Afghanistan

Klughaus Gallery Presents: Reyes & Steel “All Write You Scumbags” (Manhattan, NYC)

September 11, 2012 , , , , , ,

Reyes & Steel

Klughaus Gallery & LRG present…
REYES & STEEL
“All Write You Scumbags”

Opening Reception: Friday, September 14 from 6-10pm
Location: 47 Monroe Street New York, NY 10002
RSVP: rsvp@klughaus.net

There will be (limited) complimentary gourmet Pat LaFrieda cheeseburgers by STEEL aka Sleazy McCheesy at the opening! Klughaus Gallery and LRG are proud to present, “All Write You Scumbags,” a dual artist show featuring recent works by Bay Area artists Victor Reyes and Steel. “All Write You Scumbags” marks the New York debut for both artists and showcases a distinct chemistry cultivated over years working together as friends, creative partners and members of MSK, one of the highest regarded graffiti artist collectives in the world.

Victor Reyes has been painting since the early 1990s and his work has been exhibited in galleries all around the world. As an artist preoccupied with what he once described as the “natural rhythms” of penmanship, Reyes’ self-instructed evolution from graffiti writer to fine artist has included a fascinating exploration of spelling and typography.

“These new works are painted and illustrated as a reveal to the contemporary ideas surrounding graffiti and its application within the conversation of fine art,” says Reyes of the duo’s Klughaus show.

Steel is an artist from San Francisco who paints cheeseburgers. He has a great appreciation for classic print design and sign painting. Among other things, he is known for his versatility and ability to create artwork in a gallery setting that is very distinct from his work in the streets. His vibrant, colorful paintings and illustrations are detailed, tongue-in-cheek, and often explored using untraditional canvases ranging from ammunition boxes to vintage silver cans. His inspirations include his friends, Richard Pryor, and good food.

There is going to be a limited edition Reyes/Steel zine released at the opening. The limited zine is 10 pages, hand bound saddle stitch and hand painted with gouache and serigraph on watercolor paper.

For a catalog, please contact: info@klughaus.net

The exhibit will be on display through October 7, 2012

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Know Hope Presents: “Others’ Truths” A New Zine Relase and Art Show (Tel Aviv, Israel)

September 11, 2012 , , , , , ,

Know Hope

“Others’ Thruths” a new zine by Know Hope

Release date: 13.9.12

The zine will be released in a special event that will take place on Thursday, September 13th at 20:00

(the exhibition will remain open Friday, September 15th, 12:00-16:00)

at “Studio”, 2 Harakevet St., Tel Aviv

“Others’ Truths”, Know Hopes tenth and newest zine is comprised of a series of drawings, texts and observations collected during the past year.

While working on the zine, Know Hope focused on the idea of ‘truisms’, which are often adopted without questioning; by the use of the image of the flag in his work, Know Hope attempts to research the concepts of patriotism and nationalism, not necessarily from a directly political stance, but from a viewing point of the personal or private human condition in relation to the more general and collective.

“Others’ Truths” is in a way a continuation of Know Hopes research, attempting to understand the current situation that we find ourselves in, being born into a charged reality structured on the foundations of past and outdated morals and values.

The original drawings that were used as pages in the zine will be exhibited during the event. The drawings are composed of Know Hopes repetitive iconography, that are an insight to the human condition, as well as the motif of ‘the flag’ and the relationship between the two.

The zine will be available during the event, and at www.thisislimbo.bigcartel.com and selected stores from Friday, September 14th.

“Others’ Truths” is independently published in an edition of 1000. The zines are soft cover and have 64 b/w pages.

In addition to the zines, sticker packs created specially for the event will be available.

 

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Joshua Liner Gallery Presents: “A Love Letter for You” A Film by Stephen Powers AKA ESPO (Manhattan, NYC)

September 11, 2012 , , , , ,

A Love Letter for You

In conjunction with our current solo exhibition, A Word is Worth a Thousand Pictures, Joshua Liner Gallery and Stephen Powers will be hosting a screening of Powers’ feature film A Love Letter For You followed by Q&A with Stephen Powers and director Joey Garfield.

The screening will be held this Saturday 9/15, at the Tribeca Grand Hotel at 8pm. Tickets are limited, so get them while you can!

Click here to buy tickets. Click here (or click on the image below) to watch the trailer.

