Focusing his public art and Street Art work on raising our consciousness about the Earth and drawing the connections between us and our environment has been Andreco’s focus for most of this century. Like the 15,000 strong Union of Concerned Scientists who just released a “letter to humanity”, he’s not sure if we will act fast enough to halt the catastrophe we collectively are creating.
During the past year the Italian Street Artist, scientist, and environmental engineer has been working on the fourth step of his project educating people about the consequences of climate change, rooted in science.
Gondolas! Naturally when you think of Venice the first image conjured is of those long thin boats wending their way through canals so you can see the city of water.
Water. That is what continues to rise, eventually eliminating Venice and cities around the globe.
CLIMATE 04 – Sea Level Rise. That is the name of Andreco’s fourth step installation in the project called Climate Change Consequences. The 100 meter long wall painting on the Canal Grande in Fondamenta Santa Lucia opened the new installation on October 27th along with an iron sculpture. Completing the piece are local plants that Andreco selected “for their important role in the resilience of the Venice lagoon.”
In short, the mural tracks expected sea levels of the future, demonstrating in diagrammed color just how high the water will rise. Done in collaboration with the Institute of Sea Studies of the National Research Center (CNR-ISMAR) and others partners, Andreco says he hopes the mural, which runs through February 1, will bring a greater appreciation and raise consciousness in viewers of the genuine impact.
“On the mural there are all the expected sea level quotes in the future, based on the most important international scientific studies on Sea Level Rise,” he tells us. “Also on the mural are the mathematical and physical variables and equations for calculating the extreme waves and the sea level height.”
These Animals Are Eating All the Plastic You are Throwing Away. Yuck.
London Street Artist Louis Masai has just returned to the US to do three murals – one in alliance with the Right Whale Research Association (R.W.R.A) in Cape Cod Massachusetts, and two in Los Angeles where he is currently having a solo show at C.A.V.E. gallery entitled “The Sixth Extinction”.
With his work intrinsically tied to environmentalism and disappearing species, Masai told us at great length about a few people and organizations he worked with when making these new pieces. He also educated us about the DIRECT relationship that you and we have with killing off species and causing their suffering by using plastics. Here are a few excerpts from our conversation to better appreciate the work that Louis is doing right now.
“Cape Cod attracts a continuous flow of summertime tourists to its quaint villages of seafood shacks, lighthouses, beaches and whale watching excursions,” Louis says. “Its economy however, is steeped in a controversial whale hunting history of blood.” He worked with Lisa Sette from R.W.R.A. to create this new mural in the town. He also shared some of Lisa’s statements about the project here:
“I feel like a lot of us in the US are feeling isolated due to the current political climate. What better way to bring the community together than through a mural that highlights the most critically endangered large whale in the Northwest Atlantic that happens to spend winter and spring in our waters. The mural is bringing people together and allowing for conversations to begin – unexpected conversations.”
Lisa Sette continues, “Of course when in company of biologists, advocates and real life eco-warriors, it’s impossible to not become even more inspired by the impacts that a species like the right whale faces. The North Atlantic right whale is a baleen whale, they are listed as a rapidly decreasing, critically endangered species, with only a few over 500 left. Baleen whales feed on zooplankton and krill; they take large gulps of water and then filter out their tiny prey using baleen plates. During feeding season, usually from spring to fall, right whales may eat more than 2,600 pounds of zooplankton per day, and of course today that also includes a huge amount of plastics.”
“Once you’ve seen the images of whales’ stomachs packed solid with plastic bags; or of albatrosses who’ve died after ingesting a diet of nothing but bottle caps; or of an osprey chick who entangled itself in a balloon string used as nesting material — once you’ve seen familiar plastic items as the instrument of death for innocent animals, the path reveals itself.”
100% of the ocean is now infected with plastic, says Laura. What can WE do to try and help rectify this issue? These are Laura’s top three tips.
