Editorz

Fifty24SF Gallery Presents: “See you in Croatan” – A San & Escif road show. (San Francisco, CA)

Fifty24SF
brooklyn-street-art-San-Escif-FIFTY24SF- GalleryFIFTY24SF Gallery in Association with Upper Playground presents:
“See you in Croatan” – A San & Escif road show.

“We were taught in elementary school that the first settlements in North America failed; the colonists disappeared, leaving behind them only the cryptic message “Gone to Croatan”. The very first colony in the New World chose to renounce its contract with the Empire and go over to the Wild Men. They dropped out. They became ‘Indians,’ ‘went native,’ opted for chaos over the appalling miseries of serfing for the plutocrats and intellectuals of London” – TAZ, Hakim Bey

SAN FRANCISCO, CA [6.21.11] — FIFTY24SF Gallery presents “See you in Croatan” a road show by San & Escif opening on June 30th, 2011.

“See you in Croatan” is an experimental research project which will cross the lives and experiences of two friends, Spanish artists San and Escif, in a random road trip across the West Coast of the United States. Their mission is to work as far away as possible from doctrines, imperialisms and linear reasoning, searching for beauty in errors and fortuitous tools, working with intuition and hazard; trying to light relations, transitions and processes; working with research as the way itself; understanding chaos as an ideal space for creation.

brooklyn-street-art-San-Escif-FIFTY24SF- GalleryEscif & San (photo © courtesy of the gallery)

From Escif:
I’ve spent a few days thinking about the project, and about the way we are approaching it. The idea of generating a third language seems like it’s not working very well, at least not in a practical way. Certainly it is a path that should become stronger during the journey, but so far it has seemed to be more of an impediment than the correct path. We already knew that teamwork is very complex, but I think it is a lot harder when the roles on the team are not well established. Because then the fight between the two egos grow to see who is the one directing the movie (I´m thinking out loud) and its something that gets more complex when the two directors (you and I) have such different ways of working.

From San:
I completely understand what you say. I think we have to be practical, although we both like to navigate riskier terrain than we normally would on our own. Team work is hard, and even more so when obsessive perfectionists like us work together, each with our own story, but it is what it is. When I made the two drawings that I sent you, I always thought that what I was doing was twisting my work a little bit to get closer to a new “skin”, not so much trying to invent a third language. I think that´s exactly where the focus of the expo should be, in making an effort to get out of our safe zone and dig into something a little less personal, but using our powers, of course…

FIFTY24SF Gallery Contact Information:
Gallery Hours: Wednesday-Sunday from 12-6 P.M. and by appointment
Address: 218 Fillmore Street, San Francisco, CA 94117

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Galerie Magda Danysz Presents: “Shadows and Reflections” (Paris, FR)

Shadows and Reflections

brooklyn-street-art-c215-jaime-rojo-06-11-webC215 (photo © Jaime Rojo)

SHADOWS & REFLECTIONS

with / avec :
Jef Aérosol, Blek le Rat, C215, Miss.Tic,
Kris Trappeniers & VHILS
Saturday June 25th 2011 / Samedi 25 juin 2011
from 6 to 9pm / de 18h à 21h
GALERIE MAGDA DANYSZ
78 rue Amelot
Paris 11 (France)
M° Saint Sébastien Froissart
The exhibition Shadows & Reflections emphasizes the variety of stencil’s artistic forms. First, by the variety of supports ranging from walls to installations including canvas and then by the diversity of techniques used by the artists.
Shadows and reflections, presents works on canvas, totally new installations, video, etc. The exhibition confronts the variety of expression of the stencil and proves the richness of this major movement of Street-Art which offers the artists infinite possibilities of creation…
L’exposition Shadows & Reflections montre la diversité des formes artistiques que prend le pochoir. D’abord, par la variété des supports, du mur à l’installation en passant par la toile. Surtout par les différentes techniques utilisées par les artistes.
Shadows and reflections, présente des œuvres sur toile, des installations inédites, de la vidéo, etc. L’exposition confronte les différents modes d’expression du pochoir et prouve la richesse de ce mouvement majeur du Street-Art qui offre d’infinies possibilités de création aux artistes.
Jef Aérosol, Blek le Rat, C215, Miss Tic, Kris Trappeniers, Vhils,
The show Shadows & Reflections goes on from june 25 to July 30, 2011
L’exposition Shadows & Reflections a lieu du 25 juin au 30 juillet 2011
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Brooklyn Museum Cancels “Art in the Streets” Show for Spring 2012; Currently at LA MOCA