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Nuart Presents: Nuart Plus International Street Art Summit (Stavanger, Norway)

September 11, 2012 , , , , , , ,

Nuart Plus

NUART PLUS
STAVANGER NORWAY : 27/28/29 SEPT

Nuart Plus, one of Europe’s first international Street Art summits kicks off this year!
Thurs Sept 27- Sat 29th Sept sees a host of industry professionals, creatives, authors and critics descend on Stavanger to discuss, dismantle and fight their way through issues surrounding Street Art, advertising, urban development and related issues.
http://www.nuartfestival.no/nuart-plus

Three days of keynote talks and presentations, panel debates with visiting artists, film premieres, street art tours and more. See full program attached.

Guests and Keynote speakers include
Carlo McCormick (US) – Tristan Manco (UK) / Ron English (US) / Saber (US) / Jordan Seiler (US) / Jon Burgerman (UK) / The Wa (FR) / RJ Rushmore (US) / Evan Pricco (US) / Kristi Guldberg (NO) / Eirik Sjåholm Knudsen (NO) / Marion Højris Jensen (DK) / John Xc (UK)


Nuart is proud to announce the latest addition to what’s fast becoming one of the most talked about events on the international street art calendar.

This three-day international Street Art Summit inaugurates the new PLUS series, a component of the festival that aims to bring together the public, artists and creative professionals in an environment of exploration, innovation and discovery.

Open to the public, Nuart PLUS is a professional gathering that explores the ever-strengthening links between creativity and our urban environment. Featuring a mix of keynotes, panels and presentations, the Nuart PLUS summit is a 3-day conference aimed at elaborating a cohesive view of the current trends within groundbreaking artistic mediums and proposing visions for the future.

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DAY 1 – Mental space
Day 1 will investigate the relationship between street art, the urban environment and advertising. For decades street artists have not only co-opted the visual strategies of advertising but also the physical billboards that advertisers use. Day 1 explores the corporate visual elements that surround us, how do they affect the way we engage and behave in society and what are street artists contributing to this arena?

DAY 2 – Physical space
Our second day is perhaps the most comprehensive, with a keynote address from renowned cultural critic Carlo McCormick as well as presentations, panel debates and discussions from a broad range of guests. Physical Space will tackle the complex relationship between Street Art, Urban Planning and our physical environment. Street Art and Graffiti now plays a prominent role in the cultural landscape and consciousness of a city. Can it and should it be assimilated. In other words, how can street art play a role in producing the city and society we wish to live in?

DAY 3 – Virtual space
Virtual Space will explore Street Art’s life on the web by exploring the growing relationship between the street, the artist and the Internet. With rapid photo and film uploading sites, dedicated street art forums, social media sites, blogs, mobile apps and other sharing platforms, Street Art and its life on the Internet is now a multi-authored environment. Can we see specific changes in art practices and expressions due to this?

Full day program with keynotes, panels etc.: http://www.nuartfestival.no/nuart-plus

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FILMS:

Thursday Sept 27. Kl 1700. Sf Kino
POPAGANDA. “The Art & Crimes of Ron English”.
With a live introduction and post film Q&A with Ron English, moderated by Juxtapoz Editor in Chief, Evan Pricco (US)

The modern day Robin Hood of Madison Avenue, subversive artist Ron English is on a mission to liberate all billboards. He paints, perverts, infiltrates, reinvents and satirizes modern culture on hundreds of pirated billboards. Popaganda chronicles the evolution of an artist who offers an alternative universe where nothing is sacred, everything is subverted and there’s always room for a little good-natured fun.


Saturday Sept 29. Kl 1700. Sf Kino
EXIT THROUGH THE GIFTSHOP
Introduction to the film from author and Banksy confidente Tristan Manco (UK)

This is the inside story of Street Art – a brutal and revealing account of what happens when fame, money and vandalism collide. Exit Through the Gift Shop follows an eccentric shop-keeper turned amateur film-maker as he attempts to capture many of the world’s most infamous vandals on camera, only to have a British stencil artist named Banksy turn the camcorder back on its owner with wildly unexpected results.

One of the most provocative films about art ever made, Exit Through the Gift Shop is a fascinating study of low-level criminality, comradeship and incompetence. By turns shocking, hilarious and absurd, this is an enthralling modern-day fairytale… with bolt cutters.

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TOURS

THURS 27. STREET ART TOUR
STREET ART TOUR : ART AND ADVERTSING WiTH JORDAN SEILER (US) AND RJ RUSHMORE (US)
Join us for what’s probably one of the most unusual Street Art tours ever presented. Following on from the days discussions regarding who controls our mental/visual public space, Art V’s Advertising and the power plays in our utrban environment, Jordan Seiler (US), founder of the groundbreaking PublicAdcampaign and Rj Rushmore (US), founder of the highly respected Street Art site Vandalog will be your guides.

