All posts tagged: Specter

BSA Images Of The Week: 08.29.21

BSA Images Of The Week: 08.29.21

Welcome to BSA Images of the Week!

A new hurricane, a new school year, a new variant, a new governor, a new fall of Saigon, and a new anti-vaccination song from rock guitar god Eric Clapton, who doesn’t want you to put suspect chemicals into your body. Presumably, cocaine is still okay, however, if you want to get down, down on the ground.

The summer storms keep coming, and yet somehow so does the incredible show of creativity on our streets; the celebration of murals and graffiti burners and painters and sculptors and characters and opinions and cogitations. However hot and steamy and hard New York can be sometimes, it also is positively ebullient and inspiring. We know our many differences are our greater asset, our combined aspirations a stunning new possibility.

Here’s our weekly interview with the street, this week featuring A. Smith, Captain Eyeliner, China, Cody James, CP Won, David Puck, Gabriel Specter, Huetek, Iquene, Jason Naylor, Jitr!, Amanda Valdes, Lorenzo Masnah, M.R.S.N., Not Your Muse, Peachee Blue, Sara Lynne Leo, Sasha Velour, Say No Sleep, Tyler Ives, and Winston Tseng.

CP Won (photo @ Jaime Rojo)
Say No Sleep (photo @ Jaime Rojo)
Say No Sleep (photo @ Jaime Rojo)
Say No Sleep (photo @ Jaime Rojo)
Winston Tseng (photo @ Jaime Rojo)
Sara Lynne-Leo in collaboration with Tyler Ives. “Remedial Purge” (photo @ Jaime Rojo)
Captain Eyeliner (photo @ Jaime Rojo)
A Smith (photo @ Jaime Rojo)
Specter (photo @ Jaime Rojo)
Huetek. Detail. Work in progress for The Bushwick Collective 10th Anniversary edition. (photo @ Jaime Rojo)
Cody James. Work in progress for The Bushwick Collective 10th Anniversary edition. (photo @ Jaime Rojo)
Jason Naylor. Work in progress for The Bushwick Collective 10th Anniversary edition. (photo @ Jaime Rojo)
China (photo @ Jaime Rojo)
Jitr! (photo @ Jaime Rojo)
David Puck (photo @ Jaime Rojo)
Iquena (photo @ Jaime Rojo)
Not Your Muse (photo @ Jaime Rojo)
Peachee Blue (photo @ Jaime Rojo)
Amanda Valdes (photo @ Jaime Rojo)
Masnah (photo @ Jaime Rojo)
M.R.S.N. (photo @ Jaime Rojo)
Unidentified artists (photo @ Jaime Rojo)
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BSA Images Of The Week: 10.25.20

BSA Images Of The Week: 10.25.20

Welcome to BSA Images of the Week. We have early voting on the streets of New York right now for the first time, the Lincoln Project put up a billboard in Times Square targeting Trumps daughter and son-in-law, The Strand bookstore is threatening to close, Pro-trump and pro-Proud Boys graffiti was sprayed over a “wall of lies” in Bushwick, and nationwide the Corona virus has hit us with a vengeance, but our schools reopening in New York are having relative success with keeping the Covid incidence low.

Some hard news seems to great us every day, yet New Yorkers don’t give up so easily. And by the way, banging bright and crispy fall weather we’ve been having, right?

Here is our weekly interview with the streets, this week including Adam Fujita, Crash Floor, Disgusting is Good, Drop Dead Grace, Eye Sticker, Labor Camp, Mad Vaillan, Par, Save Art Space, Server Up, Specter, Texas, and Vayne.

Five years ago Peter AKA Pet Bird left this world but his gentle, unflappable, witty being remains with us. @crashfloor @disgustingisgood and @gabrielspecter pay tribute to him with this new mural. (photo © Jaime Rojo)
Five years ago Peter AKA Pet Bird. @crashfloor @disgustingisgood and @gabrielspecter pay tribute to him with this new mural. (photo © Jaime Rojo)
Save Art Space (photo © Jaime Rojo)
Server Up. Billboard takeover. (photo © Jaime Rojo)
Unidentified artist. Billboard takeover. (photo © Jaime Rojo)
Adam Fu (photo © Jaime Rojo)
Eye Sticker (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Vayne, Par, Bogus and friends… (photo © Jaime Rojo)
Texas (photo © Jaime Rojo)
Drop Dead Grace for The Bushwick Collective. (photo © Jaime Rojo)
Drop Dead Grace for The Bushwick Collective. (photo © Jaime Rojo)
Drop Dead Grace for The Bushwick Collective. (photo © Jaime Rojo)
Granny The Buff (photo © Jaime Rojo)
Mad Vaillan (photo © Jaime Rojo)
Labor Camp (photo © Jaime Rojo)
Untitled. Fall 2020. Williamsburg, Brooklyn. (photo © Jaime Rojo)
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Moniker BK 2018 Catalogue Introduction Text by BSA

Moniker BK 2018 Catalogue Introduction Text by BSA

For the past few days we’ve been highlighting some of the artists whose brand new works will be debuted this week at Moniker International Art Fair this week. We are pleased that our editor in chief, Steven P. Harrington, was asked to write the Moniker catalogue introduction and today we share with you his original text to give you an idea of his perspective on having this art fair in BK.

