Dallas Art Fair
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Dallas Art Fair
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Opening Reception Saturday, April 14, 2012 from 7‑10pm
On View April 14 – May 5, 2012
On Saturday, April 14, Los Angeles street artist Buff Monster returns to Corey Helford Gallery to unveil the “Legend of the Pink Cherry,” his fifth solo exhibition at the gallery and his most ambitious to date.
Internationally known for his super bright, happy, and bold imagery, the paintings in the main gallery will celebrate the last eleven years of Buff Monster’s career, culminating in a timeless epic tale of good vs. evil. For the “Legend of the Pink Cherry,” the artist draws inspiration from Renaissance paintings. Buff Monster will introduce his latest creamy creation, a soft serve ice cream cone with human-like arms and legs. Each acrylic-on-wood panel piece in the show is delicately rendered with airbrush, a first for the artist.
Buff Monster’s narratives are more character and figure-based than before, and the series of paintings created for the exhibition will also reveal a new direction in Buff Monster’s career. “I’ve always thought of my work as inspired by and representative of Los Angeles—Hollywood more specifically. Los Angeles is the birthplace of Buff Monster. Part of why I feel compelled to tie everything together is that I feel that this chapter of my life and my work is coming to an end, and I’m looking to the future. It’s time to go East.”
The upstairs gallery will feature the second half of the exhibition, the debut of a project Buff Monster has been working towards his entire career: “The Melty Misfits,” a set of 60 collectible trading cards honoring the the Garbage Pail Kids. “I know more about Garbage Pail Kids than anyone you will ever meet,” Buff Monster adds, and in keeping true to the original form, each painting is 5”x7” on watercolor paper with acrylic and airbrush. The cards will be released on opening night, and the original paintings will be on display. Buff Monster notes, “I am going through a ton of work to make these as close to the vintage cards that we grew up with as possible. They’ll be printed offset using a custom paper stock and custom-mixed inks, and will come in wax packages just like cards from the 80s.”
The opening reception for the “Legend of the Pink Cherry” takes place Saturday, April 14 —Buff Monster’s birthday —at Corey Helford Gallery. The reception is open to the public, and the exhibition will be on view through May 5, 2012.
Buff Monster
Buff Monster lives in Hollywood and cites heavy metal music, ice cream and Japanese culture as major influences. The color pink, a symbol of confidence, individuality and happiness, is present in everything he creates. Buff Monster’s creative endeavors began by putting up thousands of hand-silkscreened posters across Los Angeles and in far-away places. His frequent poster missions developed into a productive street art career, and he now works on fine art paintings, collectible toys and select design projects. He paints on wood, taking great care to create his images as flat as possible. His work has been shown in galleries worldwide, often accompanied by large installations. Buff Monster has released numerous signature vinyl toys through leading vinyl toy companies, and has many other projects in the works. His art has been published in a variety of magazines, websites, newspapers and books, including Juxtapoz, Paper, Nylon, Cool Hunting, Angeleno, The Los Angeles Times, LA Weekly, The New York Times, and many more. He was recently featured in Banksy’s movie Exit Through the Gift Shop. And in January of this year he painted a mural on the exterior of The Standard Hotel in Downtown Los Angeles. Buff Monster works tirelessly day and night to spread happiness, joy and a love of pink. For more information about the artist, please visit buffmonster.com.
Corey Helford Gallery
Located in the Culver City Art District, Corey Helford Gallery was established in 2006 by Jan Corey Helford and her husband, television producer and creator, Bruce Helford (Anger Management, The Drew Carey Show, George Lopez, The Oblongs). Corey Helford Gallery represents a diverse collection of Contemporary artists influenced by today’s pop culture, encompassing the genres of New Figurative, Pop Surreal, Graffiti and Street Art. Artists include Josh Agle (Shag), Ray Caesar, D*Face, Chloe Early, EINE, Ron English, Natalia Fabia, HUSH, Kukula, Lola, The London Police, Sylvia Ji, Eric Joyner, Michael Mararian, Brandi Milne, Buff Monster, Risk, Amy Sol, TrustoCorp, Martin Wittfooth, and Nick Walker. Renowned for its notable exhibitions, the gallery has presented “Charity By Numbers,” which was co-curated by Gary Baseman and featured an unprecedented lineup of artists including Mark Ryden, Marion Peck, Shepard Fairey, Todd and Kathy Schorr, Camille Rose Garcia, and Michael Hussar, as well as “La Noche de la Fusion,” an epic Carnivalesque festival and solo exhibition for Pervasive artist Gary Baseman. In 2010, Corey Helford Gallery partnered with Bristol’s City Museum & Art Gallery for the transatlantic collaboration “Art From The New World,” a world-class United Kingdom museum exhibition showcasing work by a formidable group of 49 of the finest emerging and noted American artists. Corey Helford Gallery presents new exhibitions approximately every four weeks. For more information and an upcoming exhibition schedule, please visit coreyhelfordgallery.com.
Corey Helford Gallery
8522 Washington Boulevard
Culver City, CA 90232
T: 310-287-2340
www.coreyhelfordgallery.com
Open Tuesday – Saturday, Noon to 6:00pm
A New York Times article a couple of weeks ago about abandoned uranium mines on the Navajo Nation reported about 638 uranium mines that were active on the Navajo Nation from the 1940s to the 1980s. Street Artist Jetsonorama writes to say that “Fewer than 10% of the mines have been capped and contained and, as a consequence, uranium tailings circulate with wind and have contaminated ground water supplies affecting livestock and humans. The rates of liver, bone, breast and lung cancer are high on the rez.” The Times article quotes Doug Brugge, a public health professor at Tufts University medical school and an expert on uranium, “If this level of radioactivity were found in a middle-class suburb, the response would be immediate and aggressive.”
According to The Guardian this year, “In the final years of the George Bush presidency, when uranium prices were rising worldwide, mining companies filed thousands of new claims in northern Arizona, on lands near the Grand Canyon. They also proposed reopening old mines adjacent to the canyon.”
As recently as this January, the Obama Administration acted to protect a 1-million acre area around the Grand Canyon from uranium mining with a 20-year ban, despite pressure from mining advocates. But that won’t prevent the current requests on record to mine the area from progressing.
Wanting to draw attention to this situation, artist Jetsonorama did this installation in Flagstaff, AZ over the weekend called “Owen Dreams of Atomic Sheep,” and one called “JC at the Reservation”. With infants as their spokespeople these new pieces on water storage containers spotlight the next generation, the inheritors of whatever we decide to do with the earth and it’s resources. American Indian tribes in the region — Havasupai, Hualapai, Kaibab-Paiute, Navajo and Hopi — have banned uranium mining on their lands, according to the Center for Biological Diversity and Sierra Club, and it makes you wonder if environmental defense will become the preeminent issue that this generation will seize as their own.
The Scarlett Gallery is pleased to present a solo exhibition by Shai Dahan.
The former New Yorker, now residing in Sweden, will be presenting a body of new work in his first solo Stockholm show.
The artist is known for his iconic realistic rendition of the Swedish Dala Horses. Shai uses them as a metaphor for urban art to create a dialogue between the conformity and foundation of Royal history and the scorned graffiti culture that authoritative leaders have tried to prevent from advancement. VICE & VIRTUE is a symbolic alteration of Swedish Royal figures and sovereignty ripped apart by unbound graffiti impressions. In vivid forms of graffiti tags, Swedish Royal and monarch names dating back centuries, are placed in almost an architectural manner to decorate figures to poetically carry vandalism into art.
Shai’s work is captivating, thought provoking and yet emotionally positive. His gallery work is an expressive way of bringing this urban artistry into a more delicate environment while still maintaining its attractive elegance. Shai has been featured in magazines and books worldwide, and has taken part in multiple urban art projects around the world including New York, Los Angeles, Canada, Madrid and Sweden. He has exhibited internationally and has also painted murals across the U.S. and Europe
Currently, residing in Borås, Sweden with his wife and two dogs where he continues to paint and exhibit internationally.