FRI 28. STREET ART TOUR #02
STREET ART TOUR #02 : LANDMARKS, WITH TRISTAN MANCO (UK)
Our second and final tour of the week will explore the work produced over the years in and around the city center and will take in several of the pieces created for this years event. Street Art and Graffiti now plays a prominent role in the cultural landscape and consciousness of a city. How can street art play a role in producing the city and society we wish to live in?

Hosted by world renowned Street Art expert and author Tristan Manco (UK), the tour will depart shortly after the final Nuart Plus talk of the day.

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Space 27 Gallery Presents: “Permanence” A Group Exhibition. (Montreal, Canada)

September 11, 2012 , , , , , ,

Permanence

C215 (photo © Jaime Rojo)

Permanence

Space 27 Gallery and Pure Living present Permanence, an exhibition contrasting the ephemeral nature of street art with the permanence of collectible art.

Including a variety of artwork created by Montreal-based as well as Canadian and international street artists shaping our urban landscape, Permanence aims to show the transition of street art from its underground beginnings to mainstream.

The works presented are directly influenced by the artist’s involvement with the street art movement; one that uses the city as a medium of expression, combining a vast range of techniques and artistic influences. In Permanence, they are brought out of the urban landscape and into the fine art world.

INTERNATIONAL ARTISTS:
Army of One – US
Banksy – UK
Bast – US
Brett Amory – US
C215 – FR
Charming Baker – UK
Faile – US
Guy Denning – UK
Holly Thoburn – UK
Hush – UK
Jef Aerosol – France
Judith Supine – US
Luc Bouchard – US
Mario Wagner – Germany
Quik – US
Shepard Fairey – US

CANADIAN ARTISTS

Alan Ganev
Case
Earth Crusher
Fauxreel
Fred Caron
Gawd
Jason Botkin
Labrona
Lilyluciol
Mathieu Connery
Omen
Other
Philippe Chabot
Produkt
Rage 5
Roadsworth
Scan
Specter
Stikki peaches
WIA
Xavier Landry
Zilon

Details:

Date: September 15th, 2012
Time: 18:00h – 23:30h
Location: Space 27, 101 rue Louvain W. Montreal

 

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Shooting Gallery Presents: Ben Frost “See Inside Box For Details” (San Francisco, CA)

September 7, 2012 , , , , , ,

Ben Frost

 

Shooting Gallery is pleased to present Australian artist Ben Frost’s solo show “See Inside Box for Details,” opening Saturday, September 8th, from 7-11 pm. The exhibition will feature approximately

The exhibition is free and will be open to the public for viewing through September 29th, 2012.

12 paintings on canvas as well as paintings on found

packaging, such as pharmaceutical boxes, candy and cereal packaging.

The controversial painter and street artist will be showcasing a unique body of work,

critiquing our media-obsessed society and our loss of innocence through advertising.

Ben’s work subverts logos, icons and characters from popular culture and re-presents

them in startling and often confronting new ways.

“See Inside Box for Details,” aims to re-evaluate our understanding of product

advertising by juxtaposing unlikely and confronting elements into some of our most

loved and well known consumer icons.

Ben Frost confronts the conjoined twins of

capitalism and consumerism with striking compositions that present a chaotic look at a seedy nature underlining pop culture, presenting sex and violence in a glamorous role. Most unnerving of all is that that on first glance the work of Ben Frost may seem innocuous, filled with the bright palette and playful characters of childhood cartoons and sugary cereals.

With a series of paintings placed on found pharmaceutical and food packaging, Frost highlights the disingenuous

optimism of advertising. The innocence of familiar cartoon forms overlain on stark boxes of prescriptions pills like Morphine and Botox opens a discourse on the proliferation of prescriptions in modern culture and the morally-ambiguous stake pharmacology has in society’s welfare.

From the Artist:

Whether it takes the form of medicine to keep sickness at bay or highly-

-processed treats to keep you content in front of the television, our pre-packaged

lifestyles are sold to us in colorful and dynamic boxes.

I’ve been using the logos and design elements of product packaging for many years,

and it seemed a natural evolution to begin painting directly onto the packaging – to

introduce

subversive elements within what already exists as an object.

