Enrico Bonadio. Protecting Art in the Street: A Guide to Copyright in Street Art and Graffiti. 2020
Reprinted from the original review.
Enrico Bonadio, a seasoned expert in copyright law, delves into the complexities of legal rights surrounding street art and graffiti in this insightful book, “Protecting Art in the Street.” Accompanied by a foreword from renowned graffiti writer, artist, and historian Zephyr, the book is a thorough and accessible guide for artists in understanding and navigating copyright laws.
Bonadio underscores the heightened vulnerability of street art and graffiti to unauthorized use and exploitation. He highlights that these art forms, often placed in public spaces, face greater risks of misappropriation and destruction compared to traditional fine art. This vulnerability, he points out, has led to an increase in legal actions against those who commercialize these works without the artists’ consent or proper compensation.
MARTHA COOPER LIBRARY: BOOK RECOMMENDATION
📖 | Title: Protecting Art in the Street: A Guide to Copyright in Street Art and Graffiti. 📚 | Dokument Press. December 2020. Soft cover. 🖋 | Author: Enrico Bonadio 💬 | Language: English
SpY’s latest projects, Ovoid and Ovoids, take two distinct approaches to spatial intervention—one in the open air of Riyadh, the other within an exhibition space in Rome. Vastly differing in scale and context, both works use form, movement, and light to challenge how we perceive and navigate the environments we often take for granted.
Public space is often shaped by necessity—by the logic of roads, bridges, and infrastructure that prioritize function over contemplation. Within these engineered landscapes, overlooked voids emerge: spaces beneath highways, gaps between buildings, and neglected urban margins. Street artists, including interventionist sculptors, have long recognized their potential, transforming them into sites of meaning. Ovoid, SpY’s latest large-scale installation, reclaims one such space beneath the Wadi Hanifah Bridge in Riyadh, inserting light, reflection, and scale into what could be considered an unremarkable void.
Suspended within this architectural remnant, Ovoid is both an assertion of presence and an activation of absence. The 35-meter-high glowing red form is not just framed by its surroundings; it forces a reconsideration of them. Bridges are built for passage, leaving their undersides as liminal, forgotten zones. By occupying this limbo with a hovering, illuminated form, SpY may compel the public to notice, challenging how we perceive and engage with the built environment.
This act of spatial transformation is deeply connected to the ethos of street art, where artists repurpose barriers and margins as arenas of possibility. Ovoid alters its setting, shifting attention from what is above to what is below, urging us to see the city differently. Reflected in the moving water beneath, it extends beyond its own materiality—both physical and ephemeral, solid and intangible. It is a reminder that cities are not only a collection of static structures but evolving spaces waiting to be redefined.
Ovoids takes the organic abstraction of SpY’s outdoor interventions inside the exhibition space and reforms it into a kinetic environment. Suspended from the ceiling, a series of elongated red forms—somewhere between paddles, seeds, and plum tomatoes—sway in slow, deliberate arcs. Their movement is rhythmic yet unpredictable, their scale imposing yet oddly humorous. As they hover and oscillate above, they create a shifting landscape of perception, inviting viewers to navigate around them.
Like its outdoor counterpart, Ovoids plays with presence and absence, stillness and motion. Here, the interplay between structure and fluidity is heightened, as the sculptures are neither fixed nor entirely free. They exist in a perpetual state of transformation, blurring the line between the mechanical and the organic. The slow pendular motion alters the spatial experience, pulling you into a hypnotic engagement where time seems to stretch and contract.
One moment, the paddles seem to loom overhead with imposing weight; the next, they glide harmlessly past, a dance both mesmerizing and slightly absurd. With the spirit of experimentation, like SpY’s interventions in public space, Ovoids reconfigures the familiar and leaves the viewer reconsidering the unseen forces that shape their surroundings.
Here’s our weekly conversation with the street, this week featuring Homesick, Degrupo, BK Foxx, Werds, EXR, Manuel Alexandro, Great Boxers, Wild West, Fred Tomaselli, Mr. Mustart, Imok, and Sokem.
In “The Red Skein,” Swoon (Caledonia Curry) thoroughly examines her artistic work over the past decade, encompassing both her street art and studio pieces. The book, spanning 224 pages and containing over 200 color images, is a detailed account of Swoon’s contributions to street art and related fields. It includes contributions from notable writers and critics, such as Dr. Gabor Maté, RJ Rushmore, Melena Ryzik, Jerry Saltz, Pedro Alonzo, Jeffrey Deitch, and Judy Chicago, offering a multifaceted analysis of Swoon’s career.
The book is structured as a visual compilation and a narrative documenting Swoon’s artistic development. It covers her pioneering efforts in street art, studio work, animation projects, and community initiatives, providing insight into her innovative techniques and wide-ranging influence. The title, “The Red Skein,” draws on the mythological concept of Ariadne’s thread, symbolizing the complex trajectory of Swoon’s career and the interconnections within her work.