Over 300,000,000 straws are used every day in the US alone: swear off plastic straws and bring your own metal, glass or rubber straw if you like to use them.
BYORB: there are over 5 trillion plastic bags used every year around the world — 160,000 per second, if you break it down per capita. Bring Your Own Reusable Bag and refuse thin film plastic bags.
Bottle water is a scam: over 50 billion bottles of water are sold in the US alone annually, and only 20% of them are “recycled”. Stop buying water in plastic bottles — BYOB, again!
Louis tells us that when in Cape Cod he took one of those famous whale-watching trips. To say he was excited is an understatement. He also may be exagerating a little.
“It literally blew my eyes out of their sockets – I saw Right Whales, Fin Back Whales, Sei Whales, Humpback Whales, and Dolphins too. Naturally, he made like-minded friends there and caught up with Charles Mayo better known as Stormy, the director of the Right Whale Ecology Program, who told him how big whales also get caught up in plastic nets and other crap we throw away – trapped!
We don’t have space here to recount a rescue mission he did with a whale named Ibis, we can will tell you this part of the story. “After several hours Ibis tired from dragging floats and stopped swimming. It was only then that we were able to cut the nets and ropes from around her. We had freed her,” says Charles. “This rescue mission evolved to us creating specialized tools and a system for freeing entangled whales and we still use floats, buoys and boats to slow the whales to this day.”
It may seem obvious, but the real solution is for you and us to stop throwing this crap away to begin with. It doesn’t magically disappear.
Louis says that he learned that rescuers “are only able to save about 50% of entangled right whales, and 80% of humpbacks, the majority of them are struggling out at sea and never reported to the rescue team. Rescuing them is only a stopgap measure and the real work needs to be done in stopping them getting entangled in the first place.”
“I hope that my mural will raise some thoughts amongst the thousands of tourists visiting Cape Cod. Perhaps they might even think twice about using the straws, plastic bags and water bottles still available in Cape Cod.”
When he got to L.A. for his show ‘Sixth Extinction’ with C.A.V.E Gallery he painted a finback whale, which is a visitor to the waters of L.A, “Another baleen whale suffering the same punishment of plastics in the ocean. I read that a ridiculous 10 metric tones of plastic enter the L.A Ocean per day, which is comparative to more than the weight of a London bus. The result of this painting was a challenge to the owner of the wall, “The Lyric Hyperion’. They are now on a route towards eliminating the use of plastics in their service.”
Louis’ last painting for this trip was of a big-eyed Thresher shark, another ocean species that is suffering an apparent decline in population in Californian waters. In addition to a vulnerable life-history characteristic, these sharks are suffering from a continued fishing pressure from pelagic fleets which has the species listed as vulnerable.
“Most of the species I highlight, if not all, are in danger of their lives due to evidential climate change, I’m back in London now and realizing that my trips to and from the states have many, many more endangered species to lift a light for.”
This means we still have a lot to learn from the art of Louis Masai.
Yo Yo what’s up all the Brooklyn peepuls and the New Yorkers and the LA’ers and the Chicago’ers and the Stavanger Norway buddies and shout out to Martha as she hangs in Johannesburg today and to everybody who’s brave enough to tap into the creative spirit. Today in Brooklyn it’s sunny and bright and there’s a bird singing on the chain link fence outside my house. As usual the place to be is where you’re at. Also, we’d be really happy to meet you tomorrow at our show in Red Hook if you can fly by.
