Phoenix muralist JB Snyder is known locally for his color-rich abstract grids on sides or facades, as well as canvasses, often compared to stained glass. So it was a holy moment when he stopped by to see Jetsonorama with a few cans of aerosol to participate in his “Painted Desert” project.
“JB was stoked to learn about the project and asked to come up to leave some love on the rez,” says Jetsonorama. He liked it so much he’s planning to do two more. Coming up this fall will be New Yorker Chris Stain stopping by to do some work as the project winds down. In the next week or two, there may be another big name BSA readers are familiar with. Guess who? We’ll be the first to let you know if it happens, damn straight!
Special thanks to photographer Emily Caldwell for these shots of JB Snyder at work.
Belgian Street Artist and painter ROA continues his USA Summer 2012 tour and his next stop after New York was Chicago last week. Hosted by the folks at Pawn Works Gallery, ROA was invited to participate in their ongoing outdoor project “Art in Public Places” in the Pilsen neighborhood.
ROA’s unsentimental fascination with animals goes well beyond the wild realm to give the urban fauna spotlight on public walls. He reprised this bit of visual trickery that we first remember him doing in Miami last year – an engaging image goes very wrong when you turn the corner. It demonstrates the duality of nature and one we shouldn’t get freaked out by, but a carcass is still kind of gross, right?
The project continues to bring new artists in conjunction with the Mexican Museum of Fine Art and The Chicago Urban Art Society.
In one week, 27 artists will visually activate our urban landscape in the world’s first all-female street art conference. This year’s Living Walls Conference will change the game for street art and Atlanta.
The five-day conference is scheduled to capacity with film screenings, lectures, block parties, gallery exhibits and bike tours. All events are free and open to the public.
ARTISTS
Sten and Lex (Italy) | Indigo (Canada) | Fefe (Brazil) | TIKA (Switzerland) | EME (Spain) | Hyuro (Argentina) | Martina Merlini (Italy) | Miso (Australia) | Cake (New York) | Swoon (New York) | Martha Cooper (New York) | Sheryo (New York) | White Cocoa (New York) | Jessie Unterhalter and Katie Truhn (Baltimore) | Molly Rose Freeman (Memphis) | Teen Witch (San Francisco) | olive47 (Atlanta) | Paper Twins (Atlanta) | Sarah Emerson (Atlanta) | Sheila Pree Bright (Atlanta) | Marcy Starz (Atlanta) | Karen Tauches (Atlanta) | Knitterati (Atlanta) | Plastic Aztecs (Atlanta) | Nikita Gale (Atlanta) | Patricia Lacrete (Atlanta) | Mon Ellis (Atlanta) | Andrzej Blazej Urbanski
SPEAKERS
Gaia | LNY | RJ Rushmore | Ian Wilson | Erin Yoshi | Naomi Herrson | Amanda Mills | Karen Shacham | Paul Boshears | Courtney Hammond | Lisa Tuttle | Lauri Stallings | Karen Tauches | Mike Lydon | Ellen Dunham Jones | Gyun Hur | Gene Kansas
VIDEO & AUDIO ARTISTS
Pablo Gnecco | Robert Sepanski
LIVING WALLS CONFERENCE 2012
WEDNESDAY, AUGUST 15TH
Vandalog Movie Night Wren’s Nest in West End
9:00pm-11:00pm
RJ Rushmore from Vandalog will present a series of street art and graffiti short videos.
THURSDAY, AUGUST 16TH
Art House Opening
Cabbagetown
5:00pm-8:00pm
Abandoned art house will be open to the public throughout the conference 5-8pm
Map Release and Block Party
Edgewood Ave
8:00pm-2:00am
Complete map of walls will be released.
Restaurants, bars and music venues will come together in support of the conference.
Martha Cooper and Teen Witch will show their work in an abandoned building.
Block party includes an outdoor movie theatre, street benches, a traveling drag show, bands and a dance party.
FRIDAY, AUGUST 17TH
Day 1 of Lectures MODA
5:00pm-9:00pm
1st half of Lectures with panels discussing gender, identity and artistic community intervention.
Toast the Artist
Opening Party at the W Midtown
9:00pm-2:00am
Interactive projections by Pablo Gnecco and a physical installation by gloATL
SATURDAY, AUGUST 18TH
Day 2 of Lectures The Plaza Theatre
12:00pm-4:00pm
2nd half of Lectures with panels discussing urbanism and public art in Atlanta.