MARTHA COOPER LIBRARY: BOOK RECOMMENDATION
📖 | Title: SWOON: THE RED SKEIN 📚 | Drago Publishers. October 25, 2022. Hardcover 🖋 | Authors: SWOON 💬 | Language: English
The small town of Les Franqueses del Vallès, located just 4 kilometers north of Granollers in Catalonia, Spain, hosted the third edition of the Enamurart Graffiti Jam on January 11, 2025. Nestled in a suburban setting, this town may not be on your radar, but you can imagine a reputation as a hub for urban art growing – especially with events like this graffiti jam.
Unfolding at the intersection of Carrer de la Serra and Carrer Llevant, Enamuart brought together an impressive lineup of graffiti artists and writers, including MARIA DIE, ESLICER, DANTE, MARCONE, PAKO & MAGA, STAIN, JAPON, SHORE, OKAN, MUSA, HEN, and EDZUMBA. The names represent a mix of styles, perspectives, and techniques, making the jam not just an artistic gathering but a good showcase of the breadth of contemporary graffiti.
Les Franqueses del Vallès, while quieter and more residential than its larger neighbor Granollers, is finding its footing as a cultural hotspot. The nearby Roca Umbert Fàbrica de les Arts in Granollers is a converted textile factory that’s become a cultural center and creative hub thanks to high quality works from graffiti and street artists, contributing to the region’s sense of artistic momentum. Enamurart’s graffiti jam is another layer in this evolving landscape, helping shape the community’s identity.
Thanks again to the artists and the organizers for sharing this story with us. Special thanks go to Lluis Olive Bulbena, whose sharp eye and passion for street art and graffiti have captured the day’s best moments in the photos shared with you today.
Bitter is right! The city’s temperature has been below freezing every day this week, and the sentiments coming out of the new White House appear to be bitterly subzero. We will be looking for artists to respond to the raft of new declarations, announcements, and aspirations spread across the political landscape. You can’t simply ban and deport everyone who you despise – it doesn’t work. When you see powerful people punching down with such hostility… – even a half-asleep school counselor with a coffee-stained clipboard would ask if everything is okay at home. The behavior on display this week might bring to mind something Grandma Arlene used to say when you were a mouthy teenager: ‘Maybe it’s time to take a good look in the mirror, mister!”
When it comes to graffiti and street art, we’ll keep an eye on the streets; In times of crisis and uncertainty, the artist’s voice emerges strongest, as adversity is the canvas on which creativity thrives.
Here’s our weekly conversation with the street, this week featuring City Kitty, Below Key, Huetek, Muebon, Rheo, Roachi, Such, Humble, Le Crue, Denis Ouch, Notic, Stu, Toney, Jay Diggz, EST, The Slasher, Soren, HELCH, Louie167, and Wanted.
Books in the MCL: John P. Jacob (ed.). Kodak Girl: From the Martha Cooper Collection
Kodak Girl: From the Martha Cooper Collection. John P. Jacob (ed.). 2012
Reprinted from the original review.
“Kodak Girl: From the Martha Cooper Collection“, edited by John P. Jacob with essays by Alison Nordström and Nancy M. West, provides an in-depth examination of Kodak’s influential marketing campaign centered around the iconic Kodak Girl. With a riveting collection of photographs and related ephemera, the book dives into the intersection of technology, culture, and the role of gender in the late 19th to the mid-20th centuries. It offers readers a comprehensive look at how Kodak not only transformed photography into a widely accessible hobby but also significantly influenced societal perceptions of women.
MARTHA COOPER LIBRARY: BOOK RECOMMENDATION
📖 | Title: Kodak Girl. From The Martha Cooper Collection / Edited by John P. Jacob 📚 | Steidl. Germany, 2011 🖋 | Authors: John P. Jacob, Alison Nordstrom, and Nancy M. West 💬 | Language: English
This is a new mini-installment from our interview with Michelle Houston about the current show at Urban Nation, LOVE LETTERS TO THE CITY.
“Why is public space not about public discourse and the things that are happening?,” asks Houston. “Why, have we got cigarette adverts and not conversations about social mobility?”
Even during these cold Berlin winter days, Urban Nation lights a warm fire inside your mind and imagination and gives you ideas to discuss and consider – and questions to ponder. Whose city are we living in?
Video credits: Commissioned by Stiftung Berliner Leben. Shot by Alexander Lichtner & Ilja Braun. Post-production, additional footage, graphics, and a final version by Michelle Nimpsch for YAP Studio/YES, AND… productions GmbH & Co. KG
New York is gearing up for a deep freeze from the weather and Donald Trump’s inauguration this weekend. With 100 Executive Orders reportedly queued up for him to sign, the forecast for the next four years includes ACA repeals, immigration crackdowns, Medicaid cuts, trade wars, inflation spikes, elimination of laws that corporations find restrictive, and civil rights rollbacks. On Martin Luther King Jr. Day, the timing feels bitterly ironic. But hey, maybe it’ll be sunshine and puppies, and everyone who is worried is just overreacting. “Poorer Voters Flocked to Trump,” said the Financial Times, so perhaps those petrified of the next four years are misreading the situation.
