These days Fascism is often described as the merger of state and corporate power, and is sighted in a growing number of countries and cities. It’s also used as a way to attack in political discourse. The term “fascist” has been used as a pejorative in U.S. politics for decades. For instance, during the 1980s, critics labeled President Ronald Reagan as a fascist, and later the term has been applied to figures like George W. Bush and Donald Trump, reflecting its persistent use as a political insult, including last fall when Kamala Harris referred to Donald Trump as a ‘fascist’.
ELFO. Somewhere in Italy. (photo courtesy of the artist)
Across Europe today, far-right ideologies continue to resurface in various forms, from political leaders embracing nationalist and authoritarian policies to movements drawing inspiration from historical fascism.
“Nowadays it’s a popular reflex to call someone with authoritarian impulses a fascist,” says the Churchhill Project at Hillsdale College. Truthfully, they seem to be popping up all around like cats in a canned tuna factory. So, it is a great comfort that the Italian graffiti humorist plunges into the heated melee to clarify where he stands with his “Artista Antifascista” piece on dilapidated remains of architectural ruins. He tells us, “Usually my art works do not have an explicit political message but the global situation requires a clear position.”
ELFO. Somewhere in Italy. (photo courtesy of the artist)
Interpreting Warmia’s Hidden Patterns from Above and Within
Bartek Swiatecki’s latest book, Warmioptikum, is a striking fusion of abstract painting and aerial photography, capturing the landscapes of Warmia, Poland, from a new perspective. Featuring Swiatecki’s expressive, in-the-moment paintings set against Arek Stankiewicz’s breathtaking drone photography, the book transforms familiar rural scenes into an evolving conversation between art and nature.
Swiatecki, known for his roots in graffiti and urban abstraction, takes his practice beyond the cityscape and into open fields, painting directly within the environment. Stankiewicz’s aerial lens frames these artistic moments, emphasizing their relationship with the land’s patterns, textures, and rhythms. As noted in the book’s foreword by Mateusz Swiatecki, Warmioptikum is a documentation and an exploration of how we perceive and engage with landscape, helping the reader see Warmia through “extraordinary perspectives and new, nonobvious contexts.”
The book is an invitation to slow down and look closely. Stankiewicz’s photography captures the shifting light, subtle variations in color, and natural formations that seem to echo Swiatecki’s brushstrokes. As described in the foreword, the process is intimate and universal. Where nature offers a near-boundless source of inspiration, the artist’s hand responds in a personal and deeply connected way to the land. The artist emerges from the context; his abstract forms divine hidden landscape structures, reminding you how street art transforms overlooked corners of a city. Therein lies a harmony, each informing and amplifying the other.
For those familiar with Swiatecki’s past work, this project marks a compelling evolution that expands his dialogue beyond walls and into the vast openness of Warmia’s fields, redefining both place and perception.
This week, we have new stuff from New York and Miami, in our visual interview with the streets, featuring Homesick, Smells, SRKSHNK, Crisp, Dr. Revolt, TBanbox, Urwont, OSK OSK, ASIK107, Man in the Box, Dam Crew, Stef Skills, COF Crew, Danny Doya, JAYDEE, Cinco, and WKS Crew.
Bordalo II is back in Paris, and—spoiler alert—so is our garbage. The Portuguese artist, known for sculpting animals from our collective waste, is launching IRRÉVERSIBLE. This new exhibition hits like a manifesto against overconsumption, environmental destruction, and humanity’s inability to pick up after itself. From May 24 to June 28, 2025, in the 13th arrondissement, the artist will transform a raw 300 m² space into a shrine of ecological reckoning, complete with his signature endangered species portraits made from salvaged plastic. If you’ve ever wondered what it would be like to be judged by a looming panda constructed from discarded bottle caps, now’s your chance.
Bordalo II. Plastic Monkey Junior. São Paulo, Brazil. (photo courtesy of the gallery)
Bordalo II has made a career out of reminding us that the garbage belongs to us and we’re all complicit. “Bordalo II has created a spectacular practice of creating street works from it that shock passersby with his ingenuity – while raising our collective consciousness about our responsibility to the earth,” we once noted. The shock factor is real—his oversized trash animals are both majestic and damning, forcing us to see the wreckage of our habits in 3D.
Bordalo II. Baby Rabbit. (photo courtesy of the gallery)
But this time, he’s taking it further. IRRÉVERSIBLE introduces Provocations, a more personal series that subverts everyday urban objects, stripping them from their usual context and throwing them back at us in a way that makes the familiar feel foreign. It may be an unsettling yet oddly satisfying confrontation—like seeing a McDonald’s sign in an art gallery and suddenly feeling existential about a Big Mac.