Double entendre and satirical word play is brought out in new readings of our favorite

and well known products i.e. the breakfast cereal Special K features a drug dazed rabbit

introduced to the packaging, Viagra and Cialis boxes juxtaposed with Mr. Burns, Pop

Tarts featuring Britney Spears and Whitney Houston and a series of confronting

paintings onto McDonalds fries boxes.

Since I began painting onto packages in 2011,

the branding and product titles seem to be more obvious in their possible double

meanings. Twinkies, Hamburger Helper, Vanilla Cupcakes, Dirty Rice, Cheese Nips

and Hot Tamales have all suggested new and twisted re-imaginings.

I source the objects from different sources, either directly off the shelves of

supermarkets, friends who are in the medical industry, trash cans and from people who

actually use the various medicines that are inside the boxes.

 

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White Walls Gallery Presents: RONE “Darkest Before the Dawn” (San Francisco, CA)

September 7, 2012 , , , , , ,

RONE

 

White Walls is pleased to present “Darkest Before the Dawn,” the first SF solo show of Melbourne-based artist Rone to follow his successful San Francisco debut in the “Young and Free” showcase of Australian street artists at 941 Geary in 2011. “Darkest Before the Dawn,” will feature works on canvas, brick, and paper, varying in size from 3’x2’ to large-scale works measuring over 6’x6’. The opening reception will be Saturday, September 8th, from 7-11pm, and the exhibition is free and open to the public for viewing through September 29th, 2012.

With the face of the same wide-eyed and sharp-featured woman starring in each portrait, Rone creates a modern legend. Separately, each piece is an autonomous work, existing through its own beauty, but when viewed together a narrative is opened, leaving us to wonder what led to the birth of this icon. In “Darkest Before the Dawn,” Rone tells us that his feature character stands as a symbol for the possibility of assimilating our worst moments into a new strength.

By incorporating a variety of techniques, Rone deliberately infuses each piece with the textures he readily encounters when working out in the streets. The build-up and deconstruction of multiple layers is a fluid, free flowing way of revealing a composition by letting it come about itself. The medley of patterns and textures embody the continuity of time passing, while the woman in the midst of it all personifies grace overcoming deterioration.

From the Artist:

“We all have moments in our lives that make us who we are. These may be both tragedies and great moments that change the way we see the world. ‘Darkest Before the Dawn’ explores the concept of our darkest moments will eventually become our strengths, told through stylized portraits of a modern heroine.

I am trying to tell this story with the textures I see on the street, hand painted signage, torn bill posters and the deteriorating walls that look like they could tell their own stories. Using a palette of muted colours inspired by the fading colours I saw in Miami & Cuba, I am trying to create a sense of 80’s when style was all that mattered.”

 

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Carmichael Gallery Presents: “Disambiguation” A Group Exhibition (Culver City, CA)

September 6, 2012 , , , , , , ,

Disambiguation

Sixeart (photo courtesy of the gallery)

Carmichael Gallery

Disambiguation

Carlos Mare, Rae Martini, Remi/Rough, Sixeart

Carmichael Gallery

5797 Washington Blvd

Culver City, CA 90232

September 8 – October 6, 2012

Opening reception: Saturday, September 8, 6-9pm.

Carmichael Gallery is pleased to present Disambiguation, a group exhibition featuring new works by Carlos Mare, Rae Martini, Remi/Rough and Sixeart. The exhibition will be on view in the Los Angeles gallery space from September 8 to October 6, 2012, with an opening reception on September 8 from 6-9pm.

The spirit of the street, the communities that are created and gathered therein, and the subsequent movements that are formed and fostered have assisted in setting the foundations for the work of the artists presented in Disambiguation. Years of experience sharing their vision in a public forum combined with daring experimentation in form and material has resulted in four exciting contemporary abstract interpretations of the traditional graffiti form.

New Yorker Carlos Mare captures the moving human form in both two and three-dimensional form. By applying his study of Modernist and Futurist masters Marcel Duchamp, Wilfredo Lam and Kazimir Malevich to his observations of the gestures and attitude of b-boy veterans such as Ken Swift, Mare has honed a practice that translates the patterns, rhythms and beats of dance and modernism into sculpture and drawing.

Italian painter Rae Martini is equally inspired by Futurism and its obsession with the machine. His formative past as a young graffiti artist translates into abstract works that emulate the grit and texture of the streets, often using fire and dirt to create the desired effect. The dual presence of intricately patterned layers and pure minimalism is achieved by a persistent process of adding to and substracting from the initial image, creating a surface reminiscent of a storied urban wall.