From the seedy to the sublime, Brooklyn’s underground and street culture always bubbles up to the surface like hot gritty pavement tar when you least expect it – maybe because it’s character is so diverse and scrappy; a perpetual underdog, a fighter who never tires. Likewise Moniker has blazed many dark streets during its first nine years in search of new unusual inspiration and authentic voices. For its New York debut Moniker again short-circuits expectations and takes up a seriously innovative residence in the street culture epicenter of BKLN.

Icy & Sot (photo © Jaime Rojo)

In the modern Urban Art story Brooklyn is known for giving birth to epic 1970s train writers like Dondi, 80s train/canvas artists like Daze, crossover iconoclast graffiti/Street Artists like REVS in the 90s, and Street Art innovators like Bäst, Faile, Judith Supine, Skewville and Swoon in the 00s. Currently it claims the thickest density of international murals by urban aerosol wizards anywhere in the city – with the Bushwick Collective proliferating an epic scene of styles in the 2010s that brings a river of fans and tours out on the L train on any given sunny Saturday.

An earlier Bast in Brooklyn (photo ©Jaime Rojo)

Curated, experiential, and immersive, Moniker again goes right to the source of this Street Art scene that has jolted many international collectors out of their comfort zones and sparked life into Contemporary Art in a way that nobody foresaw.

With an awesome shot of Gotham across the river and just adjacent to Williamsburg this site is where 4,000 workers in factories manufactured nautical rope for the Merchant Marine in the previous century, later becoming a marginalized and abandoned industrial neighborhood that was like a powerful magnet to Street Artists and graffiti writers until only recently.

Specter (photo © Jaime Rojo)

Right here only a decade ago my partner and I threw a Street Art burlesque show for 300 avant-art fans behind a graffiti supply store; acrobats, fire tagging and drunken DJs included. Months later, with abandoned buildings and empty lots at our disposal, we projected Street Art images meta-style on walls around the neighborhood along with 20 or so projection artists for BK’s own version of a renegade Nuit Blanche.

ASVP (photo © Jaime Rojo)

Only a block or two from where Moniker is sited graffiti throwups and bubble letters were scattered everywhere, squatters started fires to keep warm and scare off rats, skater kids regularly rode the underground paradise called “Autumn Bowl” by sneaking through a hole in the wall, and Banksy did one of his famous New York residency pieces here in 2013, “This site contains blocked messages.” The hardcore and anonymous REVS himself used a blowtorch to weld a dozen or so sculptures around this neighborhood during the 00s and ‘10s. There is at least one remaining.

FaithXLVII (photo © Jaime Rojo)

And now Moniker 2018 beams out a new international signal to you from here, channeling that explosive Brooklyn DIY creative spirit up to the soaring ceilings of the Greenpoint Terminal Warehouse, effectively recreating the kind of immersive street carnival atmosphere that proved the ideal laboratory for Street Artists in BK like like Skewville, Dan Witz, Aiko, Mark Jenkins and countless others.

Now Moniker is introducing you to a dynamic crop of work by street practitioners on Brooklyn streets like Icy & Sot, Specter, and ASVP as well as the international high-profilers who have put work on the street here like Faith XLVII, FinDAC and Vermibus.

Vermibus (photo © Jaime Rojo)

As Urban Contemporary takes a solid hold in art world parlance it’s only right that a unique event like this challenges the rules for installations. All original new work from a handpicked highly curated group of 27 exhibitors, you will not have seen these installations and pieces previously. Judging by the hefty buzz leading up to Moniker 2018 in Brooklyn, you might not see them again.

Reminds me of Street Art.

FinDAC (photo © Jaime Rojo)



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BSA Images Of The Week: 03.04.18

BSA Images Of The Week: 03.04.18


We made it! But it was a rough few days just finished with storms and rain and snow and high winds and flooding and downed trees around New York and its environs. Similarly, as one surveys the chaos reigning in Washington, one must not be blinded by the sound and fury and has to measure what foundations are being broken and what soil is being eroded during this deliberate and man-made storm. Also Tax Payers, You’ve Been Scammed.

