173 Zacatecas
Col. Roma Norte, Cuauhtémoc
Ciudad de México, Mexico 06700
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STOLEN SPACE
presents
SHEPARD FAIREY
SOUND & VISION
19th October – 4th November 2012
The Old Truman Brewery
StolenSpace Gallery are delighted to announce a solo exhibition of work by Shepard Fairey opening on 19th October 2012. This will be Fairey’s second major London exhibition, following his collaboration with the Gallery in 2007. It will feature a range of new works including mixed media paintings on canvas, works on paper, retired stencils collages, rubylith cuts, and as well as serigraphs on wood, metal and paper
Entitled Sound and Vision, the exhibition title is taken from the David Bowie song of the same name. Bowie has been a major influence on Fairey, because he was able to master music and visual presentation with equal virtuosity. Music is an artistic medium that Fairey reveres almost more than he does visual art. He comments: “Music is visceral, but also has the additional powerful layers of the lyrics, with their content and politics, and the style, politics, and personalities of the musicians themselves. No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is much more able to reach people’s hearts and minds.” The artist hopes to be able to induce in people, even a fraction of the emotion that hearing a new song or listening to a familiar one can evoke.
Sound and Vision, will incorporate a diverse array of mixed media works, which embody both the political and social influences on Fairey’s work, particularly that which is directly inspired by music. It is not only David Bowie, but also the Sex Pistols, Roxy Music, Gang of Four, the Clash and Metallica which have had an impact on Fairey’s work. To encourage viewers to experience an interaction between music and art, the artist will provide records from his own collection as well as customised vintage turntables to enable viewer listening. This section of the show is complemented by a display of eighty works which have the same 12×12” dimension as an LP sleeve. The artist will therefore use both sound and vision to connect with his audience.
Over the last five years the artist has seen a meteoric rise with a series of international projects and exhibitions. In 2008 his portrait of the then Democratic candidate, Barack Obama, with the message of ‘HOPE’ under the illustration, became an internationally recognised emblem of the campaign and a symbol political change for many. Since last exhibiting in London, Fairey has continued to progress with his art and with a/ 20 Year Retrospective museum exhibition that began at the Institute of Contemporary Art, Boston in 2009 and continued to the Warhol Museum and Contemporary Art Center in Cincinnati. Last year, he was commissioned by TIME Magazine to design a cover in celebration of ‘The Protester’, an anonymous figure representative of momentous world demonstrations such as the Arab Spring and Occupy movement.
STOLENSPACE GALLERY
Dray Walk, The Old Truman Brewery
91 Brick Lane
London E1 6QL
United Kingdom
Lazarides in association with HTC cordially invites you the launch of Bedlam, the 3rd and final in the trilogy of exhibitions held in The Old Vic Tunnels.
Lazarides artists and special guests inspired by London’s infamous asylum will transform the five tunnels with their own creative pandemonium.
The exhibition will run from the 9th to the 21st October and feature work by the following artists: Antony Micallef, Artists Anonymous, ATMA, Conor Harrington, Dan Witz, Doug Foster, Ian Francis, Karim Zeriahen, Kelsey Brookes, Klaus Weiskopf, Lucy McLauchlan, Michael Najjar, Nachev, Tessa Farmer, Tina Tsang, Tobias Klein, War Boutique and 3D.
Admission is free however booking is essential. To book a time slot please visit the Bedlam website.
Following the astounding success of Hell’s Half Acre in 2010 and Minotaur in 2011, Lazarides Gallery and The Old Vic Tunnels are joining artistic forces for the third and final time coinciding with this coming Frieze Art Fair, running from 9 – 21 October.
This exhibition goes against the grain of society to bring you ‘Bedlam’ a term coined from ‘Bethlam’ London’s Hospital for the mad. The infamous mental institute is the oldest in the country of which came to epitomise the brutality long associated with lunatic asylums all over the country dating back to 1247.
The meeting of minds between Lazarides Gallery within London’s foremost artistic platform The Old Vic Tunnels will creatively explore the well-intended beginnings of this legendary institution, to its final disgrace and reform. It will certainly leave you questioning your ‘compos mentis’ an experience that will showcase the line between genius and madness has never been so thin.
Artists so far confirmed to contribute include: Vhils, Conor Harrington, Doug Foster, Ian Francis, Kelsey Brookes, Karim Zeriahen, Klaus Weiskopf, Lucy McLauchlan, Artists Anonymous, Michael Najjar, Till Rabus, Jonathan Yeo and Antony Micallef.
“Bedlam over the years has become synonymous with madness, chaos and pandemonium, it seemed like the perfect theme for a world gone mad. Be afraid.” Steve Lazarides, Owner, Lazarides Gallery
‘Most people that work in theatre are MAD, everyone involved in the art world is crazy, Steve Lazarides is probably the craziest of them all, which is why Bedlam, the historic mental asylum, is the perfect backdrop for an art show, a stones throw from the original site. Built around the same time as the Old Vic Theatre it drew almost as many crowds; for a penny one could peer into their cells, view the freaks of the “show of Bethlehem” and laugh at their antics. I guess nothing changes….’ Hamish Jenkinson – Director, The Old Vic Tunnels
Please note this is a free event. Bedlam tickets will be released this Friday 5 October, sign up to the mailing list at http://www.lazaridesbedlam.com/ and we’ll email you once they’re available.
Lazarides: Rathbone Place, London
11 Rathbone Place, London, W1T 1HR Tel (+44) (0)207 636 5443
Kosmopolite

Aerosol Bridge Club and Urban Stylistix present KOSMOPOLITE ART TOUR – warm-up edition for 2013 – an international exhibition and big mural painting in Amsterdam, JustWritingMyName and more side-events.
13 internationally renowned urban artists from the Netherlands, Belgium, UK, Spain and Switzerland exhibit at MC Theater Amsterdam from October 7th. The exhibition opening will start at 17:00 and include an eclectic line-up:
All artists team up with a crowd of local heroes to paint a 650qm mural painting in the Northern part of Amsterdam within a common theme: “Circle of time” – 2012 the year of the Mayan Calendar.
The Kosmopolite Art Tour will host the international Graffiti event “JustWritingMyName” providing extra wall space for invited artists from Amsterdam and Den Haag.
The Kosmopolite Art Tour was originally initiated by three contemporary art collectives: Mac Crew (Paris/Bagnolet), Farm Prod (Brussels) and Aerosol Bridge Club (Amsterdam) in order to promote the development of pictorial art through the model of international artistic meetings and exchanges.
The project has started in three European cities in 2009 – Amsterdam, Brussels and Paris – with the objective to present an eclectic overview of contemporary pictorial art through mural creations and exhibitions. The project expanded internationally in 2011 involving the cities of Johannesburg, Jakarta, Rio de Janeiro and Sao Paulo.
Now the KAT will return to Amsterdam for the second time!
Details:
KOSMOPOLITE ART TOUR AMSTERDAM
International exhibition of Urban Artists
Date: 07.10. – 14.10.2012
Exhibition opening: 07.10.2012 – 17:00, free entrance
Location: MC Theater, Polonceaukade 5 . Westerpark . Amsterdam
Curator: Daniel Doebner, Markus Hinger, Sandor Sweet
Website: http://www.kosmo-art-tour.com
Programme:
EXHIBITION OPENING @ MC Theater
07.10.2012 – 17:00
Polonceaukade 5 . Westerpark . Amsterdam
free entrance
Marker Paint Jam @ Live On The Low
09.10.2012 – 22:00 – 04:00
Winston Kingdom . Warmoestraat 131 . Amsterdam
5 euro before 24:00, 7.5 euro after
Live Mural Painting
11. – 14.10.2012 – daytime
Het Breed / Nieuwe Purmerweg . Amsterdam Noord
free entrance
JustWritingMyName Graffiti & BlockJam BBQ
13.10.2012 13:00 – 20:00
Het Breed / Nieuwe Purmerweg . Amsterdam Noord
free entrance
Low Brow Artique presents their first solo exhibition, The Penis Mightier Than the Sword, featuring the work of Dickchicken. Returning from nearly a three-year hiatus for one last show, The Penis Mightier Than the Sword will represent a spectrum of the artist’s work, including a combination of new and previously unseen images. This body of work will be on display to the public from October 12th – November 3rd with an opening to the public October 12th from 7-10pm.
In his own words, Dickchicken says, “this thing started as a joke. I was attempting to have fun. So I continued doing it until it was no longer fun[ny]. The graffiti community in NYC is full of high school style drama. When that crept into this idea it ruined it. So I made the call to cut it off. Now and again certain opportunities arise. If I think they are worth the time and effort I participate. This is one of those. So here we are, many years later and many experiences have come and gone. This idea persists. You don’t have to like it. You don’t have to hate it. Use whatever energy you have and create something better. “
At the height of this fame, Dickchicken created a series of faux-magazine covers as large panel pieces. Since imaging his Vanity Fair debut, these pieces have been placed into storage. In addition to these previously unseen images Dickchicken will unveil a series of self-portraits with religious figures including the Virgin Mary and L. Ron Hubbard. By inserting himself into Renaissance style religious portraits and glossy covers, Dickchicken’s comprehensive body of work inserts his tongue-in-cheek humor into the historical canon of art history.