Main Event and Gallery Exhibit
West End Warehouse, 1254 Murphy Ave
8:00pm-2:00am
Gallery exhibit featuring work of this year’s participating artists, Pecha Kucha style lectures, projections by Pablo Gnecco, DJ’s and bands.
SUNDAY, AUGUST 19TH
Bike Tour of Walls
Locations TBA
3:00pm-5:00pm
Hot town, summer in the city Back of my neck getting burnt and gritty Been down, isn’t it a pity Doesn’t seem to be a shadow in the city
All around, people looking half dead Walking on the sidewalk, hotter than a match head *
Here’s our weekly interview with the street, this week featuring Bad Cat Crew, Cassius Fouler, Entes, Jay Shells, Kremen, ME, Miss Me, Mr. Toll, Nick Walker, Oly, Pesimo, and Smile You Are Beautiful.
“… when we had nothing to worry about except finding more trains to paint.”
Painting trains seems older than horses, but of course that can’t be true. Outside of public transportation trains, which have been largely free of graffiti since the late 80s, the lust for hopping freights still runs deep for some. Like the current romantic fixation that many bars and rock bands and suspender-wearing, handlebar moustache-baring cads have for a hand hewn old-timey world they never lived in, some Street Artists still have a forlorn longing for the simpler freight bombing of yesteryear. Before streaming surveillance, cell-phones, Snooki.
Like migrant workers and hobos during the American dustbowl, some artists opt for the screeching low-cost traveling option of hopping freights across the country for a little paintcation – intrepidly forgoing comfort and regular meals and risking occasional close-misses with fate and dodgy dudes with irregular agendas. It’s like a rite of passage, like starring in your own old Western movie. It’s like putting your work up on Flickr, except all the Internet wires are thick heavy steel rails and your page is a rusty rectangular 100 ton boxcar. Also, images take longer to refresh.
For Labrona and Other aka Troy Lovegates the whole weighty freight topic is an exercise in nostalgia; now that everyday life has been getting in the way and they’ve been developing professionally as artists. But there are occasional exceptions, including these recent images that give you a taste of how art on freights has been updated lately.
Labrona says, “Other and I have been painting trains together since the mid 90s. I can’t believe it’s been that long. Frigg, we are getting old. These days we are both busy and located in different cities and don’t get to paint together anymore all that much. Getting to spend a week together painting trains was an amazing blast from the past that brought me back to the days before art shows, traveling, studios, careers, bills and responsibility. – Back to days of painting for the fun of it when we had nothing to worry about except finding more trains to paint.”
Happy hot sticky Friday live from New York! Lots of cool stuff on the street and in the exhibition spaces this weekend – just bring a water bottle. Here are some of our picks for you on BSA.
1. Détournement, Carlo McCormick at Jonathan Levine (NYC)
2. Chris Stain and Joe Iurato at Mighty Tanaka (BKLN)
3. Peeta Solo at ArTicks (Amsterdam)
4. “You & Me” – Low Brow’s Second Group Show (BKLN)
5. Miss Van at Copro Gallery “Wild at Heart” (Santa Monica)
6. Part2Ism “New Horizons & Future Love Songs” at Red Gallery (London)
7. “Who’z Got Game!” ? at Sacred Gallery (NYC)
8. Numskull ,”Dance Like a Video, Sting Like a Gif” at Mishka (BKLN)
9. “Primeveal” group show Carmichael Gallery (LA)
10. Futura Live Painting (Richmond, VA)
11. KFC Loves The Gays with John Goodman (Video)
Détournement, Carlo McCormick at Jonathan Levine (NYC)
Carlo McCormick, Paper Magazine Senior Editor and NYC cultural intuitor, is guest curator at the Jonathan Levine Gallery with a show titled “Détournement: Signs of the Times” Carlo has assembled an interesting list of artists to tell his story with the works of AIKO, Dan Witz, David Wojnarowicz, Dylan Egon, Eine, Ilona Granet, Jack Pierson, John Law (Jack Napier), Leo Fitzpatrick, Mark Flood, Martin Wong, Max Rippon (RIPO), Mike Osterhout, Posterboy, Ron English, Shepard Fairey + Jamie Reid, Steve Powers (ESPO), TrustoCorp, Will Boone and Zevs.