In other news Street Artist JR and New Wave cinema pioneer Agnès Varda are well positioned for an Oscar tonight, Nuart continues a 2nd year in the beautification of Aberdeen, Street Artist Haifa Subay is painting murals to help ensure that victims of Yemen’s grueling three-year civil war are not forgotten, conservative Street Artist Sabo took over three billboards to attack Hollywood about hidden pedophilia, a Florida billboard calls NRA a ‘terrorist organization’ , INDECLINE did a billboard takeover protesting gun violence and criticizing the ease of gun access, and NY street collage artist PhoebeNewYork says her background in fashion is the driving influence in her work on the streets.

Here’s our weekly interview with the streets, this week featuring Below Key, Bond TruLuv, Bunny M, Combo, Crash, Eleonora Arosio, Faith XVVII, Free the Bunny, Imraan Christian, Jaeraymie, Lamkat, Little Ricky, Manyoly, Olek, Ollio, PAM, Paper Skaters, RAD, SK, Specter, and UFO907.

Top Image: Crash for The L.I.S.A. Project NYC. (photo © Jaime Rojo)

Combo (photo © Jaime Rojo)

Ollio in Stockholm. (photo © Jaime Rojo)

Manyoly (photo © Jaime Rojo)

Manyoly (photo © Jaime Rojo)

Paper Skaters (photo © Jaime Rojo)

Olek. Magic City Stockholm. (photo © Jaime Rojo)

Eleonora Arosio (photo © Jaime Rojo)

Jaeraymie. Free The Bunny (photo © Jaime Rojo)

Below Key (photo © Jaime Rojo)

Bond TruLuv. Magic City Stockholm. (photo © Jaime Rojo)

Little Ricky (photo © Jaime Rojo)

RAD (photo © Jaime Rojo)

RAD (photo © Jaime Rojo)

Specter McDonlad’s Take Over. (photo © Jaime Rojo)

UFO 907 (photo © Jaime Rojo)

Faith47 . Imraan Christian at Magic City Stockholm. Deatail. (photo © Jaime Rojo)

Lamkat (photo © Jaime Rojo)

bunny M (photo © Jaime Rojo)

PAM . SK. Barcelona, Spain. (photo © Lluís Olivé Bulbena)

Untitled. Subway reflection. Stockholm, Sweden. (photo © Jaime Rojo)

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BSA “Images Of The Year” for 2016 (VIDEO)

BSA “Images Of The Year” for 2016 (VIDEO)


Of the thousands of images he took this year in places like New York, Berlin, Dresden, Moscow, Marrakesh, Detroit and Miami, photographer Jaime Rojo found that the figurative image still stands prominently in the Street Art scene – along with text-based, abstract and animal world themes.

Surprisingly the scene does not appear to be addressing the troubled and contentious matters of the political and social realms in a large way, but the D.I.Y. scene keeps alive and defies the forces of homogeneity with one-of-a-kind small wheat-pastes, stencils, sculptures, and aerosol sprayed pieces alongside the enormous and detailed paintings that take days to complete.

Every Sunday on, we present “Images Of The Week”, our regular interview with the street. Primarily New York based, BSA interviewed, shot, and displayed images from Street Artists from more than 100 cities over the last year, making the site a truly global resource for artists, fans, collectors, gallerists, museums, curators, academics, and others in the creative ecosystem. We are proud of the help we have given and thankful to the community for what you give back to us and we hope you enjoy this collection – some of the best from 2016.

Brooklyn Street Art 2016 Images of the Year by Jaime Rojo includes the following artists;

1Up, Above, Adele Renault, Alaniz, Amy Smalls, George Vidas, GEN2, Apexer, BordaloII, Buff Monster, C215, Collin Van Der Sluijs, Super A, David Choe, D*Face, Duke Riley, El Sol 25, Sean 9 Lugo, EQC, Faile, Faith47, Faust, Shantell Martin, Felipe Pantone, Hueman, Droid907, Icy & Sot, InDecline, Invader, JJ Veronis, Jilly Ballistic, John Ahearn, JR, London Kaye, Louis Masai, MadC, Marshal Arts, Mongolz, MSK, Rime, Myth, Nina Chanel, Optic Ninja, Otto Osch Schade, Panmela Castro, Plastic Jesus, QRST, Reed b More, Remi Rough, REVS, Self Made, Sharon Dela Cruz, Maripussy, Specter, Stikman, Strok, Swoon, Ted Pim, Thievin’ Stephen, Farin Purth, Thomas Allen, Tobo, Uriginal, Vermibus, Vhils, Wing, Yes Two, Zola.

The artist featured on the main graphic is D*Face as shot by Jaime Rojo in New York.

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BSA Images Of The Week: 10.23.16

BSA Images Of The Week: 10.23.16



We have an unusually high number of “Unidentified Artist” pics this week along with some new names – which to us means the streets are alive and changing again, responding to new voices. Of course it is good to see some of the more familiar players as well.