With IRRÉVERSIBLE, Bordalo II makes a case that we’ve pushed past the point of no return. And while his work has always blurred the line between activism and street spectacle, this exhibition leans even harder into the uncomfortable truths about how we live, consume, and discard. Mathgoth Gallery is hosting, but make no mistake—it’s a call-out, a last warning, and maybe, if we’re lucky, an invitation to change before it’s too late.
Books in the MCL: Jessica Nydia Pabón-Colón. Graffitti Grrlz: Performing Feminism in the Hip Hop Diaspora
Reprinted from the original review.
“Graffiti Grrlz: Performing Feminism in the Hip Hop Diaspora” by Jessica Nydia Pabón-Colón provides an insightful look into the world of women graffiti artists, challenging the perception that graffiti is a male-dominated subculture. This book highlights the contributions of over 100 women graffiti artists from 23 countries, showcasing how they navigate, challenge, and redefine the graffiti landscape.
From the streets of New York to the alleys of São Paulo, Pabón-Colón explores the lives and works of these women, presenting graffiti as a space for the performance of feminism. The book examines how these artists build communities, reshape the traditionally masculine spaces of hip hop, and create networks that lead to the formation of all-girl graffiti crews and painting sessions. This aspect is particularly useful in understanding how digital platforms have broadened the reach and impact of women graffiti artists, facilitating connections and collaborations worldwide.
MARTHA COOPER LIBRARY: BOOK RECOMMENDATION
📖 | Title: Graffitti Grrlz: Performing Feminism in the Hip Hop Diaspora 📚 | NYU Press. June 2018. Softcover. 🖋 | Author: Jessica Nydia Pabón-Colón 💬 | Language: English
Welcome to BSA Images of the Week and to the madness of March. Also, we extend warm wishes to our Muslim brothers and sisters for a peaceful and blessed Ramadan.
Meanwhile, here’s our interview with the streets this week, including City Kitty, Homesick, Eye Sticker, Miki Mu, JEMZ, Steve the Bum, NYC Kush Co, Quaker Pirate, DARA, ROS, and Man in the Box.
Spanish artist Gonzalo Borondo is again blurring the lines between architecture and illusion, history and reinvention. With Chrysalis, his latest large-scale intervention, Borondo reskins the façade of Munich’s Villa Stuck into a luminous, multilayered vision of shadows and figures—tapping into a historical subconscious that reveals, conceals, and questions all at once. He covers over 600 square meters of mesh that are stretched across the museum’s scaffolding, his white and gold imagery a tattooed second skin, a veil that is both ephemeral and commanding.
Villa Stuck, once the home and studio of the German Symbolist painter Franz von Stuck, is in the midst of renovation. Rather than treating the construction as a disruption, Borondo makes it a canvas—an opportunity to engage with the site’s history. He draws selectively from von Stuck’s iconography, reinterpreting figures of fauns, centaurs, and Dionysian revelry with a contemporary eye. Here are the rigid dualities of von Stuck’s world, now proposed with a more fluid, layered masculinity reflective of contemporary conversations and study. The result is a work that shifts between past and present, tradition and transformation, and new narratives within an established visual language.
The title, Chrysalis, signals metamorphosis— with hints at something concealed yet in motion, a museum in flux, a city in transition. Borondo’s materials are chosen with purpose and maximize the possible options: paint applied to industrial netting, breathing with its environment, changing with light and weather, a living composition, shifting with each viewer’s angle.
Borondo’s practice has frequently sought and embraced the ephemeral. Known for his experiments with glass etching, shadow play, and interventions in urban spaces, his work defies easy categorization. Through monumental installations or delicate scratches in glass, he navigates the material and the immaterial, permanence and impermanence. In Munich, that approach finds a striking expression—an urban altar towering over Prinzregentenstrasse, honoring the Gesamtkunstwerk ethos that von Stuck championed while pushing its boundaries forward.
Chrysalis will remain in place through June 2025, a temporary presence that lingers in the mind long after it disappears.
The installation CHRYSALIS will be exhibited on the main façade of the Villa Stuck Museum of Munich (Prinzregentenstrasse 60) from February 8th until June 2025. Helena Pereña, Curator.
We are thrilled to once again announce the Martha Cooper Scholarship, in partnership with Urban Nation. This scholarship offers a promising photographer the chance to spend 10 months in Berlin in 2026—fully supported and immersed in the city’s dynamic creative environment.
This extraordinary opportunity provides not only free accommodation in an artist residence and full coverage of travel and living expenses but also regular mentorship, collaboration with artists across disciplines, and participation in Urban Nation’s projects and partnerships.
Now in its second year, this scholarship continues to celebrate the vision and legacy of Martha Cooper, who remains an integral part of the selection committee. Berlin is a global epicenter of urban contemporary art, where history, rebellion, and creative experimentation collide. Its streets are an open-air gallery, layered with decades of graffiti, murals, and artistic interventions that reflect the city’s ever-evolving identity. A magnet for artists, Berlin fosters a culture of artistic freedom, collaboration, and innovation, making it one of the most dynamic places for street art, photography, and contemporary expression. As the first recipient fo the Martha Cooper Scholarship embarks on their journey in Berlin right now, we are eager to welcome the next photographer ready to explore and capture the spirit of Berlin.