Director Sights Financial Difficulties

When we visited the LA MOCA “Art In the Streets” exhibit days before it opened in April, the feeling of camaraderie and expectation hung thick in the air as artists and curators and museum directors put the final touches on what they knew was the first major show of it’s kind; an historical taking stock of the route graffiti and Street Art travelled over the last half century to become an undeniably positive influence on art, music, fashion, … the culture.  That week when talking with Sharon Matt Atkins, The Brooklyn Museum’s Managing Curator of Exhibitions, about the plans for bringing the show to our beloved city in Spring 2012, we were nearly apoplectic about the prospect of somehow being involved in the welcoming.

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Banksy “Art in the Streets” MOCA (photo © Jaime Rojo)

Sadly this afternoon we hear from the museum and friends that the show has been withdrawn.  Sally Williams from the Museum’s Public Information Department confirmed the news to BSA over the phone. “This is a very important show for anybody to have but it is also a huge and very costly exhibition and we just couldn’t get funding for it”.

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Os Gemeos. Detail. “Art in the Streets” MOCA (photo © Jaime Rojo)

Meanwhile the last hour in the Twitterverse has raised a bit of a buzz  about the statement by Brooklyn Museum Director Arnold L. Lehman’s that the decision is “due to the current financial climate”.  The current home for “Art in the Streets” has found the show receiving great critical and popular acclaim and the much sought after younger demographic forming lines, making their own videos of the show, and yes, hitting up the giftshop. It really looks like it is proving to be a blockbuster for the museum and business in the community. That’s why its even more sad and a little confusing to find that Brooklyn can’t host what would surely be a boon to the organizers, the museum, and the city.

We thought that the cultural history of our city would have been greatly enhanced by the Brooklyn Museum’s decision to be the next stop of this exhibition. Despite it’s association with the negative aspects of vandalism and all that go with it, graffiti and Street Art have transformed global arts culture in many positive ways and New York is known worldwide as one of the birthplaces, an epicenter of this rich cultural history and what it has evolved from it.

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Swoon. Detail. “Art in the Streets” MOCA (photo © Jaime Rojo)

From the museum’s press release:

Brooklyn Museum Withdraws from Art in the Streets Exhibition

Brooklyn, New York–June 21, 2011. The Brooklyn Museum has canceled the spring 2012 presentation of Art in the Streets, the first major United States museum exhibition of the history of graffiti and street art. Organized by the Museum of Contemporary Art Los Angeles, where it is currently on view at The Geffen Contemporary through August 8, 2011, the exhibition had been scheduled at the Brooklyn Museum from March 30 through July 8, 2012.

“This is an exhibition about which we were tremendously enthusiastic, and which would follow appropriately in the path of our Basquiat and graffiti exhibitions in 2005 and 2006, respectively. It is with regret, therefore, that the cancellation became necessary due to the current financial climate. As with most arts organizations throughout the country, we have had to make several difficult choices since the beginning of the economic downturn three years ago,” states Brooklyn Museum Director Arnold L. Lehman.

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Fab Five Freddy speaking at the press conference of “Art in the Streets” LA at MOCA. (photo © Jaime Rojo)

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Fab Five Freddy in front of his piece. “Art in the Streets” LA at MOCA. (photo © Jaime Rojo)

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The Sharpshooting of Street Artists In Amsterdam : DosJotas

Cities and municipalities around the globe have no cohesive opinion or set of organized practices in response to Street Art.  Heated rhetoric and strict criminal proceedings in one city contrasts sharply with a laissez faire or even loving embrace in another.  Terminology in one city may lump all artistic expression together with vandalism while another carefully makes distinctions between categories such as vandalism, sanctioned, graffiti, street art, and others.