So here’s our weekly interview with the streets, this week featuring Astro Naut, BelowKey, BenFGraphic, BustArt, Cern, Faile, Free the Hearts, GB Pigeon, Megavote, Panmela Castro, SheWolf, Specter, Tatiana Fazlalizadeh, Who is Dirk.

Our top image: Panmela Castro borrows a phrase from Hillary Clinton to make her point. Or did Hillary borrow it from Panmela? (photo © Jaime Rojo)


Tatiana Fazlalizadeh (photo © Jaime Rojo)


Specter updates the Yusuf Hawkins mural again. See our story on the last time he did this here. (photo © Jaime Rojo)


Faile through the window (photo © Jaime Rojo)


GB Pigeon (photo © Jaime Rojo)


“The Thinker” from Bustart (photo © Bustart)

“I just finished a huge wall for the Kettenreaktion,” Bustart says. “This is an art project in a abandoned factory in Switzerland. The last two months lots of artist were working in and on the factory and made installations, paintings, performances and much more. After the transformation the area will be open for cultural events. For more information please click HERE.



Bustart (photo © Bustart)


Unidentified Artist (photo © Jaime Rojo)


Stikman (photo © Jaime Rojo)


Unidentified Artist (photo © Jaime Rojo)


Unidentified Artist (photo © Jaime Rojo)


Unidentified Artist. A miniature piece can be just as impressive as the largest of murals. Is this vandal tossing an aerosol can? (photo © Jaime Rojo)


Shewolf (photo © Jaime Rojo)


Belowkey (photo © Jaime Rojo)


Unidentified Artist. Good luck cat. (photo © Jaime Rojo)


Who Is Dirk (photo © Jaime Rojo)


Unidentified Artist (photo © Jaime Rojo)


CERN (photo © Jaime Rojo)


Ben F Graphic (photo © Jaime Rojo)


Megavote (photo © Jaime Rojo)


Unidentified Artist (photo © Jaime Rojo)


Astro Naut at an abandoned factory in Reggio Emilia, Italy. (photo © Astro Naut)


Astro Naut at an abandoned factory in Reggio Emilia, Italy. (photo © Astro Naut)


Loose lips sink ships! Lip Slip (photo © Jaime Rojo)


Utitled. SOHO, NYC. October 2016. (photo © Jaime Rojo)

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BSA Images Of The Week: 07.24.16

BSA Images Of The Week: 07.24.16



Vote for the one candidate who does not need this job,” intoned one of the many speakers who are receiving a trust fund from DJ Trump this week at the RNC convention. That’s convincing, isn’t it?

Blonde Women’s Lives Matter. Make America Salem Again. I am the Law.

The Donald didn’t let us down again this week – and for those of you who think we’re being partisan, we’re not. This dork has been doing this stuff in New York since the 80s – and we are all used to his grandiose claims and mid-speech reversals.  But this week the RNC looked like it was going to devolve into Lord of the Flies crossed with the Salem Witch trials.  No wonder the Street Art we keep seeing is approximately 10 to 1 against him – and still he’s like a gushing geyser of humor, comedy gold! Except for the violent parts.

Here’s our weekly interview with the street, this week featuring Alexandre Keto, Astro, Coloquix, Cyrcle, Dee Dee, Elle, Funquest, Lapiz, Leipzig, OverUnder, Patch Whisky, Uncut Tart, and You Go Girl!.

Our top image: Elle for #NotACrime in collaboration with Street Art Anarchy in East Harlem. Detail. (photo © Jaime Rojo)


Elle for #NotACrime in collaboration with Street Art Anarchy in East Harlem. (photo © Jaime Rojo)


Dee Dee (photo © Jaime Rojo)


Thankfully there IS a light at the other end of the tunnel. Astro for #NotACrime in collaboration with Street Art Anarchy in East Harlem. (photo © Jaime Rojo)


Specter took over a billboard to great effect (photo © Jaime Rojo)


Coloquix (photo © Jaime Rojo)


Alexandre Keto for #NotACrime in collaboration with Street Art Anarchy in West Harlem. Detail. (photo © Jaime Rojo)


Alexandre Keto for #NotACrime in collaboration with Street Art Anarchy in West Harlem. Detail. (photo © Jaime Rojo)


Alexandre Keto for #NotACrime in collaboration with Street Art Anarchy in West Harlem. Detail. (photo © Jaime Rojo)


Patch Whisky for #NotACrime in collaboration with Street Art Anarchy in West Harlem. Detail. (photo © Jaime Rojo)


Lapiz for Urban Art Festival Leipzig, Germany. (photo © Lapiz)


You Go Girl! (photo © Jaime Rojo)


Overunder (photo © Jaime Rojo)


Overunder for #NotACrime in collaboration with Street Art Anarchy in East Harlem. Detail. (photo © Jaime Rojo)


Funqest (photo © Jaime Rojo)