1. Kit Kat Flex Dancer in Brooklyn (VIDEO)
2. GEOMETRICKS Opens Saturday (BKLYN)
3. Shai Dahan “Broken Window” (Sweden)
4. Fall Group Exhibition at C.A.V.E (LA)
5. Sydney curates a show on the Street (Australia)
6. “Luchadores” by El Hase is now open to the public at One Art Space in Manhattan.7. Ricky Powell is “Back in BK” and you can catch him tonight at Mishka in Brooklyn
7. PUBLIC WORKS PART I By Jason Wawro (VIDEO)
8. PUBLIC WORKS PART II By Jason Wawro (VIDEO)
9. Narcelio Grud: “Spiral” Invention and Graffiti (VIDEO)
10. TEJN Has a lock on Street Art (VIDEO)
11. Don John in Copenhagen by Alexander Lee (VIDEO)
Let’s start Friday by getting inspired by KitKat – a Brooklyn flex dancer who knows her stuff. (VIDEO)
GEOMETRICKS Opens Saturday (BKLYN)
Of course we had to put this one first because we have 11 cool artists showing work that collectively illustrates one of the major new directions that Street Art and Graffiti are going in right now.
The Red Hook neighborhood is where the fun will be this Saturday as the opening of “GEOMETRICKS”, curated by Hellbent, takes place at Gallery Brooklyn. With a FREE shuttle from the G/F Trains on Carroll St to the Gallery courtesy of local Brooklyn Crab restaurant, a Young Collectors Wall with dope pieces by the artists in the show all priced at $200 each (you must have valid student ID for these pieces), and music provided by Sleptember, you are going to see a slice of community we’ve all grown to love.
Support the inaugural show of “Vandal or Visionaries” Series by BSA and enjoy the beautiful art works by: Augustine Kofie, Chor Boogie, Drew Tyndell, Feral Child, Hellbent, Jaye Moon, Maya Hayuk, MOMO, OLEK, OverUnder, See One. Then join us at Brooklyn Crab to hang after the show – and the restaurant will be offering a FREE shuttle back to the G/F Trains. So what’s there not to like? And we thank our local Red Hook based sponsor, SixPoint Brewery.
For further information regarding this show click here.
Sydney curates a show on the Street (Australia)
It looks like the Australians’ love affair for Street Art continues strong. Ambush Gallery has teamed up with Darling Quartet, Sydney’s new precinct and public arts space to mount an outdoor exhibition opening to the public today. The works of art on view are by a handful of well known and respected Street Artists working today including: Anthony Lister (Bris/NY), Beastman (Syd), Shannon Crees (Syd) and Hiroyasu Tsuri/TWOONE (Melb). The exhibition is FREE, open 24/7 and it will be illuminated at night.
For further information regarding this show click here.
Also happening this weekend:
“Luchadores” by El Hase is now open to the public at One Art Space in Manhattan. Click here for more details on this show.
Ricky Powell is “Back in BK” and you can catch him tonight at Mishka in Brooklyn. Click here for more details on this show.
PUBLIC WORKS PART I By Jason Wawro (VIDEO)
PUBLIC WORKS PART II By Jason Wawro (VIDEO)
To learn more about LALA Arts Public Works Project with the participation of Ron English and Shepard Fairey, as well as How & Nosm, Insa, Push, Revok, Risk, Seen, Trustocorp, WCA Crew, Uglar and Zes click here.
Narcelio Grud: “Spiral” Invention and Graffiti (VIDEO)
TEJN Has a lock on Street Art (VIDEO)
Sculptor TEJN from Copenhagen broadens our conception of what street art and public art and sculpture are with his installations that he chains and locks and leaves. Basically, he’s just giving you his art, and if you really want it probably you will need a blow torch.
C.A.V.E. Gallery is proud to present new works by:
BAYO – “Inside-Outside“
Bayo’s paintings depict visceral worlds, where the main character is the psyche as an axis of conflicts. His paint strokes signal a constant path where anxiety is inescapably contagious. Characters tend to avoid frontal sight, turning their eyes towards themselves and exposing their fragility. Dispirited forms allow us to prove that their author does not follow the statutes of reason. Each piece simultaneously depicts the rigor of obsessive details, the vagueness of repetition, and the sudden explosion of motion. All in an effort to express the architecture of his emotions, with a complexity that can never remain subtle.
