All posts tagged: NohJColey

BSA Images Of The Week: 09.03.23

BSA Images Of The Week: 09.03.23

Welcome to BSA Images of the Week! It’s our Labor Day weekend special for you this week featuring some fresh old school styles popping up again in a bid for capturing your nostalgic feelings for early graffiti and hip hop. And of course, we have some of the new stuff as well. Keep keeping it real and F-R-E-S-H!

Here’s our weekly interview with the street, this week featuring: NohJColey, Modomatic, Tomokazu Matsuyama, IMK, WRDSMTH, Ottograph, POEM, The Postman, Nandos Art, Atelier Jolie, Fat Cap Sprays, Fuck with Love, Ester, 1984.YO, and Mattaya Fitts.

The Postman is continuing to leverage existing imagery and freshen it for a new audience. (photo © Jaime Rojo)
Such a two-face! Nandos Art (photo © Jaime Rojo)
Mattaya Fitts (photo © Jaime Rojo)
1984.YO (photo © Jaime Rojo)
1984.YO (photo © Jaime Rojo)
POEM (photo © Jaime Rojo)
ESTER (photo © Jaime Rojo)
Fuck With Love (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Tomokazu Matsuyama impromptu intervention at the Houston/Bowery Wall. (photo © Jaime Rojo)
Tomokazu Matsuyama impromptu intervention at the Houston/Bowery Wall. (photo © Jaime Rojo)
Tomokazu Matsuyama impromptu intervention at the Houston/Bowery Wall. (photo © Jaime Rojo)
Modomatic (photo © Jaime Rojo)
Fat Cap Sprays (photo © Jaime Rojo)
Ottograph (photo © Jaime Rojo)
NohJ Coley (photo © Jaime Rojo)
WRDSMTH (photo © Jaime Rojo)
IMK (photo © Jaime Rojo)
Atelier Jolie has been pinked. (photo © Jaime Rojo)
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BSA Images Of The Week: 01.03.2021

BSA Images Of The Week: 01.03.2021

Welcome to the first BSA Images of the Week of 2021 !

We start our collection this week with an image of Christ crucified on a Facebook logo. If this is the level of subtlety that we can expect from the new year…gurl, we in trubble.

In fact, we have found that much of the organic street art that we find today has become increasingly strident in opinions expressed, especially around themes of social justice and political skullduggery. It’s all mixed in with favorites like pop figures, sports figures, cats. In a way, the artists are ahead of us, so we consider these images as the tea leaves for what is coming.

How will you interpret these messages from the street? Will you become emboldened? Scared? Or will they not have any impact on passersby?

Here is our weekly interview with the streets, this week featuring 7 Line Arts Studio, Bastard Bot, Calicho Art, Captain Eyeliner, Calisi Maultra, City Kity, CRKSHNK, David F Barthold, Degrupo, Elle, Jeff Roseking, Joseph Grazi, NohJColey, Poi Everywhere, Sickid, Sticker Maul, and Stikman.

Joseph Grazi (photo © Jaime Rojo)
NohJColey made an appearance in 2020 after a long absence from the streets of NYC. This wall hanging was repurposed by a construction crew as a bridge flooring- giving it a new patterned patina. (photo © Jaime Rojo)
Elle in collaboration with The L.I.S.A. Project NYC (photo © Jaime Rojo)
Elle in collaboration with The L.I.S.A. Project NYC (photo © Jaime Rojo)
Elle in collaboration with The L.I.S.A. Project NYC (photo © Jaime Rojo)
Elle in collaboration with The L.I.S.A. Project NYC (photo © Jaime Rojo)
Sitkman with a gone over portrait of the Notorious RBG by Captain Eyeliner. (photo © Jaime Rojo)
Sitkman (photo © Jaime Rojo)
City Kitty (photo © Jaime Rojo)
Sticker Maul (photo © Jaime Rojo)
CRKSHNK (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
CRKSHNK (photo © Jaime Rojo)
David F Barthold (photo © Jaime Rojo)
Captian Eyeliner (photo © Jaime Rojo)
Bastard Bot (photo © Jaime Rojo)
Bastard Bot (photo © Jaime Rojo)
7 Line Arts Studio (photo © Jaime Rojo)
Sickid (photo © Jaime Rojo)
DeGrupo (photo © Jaime Rojo)
DeGrupo. Bezos for Mr. Bezos (photo © Jaime Rojo)
DeGrupo (photo © Jaime Rojo)
Carlisi Maultra (photo © Jaime Rojo)
Poi Everywhere (photo © Jaime Rojo)
Calicho Art with Jeff Roseking (photo © Jaime Rojo)
Calicho Art with Jeff Roseking (photo © Jaime Rojo)
Calicho Art with Jeff Roseking (photo © Jaime Rojo)
Untitled. Hudson River, NYC. December 2020. (photo © Jaime Rojo)
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Slap It! Slick Stickers Spread Across City Surfaces Speak and Surprise

Slap It! Slick Stickers Spread Across City Surfaces Speak and Surprise

Stickers, or slaps, are small but formidable graphic and text messages, especially when massed together on a doorway or light pole. They are also fast and surreptitiously placed, as simple as a gesture, undetectable in their ease of application.

A board covered with stickers at Urban Nation Museum For Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

Begun exclusively perhaps as vehicles for handwritten or hand drawn missives, usually the tag of an artist, today they are often mass produced and designed on a screen, commercially printed on stock that is weatherproof, yet crumbles into pieces when you try to remove it. Personal and political are often on display, as well as that eternal graffiti impulse to simply spread your name.

Phil (photo © Jaime Rojo)

Stickers and their creation, distribution, and collection are a culture unto themselves, with fans mounting massive sticker shows and books tracing historical roots and telling stories. On the street, just one sticker can alter your day. Because you know it is made and placed by an individual and not a corporation, it feels like a personal message. Because it is small enough for you to get close to, it becomes intimate.

Here is a selection of recent images of stickers caught by our editor of photography, Jaime Rojo, for BSA readers to get up close to.