Rabi of Cyrcle (and friends) for #NotACrime in collaboration with Street Art Anarchy in East Harlem. (photo © Jaime Rojo)


Uncut Tart remembers the power and style of Run DMC (photo © Jaime Rojo)


Uncut Tart. Michael Jackson. (photo © Jaime Rojo)


Uncut Tart. Notorious BIG. (photo © Jaime Rojo)


Uncut Tart. Bob Marley (photo © Jaime Rojo)


Marina Zumi for #NotACrime in collaboration with Street Art Anarchy in East Harlem. (photo © Jaime Rojo)


Unidentified Artist (photo © Jaime Rojo)


Unidentified Artist. Something about freedom of religion restricted under communism? (photo © Jaime Rojo)


Untitled. East River. Brooklyn, NYC. July 2016. (photo © Jaime Rojo)

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BSA Images Of The Week: 05.08.16

BSA Images Of The Week: 05.08.16



Cities are urgently playing the deliberate gentrification/beautification card by bringing in the murals to give the place a facelift: Richmond just finished their third, Chicago is gearing up for a new mural program this week, and we are getting emails every few days from city planners around the world who would like to explore how to juice their flagging de-industrialized economy. And why not? New studies report that it raises your property values and advertisers are happy to join in to sponsor the events.

Is it Street Art? Most experts would say not- they lack the freewill autonomous nature and illegal aspects of the original Street Art scene – especially when their content is so sternly steered away from political or challenging themes and have corporate and state sponsorship. These are public/commercial mural programs – with work done by people who often are Street Artists.

Here’s our weekly interview with the street, this week featuring Audio Surveillance Zone, Balu, Chamberlin Newsome, Claw Money, Clock, D*Face, De Grupo, FR, Gold Dust, Gregos, Selfable City, Sheryo, Smart Crew, Specter, Strok, The Yok, TMO Plater, and Vexta.

Our top image: Balu for Centrefuge Project. Balu based this piece on a photo from 1975 as a tagger was getting up in the NYC Subway. (photo © Jaime Rojo)


VEXTA (photo © Jaime Rojo)


Antennae (photo © Jaime Rojo)


TMO Plater and Claw Money for Centrefuge Project. (photo © Jaime Rojo)


Chamberlin Newsome (photo © Jaime Rojo)


Clock in Berlin. (photo © Jaime Rojo)


Artist Unidentifed (photo © Jaime Rojo)


The Yok and Sheryo (photo © Jaime Rojo)


Gregos in Berlin (photo © Jaime Rojo)


Specter AD Takeover. (photo © Jaime Rojo)


Specter AD Takeover. (photo © Jaime Rojo)


Smart Crew in Berlin. (photo © Jaime Rojo)


Now that is planning ahead! Artist Unidentifed in Berlin. (photo © Jaime Rojo)


STROK painted this miniature stencil on a roll down gate while visiting Brooklyn recently. (photo © Jaime Rojo)


Sellfable City in Berlin. (photo © Jaime Rojo)


FR in Berlin. (photo © Jaime Rojo)


Gold Dust (photo © Jaime Rojo)


D*Face and Shepard Fairey for Urban Nation ONE Wall. Berlin. (photo © Jaime Rojo)


Audio Surveillance Zone in Berlin. (photo © Jaime Rojo)


DE Grupo (photo © Jaime Rojo)


Untitled. Peonies. Brooklyn, NYC. April 2016.(photo © Jaime Rojo)


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BSA Images Of The Week: 02.21.16

BSA Images Of The Week: 02.21.16



Happy Sunday! Evidently Donald Trump is the Anti-Christ! Full disclosure, we already sort of suspected this because he is also anti-immigrant, anti-Mexican, anti-woman, anti-humility and so many other anti-s. The question is, who is going to break the news to Michele Bachman?

Also, does this mean that Obama is not going to stroll right into the United Nations and declare himself king of the world? Maybe he’s planning to appoint himself the replacement of Anthony Scalia on the Supreme Court and he’s so busy planning it that he skipped the funeral!

And what role does Formation play in all of this?

Meanwhile here on the dirty garbage-strewn sidewalk we have our our weekly interview with the street, this week featuring Barlo, CitiCop, City Kitty, Crisp, Faith 47, Flood, Hueman, JR, Madsteez, Mr. Renaissance Style, Otto “Osch” Schade, Queen Andrea, Specter, Stikman,Tim Okamura,WRSPNSK, XORS, and Zhu Hai .