Regardless of the outcome over the coming years, we’ll be tracking the creative spirit on the street, and we are thankful for your support, as always.
Meanwhile, the polar vortex is set to bring approximately six inches of snow to New York City, followed by dangerously low temperatures with wind chills making it feel like -15°F. Interestingly, some graffiti writers will tell you that is the best time to get up on walls, because nobody is watching, but then perhaps you might lose feelings in your toes and fingers because of the cold?
The West Chelsea Arts Building in Manhattan, a longtime hub for artists and galleries, is on the market for $170 million, raising concerns about potential rent hikes or evictions for its 200 tenants. Over the years, notable artists like Ross Bleckner, Louise Fishman, and Hiroshi Sugimoto have called it home. Affordable studio space is essential to New York’s creative identity, yet rising costs make it increasingly difficult for emerging artists to thrive here. Imagine if the City prioritized supporting artist spaces instead of leaving culture at the mercy of the real estate market.
Here’s our weekly conversation with the street, this week featuring Stikman, Homesick, ERRE, Cody James, Hops Art, BK Ackler, Denis Ouch, Jenna Morello, WGE, QUES, Real Wrek, Kyle, AKSone, and 974MC.
Aryz, a name synonymous with large-scale murals that challenge the boundaries between street art and fine art, has once again brought his unique vision to life in Barcelona. Of course, this is not the first time he has painted here.
This time, his canvas is the exterior of Sala Apolo, a historic cultural center and music venue in the city. Renowned for surreal, muted palettes and imposing unexpected compositions, Aryz reimagines the Greek god Apollo in his latest piece, blending classical iconography with an unconventional, almost irreverent twist that defies the traditional aura of divinity. The project, documented here through the lens of Lluis Olive, showcases Aryz’s technical prowess and evolving approach to storytelling on public walls.
Sala Apolo, situated along the bustling Paral·lel Avenue, is far more than a venue; it’s a multidisciplinary hub for music, art, and inclusivity. Known for its commitment to amplifying various voices and creating a space for many audiences, the venue’s philosophy aligns seamlessly with Aryz’s artistic ethos. His reinterpretation of Apollo—a figure representing creativity and artistic mastery—pays homage to the center’s mission. It also anchors the new figure in the cultural heartbeat of Barcelona – a dialogue between the city’s cultural legacy and Aryz’s contemporary narrative.
In typical Aryz fashion, the mural reflects his ability to reinvent his style while maintaining the visual language that has earned him global recognition. Bold lines, translucent layers, uniquely rendered textures, soaked with warm and inviting hues—we’re midway between the divine and the human. This is public art as a shared cultural experience. Special thanks go to Lluis Olive for vividly capturing the mural’s creation and to the Sala Apolo team for fostering a platform where creativity can thrive.
Books in the MCL: Life’s A Mission Then You’re Dead. REVS, XSOUP, and ARBOR
REVS, XSOUP, and ARBOR. Life’s A Mission Then You’re Dead. 2022
Reprinted from the original review.
Life’s A Mission Then You’re Dead. REVS, XSOUP, and ARBOR
In the pantheon of New York graffiti legends at the turn of the century, few names resonate like REVS. Thanks to the regard other writers have for him “Life’s A Mission Then You’re Dead,” compiled alongside XSOUP and ARBOR, stands as a monumental tribute to the gritty essence and raw spirit of the city’s subterranean graffiti culture. The 510-page tome emerges not only as a collection of inside views but as an immersive chronicle of the lives, thoughts, and experiences of over a hundred NYC graffiti writers. Each account is a testament to the unvarnished reality of the streets, capturing the adrenaline, artistry, and audacity of those who dare to leave their mark in the most impermanent of all galleries: the urban cityscape.
MARTHA COOPER LIBRARY: BOOK RECOMMENDATION
📖 | Title: Life’s A Mission Then You’re Dead. REVS, XSOUP, and ARBOR 📚 | Self-published / 2022 🖋 | Authors: REVS, XSOUP, and ARBOR 💬 | Language: English
Welcome to Images of the Week. Our hearts are heavy as we think about our brothers and sisters in Los Angeles—their losses, pain, and fears. We’re deeply grateful to the firefighters and communities who are stepping up and looking out for one another. The bond between the graffiti and street art communities in LA and NY runs deep, and hearing some of the stories coming out of this disaster is heartbreaking.
If you can help, please consider these reputable organizations:
Before donating items or volunteering, it’s advisable to contact these organizations directly to understand their current needs and ensure your contributions are most effective. Thank you.
Here’s our weekly conversation with the street, this week featuring Judith Supine, Rambo, Degrupo, Werds, Seoul, Hektad, Appleton Pictures, EXR, One Rad Latina, Notice, TABBY, Caryn Cast, Cram, Ratch, GRIDER, Zooter, Arsenio Baca, Zwoner, and Nice Beats.
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