Applications for 2026 are now open—we look forward to seeing your work!
Read an excerpt from the official Call below:
The Martha Cooper Scholarship (MCS) offers a unique opportunity for an individual from Africa or Latin America to dedicate themselves for eleven months to an artistic project through the medium of photography. With the newly announced MCS, the Foundation Berliner Leben acknowledges the importance of documentary photography and purposefully offers a production scholarship for documentary photographers with an ethnographic focus to apply for this scholarship, seeking projects that critically and thoughtfully engage with the places, communities, and social realities they document. Prioritizing work that captures the context between people and their environments, we support projects that reflect everyday life, shifting cultural landscapes, and the ways communities adapt and change. The scholarship encourages applications from photographers whose work offers fresh, honest perspectives on lived experience, community, and identity with depth and optimism. The scholarship is based on the annual topic of Fresh A.I.R., the scholarship programme of Stiftung Berliner Leben. It addresses social and political developments that affect us in the present and highlights the diversity of human experience and perception of the world.
The scholarship is based on the annual topic of Fresh A.I.R., the scholarship programme of Stiftung Berliner Leben, which addresses social and political developments that affect us in the present, and highlights the diversity of human experience and perception of the world.
The chosen photographer will be invited to live and work in one of our Fresh A.I.R. residencies in Berlin Schöneberg.
The current call is for the 11th class starting in February 2026 and ending in November 2026.
Application for a scholarship in 2026
Application deadline: Sunday,16th March, 2025
Applications are only accepted via Email: FreshAIR-office@stiftung-berliner-leben.de
For a successful application please hand in the following documents:
• Curriculum vitae
• Project outline/description
• Budget plan
FOR MORE DETAILS, HOW TO APPLY AND IMPORTANT INFORMATION CLICK HERE
A pioneer of French graffiti from Guadaloupe, Shuck One, is presenting Regeneration at the Pompidou Center’s Black Paris exhibition (March 19–June 30), honoring Black figures who shaped France’s history through large-scale paintings and collages depicting key moments like the Tirailleurs Sénégalais, the 1967 Guadeloupe riots, and the BUMIDOM migration program, alongside portraits of pioneers such as Aimé Césaire, Angela Davis, and Joséphine Baker.
Meanwhile, here’s our interview with the streets this week, including City Kitty, Homesick, Modomatic, Muebon, Hearts NY, V. Ballentine, Nice Beats, Rams, Batola, PEAKS, Adze, Daniel Daz Carello, Andre Trainer, and Maniphes.
Books in the MCL: Johan Kugelberg (ed.). Born in the Bronx: A Visual Record of the Early Days of Hip Hop.
Born in the Bronx: A Visual Record of the Early Days of Hip Hop. Johan Kugelberg (Hrsg). Expanded edition 2023
Reprinted from the original review.
“Born in the Bronx: A Visual Record of the Early Days of Hip Hop” is an in-depth exploration of hip-hop’s roots in the Bronx during the 1970s and early 1980s. Edited by Johan Kugelberg, this hardcover serves as a historical archive and a tribute to the pioneers who transformed a local movement into a global cultural phenomenon.
The book’s heart lies in the photography of Joe Conzo, known as “the man who took hip-hop’s baby pictures.” His candid images vividly capture the scene’s raw energy—block parties, breakers (break dancers), and iconic figures like Grandmaster Flash, the Cold Crush Brothers, and Afrika Bambaataa. Conzo’s photos spotlight the performers and document the surrounding community and atmosphere, reflecting the creativity and resilience that defined hip-hop’s grassroots beginnings. His work reveals a culture inventing itself amidst the social and economic challenges of the Bronx.
MARTHA COOPER LIBRARY: BOOK RECOMMENDATION
📖 | Title: Born in the Bronx: A Visual Record of the Early Days of Hip Hop 📚 | 1xRUN. August 2023. Hardcover. 🖋 | Author: Johan Kugelberg 💬 | Language: English
In honor of the radio station WNYC’s 100th birthday, Alison Stewart’s “All Of It” program is celebrating 100 pieces of art in New York City. Each month, Alison speaks with an expert in the art world about their 10 favorites. This month, Alison talked to Jaime Rojo and Steven P. Harrington, co-founders of Brooklyn Street Art, about 10 pieces of art in the streets that they think all New Yorkers would like to know about.
Since it was a radio show, it was impossible to show, only to tell. BSA fans have written to ask us for pictures of the pieces discussed, so here they are!
The list is unscientific and offers a wide selection of art styles and disciplines in New York’s public sphere. