Arizona

Mad One and Cartel Coffee Lab Present: “Sticker Phiends”. (Tempe, Arizona)

Sticker Phiends

Presented by: Mike “Mad One” Neely II
Location: The Cartel Lab
225 W. University Dr. Tempe,AZ. 85281
Date: October 13th 2012
Time: 8pm-12
Artists:
BigFoot1
Bisk
Codak
Cope 2
Chris/RWK
CopyRight
Dain
DumperFoo
Evoker 1
Hmph/Kento
Jaber
London Police
Mad One
Mr. Brainwash
Nate Luna
Peeta
Pez
Phresha
Seizer
Sike’
Slick/Dissizit
Shepard Fairey/Obey
Voxx Romana
Street/Gallery artist “Mad One” will present and team up with Cartel Coffee Lab to host the fifth annual one of a kind “Sticker Phiends”, a showcase of local and international sticker artists, graphic designers, graffiti artists and many others for a fifth year in a row. The show will feature stickers and other forms of urban/gallery art. Plenty of sticker giveaways,handouts throughout the night donated by our sponsors like clothes, magazines, dvds and limited edition screen prints/stickers produced by showcasing artists and much more….Also did we mention 100% of the art is for Sale! There are even a few secrets we do not want to mention; you will just have to show up to see for yourself…
There have been several Graffiti/Urban art themed shows throughout the valley the last few years. This is one of a kind for sure; its name explains itself “Sticker Phiends” an array of street/gallery artists and designers throughout the world coming together to show case under one roof. “Mad One”, a former Arizona based, now residing in Portland,Oregon street/gallery artist, had the opportunity to lock down many local and international artists for the show making it five years in a row, and this years expectations are growing still by the day. We have artists ranging from New York to California, theU.K. and beyond”. “Sticker Phiends” is about the sticker/urban art movement and bringing awareness of stickers and adhesives and how they have gone from the streets to modern forms of art being displayed in today’s galleries and museums. “Mad One”, a street art advocate, has taken on the duty of curating this one of a kind show and many others throughout the counrty.

Stickers and sticker art isn’t just for skateboarders and bands/DJ’s anymore, it has become a new way of expressing yourself and getting your name and or images out to the public eyes. Letting the general public analyze your images and getting up where ever you can, you can find stickers on the back of street signs, electric boxes, and magazine kiosks. Most importantly putting them up where no one has before. Some people just collect stickers, some simply just represent themselves. But either way you look at it stickers have been accepted and will be displayed as a new wave art form. Some of the artists on the bill will be coming into Phoenix for the show. I could mention a few names, but you will have to attend or stay tuned to find out who’s who and from where.

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ROA in The Navajo Nation Desert with Sleeping Enemies

Don’t be fooled by a coyote playing “dead”. He’s not really playing.

They say that rabbits comprise about 1/3 of a coyotes’ annual diet, and yet one of them is right here sitting by the door on this desert plain, so unimpressed is he with the fast moving varmits.  ROA has just painted the long eared napper at the entrance of this one story building just around the corner from a couple of equally sanguine and predatory kit foxes, their reddish hue desaturated by the Belgian Street Artist’s monochromatic aerosol treatment. It hardly seems like a coyote could mover faster than ROA has across the US this summer and now we catch him for you on the Navajo Reservation with Jetsonorams’s project, “The Painted Desert”.

ROA (photo © Jetsonorama)

ROA’s parade of wildlife is equally striking in these wide-open rural areas as they are climbing multi-storied city buildings.  Just last year he was in the Australian Outback, before that he was in Mexico’s highlands and Chile’s coastal towns.  It is good to see ROA here and with future visits he may find time to paint more animals from the coyote’s buffet, since they’ll eat anything it that they can catch among the low-rise bushes and brush – rabbits, mice, squirrels, gophers, lambs, calves, goats, small pigs, ducks, magpies, crows, buzzards, quail, grasshoppers, and other coyotes.

Thanks to Jetsonorama for sharing these exclusive pics for BSA readers.

ROA (photo © Jetsonorama)

ROA. Detail. (photo © Jetsonorama)

ROA (photo © Jetsonorama)

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JB Snyder Does His Stained Glass in the Desert

Phoenix muralist JB Snyder is known locally for his color-rich abstract grids on sides or facades, as well as canvasses, often compared to stained glass. So it was a holy moment when he stopped by to see Jetsonorama with a few cans of aerosol to participate in his “Painted Desert” project.

JB Snyder (photo © Emily Caldwell)

“JB was stoked to learn about the project and asked to come up to leave some love on the rez,” says Jetsonorama. He liked it so much he’s planning to do two more. Coming up this fall will be New Yorker Chris Stain stopping by to do some work as the project winds down. In the next week or two, there may be another big name BSA readers are familiar with. Guess who? We’ll be the first to let you know if it happens, damn straight!

Special thanks to photographer Emily Caldwell for these shots of JB Snyder at work.

JB Snyder (photo © Emily Caldwell)

JB Snyder (photo © Emily Caldwell)

JB Snyder (photo © Emily Caldwell)

JB Snyder (photo © Emily Caldwell)

Read and see captivating images from our previous coverage on The Painted Desert Project:

Jetsonorama & Yote Start “The Painted Desert Project” In The Navajo

The Painted Desert, Part II with Gaia, Labrona, OverUnder, Doodles, Jetsonorama

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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The Painted Desert, Part II

The sheltering sky is huge in Navajo country, and city slicker Street Artists have room to expand their minds and their imaginations when they get out to see the landscape dotted by occasional man-made structures. Jetsonorama and Yote invited a handful of them to come out and meet some local artists and the folks who live here.

By meeting the business owners and community members who invited them to create work on their buildings, the artists learned a little about local customs, their histories, and relationships. According to Jetsonorama, the guys appreciated that this project wasn’t about big walls with lots of exposure and were interested in connecting with people and the land to inspire their work. The resulting collection has a character and context very specific to the culture and the qualities of life here.

Overunder. White and yellow corn are symbols that play into the creation story for many native people. Overunder incorporated those symbols with the power lines that punctuate the sky here. (photo © Jetsonorama)

Overunder. White Corn, Yellow Corn. Detail.  (photo © Jetsonorama)

Overunder added a rainbow to encourage rain. Shortly after he finished it, the sky obliged. (photo © Jetsonorama)

Overunder (photo © Jetsonorama)

Gaia at Labrona’s Wall (photo © Jetsonorama)

Labrona. Detail. (photo © Jetsonorama)

Labrona (photo © Jetsonorama)

Labrona and Gaia collaboration. (photo © Jetsonorama)

Labrona and Gaia collaboration. (photo © Jetsonorama)

Gaia. The Bluebird Diner. (photo © Jetsonorama)

Gaia. The Bluebird Diner. (photo © Jetsonorama)

Gaia. The Bluebird Diner. (photo © Jetsonorama)

Gaia (photo © Jetsonorama)

Doodles (photo © Jetsonorama)

Doodles (photo © Jetsonorama)

Doodles and Labrona collaboration. (photo © Jetsonorama)

Doodles takes in the universe at White Mesa Arch. (photo © Jetsonorama)

Jetsonorama. Ben Water is Life. (photo © Jetsonorama)

Jetsonorama. King of the Store. (photo © Jetsonorama)

Jetsonorama and Breeze Collaboration. (photo © Jetsonorama)

Breeze (photo © Jetsonorama)

Tom Greyeyes (photo © Jetsonorama)

Doing pullups on a fence. (photo © Jetsonorama)

Click HERE to see Part I of The Painted Desert Project

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Tractors and Silos and Art on The Prairie with Jetsonorama

And now, straight from the bread basket in this land of plenty, Jetsonorama brings an update on what he’s been doing on the prairie.