A week and a half before the exhibition “This Side of Paradise” opened at the Andrew Freedman House, BSA readers got the first glimpse of the completed rooms of the mansion that were taken over by artists like Daze, Crash, How & Nosm, and Adam Parker Smith (“Poorhouse for the Rich” Revitalized By The Arts). The grand unveiling of the completed installations at last weeks opening was attended by throngs of people who simply poured in through the gates of the grand estate, darling, and listened to speeches, enjoyed libations, took photos, and waded through the crowded hallways to poke their heads in the individual mini-suites and their various interpretive installations.
In case you missed the opening and still need some encouragement to see this free show over the next 7 weeks or so, we bring you views of some more of the rooms that have opened since the first visit. Each artist was well-schooled in the curious history of this place and it’s former residents so what emerges is part tongue-in-cheek reenactment, part fragmented memory, and part lyrical reverie. Thanks to Mid-Bronx Council for hosting us and here’s is what caught our eye to share with you.

To read our article “Poor House for the Rich: Revitalized by the Arts”on the Huffington Post click here
For further details regarding this exhibition click here.
On August 12, 2010, Lek and Sowat found an abandoned supermarket in the north of Paris. For a year, in the greatest of secrets, both artists continuously wandered in this 430,000 sq ft monument to paint murals and organize an illegal artistic residency, inviting forty French graffiti artists to collaborate, from the first to the last generation of the graffiti movement. Together they built a Mausoleum, a temple dedicated to their disappearing underground culture, slowly being replaced by street art and its global pop aesthetics.
From the Artists:
We like to see each Herakut piece as the sum of a dialogue between Hera and Akut, a synthesis, a conclusion. And often this final thought is the first line of a new discussion, a new dialogue that will lead up to a new piece of art. That is how we have worked ever since we teamed up in 2004. Over the past years of collaborating, our palette has changed, of course, and we have learned to blend our different techniques, my sketchy lines and Akut ́s realism, ever smoother. It’s actually pretty funny that we do not even talk about the actual painting process. We only talk about the content. Our discussions take place in the world of reason and philosophy. What our hands actually do with our spray-paint is left up to them really. We just focus on telling a story. If the piece turns out pretty or not, is just a side-effect. The thoughts they carry are what we worry about. The messages are what we spend our days on.
To the San Francisco show we will be bringing characters that have fallen from grace. We took a look to the banned and exiled, the abandoned child that first cries of fear and then of rage, flocks of scapegoats, a choir of arch enemies, the outlawed, the out- numbered, the ones that know they are very last of their kind, the extinguished. When will we end up in their place?
Herakut is an artist duo made of Jasmin Siddiqui, born 1981 in Frankfurt, West Germany, and Falk Lehmann, born 1977 in Schmalkalden, East Germany. Their artistic style is as symbiotic as their name, which in itself is the symbiosis of the two individual graffiti synonyms Hera and Akut. A love for traveling and painting for the public eye are just a few of the things of the things Akut and Hera have in common. Their work, however, is based on bringing together contrasting elements: masculine vs. feminine, Eastern vs. Western, the roughness of Street Arts vs. the detail of Fine Arts.
Since 2004, Herakut has painted and exhibited in prestigious big cities like London, Berlin, New York and Paris, but have also spent a lot of valuable time painting the dirty sides of less glamorous cities such as Ekaterinburg, Russia or Campeche, Mexico. Both of Herakut ́s publications, The Perfect Merge published in 2009 and 2011’s After the Laughter have received great success, with the two books selling over 10,000 copies worldwide.
LOCATION
941 Geary Street
San Francisco, CA 94109
Alternate entrance through the alleyway:
60 Myrtle Street
San Francisco, CA 94109
Phone: (415) 931-2500
New Image Art is excited to present “High Five,” a group-show featuring six artists with six very distinctive styles and voices beloved by New Image Art. Alia Penner, Ashley Macomber, Curtis Kulig, Deanna Templeton, Maya Hayuk, and Vanessa Prager will be filling the gallery with new paintings on paper and canvas, as well as a photography installation.