Unidentified Artist (photo © Jaime Rojo)

Above (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

Elle (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

Cash4 and Smells with friends in Berlin. (photo © Jaime Rojo)

El sol25 (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

Where is He? (photo © Jaime Rojo)

Unidentified Artist…YES!!! (photo © Jaime Rojo)

45 (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

Fonki World (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

Dceve . Croma . Above . J0eg (photo © Jaime Rojo)

Detail of the fridge door at Urban Nation Museum For Urban Contemporary Art in Berlin (photo © Jaime Rojo)

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BSA Film Friday 04.03.15 – SPECIAL “Persons of Interest” Videos Debut

BSA Film Friday 04.03.15 – SPECIAL “Persons of Interest” Videos Debut



Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. BSA PM/7 “Persons Of Interest” Documentation by Dario Jurilli, Urban Nation, Berlin.

“Pipedream“ feat. Tok Tok by PARASITE SINGLE

2. Urban Nation Berlin and BSA: PM/7 “Persons Of Interest” by Talking Projects


Today we debut two videos on BSA Film Friday that have just been released in support of PERSONS OF INTEREST, our curated program for Urban Nation last month in Berlin. The Project M/7 was all about honoring the practice of cultural exchange between the borough of Brooklyn and the City of Berlin.


Artists from both cities have been collaborating and influencing each other for years and we were honored to work with such a talented and varied group of Brooklyn-based artists who each came at the project from very different perspectives. We follow a philosophy that says “honor the creative spirit in each person” first and great amazing things will follow.


While it is challenging the structures that have codified art through centuries, we deeply regard the art that took root on the streets as democratic and idiosyncratic and as something that is given to all of us. This movement doesn’t necessarily require or benefit from gatekeepers and exclusivity to prove its value to a culture – we see it every day.


And speaking of talent, our hats off to the driving forces behind these two videos which tell different stories about the same program. Our partners at Urban Nation augmented the program with ideas of their own and grew the scope of our original ideas further. We admire the point of view taken by the documentary style video that appears first because it captures the message and the atmosphere we had hoped to engender – one of mutual support and respect. PERSONS OF INTEREST honors the artist and the muse. As artists and directors we know that this kind of thinking actually goes a long way – and art can save lives and hearts and minds – we’ve been lucky to see it.


The second video is styled more as a music video, an atmospheric pastiche that plays on the second meaning associated with the words “Persons of Interest” – one where graffiti and Street Art overlap with the darker aspects of a subculture that is transgressive. Carefully not dipping into cliché territory, the stories woven here give a serious nod to the graffiti/skater/tattoo/BMX cultures – which among many other influencers are in the DNA of, have given birth to today’s art in the streets.  Its a cool concept and it produces a few surprises.



We hope you dig both of these works.

Our sincerest thanks to the videographers, musicians, stylists, performers, technical experts, participants, administrators, artists, marketers, directors, poets, captains and dreamers who make this stuff happen.


“Persons of interest” curated by Jaime Rojo & Steven P. Harrington of Brooklyn Street Art


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See the Gallery Show! The BSA-UN PM/7 Pop-Up Exhibition

See the Gallery Show! The BSA-UN PM/7 Pop-Up Exhibition

Behind the Scenes for the Brooklyn-Berlin Pop-Up

Last Saturday the 14th the public was invited to an open reception to meet the artists who had flown to Berlin to create new portraits for Urban Nation (UN), curated by BSA.


Don Rimx checks his original illustration on his phone while creating much larger color version on the wall at the UN Gallery Pop-Up show (photo © Jaime Rojo)

The companion show for “Persons of Interest” at the UN Gallery is a pop-up show by the same Brooklyn artists whose portrait works were in the windows of the future museum but there were two important differences from those installations:

1. The artist had no limitations or guidelines regarding the subject or style of their chosen piece
2. The installation was to be mounted directly on the wall and not for sale.


Don Rimx (photo © Jaime Rojo)

After asking each artist to research and select their “person of interest” for the main windows and façade of the UN, it only seemed fair that we put no restrictions on the content or inspiration for their other piece for the opening to allow more free expression.

While we like gallery shows that sell art it felt much more natural to see the artists hit the walls directly as they would on the street – from floor to ceiling and side by side, they created a sort of continuum that lead out of the gallery doors out to the walls of this much-decorated city.


Don Rimx “Ache”, a bendicion in the spirit of his birthplace of Puerto Rico.(photo © Jaime Rojo)

Because these new artworks will have a limited run that ends in their destruction, the experience for the gallery goer of viewing them is an acknowledgement that the roots of this art-making practice embraces its ephemeral quality.

Something about that fact makes the work more immediate, more consequential, knowing that the work you are viewing on the street may not be there tomorrow. Each one of these artists knows this on the street, something another kind of artist may find difficult to accept or incorporate into their thinking.


Cake (photo © Jaime Rojo)

In the first couple of days everyone was recovering from serious NY-Berlin jet lag, and a handful of the artists were wearing the same clothes they arrived in while  waiting for their luggage that was stuck in Düsseldorf because of a strike by bag handlers. One artist missed his plane, others got a little lost on the metro, and there were two lost phones – but these are small problems once you are confronted with a blank wall next to 11 peers on which to create something amazing.


Cake (photo © Jaime Rojo)

It is a prospect full of opportunities and maybe a little bit of anxiety, but each artist brought their A-game and knew they were in a supportive environment. They also created it – reaching out to help with a brush or a ladder or can of paint, a word of advice and some problem solving too. Ultimately they were total professionals with skillz to lay down. By adapting and excelling at their work, the collective effect that this eclectic harmony produced clearly energized the crowd that overflowed onto the sidewalks Saturday night.


Cake (photo © Jaime Rojo)

The result on the gallery walls is an acid rainbow pop of personality, metaphor, text, pattern, socio/political commentary, activism, and a tribute to ancestors. Each artist brought their individual style and approach to gallery walls in much the same way that appears on the street. For a few it was the first time meeting while others were long-time friends and clearly some were fans of each others work.


NohJColey (photo © Jaime Rojo)

One coincidence that sort of blew us away was that Don Rimx and Specter both told us that their pieces were meant to be a “blessing” to their hosts; Rimx featuring a re-worked traditional image of a Puerto Rican grandmother and overflowing bucket of water – “the source of life” he said, and Specters post-modern repetition of leaves from a plant that he said you would bring someone as a gift. Neither had consulted with the other or us, and yet both mounted these pieces side-by-side.

Any day you get to work with artists is a good day – especially driven dynamic talented ones who are always challenging themselves, digging deeper to pull out something that speaks, that means something. These few precious days in Berlin with these few artists were very good days indeed for us and we hope for them too.


NohJColey (photo © Jaime Rojo)


NohJColey (photo © Jaime Rojo)


NohJColey (photo © Jaime Rojo)


Swoon’s undulating biomorphic and ornate paper cuts were at center stage of the gallery, wrapped around the columns in the middle of the room.(photo © Jaime Rojo)


Olivia from Swoon’ Studio working on the installation. (photo © Jaime Rojo)


Swoon (photo © Jaime Rojo)


Swoon (photo © Jaime Rojo)


Specter took off his shoes to create but remained in his long-johns while waiting for his luggage to arrive a day and a half after him. This plant was understated and yet commanded attention – this guy is one of the most intellectually adventurous in his street practice, easily sliding between mediums and concepts. (photo © Jaime Rojo)


Specter (photo © Jaime Rojo)


Specter (photo © Jaime Rojo)


Dain prepped his wall by tagging the surface multiple times in multiple colors and mucking it up with a roller – effectively bringing the street into the gallery so he could paste his new longer form enigmatic collage portrait on it and within the sea of colors and texture. (photo © Jaime Rojo)


Dain likes to work alone so he took his body parts and pieces into the adjacent store room to assemble and reassemble, spray, color, cut out, selectively damage or damask – a process that allows for experimentation and discovery while the artist relies on some intuitive guidance to get to the final piece. (photo © Jaime Rojo)


Dain (photo © Jaime Rojo)


Dain (photo © Jaime Rojo)


Dain and Swoon (photo © Jaime Rojo)


Chris Stain (photo © Jaime Rojo)


Some place in there you’ll find Chris Stain at work on his piece – an artist whose work always reflects the people you see on the street and in your neighborhood. (photo © Jaime Rojo)


Chris Stain (photo © Jaime Rojo)


Chris Stain brings a bit of Brooklyn to Berlin (photo © Jaime Rojo)


Gaia (photo © Jaime Rojo)


Gaia’s gallery piece was directly related to his portrait of Fereshta Ludin that he completed for the “Persons of Interest” window installation. An artist who makes a fulsome study of his subject matter and the historical/social/political/anthropological factors that surround it – Gaia here incorporated the marching mass of right wing anti-Islamic Pegida demonstrators as a backdrop to a disembodied draped head scarf, a symbol of religious expression by Muslim women. Posted on the front, with dropped shadow to pop it forward, is a published interview with Ms. Ludin -who attended the opening reception last Saturday, meeting the artist and us in person for the first time. (photo © Jaime Rojo)


Gaia, Ms. Farestha Ludin and Steven P. Harrington (photo © Jaime Rojo)


Gaia and Esteban Del Valle (photo © Jaime Rojo)


Esteban Del Valle (photo © Jaime Rojo)


Esteban Del Valle (photo © Jaime Rojo)


El Sol 25 and the German translation of “Here today, gone tomorrow”, his reference to the ephemerality of the graffiti/street art game, and perhaps larger existential considerations. (photo © Jaime Rojo)


El Sol 25 (photo © Jaime Rojo)


El Sol 25 (photo © Jaime Rojo)


For some, these are two essential products to survive while painting in a foreign country (or at home) (photo © Jaime Rojo)


Icy & Sot used this opportunity to create something more abstract than the work that they are known for, which can be quickly understood. According to a few people at the opening, they liked it more than the brother’s typical work for that reason, so it was successful in that respect. Icy explained that it is a crouching figure with a mashup of a destroyed city within it. (photo © Jaime Rojo)


Icy & Sot (photo © Jaime Rojo)


Icy & Sot (photo © Jaime Rojo)


Nice Keds dude… (photo © Jaime Rojo)


Cake . Swoon . Dain  . Gaia . Chris Stain  CLICK ON IMAGE TO ENLARGE (photo © Jaime Rojo)


Swoon . El Sol 25 . Esteban Del Valle . NohJColey . Gaia CLICK ON IMAGE TO ENLARGE (photo © Jaime Rojo)


Don Rimx . Specter . Icy & Sot (photo © Jaime Rojo)


Project M/7 “Persons Of Interest” Street level exhibition and the Pop-Up show are currently on view and free to the general public at:

Bülowstraße 97
10738 Berlin-Schöneberg, Germany

Opening Hours
Monday-Friday 10.00 -18.00



BSA Please note: All content including images and text are ©, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!





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Complete “Persons of Interest”: Brooklyn in Berlin

Complete “Persons of Interest”: Brooklyn in Berlin

All the Works Completed for Project M/7 at Urban Nation with BSA

Our trip to Berlin with 12 of Brooklyn’s finest street artists was a quintessential cultural exchange; bringing together artists, curators, social activists, ministers of art, museum board CEOS, collectors, gallerists, fans, and the director of a future museum called Urban Nation. The seventh Project M, a program to draw artists and attention to the enormous UN haus while it is under construction, was called “Persons of Interest”. All week we got to meet interesting people – not a surprise in this raw cultural hot spot that bubbles with an effervescent underground and creative laboratory that is full of youthful vigor and serendipity.


Icy & Sot. “Persons of Interest” Portrait of an unknown girl from Brooklyn to the people of Berlin. Detail. (photo © Jaime Rojo)

How fitting then that our first youthful arrivals were Icy & Sot, who set the tone with their 4 story portrait of an anonymous Brooklyn woman with “Freedom” scrawled across her face, an iconic scene of the celebrants at Berlin’s fallen wall inside her. With one of the brothers turning 24 that week, it was even more touching to see them marking an important event that predated him by one year – a new generation of artists helping us identify what events of the modern age are truly touchstones.

The 176 piece stencil had taken about 10 days for them to cut back in Brooklyn and the brothers methodically sprayed their missive to Berlin’s people over the course of 5 more days. This, their largest mural ever, was enormous and peaceful and an incredible act of discipline, determination, and dedication to teamwork.



Icy & Sot. “Persons of Interest” Portrait of an unknown girl from Brooklyn to the people of Berlin. Detail. (photo © Jaime Rojo)


Icy & Sot. A passer by spans a photo of the completed mural with her iPad. (photo © Jaime Rojo)

“Persons of Interest” was meant to celebrate the connections between the lively artists communities in these sister cities over the last few decades, and being in Berlin felt like home to most of the artists in many ways. The curatorial vision was also meant to counter the criticism of many of the new Street Art mural festivals that have taken hold in cities around the world that they are not considering their hosts and to help focus on the neighborhoods where the new works appear.



Icy & Sot. “Persons of Interest” Portrait of an unknown girl from Brooklyn to the people of Berlin. (photo © Jaime Rojo)


Cake at work on her portrait of Käthe Kollwitz. “Persons of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

Undeniably the Internet has supercharged this worldwide peoples’ art movement and has allowed us to learn about and connect with artists and their street work as we never would have encountered previously. It also has created a strata of international artists whose names appear again and again on these festival lists and while it is sort of exciting, it also is producing a sort of cultural imperialism that leaves a sour taste in the mouths of locals who don’t feel a connection to the artists or the art works that remain in their neighborhoods long after the festival has ended.

Our aim with “Persons of Interest” was to suggest a new model that may also be considered, one that is based on impactful work and meaningful exchange.

From this experiment that took us roughly six months to conceive, organize, and execute, we discovered two things:

1. Artists actually like to do research and create art that is meaningful and relevant to their personal stories, and
2. Many street passersby and art audiences are elated to find work that they can relate to – that reflects their lives, history, and culture.


Cake at work on her portrait of Käthe Kollwitz. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)


Cake her portrait of Käthe Kollwitz. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

Each of the artists had really challenged themselves to learn about the city they were making work for, and each had a story that also spoke of their own. Every day we were learning from them and they were learning from each other and without hesitation our hosts were schooling us as well.

Of course it helps when you are working with a dynamic urban contemporary art expert like Yasha Young, who has a deep well of ideas about community and more connections than the WiFi router at a One Direction concert. All week we were treated to a rotating list of visiting photographers, videographers, art directors, reporters, radio hosts, writers, culture mavens — and to many artists who were in town to put up new walls, show us their black books and iPhoto libraries, or just to meet their New York friends who were painting in the gallery.



Dain on the left with Gaia on the right at work on their portraits for “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

Shout out to Onur Dinc, Andreas Englund, Herakut, The Never Crew, KKade, Various & Gould, Strok, David Walker, FKDL, James Bullough, Vermibus, Roland Henry, Nika Kramer, Butterfly, Mark Rigney and other very cool well-wishers. While we’re at it, we all send a gold-plated shout out to the three women who kept us all cared for in so many ways in the gallery and on-site at the UN – Alejandra, Elisabetta, and Ana were indispensable.



Dain at work on his portrait of Marlene Dietrich. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)


Dain. Portrait of Marlene Dietrich. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

Speaking of meeting interesting people, a huge highlight of the program for us was when two of the artists got to meet their “Person of Interest” face to face. We had arranged a surprise visit of one of them; NohJColey had no idea that Katharina Oguntoye would walk on the sidewalk in front of the UN and peer in the window where he was preparing his portrait of her.

To witness the enthusiasm with which they greeted one another and to hear them excitedly asking and answering each others questions regarding his work as an artist in Brooklyn and hers as an Afro German feminist in Berlin was the epitome of art as a catalyst for cultural exchange. We didn’t know life could be so rich.


Gaia at work on his portrait of Fereshta Ludin. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

Gaia’s person of interest, Fereshta Ludin also attended the opening in person on Saturday night, the first time that the two had met in person. Only two days before a Berlin law had been overturned allowing Muslim school teachers to wear headscarves – and Ms. Ludin has been a social activist advocating for the right for the last decade and a half.

The politics around this of course are highly charged and there have been xenophobic right-wing marches against Muslims and others in their defense in the streets in Berlin in recent months. Meeting Ms. Ludin in person and seeing her reaction to Gaia’s portrait of her gave such a powerful additional dimension to the entire experience of “Persons of Interest” that we never could have predicted when we first conceived of it. Gaia said it was a “life affirming moment”.


Gaia’s portrait of Fereshta Ludin in progress. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

Probably what is most gratifying is when you see someone’s eyes light up with recognition at seeing one of their icons brought to life. One woman told us that she couldn’t believe that El Sol 25 knew Hannah Höch so well. Was it that she couldn’t imagine a former graff writer honoring the central female figure of Berlin’s Dada movement? We were shocked when a UN board director told us Marlene Dietrich had grown up in the same neighborhood where this new DAIN portrait of her was going up – we even met someone who went to her funeral here in ’92!

In the final analysis once again we witnessed the creative spirit alive and well in the street and in the gallery. Unlike early graffiti writers, these artists come from different backgrounds and disciplines – yet all intersected with art in the public sphere in New York; graffiti writers, muralists, painters, wheat-pasters, paper cutters… In Berlin you would have thought that they all had been working together for years, the collaborative spirit was so high – and luckily for us, Berlin welcomed them all.


Gaia. Portrait of Fereshta Ludin. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)


Swoon. Olivia from Swoon’s Studio at work on “Cairo”. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)


Swoon. Olivia from Swoon’s Studio at work on “Cairo”. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)


Swoon and her tribute to Turkish immigrants for “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)


NohjColey at work on his portrait of Katharina Oguntoye. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)


NohjColey at work on his portrait of Katharina Oguntoye. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)


NohjColey at work on his portrait of Katharina Oguntoye. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

The photo above captures the moment when NohJColey learns that Ms. Oguntoye is outside on the sidewalk looking at him through the window working on his portrait of her.

In the photo you see Ms. Oguntoye meeting NohJColey for the first time.


NohjColey at work on his portrait of Katharina Oguntoye. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)


NohjColey. Portrait of Katharina Oguntoye. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)


Specter at work on his portrait of Sally Montana. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)


Specter at work on his portrait of Sally Montana. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)


Specter. Portrait of Sally Montana in progress. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)


Specter. Portrait of Sally Montana. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)


Don Rimx at work on his portrait of John A. Roebling. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)


Don Rimx at work on his portrait of John A. Roebling. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)


Don Rimx. Portrait of John A. Roebling. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)


Esteban Del Valle at work on his portrait of George Grosz. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)


Esteban Del Valle at work on his portrait of George Grosz. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)


Esteban Del Valle at work on his portrait of George Grosz. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)


Esteban Del Valle. Portrait of George Grosz. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)


El Sol 25 at work on his portrait of Hannah Höch. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)


El Sol 25 at work on his portrait of Hannah Höch. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)


El Sol 25. Portrait of Hannah Höch. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)


Chris Stain at work on his portrait of Charles Bukowski. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)


Chris Stain at work on his portrait of Charles Bukowski. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)


Chris Stain portrait of Charles Bukowski in progress. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)


Chris Stain. Portrait of Charles Bukowski. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)


Urban Nation Project M/7 “Persons of Interest” is currently on view on the streets of Berlin until June 22nd at Bülowstraße 97
10738 Berlin-Schöneberg, Germany.


For more details on each artist’s Person of Interest click on the links below:

CAKE and Käthe Kollwitz, “Persons of Interest”

Chris Stain and Charles Bukowski – “Persons of Interest”

DAIN and Marlene Dietrich – “Persons of Interest”

Don Rimx and John A. Roebling – “Persons of Interest”

Esteban Del Valle and George Grosz – “Persons of Interest”

El Sol 25 and Hannah Höch – “Persons of Interest”

GAIA and Fereshta Ludin – “Persons of Interest”

ICY & Sot and Berlin’s People – “Persons of Interest”

NohJColey and Katharina Oguntoye – “Persons of Interest”

Specter and Sally Montana – “Persons of Interest”

Swoon and Turkish Immigrants – “Persons of Interest”


From Katherine Brooks at the Huffington Post, an interview with us and more images to recap.


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Dispatch from Germany: Pop-Up Show at UN Gallery with BSA

Dispatch from Germany: Pop-Up Show at UN Gallery with BSA

A great many things underway here in Berlin for the debut of “Persons of Interest”, a show of 12 artists who have worked on the streets of Brooklyn bringing their A Game to Berlin. This group of talented people have transformed the Urban Nation Pop-Up gallery with an astounding array of styles, skillz, techniques, and a lot of imagination. We couldn’t be happier with the results. The camaraderie is strong and the creative display directly on the gallery walls is iron-clad.

If you are in Berlin anytime Saturday come see the windows being installed in the UN Haus and at 7 pm come to the reception. Both events are curated by Steven P. Harrington and Jaime Rojo co-founders of and we will be very happy to meet you.

Here is a preview of the Pop-Up Exhibition…more to come


Swoon. (photo © Jaime Rojo)


Swoon with Chris Stain on the backgorund. (photo © Jaime Rojo)


Chris Stain (photo © Jaime Rojo)


NohJColey (photo © Jaime Rojo)


NohJColey asses his progress. Swoon on the right. (photo © Jaime Rojo)


Cake (photo © Jaime Rojo)


Cake (photo © Jaime Rojo)


Don Rimx (photo © Jaime Rojo)


Don Rimx (photo © Jaime Rojo)


Specter (photo © Jaime Rojo)


Specter tries some yoga. (photo © Jaime Rojo)


El Sol 25 (photo © Jaime Rojo)


El Sol 25 (“Here Today”) (photo © Jaime Rojo)


Dain (photo © Jaime Rojo)


Dain (photo © Jaime Rojo)


Gaia (photo © Jaime Rojo)


Gaia (photo © Jaime Rojo)


Esteban Del Valle (photo © Jaime Rojo)


Esteban Del Valle (photo © Jaime Rojo)


Icy and Sot (Photo  © Jaime Rojo)

Click HERE for the FaceBook event and more details about UN Project M/7 Persons of Interest and Pop-Up Exhibition.

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NohJColey and Katharina Oguntoye – “Persons of Interest”

NohJColey and Katharina Oguntoye – “Persons of Interest”


BSA is in Berlin this month to present a new show of 12 important Brooklyn Street Artists at the Urban Nation haus as part of Project M/7. PERSONS OF INTEREST brings to our sister city a diverse collection of artists who use many mediums and styles in the street art scene of Brooklyn. By way of tribute to the special relationship that artist communities in both cities have shared for decades, each artist has chosen to create a portrait of a Germany-based cultural influencer from the past or present, highlighting someone who has played a role in inspiring the artist in a meaningful way.
Today we talk to NohJColey and ask him why he chose his person of interest, Katharina Oguntoye.

For his portrait at Urban Nation the Brooklyn native NohJColey chose Katharina Oguntoye, the Afro-German feminist writer, historian, activist, and poet raised in Nigeria and Heidelberg, Germany. Her study of German culture and her status within it led to her co-editing of the 1986 book  Showing Our Colors: Afro-German Women Speak Out (Farbe Bekennen) and to the founding of Joliba, a nonprofit intercultural association in 1997. The organization provides support to a varied intercultural community and hosts educational and cultural events like dinners, seminars, kids events, reading groups, and public art events.

“I have chosen to create a piece that focuses on Katharina Oguntoye because of her contribution to the woman’s equality movement in Germany, “ says NohJ. “She has overcome countless obstacles in her lifetime and has changed so many lives for the better because of her relentless efforts.”

Street Artist NohJColey tells stories with his figures in the public sphere, examining their interrelationships and their place within an urban environment that is often hostile, fraught with anxiety and hypocrisy, yet tempered with humanity. Using various art making disciplines he constructs the stage; hand-carved linotypes, paper cuts, mobile sculpture, painting. A shrewd observer and communicator, his sometimes surreal narratives can be complex, often involving critique of classism, consumerism, racism, addiction, and a broken justice system each from the perspective of characters who are affected by or perpetuating them.


NohJColey in Brooklyn. (photo © Jaime Rojo)


 NohJColey in Albany, New York (photo © Jaime Rojo)


Check out the Facebook page for PERSONS OF INTEREST

See Full Press Release HERE

Persons of Interest Banner 740

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Street Art and Activism with “The Slumlord Project” in Baltimore

In a twist on the Broken Windows Theory, Street Artists are using their skills to combat urban blight in Baltimore with “The Slumlord Project”. By drawing the attention of neighbors to abandoned and vacant properties and giving pertinent ownership information to take action on, 17 artists are spray painting and wheat-pasting in a D.I.Y. educational program that aims to renew the social contract in communities hard hit by crumbling real estate, crime, and diminished opportunity.


Harlequinade. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)

With tongue in cheek, Baltimore Street Artist Nether calls “The Slumlord Project” an “unsanctioned public art festival”, where artists are invited to conceive of targeted installations on neglected properties. Along with Carol Ott, the founder of website and organization The Slumlord Watch, he encouraged artists to create with a sense of focus to draw attention to the companies, investors, private tax payers, and even the Housing Authority of Baltimore City about the large swaths of depressing and dangerous buildings decaying where neighborhoods and communities once flourished.

The result? A good old-fashioned bricks and mortar shaming project that calls property owners on the carpet, activates city agency responses, and encourages neighbors to get involved in a civic way to improve conditions on their block.


Harelequinade. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)

“The goal of the project was to catalyze a larger conversation about Baltimore’s ignored vacancy issue,” says the Nether, who had been putting up his wheat-pasted portraits of neighborhood folks on boarded-up doorways of the city’s abandoned buildings when he met Ott and became impressed with her enthusiastic online blog that documents the sad side of Bmore. Just how many buildings are vacant ranges from the city estimate of 16,000 to community group estimates of more than 40,000. But just looking at a Google map that uses some of the data from the groups website gives an idea how widespread the problem of vacancy is in Baltimore.

“It’s really frustrating when the government won’t acknowledge the problem,” says Ott in a video about her experience with her organization and her work to make neighborhoods structurally safer, “You cannot fix what you won’t acknowledge.”


Nanook. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)

Now with “Wall Hunters Inc”, a recently created non-profit organization, Nether has invited 17 artists to create this new series of installations that combine art and activism – installing unauthorized artwork on various dilapidated vacant houses. Next to the art are posted notices that incorporate QR codes that link to online data on the Slumlord Watch website so community members may learn about the housing and safety code violations on the property and about the owner responsible for the property’s decline. When neighbors started accessing this information, phones began ringing. Already some of the properties have been razed because of their precarious condition and the danger they posed.

Here are the stories of some of these installations as told by artists themselves and along with images of their work you can read some informational, insightful, even poetic, observations about their pieces for “The Slumlord Project”. As you read, you realize that some undertook a fair amount of research  to understand the relationship of their art with the vacant and abandoned property.

Underlying some of these stories are also critiques of the developers who have more recently begun rehabilitating or renaming neighborhoods, social conditions, and the history of the properties. Below the images of the new pieces here some of the artists give background of their process and the conditions. While we would have liked to confirm the names of some of the landlords who have been referenced in their accounts, we could not in time for publication and felt it would not be responsible to print them.



Jetsonorama. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)


“I spent a month in Baltimore in 1982. Shortly after leaving I heard Nina Simone’s version of Randy Newman’s song ‘Baltimore.’ Though I’ve never heard Randy Newman’s version, Nina sang is like she owned it and defined the persevering spirit of the city.

I shot this image in May of 2012 during Open Walls Baltimore. The girl in the photo, Johnnyasia, is an apprentice of Tony Divers, who is known at the Birdman of Greenmount West. The lyrics of the song appear around the periphery of the photo as a shout out to the city.”


Stefan Ways. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)


“When conjuring up an idea I will be the first to admit I did play it a little “safe” going for a Raven — Baltimore’s football mascot — but I feel the piece received a very positive response from the community. That was important to me since they are the ones who not only have to live with the eyesore of the building, but my semi-permanent installation as well. I created a mixed-media piece of a Raven building a nest. Wood slats from the building are held tightly in its grasp while “caution” tape blows in the wind from its calling beak. Nether popped up the QR code and we were out in a couple hours.

To our surprise, days later the QR code displaying the owners info had been torn down. Nether went and put it up again – it was later found torn down. About a week later Demolition signs were put all over the property – did our project come to fruition? Nobody is quite sure, but I want to say ‘yes’. The property was eventually demolished about two weeks after its set date. All and all I am so glad for the neighborhood that those terrible buildings are gone.

The project was amazing to be a part of and everyone’s work was held in high regard by everyone – community members, the police, the drug boys, city officials, the general public, and fellow artists. Wall Hunters has now made me look at my work, where I work, and my city in a much more specific way and I hope to do many more ‘unsanctioned murals’.”


Stefan Ways. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)


Nether. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)


“The piece I made for my second install for the Wall Hunters ‘Slumlord Project’ was a piece that I designed for the Cherry Hill/ Westport/ Mt. Winan’s area of southwest Baltimore. This is an area of town that is very off-the-map and many people don’t even know it exists. It’s an area with a lot of historic importance, has been crippled by drugs, vacancy, and poverty since the 90s, and soon will be developed into the new “Harbor West”. It was created after FDR’s “New Deal” and was built for black veterans returning from WW2. I find it most interesting and shameful when developers change the names of neighborhoods as they develop them. This area will become another example of that.

The character in the piece is my good friend Troy, who is from Cherry Hill. Troy has talked to me a lot about the area’s history, and he encouraged me to do a Wall Hunters piece on the side of the abandoned Mt. Winan Projects.

The Mt. Winans projects have some unsettling history in the dating from the 1990s. The police department twice, in 1995 and 1998, tried to put police substations into the projects and both times the substations were firebombed before opening. The drug operation running out of the Mt. Winans projects was estimated by some to gross $100,000 a month.

It is my belief, and the belief of many people in the area, that the City and developer’s plans are to destroy the collapsed identity of the area rather than help it once again thrive. In the piece, Troy is holding together three structures which symbolize the fading history of the area, probably never to be revitalized. From left to right, a burned down abandoned multi-purpose center at the top of Cherry Hill which has been turned to a methadone clinic, some Westport-style row houses along Annapolis Boulevard, and the Section 8 building called The Cherry Hill Homes.”


Gaia. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)


“This piece depicts the crown of King Tut with the visage replaced by a cotton field that fades into another row home owned by Rochkind. A normal suburban home from Pikesville with eagle wings floats above the words Exodus in Hebrew and English. Rather than vilify an individual who could fairly be labeled a slumlord, this piece visualizes the connection between the Jewish and African American experience with migration.”


Gaia. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)


Mata Ruda. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)

Mata Ruda

“ ‘The Slumlord Project’ is a direct overture to a much-needed, urgent dialogue layered with complexity. To put it simply, the project is a visual catalyst for reform. From its conception to the moment I approached the wall with paint, two terms, in particular, had resonated with me: narrative, as a lead-up and description to a conversation of the condition of a specific form.

I painted a bust depicting a Greek Hellenistic muse next to a deteriorating cube. I chose the muse as a source of knowledge, relating a historical narrative of the neglected block. And for posterity, the bust of the muse personifies a face of prudence, relating the ability to govern and discipline oneself by the use of knowledge, reason, and truth.”


LNY. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)


“ ‘Shawnee’s Call’ was totally colored by the public conversation Baltimore was having about the “Wall Hunters” project on paper and around town. I arrived a day before the Baltimore Sun published this article voicing businessman and real estate owner Stanley Rochkind’s allegations of racism as a distraction to the real issue and I was painting on yet another one of his neglected properties. Needless to say the whole experience was very political but that is the point: anything that happens in the public realm is inherently political. Loitering, picking up trash, smoking, putting up illegal murals, commenting on newspaper articles – it all comes loaded with meaning so my attempt was to channel that focus and attention back to the core of this project, which the mural depicts.”

From what I understand, a neighbor of this property called the Baltimore Slumwatch and reported the property next to her house along with its violations, which, in turn, led me to that location to paint and it is this small act of concerned citizenship that the mural celebrates.”


Pablo Machioli. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)

Pablo Machioli

To describe his project and his experience, artists Pablo Machioli wrote this poem.

“Breathing Peace”

Mother Nature’s arms warmed
By colorful patches of human skin.

Urgently they break through
Among millions of fallen daisies,
And open our windows.

They beg us to look outwards,
They beg us to look inwards .

Outside there’s Milagro, but she is my sister.
She’s nine years old.
Each time she inhales, a daisy falls,
Each time exhales, a dove is born.

Each dove brings a vein in its beak:
To continue sewing patches ,
To continue warming arms,
To continue opening windows,
To enable us to look outwards and inwards,
And to let us and them breath peace.


Sorta. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)


“Like many of the pieces in the project, mine was catered for the specific property. The “Vacant” that I pasted up on was noted as a lead paint infested dwelling. The house, which is listed as being owned by the Mayor and City Council, sits on the corner of a block with occupied houses all around it. Many of these houses have children living in them.

Lead paint exposure has been proven to cause many problems for growing children, including learning disabilities. The subject of the piece is a real person, the son of a friend of mine. He’s holding a Baltimore City Schools report card with failing grades and he’s standing in an oversized bucket of Dutch Boy lead paint.

I loved this project and the piece as the majority of my street works are portraits of people from the community. Additionally I often focus on children. But more often than not I try to capture real life topics, regardless of content and put it all together in a tasteful way. Sometimes I fail at this.

However I know who is walking or driving down that street. As a parent I am cautious to not offend other parents who might be exposed to my work without compromising the point I’m trying to make. The best part about street art for me is the interactions I have with the people walking up and down the street when I’m installing something. Baltimore offers a lot of love for street art and street artists; at least that’s been my experience. They seem to appreciate it. I mean, what’s easier to look at, a 14 foot tall portrait of a young man or the naked vacant building behind it that has been sitting there rotting for years?”


Sorta. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)


Specter. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)


“ ‘The Scaffold’ is a work that uses elements of construction and demolition
to comment on the uncertainty of vacant properties in Baltimore. The stairs have an eerie emptiness to them that reflects on this uncertainty leaving the viewer in limbo and questioning the fate of these structures.”


Specter. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)


Tefcon. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)


“In addition to my installation, I was given the opportunity to design the ‘Wall Hunters’ logo. The project was rooted in some pretty complicated cultural issues. Attempting to broach such an involved ideology was causing me to churn out this… overly complex, incomprehensible logo art. So, I decided to approach both the logo and my piece from a more literal standpoint, using animal hunting imagery.

I illustrated the lettering for the logo, adding a pair of horns as the ‘t’ in ‘Hunters.’ I mimicked the knotty / gnarled horn texture throughout the lettering and added a cool light source to give it some dimension. My installation was a carryover from the logo. I chose to go with a hunter character in a ‘hero’ pose. I would never go as far as to say what we were doing was heroic as I have too much respect for the actual heroes out there. However, I did consider the participants and the overall project to be a force for good and I wanted to convey that feeling in my piece.”


Sirus. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)


NohJColey. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)


Doom. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)


“This piece was pasted on what was reported to be the former base of operations for a self-proclaimed ‘King of Baltimore’, who was a convicted cocaine dealer and slumlord. These properties have been vacant for over 10 years.”


Doom. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)


Cera. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)


“In order for this piece to function, it simply needed to be activated. Creating ‘A Ship Will Sink With A Neglectful Captain,’ was such an exciting experience.

One of the more crucial points I try my hardest to maintain in my practice is the attention given to the viewer. Working on this wall, with this community, gave me the opportunity to see the their reactions to my artwork as well as their interest and noninterest.

Literally speaking with the community while working on this piece helped me understand what I do in my practice, and why I do it. I’m there for the process of assembling content, altering content, fragmenting it and spreading it out in layers. But I’m mostly driven by our people and our commonality.”


Cera. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)


For more information on The Baltimore Slumlord Watch please click HERE:

For more information on The Wall Hunters Slumlord Project please click HERE:



Please note: All content including images and text are ©, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!



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Woodward Gallery Presents: “From The Street Up” A Group Exhibition. (Manhattan, NYC)

Woodward Gallery

From the Street Up
July 6 – July 31, 2013

From the Street Up is a selection of celebrated urban artists who concentrate their creativity without walls. For centuries, humans leave tracks, symbols, and objects to record their location, time, and experience. It is an ancient form of documentation.

Woodward Gallery invited Artists Royce Bannon and Cassius Fouler to co-curate the exhibition. Each of the featured Artists are noted for their Public or Street art: John Ahearn, 
Michael Alan, 
Richard Hambleton, 
Robert Janz, 
Miguel Ovalle, 
Leon Reid IV, 
Skewville, Gabriel Specter, 
Stikman, and

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NohJColey Talks About The Deception of Independence

NohJColey Talks About The Deception of Independence

Artist Talks About His New 4 Panels Across from Woodward Gallery

Today we’re checking in with artist NohJColey, whose work we’ve featured many times and who continues to surprise viewers on the street with his distinctive style, well considered narratives and somewhat cryptic symbolism. It is great to watch an artist grow, and NohJ gets better because he’s continuously stretching his mind and practicing his skills. He tells us this new gig  crept up on him so he worked faster than usual, and the results are a looser flow, and a confident one. We asked him to talk about this newly finished piece on the street in the Lower East Side, what he’s been up to, and what are those ducks doing?