Attention to the formal elements of fine art, in particular that of Minimalism, is central to the work of Remi/Rough. His color palette is selected through deceptively simple arrangements of lines and angles that bring a variety of hues into unexpected encounters with each other. By working on canvas and sculpture, he transports the movement and style of train writing into the gallery space.

Sixeart’s mixture of psychedelic abstraction and comic book-inspired figuration has become an essential element of the urban fabric in his hometown of Barcelona. His work has a childlike innocence combined with an almost hallucinogenic sense of second sight. “Sinister tragicomedy with notes of psychopathology and touches of acid” is one definition the artist himself has offered of his unique style. “My own universe of characters comes from a happy childhood and a close contact with mother nature,” he explains. The dreamlike quality of his work shows an affinity with Surrealist artists such as Joan Miró, another native of Barcelona.
About the artists:

Carlos Mare

Carlos Mare was born in New York, NY in 1965. He was a notable member of the golden age of subway graffiti in the 1970s and 1980s, painting under the moniker “Mare”, an abbreviation for “Nightmare”. He wrote alongside many of the style masters of his generation, among them Kel First, Dondi White, Crash, Kase2 and Noc167. This experience, along with his interest in modernizing the graffiti art form, has led him to reinterpret the concepts and aesthetics of style writing. Recent exhibitions include Martha Cooper: Remix, a group exhibition at Carmichael Gallery in 2011, Art Is Study: 36 Years of Process and Practice at Pratt Gallery, New York City and Physical Graffiti: Art of the B-boy Dance at Skalitzers Contemporary Art, Berlin, both in 2012. Mare has also designed several awards, including the B-Boy SPY Award for the Rock Steady Crew, the 2005 and 2007 Red Beat Battle Awards, and the award for the annual BET/Black Entertainment Awards show.

Mare currently lives and works in New York.

Rae Martini

Rae Martini was born in Milan in 1976. His first sketches at the age of 12 led to a career in street and train bombing that began in the late 80s and has lasted a dozen years. The development of both his graffiti and fine art is documented in 24 Carat Dirt, a 208 page hardcover book edited by Damiani and accompanied by a short film. The project was sponsored by clothing and lifestyle brand WeSC. Martini exhibited at the 54 Venice Biennale International Art Show Special Project, Pavilion Italy – Lombardia, Palazzo della Regione, Milan, Italy and participated with the Graffuturism group for In Situ during Art Basel Miami Beach, 2011. Additional  exhibitions have taken place at the Don Gallery, Milan, the Unruly Gallery, Amsterdam (2012), Castel Nuovo – Fondazione Valenzi, Naples (2010), Museum Recoleta, Buenos Aires (2008), Santa Maria della Scala Museum, Siena (2008), MAC – Contemporary Art Museum of San Paolo (2008) and PAC Museum – Contemporary Art Pavilion, Milan (2007).

Martini currently lives and works in Milan.
Remi/Rough

Remi Morgan, alias Remi/Rough, was born in South London in 1971. Since his debut art show in 1989, he has gone on to exhibit in London, Paris, Perth, Tokyo, Santander, Los Angeles, Miami, San Francisco, Vancouver, Hong Kong, Berlin, Ibiza and more. Remi is a founding member of artist collective Agents of Change and took part in their award-winning Ghost Village Project in 2009. His work has appeared in the books Graffiti World, Abstract Graffiti and Untitled III. In 2008, Remi was invited to speak on the history of UK graffiti in front of a sell-out auditorium at the Tate Modern as part of the museum’s street art exhibition. The following year saw the publication of his first monograph, Lost Colours and Alibis, which he followed up with How to use colour & manipulate people in 2012.

Remi/Rough currently lives and works in London.

Sixeart

Sergio Hidalgo, alias Sixeart, was born in Barcelona in 1975. Having painted from an early age, he has developed a highly personal visual language that comprises a host of recurring figures and animals. In addition to making sculpture, screen prints and works on canvas, he has collaborated with fashion designers to create clothing based on his distinctive style. In 2008, Sixeart was commissioned by the Tate Modern in London to paint a mural on the building’s iconic river façade alongside fellow artists Os Gemeos, Faile, Blu, Nunca, and JR. This was the first major public museum display of street art in London. Recent solo exhibitions have taken place at Alice Gallery, Brussels and N2 Galeria, Barcelona.

Sixeart currently lives and works in Barcelona.