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DosJotas “Street Wars in Amsterdam” (photo © Courtesy of the artist)

While one city has on-the-spot buffers and power spray washers and special  authorities on the lookout for even a sticker, others are sponsoring projects and setting aside walls or neighborhoods specifically for the growing interest and expression in what they consider a peoples art movement.  Some are even rushing to preserve certain Street Art works as important landmarks. Among the contributing factors that determine how a city responds to the occurrence of graffiti and/or Street Art include cultural attitudes, class issues, relative wealth, historical attitudes, the ebb and flow of public opinion, the educational system, the influence of business and arts constituencies, and even the potential for one to make political hay.  In between the extremes are a patchwork of options including, of course, the indifferent.

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DosJotas “Street Wars in Amsterdam” (photo © Courtesy of the artist)

Some times the cat and mouse game in the mind of a street artist can become quite intense and storied. DosJotas is a Spanish Street Artist residing in Amsterdam who has been exploring with his art the relationship between the government and their Street Artists. With his installation titled “Street Wars in Amsterdam” he depicts the relationship in blunt warlike terms, with the power and military might far overshadowing the unarmed aerosol spraying individual. Using plain black stickers cut out as silhouettes, DosJotas portrays a very stark and severely unbalanced use of violent force brought to bear – helicopters, drones, sharpshooters – all allied to blow away the wheat paster or man with a can.

Dude, watch out in Amsterdam, they’ll crush you with a tank. No lie.

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DosJotas “Street Wars in Amsterdam” (photo © Courtesy of the artist)

Of course, we know (or sincerely hope) the scenes are a metaphor, an exaggeration intended to illustrate. Looking at a description of the project from the artist, we’re thinking there are no snipers on the roof, but that it is a commentary on a more pervasive cleansing of public space that the artist is reacting to;

“To speak of weapons is not to strictly speak of pistols, machine guns or tanks; but of strategies.

The streets have become controlled and tamed by the architects, politicians and businessmen, where any expression contrary to power is censored or criminalized.

A spray, a poster, a stencil or a sticker, may be the best weapons in a city. All subversive and illegal acts performed in public spaces are a defense of public spaces.”

~ DosJotas

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DosJotas “Street Wars in Amsterdam” (photo © Courtesy of the artist)

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DosJotas “Street Wars in Amsterdam” (photo © Courtesy of the artist)

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DosJotas “Street Wars in Amsterdam” (photo © Courtesy of the artist)

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DosJotas “Street Wars in Amsterdam” (photo © Courtesy of the artist)

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DosJotas “Street Wars in Amsterdam” (photo © Courtesy of the artist)

Visit DosJotas site for more on his art:

http://dosjotas.blogspot.com/

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Reed Projects Presents: “Outside In” (Stavanger, Norway)

Reed Projects
brooklyn-street-art-outside-in-reed-projects-nuart-1brooklyn-street-art-outside-in-reed-projects-nuart-2Following the acclaimed and ongoing international success
story of Stavanger’s Nuart Festival as well as last years
“Lowlife” exhibition at Stavanger Kunstforening, Reed
Projects is set to consolidate the regions rising reputation for
providing a home for this, the 21st Centuries most dynamic
artform by unleashing a brand new show dedicated to Street
and Urban Art.
Spread across 220m2 of space, Skur 2, a beautifully
converted Victorian warehouse on the city harbour front will
house works from over 30 of the worlds leading urban artists
including Scandinavia’s largest collection of Banksy works
alongside new and exclusive pieces from Norway’s Dolk.
Part museum show, part contemporary art exhibition
and part urban art boutique, Outside In is nothing if not
ambitious, the show will present the myriad of ways in which
Street Artists explore and tackle a multitude of techniques,
both old and new. Drawings, watercolours, etchings, oil
paintings, acrylics, lithographs, screen prints, photography,
film and much more will all be on show.
Outside In aims to question and challenge the perception
that Street Art is primarily concerned with graffiti and the
spray can. A good selling point for gallerists and lifestyle
media as well its detractors, but as Outside In aims to show,
far from reality.
Outside In shows urban artists who are equally at home
tackling antiquated etching techniques, watercolours,
drawing and oil painting as they are with a spraycan and
marker. As likely to be found hunched over a litho stone
as they are scaling trackside fences, “Street” artists have,
over the years, explored and mastered crafts not popular in
contemporary fine art practice for generations.
Outside In is set to be the countries first major group
exhibition (outside of Nuart) dedicated to the most dynamic
and democratic art movement of the 21st Century.
Outside In opens on July 01st and runs until Aug 07
Martyn Reed
Curator and Creative Director
Reed Projects.