Artists: TrustoCorp
Location: The Outsiders – Newcastle
Dates: Friday 5th of October 2012 to Saturday 10th of November 2012
21st century iconoclasts Trustocorp make their debut outside of the USA at The Outsiders Newcastle gallery this autumn. International Bank of Trustocorp is a landmark interactive show will appeal to anyone interested in contemporary art and future politics.
A paradigm shift in protest art, Trustocorp use a visual language more commonly associated with mainstream media and big business to pursue an insurrectionary agenda. The collective has placed fake products in supermarkets, installed ersatz magazine covers on newsstands and placed subversive street signs across America.
Trustocorp eschew the hackneyed politics of the established left in favour of ‘post post-modern’ politics that preach self-reliance, self-worth. Their maniefesto especially rejects our fearful, material and hedonistic contemporary society perpetuated by a nanny state and alarmist media.
For ‘International Bank of Trustocorp’ the accomplished apostates will employ their high production values to transform the gallery into a counterfeit counting house that examines the power of currency.
“We’re exploring the power of money in our lives on a local and international level,” a Trustocorp spokesperson explains. “From the high power gambling of Wall Street to the broken dreams of ‘Main Street USA,’ money is simultaneously the root of all evil and the solution to all problems. This show is our take on the global effect of greed and the need for money.”
PRIVATE VIEW DETAILS – Thursday 4th October from 6pm ‘til 9pm at The Outsiders Newcastle.
‘The International Bank Of TrustoCorp’ will be open to the public from 5th October – 10th November 2012, Tuesday to Saturday 12 – 6pm, admission is, as always, free.
The Outsiders Newcastle, 77 Quayside, Newcastle upon Tyne.
Stickers and sticker art isn’t just for skateboarders and bands/DJ’s anymore, it has become a new way of expressing yourself and getting your name and or images out to the public eyes. Letting the general public analyze your images and getting up where ever you can, you can find stickers on the back of street signs, electric boxes, and magazine kiosks. Most importantly putting them up where no one has before. Some people just collect stickers, some simply just represent themselves. But either way you look at it stickers have been accepted and will be displayed as a new wave art form. Some of the artists on the bill will be coming into Phoenix for the show. I could mention a few names, but you will have to attend or stay tuned to find out who’s who and from where.
We are delighted to announce that we are showing the work of the much loved and respected Bristol artist, Guy Denning in his first London solo show for two years. It’s the final part of his trilogy of exhibitions interpreting Dante’s The Divine Comedy; PARADISO. Inferno and Purgatorio, which were shown in Bologna and New York, were a tremendous success and we think that the final part of the cycle will be equally so.
In PARADISO Denning has created a series of works that use highly individual visual imagery to depict the ecstatic route to a place of resolution and rest (for Dante the route to heaven). He is intrigued by how the moral ambiguities of the world we live in; with it’s emphasis on glorifying the here and now, finds resonances with the unshakeable medieval belief in the existence of life after death. Like Dante, Denning draws on contemporary political concerns to illustrate his vision.
Part of the exhibition is inspired by Beatrice, Dante’s long dead love, who is the central figure in the poem and who symbolises feminine purity and vulnerability. To represent this aspect of PARADISO Denning has painted a series of delicate portraits of famous women from the recent past, who died young and who have found immortality in their enduring youth.
Denning has been an artist all his adult life and in 2007, he moved from Bristol to rural Brittany to concentrate fulltime on his painting. The artistic freedom this move has given him has contributed greatly to the intense and consistently beautiful work that he has produced in this period; quite simply it has raised his art to a whole new level.
His belief in the importance of drawing skills is the foundation of all his work. He uses traditional painting methods of building up work from underlying sketches, mostly from life and often using his friends as models. Guy’s painting, mainly oil on canvas, is approached with an intellectual rigour, which is always directed towards a truthful interpretation of the world as he sees it. He is a unique artist in his technique, manner and choice of subject matter and this is at its best in his modern representation of Dante’s 14th century world.
The private view is on the 4th October and the show runs until the 27th October. Please let us know if you need any further information or images. Here is a link to a preview video that we think captures the very essence of PARADISO
Signal Gallery · 32 Paul Street · London, Eng EC2A 4LB