All posts tagged: Troy Lovegates AKA Other

“Wall & Frames”, Today’s Street Artists, Tomorrow’s Masters

There is an uneasy reluctance among some artists in the graffiti and the Street Art community to let themselves be seen hanging with art collectors or even entering galleries sometimes because they might lose credibility among peers for not being ‘street’ enough. Seeing well manicured men in pinstripes and shrieking birdberry women with tinted/straightened/plumped everything looking at your shit hanging on a wall and asking vaguely patronizing questions about it like you are an exquisite curiosity could make you go out and slice their tires after downing a few white wines.  Not surprisingly, “keeping it real” sometimes translates to keeping it out of private collections.

Even as there is an every-growing recognition of art and artists who work sometimes illegally in the street, it’s a sort of high-wire act for anyone associating with art born in margins, mainly because it forces one to face the fact that we marginalize.

Sociological considerations aside, over the last decade there is a less traditional definition of Street Artist entering the fray. The graffiti scene originally boasted a sort of grassroots uprising by the voiceless and economically disempowered, with a couple of art school kids and the occasional high-minded conceptualist to mix things up. It’s all changed of course – for myriad reasons – and art in the streets takes every form, medium, and background. Now we see fully formed artists with dazzling gallery careers bombing right next to first time Krinks writers, graffiti writers changing gears and doing carefully rendered figurative work, corporations trying their hand at culture jamming (which isn’t a stretch), and all manner of Street Art referred to as an “installation”.

A new book by Maximiliano Ruiz called “Walls & Frames”, just released last month by Gestalten, presents a large collection of artists who have traversed the now permeable definitions of “street”, gallery, collector and museum. Admittedly, this may be a brief period of popularity for Street Art, if the 1980s romance with graffiti is any indication, but there is evidence that it will endure in some form.  This time one defining difference is that many artists have already developed skill, technique, and a fan base. Clearly the street has become a venue, a laboratory for testing and working out new ideas and techniques by fine artists, and even a valued platform for marketing oneself to a wider audience.

A spread of work by Conor Harrington in “Walls and Frames”.

The resulting work, whether hanging on a nail inside or painted on a street wall, challenges our previously defined boundaries. The current crop of street art stars and debutantes, many of the strongest whom are collected here by Ruiz, continue to stay connected with the energy of the street regardless of their trajectory elsewhere. Some are relatively new, while others have been evolving their practice since the 70s, with all the players sliding in and off the street over time. The rich and varied international collection is remarkable and leaves you wanting to see more work by many of the artists. All considered, “Wall and Frames” is a gorgeously produced book giving ample evidence that many of today’s artists in the streets are tomorrow’s masters, wherever they practice.

Augustine Kofie in “Walls and Frames”.

 

Sixe in “Walls and Frames”.

Remed in “Walls and Frames”.

Anthony Lister in “Walls and Frames”.

Judith Supine in “Walls and Frames”.

Alexandros Vasmoulakis in “Walls and Frames”.

D*Face in “Walls and Frames”.

Interesni Kazki in “Walls and Frames”.

Jorge Rodriguez Gerada in “Walls and Frames”.

M-City in “Walls and Frames”.

 All images © of and courtesy of Gestalten and Maximiliano Ruiz.

Artists included are Aaron Noble, AJ Fosik, Alexandre Farto aka Vhils, Alexandros Vasmoulakis, Alëxone Dizac, Amose, Andrew McAttee, Anthony Lister, Antony Micallef, Axel Void, Basco-Vazko, Base 23, Ben Frost, Blek le Rat, Bom-K, Boris Hoppek, Boxi, C215, Cekis, Conor Harrington, D*Face, Dan Witz, Daniel Muñoz aka San, Dave Kinsey, Der, Dixon, Docteur Gecko, Doze Green, Dran, Duncan Jago aka Mr. Jago, Eine, Ekundayo, El Mac, Evan Roth, Evol, Faile, Faith 47, Fefe Talavera, Gaia, George Morton-Clark, Herakut, Herbert Baglione, Interesni Kazki, Jaybo, Jeff Soto, Jeremy Fish, Jesse Hazelip, Johnny “KMNDZ” Rodriguez, Joram Roukes, Jorge Rodriguez Gerada, Josh Keyes, JR, Judith Supine, Katrin Fridriks, Kevin Cyr, Kofie, L’Atlas, Lightgraff, Logan Hicks, Ludo, M-City, Mark Jenkins, Mark Whalen aka Kill Pixie, Maya Hayuk, Medo & Demência, Meggs, Miss Bugs, Miss Van, Morten Andersen aka M2theA, Mr. Kern, Mudwig, Nicholas Di Genova, Okuda, Patrick Evoke, Paul Insect, Pedro Matos, Peter Owen, Pose, Pure Evil, Remed, Remi/Roughe, René Almanza, Retna, Ripo, Ródez, Sam3, Sat One, Shepard Fairey, Sixe, Smash 137, Sowat, Sten & Lex, Stephan Doitschinoff, Tec, Tilt, Troy Lovegates aka Other, Turf One, Vitché;, Wendell McShine, Will Barras, and Zosen.