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Skewville Completes Mural, Jon Burgerman Flashes People

Saturday was a magnificent day for creativity and Street Art in North Brooklyn – The Northside Music Festival and Northside Open Studios and Crest Fest all conspired to bring thousands of music and art fans to trounce and march and maraud through the streets and parks and abandoned lots to discover why the axis of culture has been shifting away from Manhattan these last few years. For many important and evident reasons, it is immensely easier to make stuff happen in Brooklyn for artists and the people who love them to aid and abet them in the creative spirit. We were immensely fortunate to be around to assist talents like near legendary Street Artists Skewville and Championship Doodler Jon Burgerman to make cool work this week and we’re happy as hell about it.

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Skewville. And on the Seventh Day the other half shows up (for a photo op) (photo © Jaime Rojo)

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Skewville.  (photo © Jaime Rojo)

The foot traffic was heavy beneath the scissor lift as Street Art duo Skewville was finishing up a weeklong engagement with a wall across from the Brooklyn Brewery – a Grand Finale of a cityscape called “Last Exit to Skewville” that evolved over the 7 days to become a sweeping playland of sharp abstract shapes and poppy color. In many ways it is the culmination of a direction Skewville has been taking further away from representational and closer to abstract, less text heavy and literal – more implied.

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Yeah, like a regular movie star or something. Ad Deville poses with Jeremy and friend. (photo © Steven P. Harrington)

The steady stream of inquisitors on this street and the unsolicited advice and comments brought a smile to Ads’ face and a wisecrack to his lips often. In particular he liked the observation that a guy had about the two crossed boxes he tagged in the yellow patch of color in the corner. “I like the eyes you put in the sun,” he told the artist. Others just stopped to take pictures or even get their picture taken with Skewville. At one point it was a family affair as Ad and Droo and his young son were all spraying with the aerosol – as the youngster tried his luck first on a dropcloth with the pros giving advice, and then he hit the wall with two hands clasped around the can. Good to see Father’s Day weekend in full effect and the skillz being passed down to the next generation.

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Skewville. The mark of the twins. Their legs are apparently insured for millions by Lloyds of Brooklyn. (photo © Jaime Rojo)

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Skewville. The new generation of Skewville in training (photo © Jaime Rojo)

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Skewville. The new generation of Skewville in training (photo © Jaime Rojo)

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Future Painters of America meeting in progress. Skewville. Dad and Uncle cheer on the talented boy. (photo © Jaime Rojo)

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Skewville. After his little practice on the drop cloth he is ready for the wall. (photo © Jaime Rojo)

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Images of the Week 06.19.11

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A certain surreality is slipping through the sunbaked streets as we cross the summer threshold.  The mashup aesthetic of course has been going since the early days of Bast (or before), but now that visual moorings are loosed, all manner of recombinant strains of references and their assigned meanings are also aflight. Not all of these are examples of this movement, but many appear influenced by it. As usual, Street Art is as much a reflection of the society as it is a participant in its directional moves.

Our weekly interview with the street, this week featuring Banksy, Clown Soldier, CV, Cyrcle, Delicious Brains, Gaia, Hellbent, Hugh Leeman, ILL, Imminent Disaster, Jolie Soutine, KAWS, Mosstika, QRST and ROA with photographs by Jaime Rojo, Carlos Gonzales, and Birdman.

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Mosstika has a new installation in the park in Dumbo, recalling the da-daist Brooklyn performance artist Gene Pool and his grass suits.  (photo © Jaime Rojo)

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Mosstika. We have heard that the name of the piece is “Yeti” (photo © Jaime Rojo)

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Imminent Disaster appears again on the street with this medallion of paper cutout and illustration. (photo © Jaime Rojo)

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It looks like Clown Soldier now guards the only Banksy in Chicago. An unknown artist stenciled the image of the woman laying down on the “steps”, themselves a shadow of previous construction.  (photo © Clown Soldier)

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Delicious Brains “Last Supper” (photo © Jaime Rojo)

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JR’s global project “Inside Out” on the gates of the Green Hill Food Co-Op, where a huge neighborhood community reception was held Friday night to celebrate the new installations here. (photo © Jaime Rojo)

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A casualty of lust on the streets. An unknown artist wheat-pasted the portrait of Brooklyn/Queens congressman Anthony Weiner, an outspoken powerhouse who advocated for populist causes during his 20 years of public service and who resigned his post this week amidst a Sexting scandal. Now the only question for Weiner is what’s up?  (photo © Jaime Rojo)

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CV. World hunger never went away. (photo © Jaime Rojo)

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Cyrcle “Overthrone!” in Los Angeles (photo © Carlos Gonzalez)

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Cyrcle “Overthrone!” In Los Angeles (photo © Carlos Gonzalez)

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Gaia (photo © Jaime Rojo)

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Hellbent (photo © Jaime Rojo)

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ROA in Los Angeles as part of LA Freewalls project (photo © Birdman)

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To the left there is a new “Splasher” in town. To the right the “sorry” wheat paste is a faux street art installation for a movie shoot about love and youth. (photo © Jaime Rojo)

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Hugh Leeman “Indian Joe” (photo © Jaime Rojo)

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Hugh Leeman at his studio (photo © courtesy of the artist)

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Hugh Leeman. “Sam” (photo © Jaime Rojo)

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Jolie Soutine (photo © Jaime Rojo)

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This new QRST piece in Manhattan is an inscribed funeral dirge mourning the “disneyfication” of a once vibrant and envelop-pushing arts culture that made way for new artists in the city, with the visage of the current mayor worn as a mask by a plump and relaxed rat.  We can only assume it is a reference to Manhattan, because a creative Babylon is going full force in some parts of Brooklyn as we speak.  (photo © Jaime Rojo)

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QRST (photo © Jaime Rojo)

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A sticker intervention by an unknown artist (photo © Jaime Rojo)

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Kaws reacts to the cost of bottle service in the Meat Market while sitting below the lush, landscaped, and recently extended Highline. (photo © Jaime Rojo)

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Kaws (photo © Jaime Rojo)

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Untitled. The sky on fire as the sun sets on Manhattan Friday night. (photo © Jaime Rojo)

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Sneak Peek of Hardware Inspired Crest Fest, Opening Today

No you haven’t.

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Wayne Heller and Ceder Mannan (photo © Jaime Rojo)

Seen this before.

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Joe Franquinha is creating an operetta of hardware-inspired art by 150 artists in his store before your eyes, and even the jaded cannot claim to have experience such a rich, relevant and comedic art show.  “Joe, did you see the cat in the middle of the plants?” his mom asks about a sculpture during the last rush of installations that has run late into the wee hours every night this week.

In a Wiliamsburg hardware store opened by Joe’s dad and his uncle in 1962, even the curating of a 200-piece art show is a family affair.  A light opera of jazz and syncopated rhythms and even burlesque, as you roll through the aisles the mostly local art sings arias and raps rhymes of the working people from every hook and particle board, dangled  from the ceiling, and, in the case of Street Artist Olek, crocheted entirely around a shopping cart and hand truck.