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NUART FESTIVAL Presents: Nuart 2012 (Stavanger, Norway)

August 14, 2012 , , , , , , ,

Nuart 2012

NUART FESTIVAL 2012 . STAVANGER NORWAY
“The best street art festival in the world”  September 29 – November 18

AAKASH NIHALANI (US), DOLK (NO), EINE (UK), RON ENGLISH (US), SABER (US),HOWNOSM (US), MOBSTR (UK) NIELS SHOW MEULMAN (NL), JORDAN SEILER (US), THE WA (FR), SICKBOY (UK)

Now in its 12th ground-breaking year, Nuart 2012 – the annual contemporary street and urban art festival based in Stavanger, Norway –is set to be the biggest yet. An invited international team of street artists will take to the streets of Stavanger from September 20 – with an indoor show running at Tou Scene from 29 September to 19 November. The likes of Ron English and Ben Eine will leave their mark on the city’s walls, both indoor and out, creating one of Europe’s most dynamic and constantly evolving public art events. Known as ‘the Cannes’ festival of street art, Nuart’s works are exposed to over 100 000 people each week – including some of the most talented, insightful and connected individuals in the urban art world. 2012 sees the event set to attract record numbers as the festival begins to go global, with the additional Nuart Plus summit – running from 27-29 September – bringing global professionals and experts in the field together to discuss and explore this un-stoppable movement in contemporary art.

Fromthe billboard hijacking activism of Ron English (US) and Jordan Seiler (US) to The Wa’s (FR) playful urban interventions, from Saber’s (US) uncompromising stance on the positive power of Graffiti to Aakash Nihalani’s (US) more concise and conceptual use of coloured tape, Nuart 2012 has brought together an unlikely group of “festival” artists, whose diverse work and methods offer an authentic reflection on the real practice of Street Art. The UK’s globetrotting, ‘Obama gift-giving’, Eine and LA’s HowNosm are sure to set the standard for large breathtaking murals, whilst Dolk – Norway’s finest exponent of the genre popularised by Banksy – will produce some of his iconic stencil-work. Alongside the character driven graffiti of Sickboy (UK), the calligraphiti of Amsterdam’s Niels Shoe Meulman and the text driven Mobstr (UK), Nuart is set to create an explosion of – ‘mostly legal’ –  works, both inside, and out. Nuart 2012 sees a conscious shift away from the “acceptable” face of Street Art that has become favoured by councils and municipalities around the world. Recognising that there is a danger of this vibrant culture becoming sanitised by a surfeit of oversized legal murals Nuart 2012 will continue to take to the streets in new and more illicit ways. Alongside it’s exhibition at Tou Scene – which will host over half a kilometre of works along its 19th century tunnels – outdoor landmarks and un-missable billboards will be re-envisioned as subversive pieces of striking art. And if this isn’t enough to excite you, sister festival Numusic will be providing the weekend’s entertainment, with the likes of Mad Professor, The Orb, Lindstrøm, and many more performing. Nuart is set to break more than just boundaries in 2012 – will you be there?

The private view of the newly finished works will be held on the opening night:  Saturday September 29.

Nuart Plus: Sept 27-29:
Three days of key note talks and presentations, panel debates with visiting artists and related .
Film premieres. Ron English presents the Documentary ‘Popoganda’.

Sept 29-Nov 18
Nuart Opening (Indoors). Tou Scene
Nuart once again occupies this 19th Century Brewery Complex turned arts centre nestled on the coast of the Norwegian Fjords. These seven abandoned tunnels, offer over half a kilometre of wall space, and although an indoor space, it still retains the rough and ready urban elements we’re used to. Each single tunnel, at 15 x 15 x 5 metres is larger than the cities main commercial gallery space. With a fore-hall for group works and collaborations and an interlocking tunnel measuring over 40 metres long, this vast space is ideal for experiencing the best that Street Art has to offer.

Education
This years exhibition will be open 6 days a week for 6 weeks and with regional council support, will be host to over 3000 of the city’s high school students, Nuart being favoured over the city museum to extend the students horizons. That’s right. It will be compulsory to attend.

Sept 27-
International Guest speakers include
Carlo McCormick (US), Editor of the influential Paper Magazine, author, curator and renowned cultural critic.
Tristan Manco (UK), Author of several highly respected books on Street Art, co-organiser of cans Festival and curator for Pictures on Walls
Elisa Carmichael (US), Recently listed as one of the 30 under 30 art professionals to watch by the influential artinfo, Curator and co-owner of LA’s Carmichael gallery and founder and editor of the Internationally distributed art magazine The Art Street Journal
Rj Rushmore (US). Founder and writer for one of the worlds leading Street Art blogs, Vandalog
Evan Pricco (US), Managing editor of world leading  art magazine Juxtapoz.

Nuart specialises in showcasing work born out of urban creativity; we pride ourselves on giving a voice to artists and movements that are under-represented in mainstream cultural life, though widely acclaimed internationally.

Nuart’s street work begins Sept 20th
Nuart Plus “International Street Art conference” begins 27 September.
Nuart’s main exhibition opens 29 September.
The exhibition will be open 6 days a week and run for a full six weeks until Nov 18th .

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Monsters of Art Gallery Presents: Kings Moa (London, UK)

August 7, 2012 , , , , , ,

Kings Moa

PRIVATE VIEW 27 SEPTEMBER 2012

Continues until 27 October

“In 1991, three intoxicated and disgruntled teenagers went out to take on the biggest graffiti crew in Copenhagen. Adopting the name MOA (Monsters of Art) the aim was to become the most recognized graffiti crew in the world…”
Now, over twenty years later, MOA is one of the most notorious graffiti crews and still hold the top spot for train ‘bombing’ in Denmark. Forever growing and expanding the fight for MOA global domination is far from over. This one-off exhibition will explore the crew’s unique codes and conducts that have, over the years, set them world’s apart from all other graffiti crews. Many crews have challenged their position but none have succeeded, proving that MOA really are the kings of unparalled artistry and skill. Since their arrival onto the scene MOA has been off-limits, only giving selected interviews and infrequent comments to certain publications. We are delighted and highly privileged to show a one-off exhibition looking back at MOA’s 21-year rein on the graffiti world.The exhibition will include original works, screenprints and photographic documentation. 

Monsters of Art Studio and Gallery
112 Mill Lane
London
NW6 1NF

0207 435 3433
info@moasgallery.com
www.moasgallery.com

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BSA Presents: “Geometricks” and Vandal or Visionary Series Curated by Hellbent at Gallery Brooklyn (Brooklyn, NY)

July 29, 2012 , , , , , ,

Geometricks

BSA Presents GEOMETRICKS

Curated by Street Artist Hellbent

As part of their Vandal or Visionary Series, where BSA selects one Street Artist to curate a show that follows their specific vision of the scene, BSA is proud to introduce Hellbent as curator of the inaugural show of the series titled “GEOMETRICKS” at new Gallery Brooklyn in the Red Hook section of Brooklyn, New York City, opening September 22, 2012.

Participating artists (alphabetically): Augustine Kofie, Chor Boogie, Drew Tyndell, Feral Child, Hellbent, Jaye Moon, Maya Hayuk, MOMO, OLEK, OverUnder, See One
***

GEOMETRICKS turns the spotlight on the movement on the streets that boasts bold color, wild patterning, sophisticated lineplay, and a modern approach to abstraction.

As the stylistic circle widens on the street, GEOMETRICKS grabs a razor-sharp cross section of the growing number of graffiti artists who depart from traditional forms of lettering, Street Artists who are not interested in Pop-inspired icons or irony, and fine artists who never considered the “rules” of the street to begin with.

GEOMETRICKS references modernists, tribalists, and the rhythmic symmetry of the natural world, with it’s hexagons and spirals and comforting repetitions. Old labels about graffiti and Street Art mean little; this group takes the formalist clarity that references geometry, folk art, and science, and often smashes it with an abstract hammer.

Parallel, perpendicular, rigid, curvilinear; lines and shapes intersect and play off color-rich pattern – challenging the shape, form and expectations of many in the Street Art scene. GEOMETRICKS show how graff and Street Art right now are exploding in a new direction together without first asking for permission, again advancing the conversation of art on the streets.

 

“I’m stoked to be able put together this GEOMETRICKS show with some artists who I’ve really admired for a long time as well as some of the new players on the scene. This show is a great opportunity for me to create a vision and really put a dream team of artists into one room and show people what I am diggin’ right now.” – Hellbent

The Vandal or Visionary Series presented by BSA
GEOMETRICKS
Curated by Hellbent

September 22 – October 28, 2012

Opening Reception
Saturday, September 22, 2012
6 pm – 9 pm

With sound provider SLEPTEMBER
Sponsored by Sixpoint Brewery
Gallery Brooklyn
351 Van Brunt St
Red Hook
Brooklyn, NY 11231

347.463.4063
info@gallerybrooklyn.com
gallerybrooklyn.com

Gallery Hours
Thursday-Saturdays: 12-6pm
Sundays: 12-5pm

Vandal or Visionary Series presented by BSA

The Vandal or Visionary Series calls into question the simplistic characterization of artists who work on the street as one dimensional vandals and it wonders aloud what a gallery show would look like if viewed through their eyes. Many artists have always had a better understanding of the scene than academics or experts who talk about it and this series allow us to see a show curated by someone with a direct view and a very unique perspective.