HELLBENT – “A Quilted Life“
For his new series – “A Quilted Life”, Hellbent employs a variety of techniques that add a unique 3D quality to his work. He has developed a stencil technique that creates a kaleidoscope “quilt” of color in cubist patterns. The complex compositional puzzle of the background seems to push and pull behind bold imagery. Instead of a paint brush, Hellbent often uses a power drill to etch forms into wood panels. Always looking to expand his craft by exploring different techniques and mediums, Hellbent has also experimented with colored liquid glass – adding to the vibrant spectrum and resemblance of stained glass in his work. The complex color patterns are intricately layered, creating a dynamic and bold new collection.
HAUNTED EUTH – “All Gone Wrong“
“My new work is entirely autobiographical – calling upon, navigating and negotiating the complex relationships and experiences I struggled to balance last year. Themes of addiction, love, struggle, fear and anxiety are paramount in the work I produced for this show. This new body of illustrations is a open acknowledgment to the past and signifies a new, positive outlook on the future.”
The Photographer Continues to Explore Storytelling With Video
Leading up to the Paul Insect exhibit over at Venice’s Post No Bills gallery, photographer Carlos Gonzalez continued to challenge his visual skills by creating a video to impart a visual narrative, a psychological grounding to the physical process of the artist preparing for the show. The discovery of what it takes to create the show and the prints that were to sold inspired Carlos to tell the story in a new way, using video more than he has before.
Careful observation of movement, pattern, subtleties of technique – all underlaid with a sophistication in audio selections – reveals a talent in the storyteller that keeps unfolding before our eyes even as he endeavors to tell us about Paul Insect the artist and the Ramon De Larosa, the print master. As De Larosa mans the 2oo year old machine to create pieces for the U.K. based artist, bobbing and rolling and pulling and pressing play out as dance over a bed of electronic music and mechanical beats, succinctly merging two centuries into one.
And in this newest video the screen printing process is explained in 80 seconds to the quick cuts and fluttering drum meter of a motor city inflected rockabilly beat as De Larosa gently applies rich patches of color to a new Insect portrait. It feels like we are all learning at one time – artist, master, videographer, observer.
Painter Anthony Lister is also a Street Artist. His surreal pop and celebrity culture-infused abstractions are candy encrusted apples which may have something sharp inside. Many are figurative studies and wire frames bending wildly into characters who cavort and mock with blunt swipes of color, overlaid by costumed sexual role play… or is that a personal projection? Did I mention elegance, defiance, wit? Wait, there is so much here! Truth is, his work can be a cock-eyed psychological tempest, jarring to the head, strangely sweet.
A decade of discovery under his superhero belt, Mr. Lister continues to analyze and build his creative practice and it always includes work inside the gallery and outside on the street. He’s currently preparing for his solo show in Sydney called “Bogan Paradise” at Gallery A.S. At the same time he’s part of a group show with a gaggle of his Aussie expats on view at 941 Geary in San Francisco for “Young and Free”, including Kid Zoom, Dabs & Myla, Dmote, New2, Ben Frost, Meggs, Ha-Ha, Reka, Rone, Sofles and Vexta. Not to mention his participation in our show last month in Los Angeles at C.A.V.E. with Thinkspace, “Street Art Saved My Life : 39 New York Stories“.
The artist took some time recently to talk to Brooklyn Street Art about his practice;
Brooklyn Street Art:How much of one of your painted portraits is autobiographical? In other words, what portion of Mr. Lister is super hero, super model, furtive schoolboy, or Homer Simpson? Anthony Lister: I don’t really think about myself when I paint. My figurative works are more like reflections of characteristics I absorb from real life day to day.
Brooklyn Street Art:If you were to wear colored glasses, which color do you think you would most likely screen the world through? Anthony Lister: Pink, like John Lennon.
Brooklyn Street Art:Francis Bacon said, “The creative process is a cocktail of instinct, skill, culture and a highly creative feverishness.” Would you drink that cocktail? Anthony Lister: Nice words. I agree.