 

The launch; “Walls & Frames” will be presented at Gestalten Space Berlin on December 15th.

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Troy Lovegates AKA Other and Stinkfish Tonight at Brooklynite

Troy Lovegates AKA Other and Stinkfish Tonight at Brooklynite

OTHER Talks About His Process and His New Show, “Thinkers of This”

Found stories on found objects. The Canadian Street Artist named Troy Lovegates AKA Other is just as surprised as anyone by the faces and forms and shapes and patterns that come spilling out onto his wood panels and canvasses. A collector of images and experiences, he has a penchant for travel, a continuous movement, self propelling his eyes past a static world as a way of animating his own streaming movie without much narrative. His bendable figures, pungent geometric patterns, and somber faced old white men all get tumbled together in a clothes dryer with whatever else has collected in his consciousness, or subconscious. A hard wired natural trust of the intuitive sense leads him to his work, or his work to him, he doesn’t really know.

Troy Lovegates AKA Other. (photo © Jaime Rojo)

Brooklyn Street Art: You’ve got a lot of stuff that is always spilling out of you in your work. Do these things mill around inside or do you discover them as they are coming out?

Other: I just do patches and chunks. I don’t really know what I’m doing until it is finished. Sometimes I have a basic concept but with this globby gushing stuff, I think it’s just cities and life and travel and all the junk that you go through – all mashed together. I’m a big fan of clutter. Maybe that’s why I travel so much because once you get me stopped, my space gets so full. I like clutter and repetition.

Troy Lovegates AKA Other. (photo © Jaime Rojo)

The cities and countries he’s been in over the last couple of years also tumble out while he is showing BSA his new show, a double bill opening tonight at Brooklynite with Colombian Street Artist Stinkfish: he’s been wandering through Germany, Croatia, Romania, France, Spain, Catalonia, Italy, Argentina.  – A lot of it by bicycle, a lot of it on foot.

“I’m a walker and a biker and I’ll go out in the morning and I’ll walk till midnight. And I’m usually searching for something I can paint on – one of my next pieces. This work is “storytelling” and the stories happen while I’m searching. It’s my favorite way to produce art. Like you could maybe even find some paint, and an old part of a church, just an amazing old piece of wood. It’s stories that happen along the way, the work just comes to you,” says Other as he describes the process.

Troy Lovegates AKA Other. (photo © Jaime Rojo)

The show hangs together with glee, an unusual arrangement of usual things. Other’s work is a blind awareness, a collecting of the faces and handbags and mop buckets and shapes and patterns that he has ingested. Then like the piles of belongings that clump together in after flood waters descend, Other ignores relative value or hierchy in the delivery of heads and plumbers pipes and patterns and alarm clocks.  On his daylong explorations through cities and towns and roads and streets he keeps his eyes open, looking into faces and into dark shadows and dilapidated buildings.

Brooklyn Street Art: And what about the heads? Who are these people?
Other: I like to collect old magazines. I get these pictures of famous people and then look in the back ground and say “Oh that guy would be great to paint” I was taking a lot of photos.

Brooklyn Street Art: People you meet on the street?
Other: I ask them, “Can I take a photo of you?”

Brooklyn Street Art: Do you ask them anything about themselves?
Other: No. I usually can see a lot.

Stinkfish. (photo © Jaime Rojo)

Stinkfish. (photo © Jaime Rojo)

Stinkfish in the back yard. (photo © Jaime Rojo)

Troy Lovegates AKA Other in the back yard. (photo © Jaime Rojo)

Troy Lovegates AKA Other in the back yard. (photo © Jaime Rojo)

Troy Lovegates AKA Other in the back yard. (photo © Jaime Rojo)

Troy Lovegates AKA Other in the back yard. (photo © Jaime Rojo)

Troy Lovegates AKA Other in the back yard. (photo © Jaime Rojo)

 

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Read more about the show “Thinkers of This” at Brooklynite Gallery HERE

Read our interview with Troy Lovegates AKA OTHER on Juxtapoz this summer HERE

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Anthony Lister Talks to BSA : Analysis and Constant Consideration

“I’m like a hairdresser I guess.”

Painter Anthony Lister is also a Street Artist. His surreal pop and celebrity culture-infused abstractions are candy encrusted apples which may have something sharp inside. Many are figurative studies and wire frames bending wildly into characters who cavort and mock with blunt swipes of color, overlaid by costumed sexual role play… or is that a personal projection?  Did I mention elegance, defiance, wit? Wait, there is so much here!  Truth is, his work can be a cock-eyed psychological tempest, jarring to the head, strangely sweet.

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Anthony Lister in Brooklyn (photo © Jaime Rojo)

A decade of discovery under his superhero belt, Mr. Lister continues to analyze and build his creative practice and it always includes work inside the gallery and outside on the street. He’s currently preparing for his solo show in Sydney called  “Bogan Paradise” at Gallery A.S. At the same time he’s part of a group show with a gaggle of his Aussie expats on view at 941 Geary in San Francisco for “Young and Free”, including Kid Zoom, Dabs & Myla, Dmote, New2, Ben Frost, Meggs, Ha-Ha, Reka, Rone, Sofles and Vexta.  Not to mention his participation in our show last month in Los Angeles at C.A.V.E. with Thinkspace, “Street Art Saved My Life : 39 New York Stories“.

The artist took some time recently to talk to Brooklyn Street Art about his practice;

Brooklyn Street Art: How much of one of your painted portraits is autobiographical? In other words, what portion of Mr. Lister is super hero, super model, furtive schoolboy, or Homer Simpson?
Anthony Lister: I don’t really think about myself when I paint. My figurative works are more like reflections of characteristics I absorb from real life day to day.

Brooklyn Street Art: If you were to wear colored glasses, which color do you think you would most likely screen the world through?
Anthony Lister: Pink, like John Lennon.

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Anthony Lister in Brooklyn (photo © Jaime Rojo)

Brooklyn Street Art: Francis Bacon said, “The creative process is a cocktail of instinct, skill, culture and a highly creative feverishness.” Would you drink that cocktail?
Anthony Lister: Nice words. I agree.

Brooklyn Street Art: What role does analysis play in your creative process when bringing a painting to fruition?
Anthony Lister: Analysis is the outcome of considered processing. Constant consideration is crucial.

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Anthony Lister in Brooklyn (photo © Jaime Rojo)

Brooklyn Street Art: A big piece you did on Metropolitan in Brooklyn – you reworked that face a couple of times over a period of months, producing what appeared as a slowly morphing image. Were you covering up tags, or were you unhappy with the original, or maybe combating the effects of age with a little nip and tuck?
Anthony Lister: When I re-work street paintings I think of it like I am a hairdresser. When something is in the public it has a different existence to something living privately in a residence. I’m like a hairdresser I guess.

Brooklyn Street Art: You have spoken about your work as reality, or a reaction to realities. What realities are you depicting these days?
Anthony Lister: I just finished a body of work for a solo show in Sydney. This next body of work is about contemporary Australian culture. The exhibition is titled “Bogan Paradise.”

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Anthony Lister in Brooklyn (photo © Jaime Rojo)

Brooklyn Street Art: When you consider the Street Art scene that evolved around Melbourne, how would you characterize its nature in a way that differentiates it from the work in other cities around the world?
Anthony Lister: No different. This whole street art thing has sprung up post the turn of the digital revolution so it is on the Internet quick and the artists who inspire others and the ones who are easily inspired are constantly swimming in the same aesthetic pools of consciousness. Not to mention that most of the prominent artists travel lots so it is easy to see work of the same artist in multiple cities around the world at the same time.

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Anthony Lister in Brooklyn (photo © Jaime Rojo)

Brooklyn Street Art: The titles you give your gallery pieces are entertaining, instructive, illustrative. Do you ever want to place a placard near a piece you’ve done on the street – just to make sure the message gets across?
Anthony Lister: No. My street practice is less thoughtful and therefore needs less commentary.

Brooklyn Street Art: When is a painting complete?
Anthony Lister: When it tells me so.

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Anthony Lister in Brooklyn (photo © Jaime Rojo)

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Anthony Lister in Manhattan (photo © Jaime Rojo)

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Anthony Lister in Miami for Primary Flight. Detail. (photo © Jaime Rojo)

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Anthony Lister in Los Angeles. LA FreeWalls (photo © Todd Mazer)

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Anthony Lister in Los Angeles LA FreeWalls (photo © Todd Mazer)

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Cry me a rainbow, Anthony Lister in Los Angeles. LA FreeWalls (photo © Jaime Rojo)

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Anthony Lister in Venice Beach CA. (photo © Jaime Rojo)

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Anthony Lister in San Francisco for Young and Free at 941 Geary (photo © Andrius Lypia)

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Want to see more work? Just “Lister” it.

www.anthonylister.com

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Gilf! “Back Talk” Conversation

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To introduce readers to some of the Street Artists in the show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.

Today we hear from Gilf!

One reason you make art: I make art to change people’s perspectives, and to bring awareness to major issues that face our whole planet. I also do it to make people smile. Street art is an amazing tool that allows me to speak to people with whom I wouldn’t get the chance in real life.

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Gilf! (photo © Jaime Rojo)

Read “Back Talk: A conversation with Gilf!” on Juxtapoz: http://www.juxtapoz.com/Current/back-talk-a-conversation-with-gilf

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Rene Gagnon “Back Talk” Conversation

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To introduce readers to some of the Street Artists in the show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.

Today we hear from Rene Gagnon.

The first record or CD you ever bought? The last album you downloaded?
“First has to be RUN DMC – with the Krush Groove jam. Eminem, ‘Relapse & Recovery.’ “

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Rene Gagnon (photo © Jaime Rojo)

Read “Back Talk: A conversation with Rene Gagnon” on Juxtapoz: http://www.juxtapoz.com/Current/back-talk-a-conversation-with-rene-gagnon

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Mark Carvalho “Back Talk” Conversation

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Brooklyn-Street-Art-Juxtapoz-MARK-CARVALHO-Back-Talk-Street-Art-Saved-My-Life

To introduce readers to some of the Street Artists in the show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.

Today we hear from Mark Carvalho.

Something you want the world to know about you:
“I only sing two songs for karaoke; Lionel Richie’s ‘Hello’ and Tupac’s ‘How do you want it’.”

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Mark Carlvalho (photo © Jaime Rojo)

Read “Back Talk: A conversation with Mark Carvalho” on Juxtapoz: http://www.juxtapoz.com/Current/back-talk-a-conversation-with-mark-carvalho

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Indigo “Back Talk” Conversation

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Brooklyn-Street-Art-Juxtapoz-INDIGO-Back-Talk-Street-Art-Saved-My-Life

To introduce readers to some of the Street Artists in the show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.

Today we hear from Indigo.

Artists you admire:

“I admire everyone who has the courage to spend hours, weeks, months and years turning thoughts and feelings into things, then putting them out into the world for others to respond with love or hate or complete indifference.  I admire anyone who has the integrity to create for themselves, first and foremost.  I admire those who are constantly pushing themselves to try new ideas, use new mediums, reach out to new audiences and immerse themselves in uniquely challenging experiences.  I admire everyone who has taken a leap of faith, fallen into dark and swirling waters and after what often seems like a lifetime of struggle, reached the sunshine on the other side – only to do it all over again.”

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Indigo (photo © Victoria Potter)

Read “Back Talk: A conversation with Indigo” on Juxtapoz: http://www.juxtapoz.com/Features/back-talk-a-conversation-with-anthony-lister

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Opening Shots from “Street Art Saved My Life” in Los Angeles

Images from the Show

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The show in Los Angeles last weekend was a lot of fun, with 500 people flowing through C.A.V.E. Gallery to see studio work by some of the artists on the streets of NYC. What impressed us the most was the number of conversations we saw taking place with two or three friends gathered around a piece and discussing it and really taking it in. Marsea Goldberg, owner of New Image Gallery told us, “This is Los Angeles, we take art seriously”, and judging by the enthusiasm and knowledgeable people we met at the opening, in the back patio, and on the street, many Angelinos are interested in street art from the east coast. After comments about the dense and layered quality of the show, the next most popular topic was, “When are you going to do an LA street art show in New York?”  After we catch our breath. Thank you LA, and thank you all the artists who came out to make work on the walls.