Jetsonorama. Dad and Aunt. (Photo © Jetsonorama)

Jetsonorama. Dad and Aunt. (Photo © Jetsonorama)

 

Jetsonorama. Gunslinger. (Photo © Jetsonorama)

Jetsonorama. Grandpa on Tractor. (Photo © Jetsonorama)

Jetsonorama. Red Tire. (Photo © Jetsonorama)

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Owen Dreams Of Atomic Sheep, Jetsonorama and Uranium

A New York Times article a couple of weeks ago about abandoned uranium mines on the Navajo Nation reported about 638 uranium mines that were active on the Navajo Nation from the 1940s to the 1980s.  Street Artist Jetsonorama writes to say that “Fewer than 10% of the mines have been capped and contained and, as a consequence, uranium tailings circulate with wind and have contaminated ground water supplies affecting livestock and humans. The rates of liver, bone, breast and lung cancer are high on the rez.”  The Times article quotes Doug Brugge, a public health professor at Tufts University medical school and an expert on uranium, “If this level of radioactivity were found in a middle-class suburb, the response would be immediate and aggressive.”

 

Jetsonorma “Owen Dreams of Atomic Sheep” Flagstaff, AZ (photo © Jetsonorama)

According to The Guardian this year, “In the final years of the George Bush presidency, when uranium prices were rising worldwide, mining companies filed thousands of new claims in northern Arizona, on lands near the Grand Canyon. They also proposed reopening old mines adjacent to the canyon.”

As recently as this January, the Obama Administration acted to protect a 1-million acre area around the Grand Canyon from uranium mining with a 20-year ban, despite pressure from mining advocates. But that won’t prevent the current requests on record to mine the area from progressing.

Wanting to draw attention to this situation, artist Jetsonorama did this installation in Flagstaff, AZ over the weekend called “Owen Dreams of Atomic Sheep,” and one called “JC at the Reservation”. With infants as their spokespeople these new pieces on water storage containers spotlight the next generation, the inheritors of whatever we decide to do with the earth and it’s resources. American Indian tribes in the region — Havasupai, Hualapai, Kaibab-Paiute, Navajo and Hopi — have banned uranium mining on their lands, according to the Center for Biological Diversity and Sierra Club, and it makes you wonder if environmental defense will become the preeminent issue that this generation will seize as their own.

Jetsonorma “Owen Dreams of Atomic Sheep” Flagstaff, AZ (photo © Jetsonorama)

JC in C0w Springs. (photo © Jetsonorama)

JC in Cow Springs. (photo © Jetsonorama)

 

 

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Guarding an Oasis in the Desert

You ever been old? Me either but if I ever get there I hope I can be slim and stately and marching around a water tank, protecting a natural resource that belongs to us and future generations. That would be good and honorable work.

Here are some pics of Jetsonorama’s new work on the reservation. Check out the windmill. Nice!

Jetsonorama “Secody’s Watertank” (photo © Jetsonorama)

Jetsonorama “Secody’s Watertank” (photo © Jetsonorama)

Jetsonorama “Secody’s Watertank” (photo © Jetsonorama)

 

 

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Jetsonorama & Yote Laying Plans for “The Painted Desert”

Arizona based Street Artists Jetsonorama and Yote are embarking on a new project they’re calling “The Painted Desert” with a growing roster of Street Artists you know.

The project is reaching out to an array of Street Artists to put their stuff up on roadside structures in western agency of the Navajo nation.  As part of a wheat-pasting project Jetsonorama began in 2009, the plans include holding mural making workshops and information sessions for youth who live on the reservation.

 

Jetsonorama (photo © Jetsonorama)

It looks like the project is picking up steam with commitments from Street Artists including Gaia, Chris Stain, Overunder, Doodles, Breeze, and Yote, who are all planning to get up over the next year. Also we hear that Swoon has some special plans, so that will be a point of interest too, and Henry Chalfant is also lending his support.

Says the organizers, “The project seeks to boost the economy by having the art be a destination for those who get it and to share the knowledge that we have as artists with local youth.” Sounds like Street Artists are poised to help the community again.

Learn more about “Painted Desert Project” is on Facebook and you can make a donation to the effort if you like.

 

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The Pima Air & Space Museum Presents: “Round Trip: Art From The Bone Yard Project” (Tucson, Arizona)

Art From The Bone Yard Project

The Retna Plane (photo courtesy of the curators)

THE BONE YARD PROJECT | PIMA AIR & SPACE MUSEUM | JANUARY 28 – MAY 31

The Pima Air & Space Museum is pleased to announce the opening of Round Trip: Art From The Bone Yard Project on January 28 in Tucson. Conceived in Spring 2010 by Eric Firestone, and organized with curators Medvin Sobio & Carlo McCormick, The Bone Yard Project resurrects disused airplanes from America‟s military history through the creative intervention of contemporary artists, taking entire airplanes and their elements out of aeronautic resting spots in the desert, known as “bone yards,” and putting them into the hands of artists. Re-imagined by Brazilian graffiti artist Nunca, an abandoned DC3 comes to life with a striking picture of an eagle leading men through the skies, and the idealized dreams of flight are able to soar once again in our collective imagination. With a nod to the airplane graffiti and „nose art‟ that became popular during WWII, the project offers a vision of the wonder by which humanity takes to the air through some of the most prominent and acclaimed artists working today.

Round Trip: Selections from The Bone Yard Project, will include selections from the previous exhibition along with more than a dozen cones interpreted by artists new to this project. It will feature five monumental works created on military planes by a dynamic selection of popular graffiti and street artists from around the world. The curatorial team includes Medvin Sobio, an independent curator and consultant, and Lesley Oliver of the Scottsdale Museum of Contemporary Art, a longstanding figure on the Arizona art scene.

More than 30 artists have participated in Round Trip including DC Super 3 planes painted by graffiti artists How & Nosm, Nunca, and Retna, and a C97 cockpit by Saner, and C45 planes by Faile and Andrew Schoultz. Additionally, Nose Job artists Aiko, Peter Dayton, Shepard Fairey, Futura, How and Nosm, Mare, Tara McPherson, Richard Prince, Lee Quinones, Saner, Kenny Scharf, and JJ Veronis will be on display, along with new nose cones by artists Colin Chillag, Crash, Daze, Daniel Marin Diaz, Tristan Eaton, Jameson Ellis, Ron English, Faile, Eric Foss, Mark Kostabi, Lisa Lebofsky, El Mac, Alex Markwith, Walter Robinson, Hector Ruiz, Randy Slack, Ryan Wallace, and Eric White, among others.

The Pima Air & Space Museum is the largest non-government funded aviation museum in the United States, and one of the largest in the world. It maintains a collection of more than 300 aircraft and spacecraft from around the globe and more than 125,000 artifacts. The museum is located at 6000 E. Valencia Rd. , Tucson, and is open 9:00 AM – 5:00 PM daily. Round Trip is open to the public from January 28 through the end of May 2012. Further details may be found at www.pimaair.org.

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Fun Friday 12.16.11

 

1. Play a New Holiday Video Game from Chris Uphues – “Holiday Jingle Rocket”
2. “Rezolution”, a group show at Hive Gallery Tonight (Phoenix, AZ)
3. “Paranormal Hallucinations” at Pandemic (Brooklyn, Yo!) (Saturday)
4. David Choe and DVS1 for Nuart 11 (VIDEO)
5. “Images of the Year 2011” From Brooklyn Street Art (Video)
6. VINZ FEEL FREE. Don’t be afraid. Feel Free (VIDEO)

Play a New Holiday Video Game from Chris Uphues – “Holiday Jingle Rocket”

Street Artist Chris Uphues uses his signature characters to create this very entertaining game for you to play with while chugging eggnog and rum today as you drink and drive at your keyboard. Try to keep your sled flying over the houses without being hit by giant blobs of snow! It’s a winter blast!

Make sure to click on the link below to play the game:

http://www.megadoug.com/xmasgame/

“Rezolution”, a group show at Hive Gallery Tonight (Phoenix, AZ)

Chip Thomas AKA Jetsonorama and a number of other artists open today in a group show that is getting a lot of pre-buzz here and on Twitter and FB. It should be a great scene tonight at The Hive.

Chip Thomas and Breeze. (photo © Chip Thomas)

For further information regarding this show click here

“Paranormal Hallucinations” at Pandemic (Brooklyn, Yo!) (Saturday)

Pandemic Gallery has a new show “Paranormal Hallucinations” opening Saturday. including, among others, Deuce 7, Swampy and Egyptian Jason.

Swampy. (photo © Jaime Rojo)

A very fun group show to end out the season before everybody goes into the holiday haze, featuring some unsung gems in the Street Art and graffiti scene, as well as others, including CHARLIE MARKS  R.I.P, LLEW  payote, Deuce Seven, Egyptian jason, Matt CRABE, Josh and Amy Shandick, Mikey Big Breakfast, Conrad Carlson, G II, Ryan C. Doyle, Mikey I.T., Tamara Santibanez, Othello Gervacio, Mike. P, and Swampy (above).

For further information regarding this show click here

David Choe and DVS1 for Nuart 11 (VIDEO)

David Choe and DVS1 (Photo Courtesy of Nuart11 © Mookie Mooks)

 

“Images of the Year 2011” From Brooklyn Street Art (Video)

It’s been an excellent year for Street Art all over the world and we’ve had the pleasure of seeing a lot of great stuff from big names to the anonymous. Eye popping, brain-teasing, challenging, entertaining, aspirational and inspirational – it’s all happening at once.  We’ve been walking the streets, meeting the artists, going to shows, curating shows, speaking to audiences, providing walls, and asking questions. It ebbs and flows but never stays the same. With the rise of the Occupy movement this autumn, we’re already seeing an uptick in the number of people taking their messages to the street with a renewed intensity.

VINZ FEEL FREE. Don’t be afraid. Feel Free (VIDEO)

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Purth in Minneapolis, “What Kind of Woman Are You?”

Street Artist Purth relies on her intuition when scouting walls to spread out on, favoring wide open spaces and sweeping vistas, in basically unknown or forgotten locations.  Deeply connected to her pieces, her imaginative backstories for them, and the process of creating, Purth confidently claims space on a wall without necessarily covering every inch. In this way, the work is as much about location and history as it is about the new work.

Purth in North Minneapolis, Minnesota (photo © Greg Carideo)

While in Minnesota last week Purth completed a 12 foot by 60 foot wall on the border of North Minneapolis with a piece she calls “What Kind of Woman Are You?”.  The large distorted figure lies on her side with a small constellation of thoughts and dreams and energy bursts dragging along behind her. Purth already had a story in mind for the figure, but only after she had started the piece did she learn that this location was the site of a huge number of homicides, and her figure faced an old gas station with and ignominious past.

Purth (photo © Greg Carideo)

Purth gives BSA more background to these somewhat haunting photographs here:

“Minneapolis has always been an important location for me. Its creative voice has influenced me greatly over the years. Many little details fell into place last month and I was able to complete this work on the fly with the help of a close friend and the support of a few locals.

The piece was an idea I had a while back that developed into much more once I had found the location. That’s usually how it goes … the work takes on its own form based on where it makes its home.

This wall was amazing too. I learned a day or two after I had begun painting that it sits directly across from “The Old Colony” gas station, this strange spot bordering North Minneapolis. It has an enormous glowing bee hive in front of it and the reputation of being the site for the most homicides in the area.

She faces it directly and I think knowing that made the work, or my presence there, feel more severe. Feels as though she growing into her own now, like she’ll bear witness to more than I can even imagine … or hopefully earn her wings (filthy, soot covered wings, but wings none the less). I guess there is something haunting and mysterious about this one, even to me.”

Purth (photo © Greg Carideo)

Purth (photo © Purth)

Purth (photo © Purth)

Purth (photo © Greg Carideo)

The Minneapolis sky with the obscured Purth wall to the left. (photo © Greg Carideo)

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