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Olek (photo © Jaime Rojo)

For a decade Manny and his young son Joe, now in his late twenties, have thrown open the doors of the store to invite the artistic newcomers in this neighborhood to bring their creativity inside. What may be seen as a sly marketing maneuver to court a changing demographic actually morphed into a celebration of community, and comedy, with little tragedy.  Cast on this leveling stage, Joe’s own passion for the arts enables a rare harmonic volley, where new talents never shown in a gallery before are hanging in the same aisle as more established performers with a global audience.  As a participant in this real time interactive play, it’s up to you to discover them among the flat latex paint and gardening gloves.

BSA gives our thanks to Joe as a partner in provoking and invoking the creative spirit, and with this little sneak preview, encourages you to hop on the L train to Lorimer today and check it out.  Follow the sound of bands and DJs and the smell of food vendors and walk past Jon Burgerman doodling all over a car on the sidewalk and you’ll be at the front door of Brooklyn’s own curious ode to hardware.

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Aakash Nihalani (photo © Jaime Rojo)

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Bert Shuck (photo © Jaime Rojo)

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Erwin Sanchez (photo © Jaime Rojo)

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Chris Stain (photo © Jaime Rojo)

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Street Artist General Howe has been manufacturing arms to sell on the open market. What you do with them is your business. (photo © Jaime Rojo)

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Mike Graves creates this horny monk-like flasher installed on the aerosol cage. (photo © Jaime Rojo)

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Mike Graves (photo © Jaime Rojo)

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Mike Graves (photo © Jaime Rojo)

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A hardware tiara by Josh Cote (photo © Jaime Rojo)

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Rachel Farmer (photo © Jaime Rojo)

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New on the scene Street Artist Radical! gets his hand in the cookie jar.  (photo © Jaime Rojo)

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A depiction of the historic first space buff by Steve Browning (photo © Jaime Rojo)

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Street Artist Veng of RWK has a lot on his head these days (photo © Jaime Rojo)

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Street Artist XAM hangs one of his sophisticated birdhouses on a sign in Crest. (photo © Jaime Rojo)

Click on the link below for more details about CrestFest and The Crest Hardware Art Show:

http://www.brooklynstreetart.com/theblog/?p=21765

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Fun Friday 06.17.11

Fun-Friday

How YOU Doin’ ?

North of Grand Street – that’s how you know it’s NORTHSIDE.  Shooting for SXSW status soon, Northside Festival already has tons of live free music in bars, clubs, and on the street – including ticketed gigs like BEIRUT tonight in McCarren Park. Did we mention there will be approximately 270 bands?

Now L Magazine is extending the offerings with a huge visual art component, replete with open studios and panel discussions and, this is where we come in, art in the streets.

This weekend the streets of Williamsburg will be alive and buzzing with an array of all sorts of visual and musical exhibitions and shows to mark NorthSide Open Studios and the very popular annual event CrestFest which includes the famous Crest Hardware Art Show, now pushing a decade.brooklyn-street-art-northside-open-studios

This festival includes 175 events and participating galleries and artists’ studios. For additional information regarding the complete list of events, schedules and locations click on the link below:

http://www.northsideopenstudios.org/

“Sick” photographer Jim Kiernan Solo Show at 17 Frost Tonight

A combination of Brooklyn Street Art and Brooklyn Street photography, Jim is having his first show tonight. Stop by and say hi and have some refreshments.

17 Frost Gallery Here

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“Last Exit to Skewville”

Skewville, the revered Street Art duo, are going LARGE this weekend on a 100′ long wall across from the Brooklyn Brewery and around the corner from the Brooklyn Bowl. Can’t get more Brooklyn than that, baby. The progress all week has been promising.

brooklyn-street-art-Last-Exit-to-skewvilleSkewville will be painting live on Saturday beginning at Noon to complete the 100 feet long mural on the corner of N. 11 and Wythe Streets. Special thanks to Crest Hardware and Montana Colors for their generous help. Read more about the project here.

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Skewville mural in progress (photo © Jaime Rojo)

Crest Fest 2011

A neighborhood favorite, this art show in a hardware store has grown into a festival of it’s own, with bands and food and crafts. You have to see it to believe it, so put it on your list. Street Artists are well represented in the collection too with Olek crocheting covers for some garden equipment and Aakash doing some installations in the actual garden out back. Our short list includes Skewville, Jon Burgerman, Olek, Aakash Nilhalani, Haze, General Howe, Royce Bannon, Celso, and Laura Lee Guilledge.

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For more a complete list of events and schedules click on the link below:

http://cresthardwareartshow.com/wordpress/

“Racing Lines” : Jon Burgerman Scrawls on a Car (Which is Usually Not Allowed)

CrestFest and BSA invited internationally renowned artist Jon Burgerman to do his trade mark doodling and drawing on a ZipCar right in front of Crest on the sidewalk, and with arms full of Posca markers at the ready, he’s going to be out there doodling LIVE!. A little more about it here.

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Brooklyn Street Art and Crest Fest invite you to attend the Launch Party for NorthSide Open Studios

After Jon mucks up the car, we’re piling a bunch of monkeys in it and taking it for a drive around the hood, probably fighting over who gets to control the radio.  We’re hoping to entice people on the street to go to the afterparty we’re co-hosting with Crest for the Northside Open Studios Launch party. We’ll drink a toast to Skewville and Jon and all the artists who make this gorgeously ugly borough a hotbed of creative activity. All sales benefit Northside Open Studios.

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BOX HOCKEY at Pandemic Saturday

Pandemic Gallery invites you to come and play BOXHOCKEY!!!
The greatest game you probably haven’t played yet! We’ve been lucky enough to play it, and nearly poked an eye out, but that’s just because we have very little athletic skill. You’ll probably ace it like a pro.

Plus it has custom art based on the Box Hockey game by some of the kool kids on the Street Art scene among the list of participating artists;

AV
Dirty Deeks
Don Pablo Pedro
Keely
Matt Siren
Scott Chasse
Stikman
Tony Bones
Vor138
Wrona

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Los Angeles based visual artist Patrick Martinez and his dialogue with the Streets of Los Angeles.

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Public Interventions: Swings and Hammocks Make People Really Happy

Summertime, and the Swinging is Easy

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Screenshot of swing installation project ( © Jeff Waldman)

Swinging over to the topics of public art and public engagement for a minute, here are two artists doing the heavy labor of providing a place to relax, to access the reverie of the sky and leaves and a moment of solitude.  Appearing to be gorilla actions acting independently of one another on two different continents, artists Jeff Waldman and Narcelio Grud were inspired to ask friends help them place swings and hammocks in public places for people to enjoy. The process and results are here in some screen shots of the videos.

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Screenshot of swing installation project ( © Jeff Waldman)

Swings: Los Angeles, by Jeff Waldman

The L.A. chapter of something called The Awesome Foundation awarded a grant to install $1000 worth of swings throughout Los Angeles. In spots all over the city conceptual artist Jeff Waldman installed a series of illegal swings and, judging from this video, Los Angelinos loved them.

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Screenshot of Jeff Waldman and friends doing their swing installation project ( © Jeff Waldman)

Narcelio Grud: Brazilian Hammock Interventions

In another Urban “intervention” created by Brazilian artist Narcelio Grud with the traditional Braxilian hammock, displayed in public spaces in European cities for the free interaction with the population.

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Screenshot of hammock installation project ( © Narcelio Grud)

Alternating between tentative to full body immersion in the simple movement, it looks like it is a lot of fun for people to interact with this installation.

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Screenshot of hammock installation project ( © Narcelio Grud)

Here we see hammocks installed in the Manchester Town Centre in England. Lindenberg Munroe captured the experiences on this video.

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Screenshot of hammock installation project ( © Narcelio Grud)

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