TILT’s “Voyage”; “He is fetishizing an object, the Peugeot 404 car, appreciating it for its properties regardless of its practical, social and cultural interests. Tilt sanctifies the object by vandalizing it; he breaks down the unstable and fluctuating barriers of the work of art.”

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TILT. Montresso Foundation. Jardin Rouge, Morocco. (photo © Jaime Rojo)

We had the opportunity to see “Voyage Aller” mounted inside the new spacious and modern museum-quality Montresso Foundation building and TILT’s eye-popping explosion of color held its ground in the massive new modern space. For the team and the foundation partners, this inaugural show with an accompanying outdoor garden and terrace also showcases Jean-Louis’ unique and powerful vision as architect as well.

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TILT. Detail. Montresso Foundation. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Alongside the reflecting pools and pens for horses, goats, cows, and other farm animals is a statue of a huge geometrically planed gorilla and painted facades with colorful character-based graffiti scattered across the property and popping in and out of view overhead. From atop one of these red roofs you can observe a wide hazy basin spreading for many kilometers south to the foothills of the snow-capped Atlas Mountains an hour and a half’s drive by car.

Manicured lawns, cacti, palm, and olive trees frame wending walkways that lead through the one or two story buildings and into the many indoor spaces and breezeways that connect artists studios, living quarters, guest accommodations, entertaining rooms, an ample dining area, production and professional offices. It all feels like a gallery and changing series of installations, indoors and out. As we walk with Elise Levine, the communications manager, throughout the buildings we see walls hung with canvasses of Jean-Louis’ collection and others of artists who have had residencies here.

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TILT in the middle with Mr. Harrington on the right and a guest on the left standing in the lobby of the Montresso Foundation. Jardin Rouge, Morocco. (photo © Jaime Rojo)

In these surroundings it is not difficult to imagine how artists can make the transition to contemporary art without losing their personal connection to the street. The sensual Fenx splashes pop beauties with thick tagging, Tarek Benaoum manifests calligraffiti as something ornamental and precise and Kashink’s comic characters make wisecracks in front of you, each with four eyes. With Elise’s personal warmth and knack for storytelling about artists and installations, the Moroccan wood cabinetry, mid century modern furniture, patterned textiles, and specially designed light fixtures all impart a non-restrictive peaceful environment.

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Jo Ber. Jardin Rouge, Morocco. (photo © Jaime Rojo)

We had the opportunity to see an eclectic handful of the artists studios, which all come equipped with materials and tools that enable the artists to do their work and not worry about the typical concerns of artists life.

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Kashink. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Benjamin Laading leads us into his studio, about the sized of a family one-car garage, but with a full wall of window that allows the sun to flood the space with light. A Norwegian painter who says he still writes graffiti he is working here on capturing the impressive forms known to fat cap sprayers everywhere, the bending of light in waves of a tube-like pointillism. In fact, that’s what he is turning it into.

“I started to think about how I could look at and talk about the tag – the core of graffiti that is the first line, the expressive line on the canvas,” he says as he pulls out his newest studies of this momentary movement of a gestural spray technique.

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Benjamin Laading. Detail. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Each canvas captures a momentary movement, but each is actually carefully hand-rendered with refined dabbing over a longer period of time to achieve the exact effect. It is a tribute to the untamed wildness of quick tagging by graffiti artists but he hopes to delivery a galaxy inside the spray.

“They are always pushing me to do experiments,” he says, “I tried to find natural movement that looks like it was drawn very quickly.” The twist is that he recreates them with a brush, painstakingly pointillizing the dust and the energy that swoops across the canvas as a painting. After all, he says, “The spray stroke is made out of an accumulation of dots.” The effect is stark and energetic, atmospheric, and structural.

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Benjamin Laading. Detail. Jardin Rouge, Morocco. (photo © Jaime Rojo)

“It’s really a laboratory for a lot of artists to try something new here,” says Estelle Guilié, the artistic director since joining in 2014 and producing the first Jardin Rouge exhibition entitled “Behind the Red Wall” featuring a graffiti-heavy roster including BIO, BG, CEEK, and SY along with stencil artist ECB and warrior painter Kouka.

“We have one artist here who uses canvases for example all the time and I said to him ‘hey man for 20 years you have worked on the same medium and you don’t have your own signature. Maybe if you reflect on your work you can choose another language to express your art. He tested something new here for the first time and he has had a lot of success,” she says with a smile, “and now he can continue with it.”

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C215. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Finally, it strikes one that the entire complex is a diary, a philosophy of making work and the process of discovery. Sometime when Street Art / and Urban Art enters into a place, it dies. Here it feels alive, and many times just as consequential as it can be on the street.

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The Gold Fish pool provides serenity and inspiration. Jardin Rouge, Morocco. (photo © Jaime Rojo)

“It would be a great present to us if after 4 or 5 years someone sees one of these works by an artist and they say, ‘This artist was at Jardin Rouge, – or Montresso Foundation – and for this person it will stand for a label of quality,’” says Jean-Louis. With the establishment of the Montresso Foundation exhibition space, plans are afoot to develop larger exhibitions and the expansion of a permanent collection that reflects the movement of urban art into the contemporary art realm – obviously with an eye for what comes next.

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TILT. Montresso Foundation. Jardin Rouge, Morocco. (photo © Jaime Rojo)

 

This article is a result of Brooklyn Street Art partnership with Urban Nation Museum For Urban Contemporary Art in Berlin and was originally published at Urban Nation Museum For Urban Contemporary Art

A partial list of Jardin Rouge alumni:

310
Benjamin LAADING
Cédrix CRESPEL
CEET
Denis TEVEKOV
FENX
GODDOG
Hendrik BEIKIRCH
JACE
JO BER
KASHINK
KOUKA
MAD C
Neurone
POES
RESO I Cédric LASCOURS
Roxane Daumas
SY I Vitaly TSARENKOV
Sun7
Tarek BENAOUM
TATS CRU
TILT
Vitaly RUSAKOV

 

 

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