Brooklyn Street Art:What role does analysis play in your creative process when bringing a painting to fruition? Anthony Lister: Analysis is the outcome of considered processing. Constant consideration is crucial.
Brooklyn Street Art:A big piece you did on Metropolitan in Brooklyn – you reworked that face a couple of times over a period of months, producing what appeared as a slowly morphing image. Were you covering up tags, or were you unhappy with the original, or maybe combating the effects of age with a little nip and tuck? Anthony Lister: When I re-work street paintings I think of it like I am a hairdresser. When something is in the public it has a different existence to something living privately in a residence. I’m like a hairdresser I guess.
Brooklyn Street Art:You have spoken about your work as reality, or a reaction to realities. What realities are you depicting these days? Anthony Lister: I just finished a body of work for a solo show in Sydney. This next body of work is about contemporary Australian culture. The exhibition is titled “Bogan Paradise.”
Brooklyn Street Art: When you consider the Street Art scene that evolved around Melbourne, how would you characterize its nature in a way that differentiates it from the work in other cities around the world? Anthony Lister: No different. This whole street art thing has sprung up post the turn of the digital revolution so it is on the Internet quick and the artists who inspire others and the ones who are easily inspired are constantly swimming in the same aesthetic pools of consciousness. Not to mention that most of the prominent artists travel lots so it is easy to see work of the same artist in multiple cities around the world at the same time.
Brooklyn Street Art:The titles you give your gallery pieces are entertaining, instructive, illustrative. Do you ever want to place a placard near a piece you’ve done on the street – just to make sure the message gets across? Anthony Lister: No. My street practice is less thoughtful and therefore needs less commentary.
Brooklyn Street Art:When is a painting complete? Anthony Lister: When it tells me so.
1. Abstract Art on the Street
2. “Abstractions” open at Opera Gallery
3. “Contemporary Abstractions” at Mighty Tanaka
4. “Abstract Graffiti” – The Book
5. Art Show and Charity Auction at FUTURE TENSE (Dallas)
6. Please Support “Electric Projected” TODAY
7.MISSED the SHOW? See “Street Art Saved My Life : 39 New York Stories” in VIDEO
8. VIDEO -Street and fine Artist Peat Wollaeger
9. VIDEO Mr.Klevra Vs Omino71 – The Secret Spot 2011
10 VIDEO STEN & LEX at the ATTACK FESTIVAL 2011
“The more frightening the world becomes, the more art becomes abstract”~ Wassily Kandinsky
The street provides a forum from all dialogue and Street Artists can be sometimes divided into categories after you survey the expanse of expression. We’ve been tracking the geometry of abstraction for the last decade as an aesthetic counterbalance to the more free form gestural markings that are it’s more prevalent neighbors. The abstract direction continues to garner attention and you can get a good look at it’s past and present at two New York shows opening today, and learn more about it’s global movement in a recently published book by Cedar Lewisohn.
“Black and Violet”, Kandinsky, 1923
“Abstractions” open at Opera Gallery
The Opera Gallery new show in Manhattan titled “Abstractions” opens today to the general public. This show will examine the abstract movement from the 1940s through present day with artists that range from Miro and Matta to Bast and Saber.
Image of Saber courtesy Opera Gallery
Abstractions will be open to the public starting on September 23 at 11:00 am
September 23 – October 16
Free admission: 11:00 – 7:00 daily
Further information on this show please click on the link below:
Mighty Tanaka Gallery in Brooklyn continues the theme with some names familiar to BSA readers and a couple of new talents at their show “Contemporary Abstractions” tonight, with the opening reception at their temporary location in the Power House Arena in DUMBO starting at 6:00 pm.
We’ve really been enjoying the schooling and the photography from Cedar Lewisohn in this new book “Abstract Graffiti” and can recommend it wholeheartedly. You’ll recognize a number of these artists from being on BSA, including MOMO on the back cover.