Our top image: Faith 47. Detail. (photo © Jaime Rojo)


Faith 47 (photo © Jaime Rojo)


Otto Osch Schade in Nairobi, Kenya. February, 2016. (photo © Urban Art International)


Mr. Renaissance Style (photo © Jaime Rojo)


Queen Andrea is hustling hard, girl! (photo © Jaime Rojo)


City Kitty with friends. (photo © Jaime Rojo)


Crisp (photo © Jaime Rojo)


JR. From his Immigration series. (photo © Jaime Rojo)


JR. The remnants of a larger installation from his Immigration series. (photo © Jaime Rojo)


CitiCop merges banks and police and the force of the state. In school they called this fascism. (photo © Jaime Rojo)


Barlo has two flaming cocks on the street in Zhu Hai, South China. February 2016. (photo © Barlo)


Barlo. Zhu Hai, South China. February 2016. (photo © Barlo)


Stikman (photo © Jaime Rojo)


Specter ad take over in Chinatown. (photo © Jaime Rojo)


Hueman (photo © Jaime Rojo)


Madsteez draws inspiration from a movie poster. (photo © Jaime Rojo)


XORS (photo © Jaime Rojo)


WRSPNSK (photo © Jaime Rojo)


Flood is trying to tell us something, but we’re evidently not cool enough to understand… (photo © Jaime Rojo)


Tim Okamura at work at the Red Bird Space. (photo © Jaime Rojo)


Untitled. Times Square, NYC. February 2016. (photo © Jaime Rojo)

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BSA Images Of The Week: 02.14.16

BSA Images Of The Week: 02.14.16



It’s a February pile-on this week with dangerous sub-zero wind chills on the street, Valentine’s Day smashing into Presidents Day, a Brooklyn Jew winning the New Hampshire primary against a former female New York Senator, a sudden passing of a Supreme Court judge, a T-shirt to wear to El Chapo’s Brooklyn trial. Also Kanye West held a fashion show at MSG/dropped an album/played SNL and may need counseling, Swoon popped up in Forbes, large bus stop screens were taken over by Vermibus, Specter and Seiler, and Conde Nast announced that there’s an art scene in Brooklyn. Who knew?

Here’s our weekly interview with the street, this week featuring Air3, Bie MOG, City Kitty, Gabriel Specter, Jordan Seiler, London Kaye, Naomirag, Raul Ayala, and Traz.

Our top image: London Kaye is flooding the sidewalk with love crochet (photo © Jaime Rojo)


London Kaye (photo © Jaime Rojo)


London Kaye (photo © Jaime Rojo)


Raul Ayala in collaboration with Fernanda Espinosa for The Laundromat Project in Brooklyn. (photo © Jaime Rojo)

The above and below pieces are part of  Whose Street? Community Mural Project  for The Laundromat Project installed at the Know Waste Lands Garden in Bushwick.


Raul Ayala in collaboration with Fernanda Espinosa for The Laundromat Project in Brooklyn. (photo © Jaime Rojo)


Specter ad takeover in Manhattan. (photo © Jaime Rojo)


Specter ad takeover in Manhattan. (photo © Jaime Rojo)


Specter ad takeover in Manhattan. (photo © Jaime Rojo)


Specter ad takeover in Manhattan. (photo © Jaime Rojo)


Specter ad takeover in Manhattan. (photo © Jaime Rojo)


City Kitty (photo © Jaime Rojo)


Abe Lincoln by Bie MOG. This is a detail of a larger mural. (photo © Jaime Rojo)


Martin Luther King by Air3. This is a part of a larger mural in Brooklyn. (photo © Jaime Rojo)


Jordan Seiler ad take over. (photo © Jaime Rojo)


Jordan Seiler ad take over. (photo © Jaime Rojo)


Jordan Seiler ad take over. (photo © Jaime Rojo)


TRAZ (photo © Jaime Rojo)


Paper Whites in El Barrio by Naomirag. (photo © Jaime Rojo)


Hibiscus in El Barrio by Naomirag. (photo © Jaime Rojo)


Untitled. Brooklyn, NY. February 2016. (photo © Jaime Rojo)



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BSA Images Of The Week: 02.07.16

BSA Images Of The Week: 02.07.16



Here’s our weekly interview with the street, this week featuring 92, Alice Mizrachi, Bifido, Dubois Does Not Speak French, El Sol 25, Futura, Jick, JR, Klops, Rubin415, Specter, and Tara McPherson.

Our top image: Tara McPherson is not usually someone whose work you see on the street but here it is… (photo © Jaime Rojo)


Tara McPherson (photo © Jaime Rojo)


JR (photo © Jaime Rojo)


Artist Unknown or is this mural an advert? Actually, the latter. The Guggenheim uses this ten-point motivational sign to advertise the restrospective of Swiss artists Peter Fischli and David Weiss. According to the artists the original sign was found in a factory in Thailand. (photo © Jaime Rojo)


Specter advert take over on the NYC Subway. (photo © Jaime Rojo)


Specter does an abstract billboard take over in Brooklyn. (photo © Jaime Rojo)


Specter billboard take over in Dayton, Ohio. (photo © Specter)


El Sol 25 (photo © Jaime Rojo)


Klops for The Bushwick Collective illuminates the concentration of 90% of the media in the hands of 6 companies. In 1983 there were 50. (photo © Jaime Rojo)


Bifido in Caserta, Italy. (photo © Bifido)


Bifido in Italy creates this surrealist animation with flying garbage. (photo © Bifido)


Dubois DNSF (full name Dubois Does Not Speak French) for Top To Bottom in L.I.C. Queens. (photo © Jaime Rojo)

The sky poem along the top reads: That Morning / Everything / Remember? / Made of SKY / The hardpress of Avenues / Your hands / My day a checklist mingling with a cosmos / We have been in love / Since the invention of gazing at stars / I still whisper “We one day / will have to party”/


Rubin415 (photo © Jaime Rojo)


Jick for Top To Bottom in L.I.C. Queens. (photo © Jaime Rojo)


Alice Mizrachi for Top To Bottom in L.I.C. Queens. (photo © Jaime Rojo)


Futura dissed. This is Futura’s Houston/Bowery wall in Manhattan which we published as he was painting it. Honestly! Actually, now that you see the choice of black on grey and white on black, you may even say this is a collaboration. (photo © Jaime Rojo)


92. Apparently in fact there is no respect; Neither for the masters nor for the emerging artists. (photo © Jaime Rojo)


Untitled. Playground. Brooklyn, NY. February 2016. (photo © Jaime Rojo)


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Specter, El Sol 25, and Russell Murphy “Putting It In” 17 Frost Gallery Tonight

Specter, El Sol 25, and Russell Murphy “Putting It In” 17 Frost Gallery Tonight

17 Frost was living up to its name last night when we caught up with Specter and El Sol 25 preparing their new 3 man show with Russell Murphy. It was a frigid night but we didn’t mind. The guys were busy putting up lights, hanging the art and drinking beers; All good things. We were taking pictures and making sure we didn’t step on a painting or a tool or a beer can.

Putting It In, Rejection Therapy, Street Smart

The year has just barely begun and already this show has had three names.

We’ll go for the first one because the three artists have been putting it in on the street for a number of years – the work that is. And by work we mean illegal and legal art work on the streets of New York for much of the 2000s, and probably more. According to the manifesto/show description in their press release they each are somewhat sick of what they perceive as a softening of the game thanks to the cliche toothlessness and sweetness of the current “Street Art” scene. Hell, BSA is probably part of the problem in the estimation of many renegades on the streets.


Specter. Installation shot. (photo © Jaime Rojo)

As you walk around this former garage space that now houses art and performance, it is striking how disparate these three individual styles are, yet they all work on the street. Massive painterly abstracts, idiosyncratic collaged portraits, and gritty pop-naive symbolism together in one room. What the artists say to have in common is a reverence for the graffiti lifestyle and each is not eager to do pleasing work just to cash in on a “trend”.

We had the opportunity to speak with Specter and El Sol 25 while they prepared the show.

“I think we all have different ideas in mind,” says Specter as he balances on the top few rungs of a ladder to adjust the clip-on light to an exposed pipe, flooding a 12 foot by 12 foot abstract canvas over the roll down gate at the front of the gallery. “We have three very different artists coming together who have very different approaches and styles that we are doing – but the commonality is that addiction to wanting to do things illegally,” he says. “It’s not that we’re trying to be anarchists, we still know that we are a part of the system, but we’re still like ‘Fuck you guys, we’re not worried about what you think or whether you like it or not’. We just do it because it’s that statement, that beauty of being able to express yourself.”


Specter. Installation shot. Detail. (photo © Jaime Rojo)

The canvas he has illuminated is like many of the billboard takeovers he has been doing this past year – a deliberate disruption in the commercial-larded cityscape with artful abstraction. Despite its execution without permission, you might not typically associate this artwork with badass rebellion, but in a slickly perverse way it is – upending the steady stream of ads wherever we turn.

As El Sol 25 chases his winter-bundled toddler across the gallery, hoping to catch him before he tries to eat nails from a paper cup or puncture a canvas with a T-square, Specter talks about these enormous works he creates now suspended in the space and he says he swears by the material he is using to make them with.

“Polytab, or parachute cloth is awesome because I’ve figured out so many different ways to use it. There are so many different types of ways to paint on it – transfers, dyes, dye cuts, stencils – I mean there are just endless amounts of stuff that I’ve done with it. Probably the most versatile material that I’ve used,” he says.

“This one is a mixed-media collage – there is commercial material already printed, then hand painted. I call it mixed media because of the amount of different techniques that are involved with it before it’s done. There are probably 25 different techniques just on this one piece – you have the material, all the different effects, the layers of pieces on top of it, the transparencies, the hand painting, screens. I use this stuff all over the street too.”