Thank you also to photographer Carlos Gonzalez for shooting all the pieces in the show, which follows after this collage of opening night shots by Andrew Hosner from ThinkSpace, who was our partner with C.A.V.E. to make this show happen.

See a couple of links at the end of this posting for more pictures of the opening from Andrew Hosner and Karin Freda.

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Adam Void (photo © Carlos Gonzalez)

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Anthony Lister  (photo © Carlos Gonzalez)

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Broken Crow (photo © Carlos Gonzalez)

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C215 (photo © Carlos Gonzalez)

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Cake (photo © Carlos Gonzalez)

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Chris Stain (photo © Carlos Gonzalez)

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Clown Soldier (photo © Carlos Gonzalez)

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Creepy (photo © Carlos Gonzalez)

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Dan Witz (photo © Carlos Gonzalez)

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El Sol 25 (photo © Carlos Gonzalez)

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EMA (photo © Carlos Gonzalez)

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Faile (photo © Carlos Gonzalez)

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Futura (photo © Carlos Gonzalez)

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Gaia (photo © Carlos Gonzalez)

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Gilf! (photo © Carlos Gonzalez)

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Hargo (photo © Carlos Gonzalez)

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Hellbent (photo © Carlos Gonzalez)

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How and Nosm (photo © Carlos Gonzalez)

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Imminent Disaster (photo © Carlos Gonzalez)

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Indigo (photo © Carlos Gonzalez)

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Kid Acne (photo © Carlos Gonzalez)

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Know Hope (photo © Carlos Gonzalez)

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Ludo (photo © Carlos Gonzalez)

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Mark Carvalho (photo © Carlos Gonzalez)

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Miss Bugs (photo © Carlos Gonzalez)

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Nick Walker (photo © Carlos Gonzalez)

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NohJColey (photo © Carlos Gonzalez)

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Other (AKA Troy Lovegates) (photo © Carlos Gonzalez)

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OverUnder (photo © Carlos Gonzalez)

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Radical! (photo © Carlos Gonzalez)

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Rene Gagnon (photo © Carlos Gonzalez)

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Skewville (photo © Carlos Gonzalez)

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Specter (photo © Carlos Gonzalez)

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Sweet Toof (photo © Carlos Gonzalez)

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Swoon (photo © Carlos Gonzalez)

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Tiptoe (photo © Carlos Gonzalez)

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White Cocoa (photo © Carlos Gonzalez)

If you want to see pics of opening night on Andrew Hosner’s Facebook Page please go here:

To see Karin Freda’s Flickr page of photos from the show please go here :http://www.flickr.com/photos/karinfreda/sets/72157627427952010/

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TipToe “Back Talk” Conversation

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To introduce readers to some of the Street Artists in the upcoming show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.

Today we hear from TipToe.

Something that annoys or frustrates you about people: “Obsessions with Warhol and people who don’t know the difference between ambiguous and arbitrary”

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TipToe (photo © Jaime Rojo)

Read “Back Talk: A conversation with TipToe” on Juxtapoz: http://www.juxtapoz.com/Current/back-talk-a-conversation-with-tiptoe

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Back Talk with Street Artist Radical!

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To introduce readers to some of the Street Artists in the show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.

Today we hear from Radical!

Artists you admire: “Henry Darger, Margaret Kilgallen (RIP), Barry McGee, Booker (Read More Books), Blu, Barbara Kruger, Robert Longo, C215, Chris Stain, Dondi White (RIP), Os Gemeos, Vrno, Gaia, Josh Keyes, the old Pottymouth Crew (Dwell, Oneunit, Mr. Prvrt), my grandpa, my professors, all of the people still going big these days.”