Art Show and Charity Auction at FUTURE TENSE (Dallas)
Saturday September 24 in Dallas, TX the Future Tense has curated and impressive line up of artists for a worthy cause. An Art Show and Charity Auction to benefit The MTV Staying Alive Foundation. Opening reception and live auction at the Goss-Michael Foundation starts at 7:00 PM.
Lee Baker, Shepard Fairey, Harland Miller, Adam Ball, Katrin Fridriks, Polly Morgan, Peter Blake, Christopher Gascoigne, Gerard Rancinan, Billy Childish, Pam Glew, Rankin, D*Face, Haroshi, Stuart Semple, Brian Adam Douglas, Pieter Henket, Jamel Shabazz, Elizabeth Eamer, Damien Hirst, Benjamin Shine, Ben Eine, Jeremy Kost, Gavin Turk, Tracey Emin, Joseph Loughborough, Dan Witz, Faile, James Marshall and Russell Young.
For more information regarding this event please click on the link below:
And our friends at Open Space in Beacon New York are seeking your help to save their project “Electric Projected: Reboot”
Dan and Kalene have been on the Street Art scene for a decade, have opened many doors to and championed Street Artists with their Electric Windows project. Today we are asking you to pledge their “Electric Projected: REBOOT” Kickstarter page. They got seriously rained out last month for this exciting project in Beacon, New York – a huge projection show on the side of a factory building. With your help, they are going to do it right next weekend.
“We still need your help to makeElectric Projected REBOOT a reality. Since our last email (only 5 days ago) we have received over $2500 in pledges to our kickstarter campaign. Over 100 people have already contributed to this campaign and we are so grateful for this generosity and support. Not a day goes by without people telling us how excited they are for the REBOOT event on October 1st. We are excited for it too, but here is the reality of the situation. If we do not meet our kickstarter funding goal by Saturday Sept 24th at 6pm Electric Projected REBOOT will not happen on October 1st.
One reason you make art: I make art to change people’s perspectives, and to bring awareness to major issues that face our whole planet. I also do it to make people smile. Street art is an amazing tool that allows me to speak to people with whom I wouldn’t get the chance in real life.
“I admire everyone who has the courage to spend hours, weeks, months and years turning thoughts and feelings into things, then putting them out into the world for others to respond with love or hate or complete indifference. I admire anyone who has the integrity to create for themselves, first and foremost. I admire those who are constantly pushing themselves to try new ideas, use new mediums, reach out to new audiences and immerse themselves in uniquely challenging experiences. I admire everyone who has taken a leap of faith, fallen into dark and swirling waters and after what often seems like a lifetime of struggle, reached the sunshine on the other side – only to do it all over again.”
It’s always cool to learn about an artist’s process and the story behind his or her work. Street Artist Chris Stain shares with you here where he gained inspiration for his gallery piece called “Give ‘Em Hell”.
“When I was a kid growing up in Baltimore we always played baseball and pretended we were Eddie Murray or Rick Dempsey when stepping up to bat. It wasn’t until later that I realized that a baseball bat could be used as an equalizer when the bigger kids thought it was a good idea to kick my ass for the fun of it.
This piece represents for me standing up for yourself and the things you believe in. The boy in the picture was originally photographed by Boogie. The background photos were taken by me during a trip to Baltimore. I hand cut the image out of rubylith and screen printed it onto an old table I used to work on. Then I hand colored it with thinned out spray paint and wood stain.”
From our interview with Chris for Juxtapoz:
“Born in 1972 and raised in East Baltimore, Chris Stain is a New York-based, self taught stencil artist and print maker influenced by social realism, the plight of working people, and skateboarder culture. His straight-forward portraits in urban or industrial settings harken back to the Depression, when bankers and masters of industry declared war on the blue collar and poor. With blunt realism and everyday protagonists, Stain encourages passersby on the street to draw direct connections between social and economic conditions of then and today.”