Specter. Installation shot. (photo © Jaime Rojo)

El Sol 25 is moving large painted wood panels around on the wall alongside an impressive gallery of his original collaged miniatures. The wood panels are an interesting life-cycle installation because each has run illegally on the street. Now he has retrieved them to display here – a rare case where a gallery show contains actual street art, instead of new gallery work by a Street Artist.

Brooklyn Street Art: The truth is you don’t actually do too much work on the street. You do 98% of the work in your studio and then you put it up on the street whereas many graffiti writers like Cash4 for example, do a lot of their work while on the street. Is that right?
El Sol 25 : Yes, he works “in the moment”. I tend to be a little more calculated with my risks but he just tends to just go with it and go crush all the time. Like most graffiti writers have that mentality. I think I think I enjoy living through my friends like that because I just don’t have the balls to take those risks anymore.



These small scale collages are the genesis and the process for El Sol 25 to produce his larger pieces. Most of the pieces shown here have been created for the streets. El Sol 25. Installation shot. (photo © Jaime Rojo)

Brooklyn Street Art: Why do you think that is?
El Sol25: I think because I have a kid and I have experienced that stuff. I realize that I had my fun and I’m not that tough. I’m not going to kid myself. I’m not going to go out and try and hit the ground running so to speak. I’ve always thought that unless you are going hard with graffiti in New York, then you shouldn’t go at all. It’s like whispering in a room full of people shouting. You gotta go hard and you gotta go big. I’m not a big fish in a pond like I used to be when I was young. I wanted to go hard, I wanted to be like Nekst, doing huge pieces and just do hollows and tags.

We notice that looking at the multitude of smaller collages from which the larger paintings are derived, you realize that many of them are the actual studies for the larger pieces you have seen on Brooklyn Streets. In fact one of his collectors has loaned a large number of his older ones to El Sol 25 for this show exclusively, making it a rather rare opportunity for you to see this work while they are still feeling like generously sharing them.


El Sol 25. Installation shot. (photo © Jaime Rojo)

Brooklyn Street Art: When you are making these small collages, is there usually a story or metaphor that you are working with and how does that compare to those you choose to interpret large scale and hand paint? Do those have more of a backstory or metaphorical/allegorical meaning?
El Sol25: Honestly when I’m making them its purely for the joy of making it, for the exploration of it. A lot of times I feel an immediate story or an immediate reaction to some of the pieces and some of them I don’t understand them at all.

A lot of the times, whether I chose to paint one those images (whether I have created a story or not) while I’m sitting in front of it painting it it almost certainly becomes apparent to me why I did this, why subconsciously I was making this. I was drawn to this imagery and a lot of it makes sense when I’m painting it and a lot of the stories attached often change again when they are on the street because I’ve let go of that story and it has a whole new environment.


El Sol 25. Installation shot. (photo © Jaime Rojo)

Brooklyn Street Art: When you revisit earlier pieces, because you’ve brought some pieces from the past back into this show, do you feel like it is an earlier you, or do you feel like it is part of a whole?
El Sol: I feel a little embarrassed by how naïve some of the earlier pieces are. Both in their symbolic content and the way that they were actually put together. The way they were just like ripped. A lot of the new ones are like Hindu gods with multiple eyes and faces, and multi-gender, and some even have animalistic properties and I feel like that’s a direction I’m going more in now.


El Sol 25. Installation shot. (photo © Jaime Rojo)

Brooklyn Street Art: I notice more nudity, more sampling from girly mags.
El Sol: I’ve always liked sort of painting those things. But I have to admit that the reason I’m more inspired to use what people may consider to be “vulgar” imagery is because I think we should say more things on the street that are not PG rated. I think we should explore our platform and not just say things that are safe. This is not a decorative art form. This is about expressing more than just that and I feel like this is the reason I want to be in a show with these guys because they are not afraid to drop “F bombs” with their work and I don’t think anyone should be.

Everything is so safe and boring – I do want to see something absurd. I’d rather see something that makes me think than cause me pleasure. It doesn’t necessarily need to please me aesthetically. I want the ideas to be more pronounced and I think that people who have been into Street Art for a long time are now doing Hello Kitty with a skull. Actually I’m tired of that. What are these other guys doing? What are the greats doing? What are the people in the museums doing? Hopefully they are paying more attention to what they are saying than just “That would look GREAT on a shirt”.


El Sol 25. Installation shot. (photo © Jaime Rojo)


Russell Murphy. Installation shot. (photo © Jaime Rojo)


Russell Murphy. Installation shot. (photo © Jaime Rojo)


Russell Murphy. Installation shot. (photo © Jaime Rojo)


“Putting In It” Opens today at 17 Frost in Williamsburg, Brooklyn. Click HERE for further information

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