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Radical! in Coney Island (photo © Jaime Rojo)

Read “Back Talk: A conversation with Radical!” on Juxtapoz: http://www.juxtapoz.com/Current/back-talk-a-conversation-with-radical

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Fun Friday 08.12.11

Fun-Friday

Fun Friday Stories this week

1. Opening Tonight “Street Art Saved My Life : 39 New York Stories” (LA)
2. Anthony Lister’s Wall Still Shining
3. LUDO Gets Up Downtown LA
4. “Art in the Streets” Closes
5. Dabs and Myla at ThinkSpace Tomorrow (LA)
6. “Street Art Stories” Presentation and Panel Discussion at LA MOCA Saturday

Opening Tonight “Street Art Saved My Life : 39 New York Stories” (LA)

If you are in LA tonight, please check out some New York stories at C.A.V.E. Gallery. The show is hung, the brand new pieces out back by Creepy, Gilf!, NohJColey, Adam Void, Hellbent, and Tiptoe are still wet, and Patrick just rollered a thick layer of black on the floors to cover up the mess we made. People from 7 or 8 countries have put in such personal and meaningful pieces, the quality is high, and so are a lot people in LA we’ve discovered. And there are a few surprises that you won’t believe – like Futura’s piece called “Brooklyn Street Art”, made of, guess what? And Nick Walker’s piece and accompanying mannequin will raise some eyebrows no doubt. It has been so great to work with these artists and these partners (ThinkSpace, C.A.V.E., Juxtapoz, LA FreeWalls, HuffPost Arts, LA MOCA) for the last half year to pull this together, and we are deeply indebted to everyone’s talents, vision, and positive attitudes. Before the doors are open, it feels like a total success.  Love you guys and gals more everyday.

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photo © Jaime Rojo

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A detail of NohJColey’s piece “Piss Pub” in the foreground. From Left to right: Radical, Miss Bugs, Hellbent and Swoon in the background. (photo © Jaime Rojo)

Anthony Lister’s Wall Still Shining

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It was sunny again in LA yesterday and we got a nice shot of this Anthony Lister piece that BSA curated with Daniel Lahoda for LA Freewalls. Pretty nice, huh?  For a full photo essay of the piece going up with images by Todd Mazer click here (photo © Jaime Rojo)

LUDO Gets Up Downtown

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LUDO was up a ladder again yesterday in a new spot in downtown Los Angeles in collaboration with LA FreeWalls and BSA. (photo © Jaime Rojo)

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LUDO’s new wall in Downtown Los Angeles in collaboration with LA FreeWalls and BSA. (photo © Jaime Rojo)

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LUDO’s new wall in Downtown Los Angeles in collaboration with LA FreeWalls and BSA. (photo © Jaime Rojo)

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LUDO’s new wall in Downtown Los Angeles in collaboration with LA FreeWalls and BSA. (photo © Jaime Rojo)

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LUDO’s new wall in Downtown Los Angeles in collaboration with LA FreeWalls and BSA. (photo © Jaime Rojo)

“Art in the Streets” Closes

Monday was the last day for the largest exhibition of graffiti and street art under one roof at the Los Angeles Museum of Contemporary Art (MOCA), “Art in the Streets”. Over the last four months the expansive show gave a little over 200,000 people an opportunity to see and learn about and understand a great deal more about the history of this multifaceted scene which continues to grow and morph and evolve around the world. Congratulations to curators Jeffrey Deitch, Roger Gastman, and Aaron Rose for their tenacity and everyone who played a part in putting this show together, a real collaborative effort.

Dabs and Myla at ThinkSpace Tomorrow (LA)

Hundreds of household items have been painted, many of them interconnected with larger pieces, are all over the ThinkSpace Gallery right now as final prep is happening for tomorrow night’s Dabs and Myla show by the Melborne/LA couple who have been keenly tag teaming to finish everything on time. Tomorrow we’ll have some pics for you. In the meantime here’s an interview on Sour Harvest and on Juxtapoz.

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Dabs and Myla on the gallery wall at Thinkspace (photo courtesy the gallery)

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For more information about this show click on the link below:

http://www.brooklynstreetart.com/theblog/?p=23137

“Street Art Stories” Presentation and Panel Discussion at LA MOCA Saturday

Taking a look at one direction that Street Art is going today and talking about what it augers for the future as more artists are investing time and labor into narratives behind their pieces on the street. Really looking forward to this one!

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This event is at capacity. RSVP is closed.

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OverUnder “Back Talk” Conversation

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To introduce readers to some of the Street Artists in the upcoming show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.

Today we talk with OverUnder.

Something you’ve always wanted to do, but have yet to:
“Dive out of a car before it flies off a cliff.”

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OverUnder (photo © Jaime Rojo)

Read “Back Talk: A conversation with OverUnder” on Juxtapoz: http://www.juxtapoz.com/Current/back-talk-a-conversation-with-overunder

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