Brooklyn Street Art: We haven’t been seeing a lot of new work on the street from you. What have you been working on?
NohJColey: After my solo show I began working a job to pay bills and just didn’t really have time to produce work for the street. These days I’m a tattoo apprentice among other things. But I actually put up new work in the street on a daily basis. It may be a different pseudonym, but it’s happening everyday.

NohJColey (photo © Jaime Rojo)

Brooklyn Street Art: Is this the first time you have been asked to do the four panels for Woodward?
NohJColey: Yeah, this is the first time Woodward gallery approached me to do the four panels. I’ve always wanted to do them and it finally came to fruition.

Brooklyn Street Art: What is the name of the piece?
NohJColey: The piece is entitled “Oh, The Deception of Independence”


NohJColey (photo © Jaime Rojo)

Brooklyn Street Art: Can you tell us the back story of this new painted collage?
NohJColey: The piece is essential about the illusion of being self-sufficient. The main figure is married to the woman who he must ask for permission to go skydiving. To me, the act of skydiving enables an individual to feel as “free” as one can. The fact that the main figure has to have permission to feel “free” is an illusion inside of an illusion. The ducks in the piece are owned by the married couple. They roam around a one acre back yard, but they are not permitted to leave the property. Oh, The Deception of Independence…


NohJColey (photo © Jaime Rojo)

Brooklyn Street Art: The male figure is arched and seemingly swimming or flying. Did you have a live model for it?
NohJColey: No, I didn’t use a live model. Live models don’t always do a great job. Sometimes I’ll spend hours perusing through magazines until I get a pose or a hand gesture that I then manipulate.

Brooklyn Street Art: In much the same way as pieces you have pasted on boards on construction sites, the character of this wood really adds to the overall character of the piece. Did you like the result?
NohJColey: The aged wood effect looked okay though I’d rather use found materials any day of week. There is just something about an object that has genuine history as opposed to some store bought item that was altered to look like the actual thing.

NohJColey (photo © Jaime Rojo)

Brooklyn Street Art: Often in your sculptures there is motion and movement – here too you are indicating the movement of the woman’s arm through replicating and pivoting the limb. Have you ever done a video piece, or wanted to?
NohJColey: I did some video pieces in college and started one about two years ago, but that stuff is so time consuming that I had to put it aside to complete other projects.

Brooklyn Street Art: Are those mallard ducks?
NohJColey: The flying duck is. The second duck was a goose that I turned into a mallard duck.


NohJColey (photo © Jaime Rojo)

Brooklyn Street Art: If you were to symbolize yourself in one of your pieces as an animal, which one would you chose?
NohJColey: Most likely a liger because they’re a hybrid and I love the idea of mixing multiple things up to form one figure. And they never really stop growing.

Brooklyn Street Art: Which is harder for you when creating a piece. Starting it or finishing it?
NohJColey: Starting a piece is usually extremely difficult for me because I’m constantly attempting to create something that has never been seen before. I over think things and can spend a couple of days gathering reference material without having a clue how exactly to use it.

NohJColey (photo © Jaime Rojo)

NohJColey (photo © Jaime Rojo)

NohJColey (photo © Jaime Rojo)

NohJColey’s “Oh, Deception of Independence” is currently on view at the Woodward Gallery Project Space. Click here for more information.



Please note: All content including images and text are ©, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!


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Images of The Week 09.09.12

Our weekly interview with the street, this week featuring Adeline, Cost, El Sol 25, JM, Joseph Meloy, Keely, LMNOP, Mr. Toll, No Sleep, NohJColey, Sanpaku, Sheryo, Smells, ICY & SOT, Shie Moreno,The Cretin, The Yok, and Werds.

Shie Moreno (photo © Jaime Rojo)

Shie Moreno. Detail (photo © Jaime Rojo)

Shie Moreno in Miami (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

El Sol 25 (photo © Jaime Rojo)

El Sol 25 hangs out with LMNOP (photo © Jaime Rojo)

El Sol 25 (photo © Jaime Rojo)

El Sol 25 (photo © Jaime Rojo)

El Sol 25 (photo © Jaime Rojo)

The Yok and Sheryo (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

The Beautiful and awesome Adeline performs to celebrate NohJColey’s birthday at his opening last night. Better than Marilyn at the MSG for Jack. (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

The Cretin (photo © Jaime Rojo)

Sanpaku (photo © Jaime Rojo)

From Wikipedia:

Sanpaku gan (三白眼) or Sanpaku (三白) is a Japanese term that means “three whites” and is generally referred to in English as “Sanpaku eyes”. The term refers to the iris being rather small, so that it only covers about two-thirds or less of the vertical axis of the eye; e.g. delineate an eye into four portions; the iris would only occupy one portion of the divided four sections; thus leaving the other three in white, hence “three whites”.

When the bottom of the white part of the eye, known as the sclera, is visible it is referred to as ‘Yin Sanpaku’ in Chinese lore. According to the myth, it represents physical imbalance in the body and is claimed to be present in alcoholics, drug addicts and people who over consume sugar or grain. Conversely when the upper sclera is visible this is called ‘Yang Sanpaku’. This is said to be an indication of mental imbalance in people such as psychotics, murderers, and anyone rageful. Stress and fatigue may also be a cause.[1]

In August 1963, macrobiotic pioneer George Ohsawa predicted that President John F. Kennedy would experience great danger because of his sanpaku condition. This was reported by Tom Wolfe in the New York Herald Tribune.[2]

People with sanpaku eyes may also be feared to be prone to violent or disordered behaviors.[citation needed] There is no evidence for this belief, however.

John Lennon mentioned sanpaku in his song “Aisumasen (I’m Sorry)” from the 1973 Mind Games album. It is also briefly referenced in William Gibson’s Neuromancer, as well as in Michael Franks‘ 1979 song “Sanpaku”, and in The Firesign Theatre‘s piece “Temporarily Humboldt County”.

Joseph Meloy (photo © Jaime Rojo)

No Sleep (photo © Jaime Rojo)

A message for William Wegman from a disaffected unknown feller. (photo © Jaime Rojo)

Mr. Toll (photo © Jaime Rojo)

Cost, Smells and Keely welcoming mat. (photo © Jaime Rojo)

Icy and Sot. Special shout out to Joe’s buddy at Bushwick 5 Points for giving me a lift so I could get the right angle. (photo © Jaime Rojo)

Untitled (photo © Jaime Rojo)



Please note: All content including images and text are ©, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!



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