Mining a vein that has been here in front of us all the time, the composition of the selected works reveals a powerful undertone about how we engage and communicate with our artwork, and hi-jack the messaging of others. Says McCormick, “We do not need to follow these signs, we need to make our own so as to find a way out of the mess we are in.”
It’s also one of the few shows that seamlessly blends Street Art and non-street art practices without needing to draw a distinction for its own sake. This show is now open to the public.
For further information regarding this show click here.
Chris Stain and Joe Iurato at Mighty Tanaka (BKLN)
Tonight at Mighty Tanaka Gallery in DUMBO the inevitable pairing of Street Artists Chris Stain and Joe Iurato finally takes place. With a show titled “Deep in the Cut” these two stencil artists will bring the knives out for the love of art and the perfection of their craft. Style and mannerism distinguish the differences between these two, and Stain has been at it much longer with a lot of work on the street, but metaphor and empathy to the human condition is the overlap in these guys work. Grab the F train to DUMBO and come see what new common ground emerges from this combination.
For further information regarding this show click here.
Peeta Solo at ArTicks (Amsterdam)
Italian Graffiti and Fine Artist Peeta has been writing his tag on walls, trains and many other surfaces since 1993. Like a few of his generation who have been stretching graff style past it’s outer limits and morphing it with abstraction, his work has slowing gelled into it’s own distinctive style. He focuses his lettering and his tag by feeding it through Chinese and Islamic calligraphy as a departure from the traditional Latin and Greek lettering. A collaborator of New Yorks RWK collective, he resides in Venice and tonight opens his solo show in Amsterdam at the ArTicks Gallery.
For further information regarding this show click here.
“You & Me” – Low Brow’s Second Group Show (BKLN)
The Low Brow Artique Gallery in Brooklyn has decided to enter the matchmaking business and Saturday their second show titled “You & Me” artfully combines the work of two at a time. While many of these artists have worked collaboratively on the street in the past, crossing freely between sanctioned and unsanctioned Street Art and graffiti, the results of merging their styles and techniques always creates new creatures with the combined DNA. Sometimes it’s a mutt, and sometimes it is purebred brilliance. Artistic couplings here include: Cash4 & Smells, Chris & Veng (RWK), EKG & Dark Clouds, Matt Siren & Fenix, OCMC & This Is Awkward, Royce Bannon & Russell King, and Veng & Sofia Maldonado.
For further information regarding this show click here.
Miss Van at Copro Gallery “Wild at Heart” (Santa Monica)
Miss Van, the French Street Artist and fine artist has a new solo show “Wild at Heart” in Santa Monica, California this Saturday at the Copro Gallery and the ladies are again strutting their stuff across her rich canvasses. Painting since the age of 18 Miss Van has chosen her appearances carefully while being very active within the smaller pool of female Street Artists, maintaining a continous presence with her unique doll-characters, a rich color palette and plenty of erotica.
For further information regarding this show click here.
Also happening this weekend:
Part2Ism has a new solo show “New Horizons & Future Love Songs” at the Red Gallery in London, UK and it is now open to the general public. Click here for more details on this show.
Wanna know “Who’z Got Game!” ? Head over to the Sacred Gallery for this group exhibition opening today in Manhattan. Click here for more details on this show.
Numskull will “Dance Like a Video, Sting Like a Gif” at Mishka tonight in Brooklyn. Click here for more details on this show.
“Primeveal” a group exhibition including Emol, Stinkfish and Zio Ziegler opens tomorrow night at the Carmichael Gallery in Culver City, CA. Click here for more details on this show.
Futura will paint live in Richmond, Virginia this Saturday.
Screen Shot from Futura’s Hennessy NYC Video.
Master Graffiti Artist and fine artist Leonard “FUTURA” is touring the country to promote this project with a spirit maker and this Friday he will stop in Richmond, Virgina where he will paint live on a canvas inside the ABC Store located at 101 North Thompson Street. The live painting will commence at 2:00 pm. It is a rare opportunity to catch Futura in action.
A recent ad featuring Futura for this campaign (not a sponsor)
Maya Hayuk is a muralist, painter, photographer, printmaker, video artist and musician. From her large-scale installations to small works on paper, her obsession with symmetry and nourishing color play out in what might be views from the Hubble Telescope, airbrushed nail art, Mexican woven blankets, Ukrainian Easter eggs, chandeliers, mandalas, Rorschach tests and/ or holograms. Her work has been exhibited and published extensively internationally in galleries, museums, on the streets and in various printed and electronic media. Hayuk lives and works in Brooklyn, New York.
San Francisco painter Reyes 78 must have been exceedingly happy to be in Chicago with many of his fellow Mexican ex-pats and to bring his abstract graffiti-influenced new work to this city to display on a huge wall. The folks at Pawn Works Gallery invited Reyes 78 to participate on their ongoing outdoor project “Art in Public Places” at the Pilsen neighborhood.
The project continues to bring new artists in conjunction with the Mexican Museum of Fine Art and The Chicago Urban Art Society, and this one illustrates the cultural melting pot as well as one of the newer directions that art in the streets is taking where graffiti and Street Art are merging to created something more abstract and geometric.
Low Brow Artique is proud to present You & Me, which examines the collaborative element within the street art community. The exhibition will be open to the public from August 11th to September 1st, with an opening reception on August 11th from 6 to 9pm. The gallery presents the work of Cash4 & Smells, Chris & Veng (RWK), EKG & Dark Clouds, Matt Siren & Fenix, OCMC & This Is Awkward, Royce Bannon & Russell King, and Veng & Sofia Maldonado. Inspired by the stylistic changes that occur when two artists create work together, You & Me brings together duos that can naturally be seen in the streets of New York as well as a few who have come together specifically for the show.
The collaborative element of the street art and graffiti scenes are constantly developing. Sometimes inspired by friendship, sometimes by a piece an artist sees while putting up their own work, this element has the power to change the way both artists think about their styles, use of space, and other factors in the art-making process. By coming together to create one piece, the artists also provide a unique experience to those who take notice of their work in the streets. For You & Me, Low Brow Artique is recreating that elated feeling you get when you see two of your favorite artists working together.
Over the past decade, Veng has collaborated with numerous artists, including members of his crew Robots Will Kill. When working with fellow crew member Chris, a palpable change can be seen in how both artists paint. Flowing back and forth between the realistic and cartoon-like, this work is contrasted by how Veng’s work evolves when painting with Sofia Maldonado. For example, when creating art together live for an event, the pair’s art takes on a hard-edged feel as Sofia’s bold shapes and outlines define the background. By placing the work of Veng collaborating with two different artists, You & Me depicts how sharing a canvas with two distinctly different artists can influence one artist’s practice.
However, probably the most ubiquitous partnership in the world of illegal art is none other than Cash4 and Smells. While the direct influence the two artists have on one another may not be as apparent as it is with others in the show, it is the cohesive vision that Cash4 and Smells display that makes them memorable. In addition to this vision, their roller tags can be seen from most above ground trains while their stickers, tags, and characters permeate every space within reach of the ground. With their carefully designed fonts and strong presence, Cash4 and Smells are a definitive partnership in New York City.
By representing artists from both the street art and graffiti worlds, You & Me gives viewers a taste of the partnerships that are seen in the streets. While there are plenty yet to still be discovered, we hope you will join us in celebrating a few of our favorites.
The twins have left Boston, but not before they opened their first solo museum show in the U.S. and left behind a handful of public installations that have garnered major attention as people once again grapple with the concept of art in the streets. Otavio and Gustavo Pandolfo have done large installations in large cities before, but few as visible and central to a city as their 70 x 70 foot mural on the side of a “Big Dig” ventilation building rising above the greenway with the shape of the character’s formed by the semi-circular façade.
Photographer and BSA contributor Geoff Hargadon says that the project received permission from a number of civic and private organizations before it could go up over ten days in July in this storied city that usually favors conservative historical themes in it’s public works. “Given the short amount of time organizers had to put the pieces together and get all the approvals,” says Hargadon while ticking off names of entities who green-lighted the project, “it was a small miracle it was able to get off the ground.”
The internationally known Brazillian Street Artists had time to create a few pieces around town that reference their more graffiti-influenced roots, including one each on the side of a hotel, a pizza place, and a van. Not surprisingly it was the seven storey portrait of a seated barefoot boy rendered in signature Os Gêmeos yellow and wearing shrouded headgear that got the most attention on the Rose Kennedy Greenway at Dewey Square. Its bright colors and patterned pajama-like garb have a cheerful childlike appeal to some picnickers, while other townies and Internet commenters see something less attractive, even sinister, depicted here where much of the Occupy Boston protests took place in the last year.
By the time “The Giant of Boston” had been discovered by equally yellow media types, the barefoot boy had been transformed into a danger in this birthplace of democracy and a small media-generated dust bowl was kicked up. “Looks like one of the Simpsons dressed like a terrorist,” said a clever commenter on a local TV affiliate’s Facebook page, one of over 200 who offered their considered opinions on the mural’s appearance.
As with most knee-jerk assessments, this one could be tempered with a few minutes of Googling the work of the artists, which would reveal that this figure fits quite neatly into the dreamscape tableaux of oddly costumed and funnily proportioned figures whom the Twins have been painting for a few decades. But who knows, each of those little kooky figures could have been bombers and no one realized it until now. Without adding credibility to that line of unthinking, Hargadon remarks about these aerosol bomber brothers, “Maybe Os Gêmeos have inadvertently done us all a favor by helping us understand how some people have come to see the world during the past ten years. In any case, like all noteworthy art, it is not meant to please everybody.” If that’s the case, “The Giant of Boston” is noteworthy.
Of more important note is the solo show by Os Gêmeos that has opened concurrently at The Institute of Contemporary Art Boston. Organized by Pedro Alonzo, who also curated the Swoon, Shepard Fairey, and Dr. Lakra shows for the ICA, it’s a somewhat intimate overview of their professional and personal journey as artists, peppered with a few surprises from inside the imagination of these in-the-moment creators who “depict their visions in surreal paintings, sculpture, and installations,” according to the shows official description. Reporting on the makeup of the pieces exhibited, Hargadon says, “Some of them are from the recent show at Prism LA, while others are older works. The VIP opening on Tuesday was packed, and was followed by a Brazilian themed party Friday night – which was sold out.”
If you get to Boston to see this show and this large mural, make time in your trip to see the brothers other works in less obvious locations to get a greater appreciation for their history growing up as teens in the mid 80s while pouring over books like “Subway Art” and seeing the hip-hop and graffiti scene from New York spreading around the globe. You’ll find a mural at the Revere Hotel on Stuart Street and a piece they did along with a handful of friends in Union Square in Somerville at Mama Gina’s Pizza. Among the other contributors to that piece were RIZE, Coyo, and Caleb Neelon.
The exhibit at the ICA will be up through Thanksgiving, 2012. Click here for further information regarding this exhibition.
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“The Giant of Boston” mural at the Rose Kennedy Greenway at Dewey Square will be up for 18 months.
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Our special thanks to BSA contributor and photographer Geoff Hargadon for capturing these amazing images of the walls going up and for the coverage of the installations inside the museum.
Opening Reception: Saturday, August 11, 2012 8pm-11:30pm
On View: August 11 – September 1, 2012
Copro Gallery – Bergamot Station
2525 Michigan Ave, Unit T5
Santa Monica, CA 90404
Tel: 310.829.2156
www.copronason.com
As part of its commitment to support art initiatives from around the world, Citizens of Humanity is pleased to announce its sponsorship of Miss Van’s Los Angeles exhibition “Wild at Heart” at Copro Gallery on Saturday, August 11, 2012.
Internationally known for her poupées, the French word for dolls, Miss Van’s dreamlike narratives are filled with spontaneity and lightness. Yet they also reveal a darker side that has evolved from her experience as an acclaimed graffiti artist.
Miss Van’s new series of paintings and drawings on paper and wood continues to combine her seductive and delicate muses with animals, adding a bestial element to her work. However, she introduces masks to her imagery, creating a trifecta of complexity, ambiguity and mystery.
Choosing to focus on details while isolating different body parts, such as eyes and mouth, Miss Van adds, “The masks allow me to show more feelings, other sides of a same character, hiding the face, partly or totally and embracing the animal strength, personality and attitude. I am illustrating the chemistry between the feminine delicacy and the bestial instinct, natural and raw and we all have this duality inside.”
To celebrate the opening of “Wild at Heart,” Citizens of Humanity will debut a new t-shirt collaboration with Miss Van, which will be given as a complimentary gift to guests at the reception. She will also be featured in the premiere issue of a new collectible print publication by Citizens of Humanity launching this August. Miss Van notes, “Thanks to Citizens of Humanity for its support, this show will definitely come out more complete and powerful than before.”
The opening reception for “Wild at Heart,” takes place Saturday, August 11 at Copro Gallery from 8pm-11:30pm, and is open to the public. The exhibition will be on view through September 1, 2012.
Miss Van Miss Van started wall painting in the streets at the age of 18, initiating the feminine movement in street art. Her sultry female characters began to pop up on city center walls in the mid 1990s and they instantly possessed a timeless quality, as if women had always painted such graffiti in the streets. The more she moved into gallery work and could work with the nuances of more fragile media than the streets would allow, her characters grew more sensitive, subtle, and delicately rendered. She is now exhibiting all around the world from New York to Los Angeles, Europe (France, Switzerland, Germany, Spain, Italy, UK, etc.), and Asia. She has shown in art centers and museums such as the city gallery of Schwaz in Austria (curator: Karin Perrnegger), the Baltic Art Center in the UK and the Von der Heydt Museum, Kunsthalle in Wuppertal, Germany. Miss Van was featured in MoCA’s 2011 exhibition “Art in the Streets,” and she has shown with some of the greatest artists such as Os Gemeos, Mike Giant, Banksy, Faile, Shepard Fairey, Barry McGee, Ryan McGinness, Takashi Murakami, Ed Templeton, and many others. For more information about the artist, please visit www.missvan.com.
Street Artist Curly Steps Indoors, Curates “This Art is so Street” at Stupid Easy Gallery
Curly, one of North America’s most prolific sticker artists, will make his first foray into the mainstream art world by curating This Art is so Street at Philadelphia’s Stupid Easy Gallery. Tired of boring and uncomfortable gallery experiences, Curly has set out to make This Art is so Street an unsurpassable group show of street artists’ work. Opening September 7th, This Art is so Street is sure to be a can’t-miss affair.
This Art is so Street brings the work of eight of the world’s top street artists together for the first time under one roof. For some of these new contemporary masters, it will be their first time exhibiting in Philadelphia. In addition to Curly’s own paintings, there will be never-before-exhibited artwork by Mr. Brainwash, LNY, NoseGo, Don Pablo Pedro, Darkclouds, The Yok and Sheryo. The international lineup represents street artists from around the globe, including Philadelphia’s very own NoseGo and France’s favorite-son Mr. Brainwash, who also starred in Banksy’s film Exiting Through the Gift Shop
When Stupid Easy Gallery owner Thomas Buildmore offered Curly a solo show at the gallery, he turned it down in an effort to help out his fellow street artists. Instead, Curly decided to curate This Art is so Street and show the work of other great street artists by curating the best group show of street artists to have ever been seen in a gallery.
The reclusive and anonymous Curly has this to say about the show: “When Buildmore approached me about showing at Stupid Easy, I thought it was beneath me. After all, I can just sell my work privately directly to clients. Then I realized that there are a lot of street artists out there who don’t have that privilege and intricate understanding of the art market. So I figured that it was time to enter the gallery world, if only to shepherd along a few of my friends. This Art is so Street is, without a doubt, the best show I could have possibly put together. You will be blown away and buy things, lots of things.”
Thomas Buildmore says, “I could not be more excited about This Art is so Street. Putting together a group show of artists who do street art was a brilliant idea. Street art, or urban art as some prefer to call it, is the most important art movement since cubism, and the artists in This Art is so Street are at the forefront of the movement. Curly is a genius in both art making and curating.”
This Art is so Street opens September 7th with a private view from 5pm to 8:30pm and runs through September 30th. Stupid Easy Gallery is located at 307 Market Street, Philadelphia PA, 19106 and is open by appointment (email stupideasyideas@gmail.com).
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For more information on This Art is so Street or to arrange an email-interview with Curly, please contact Laurence Feinberg at laurencefeinberg@gmail.com.
About Curly
After years of dabbling in street art, Curly got serious in late 2010 and began a mission to saturate the streets of Philadelphia with his stickers. Since then, thousands of unique handmade Curly stickers have wound up on newspaper bins and signposts around Philadelphia and other cities around the world. Thanks to his winning combination of humor and style, Curly considers himself to be the world’s greatest living street artist. In 2012, he even branched out to digital art,
Street art welcomes all manner of materials and methods, typically deployed without permission and without apology. This hand-formed wire piece …Read More »
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