BrooklynStreetArt.com is a daily source for Street Art reporting, interviews, and photography in New York and around the world.

We’ve been thinking a lot about this show and recently published examples on the street that are indicative of one new direction;

“Art from the streets has been heralding a new eye-popping geometric disorder that can now fairly be called a movement.”
~ From our recent piece on The Huffington Post : “Color, Geometry and Pattern on the Streets”

 

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For more details on GEOMETRICKS please contact us at GEOMETRICKS@BrooklynStreetArt.com

Thank you for your support.

See the GEOMETRICKS Square Invite

 

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Color, Geometry and Pattern On The Streets

July 11, 2012 ,

Art from the streets has been heralding a new eye-popping geometric disorder that can now fairly be called a movement. With roots in recent art history and the rhythms of the street, artists are giving themselves over to pungent color, pattern, grid inspired line, and a sharp edged abstraction. No one can say what has moved the conversation toward this aesthetic – it all mimics the repetitive patterns that are found in nature as well as the cool symmetries programmed by human industry. These modern alchemists from across the globe are somehow pumping the Street Art scene with an oxygen-rich supply of lifeblood and a variety of possible directions to explore.

An uncanny blending of the cans, both the graffiti tradition and the Street Art practice each find common ground to be a place where tagging and Pop irony all dissolve together into form and shape. On walls around cities where these two practices were once polarized, we’re seeing that everybody can drop their guard and just paint, bro.

In these images collected by photographer Jaime Rojo over the last couple of years, you can see elements of mid 20th century modernism, sci-fi fantasy, retro-futurism, imperfect folk patterning, and the distinct echoes of Wild Style. The common thread in this new discovery of graphic geometry is not just what it is, but as it pertains to art on the street, also what it’s not.

Augustine Kofie and Chor Boogie in Miami for Primary Flight. (photo © Jaime Rojo)

Aaron De La Cruz, Poesia, Sueme, Ensoe and Augustine Kofie in Miami. (photo © Jaime Rojo)

Barry McGee in Miami for Primary Flight. (photo © Jaime Rojo)

David Ellis in Brooklyn. Detail. (photo © Jaime Rojo)

Isaias Cron in Miami. (photo © Jaime Rojo)

4B Cru, OS Cru in Brooklyn. (photo © Jaime Rojo)

Zeh Palito and Dasic in Brooklyn. (photo © Jaime Rojo)

Push in Miami. (photo © Jaime Rojo)

Push painting on the LA MoCA wall for the Art in the Streets show. (photo © Jaime Rojo)

An Unknown Street Artist in Brooklyn. (photo © Jaime Rojo)

Kenton Parker  in Miami for Primary Flight. (photo © Jaime Rojo)

Anthony Sneed in Brooklyn. (photo © Jaime Rojo)

Claire Rojas in Miami for Wynwood Walls. (photo © Jaime Rojo)

Sonni in Brooklyn. (photo © Jaime Rojo)

RRobots in Brooklyn. (photo © Jaime Rojo)

MOMO in Baltimore for Open Walls Baltimore. (photo © Jaime Rojo)

Aakash Nihalani in Brooklyn for the Crest Art Show. (photo © Jaime Rojo)

ërell in Brooklyn. (photo © Jaime Rojo)

Assume Vivid Astro Focus in Miami for Wynwood Walls. (photo © Jaime Rojo)

Cekis in Queens, NY for Welling Court. (photo © Jaime Rojo)

Faile tiles in Brooklyn. Detail. (photo © Jaime Rojo)

Jason Woodside in Manhattan for The New Museum. (photo © Jaime Rojo)

Maya Hayuk in Baltimore for Open Walls Baltimore. (photo © Jaime Rojo)

Hellbent in Queens, NY for Welling Court. (photo © Jaime Rojo)

Josh Van Horne in Baltimore for Open Walls Baltimore. (photo © Jaime Rojo)

Overunder in Albany, NY for Albany Open Walls. (photo © Jaime Rojo)

Jaye Moon in Manhattan. (photo © Jaime Rojo)

 

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