While remaining anomalous, Ashley Macomber’s thought-provoking paintings pay homage to the female surrealist movement and offer a nod to the technical styling of René Magritte. In a similar acknowledgment to the feminine surrealist movement is work of self-taught painter Vanessa Prager. Prager’s highly saturated works give way to a false sense of reality; her study of the universe feels accurate. Her portrayal of human behavior scratches at life’s emotional ups and downs, and the contrast between the bursts of color in the foreground and stark backgrounds reflects this natural turmoil. Curtis Kulig, maybe better known for his moniker “Love Me;” seen freely scribbled in a calligraphic-style both as graffiti and over canvases of solid fields. Focusing on the beauty of the line and word his signature leads the viewer to ponder the implications of “Love Me.” Is it the artist’s own insecurity or is it our own? Either way the honesty of the simple phrase – the desire, makes us smile and wish! And on the topic of Love, the psychedelic and geometric paintings of Maya Hayuk when boiling the combined components of light and dark, punk, and folk, can be reduced to reveal their truth, which is none other than Love. In the artist Alia Penner‘s eyes, everything looks better covered in rainbows. Not girly, pastel rainbows, but brilliant acid hues that bring to mind Peter Max and Sonia Delaunay. (Extract from NY Times Magazine) Documentary, and internationally acclaimed photographer, Deanna Templeton will be installing her iconic photographic images in a network of evenly spaced horizontal and vertical lines that will read as a single unit.
OPENING RECEPTION: SATURDAY, APRIL 14TH
C.A.V.E. Gallery is proud to present new works by:
BAYO – “Inside-Outside“
Bayo’s paintings depict visceral worlds, where the main character is the psyche as an axis of conflicts. His paint strokes signal a constant path where anxiety is inescapably contagious. Characters tend to avoid frontal sight, turning their eyes towards themselves and exposing their fragility. Dispirited forms allow us to prove that their author does not follow the statutes of reason. Each piece simultaneously depicts the rigor of obsessive details, the vagueness of repetition, and the sudden explosion of motion. All in an effort to express the architecture of his emotions, with a complexity that can never remain subtle.
HELLBENT – “A Quilted Life“
For his new series – “A Quilted Life”, Hellbent employs a variety of techniques that add a unique 3D quality to his work. He has developed a stencil technique that creates a kaleidoscope “quilt” of color in cubist patterns. The complex compositional puzzle of the background seems to push and pull behind bold imagery. Instead of a paint brush, Hellbent often uses a power drill to etch forms into wood panels. Always looking to expand his craft by exploring different techniques and mediums, Hellbent has also experimented with colored liquid glass – adding to the vibrant spectrum and resemblance of stained glass in his work. The complex color patterns are intricately layered, creating a dynamic and bold new collection.
HAUNTED EUTH – “All Gone Wrong“
“My new work is entirely autobiographical – calling upon, navigating and negotiating the complex relationships and experiences I struggled to balance last year. Themes of addiction, love, struggle, fear and anxiety are paramount in the work I produced for this show. This new body of illustrations is a open acknowledgment to the past and signifies a new, positive outlook on the future.”
OPENING RECEPTION: Saturday, April 14th 6 – 10pm
On view thru May 5
1108 Abbot Kinney Boulevard, Venice CA 90291 * Tel 310 450 6960 * Wed thru Sun. 12-6PM
Jeice 2 checks in the with the animal kingdom as he starts a new series he’ll call “Savage Planet”. The street artist has experimented with a variety of styles on the street over the last year including a bright abstract lined candy corner in Seville and most recently a portrait of William Burroughs.
Here he brings “The Couple” to a supporting bridge pylon – with a natural hand and sketch stroke, the topic and the style may remind you of animal portraiture done by Gaia, Yote, ROA, and more recently Willow in New York. Here in a greener environment that’s more natural than the urban detritus of Brooklyn, it feels more home-like for these two blue eyed beauties.
Our weekly interview with the street, this week featuring Anarkia, Gaia, Sien, Stem, Tats Cru, Woebots, Velma from Scooby Doo and XAM.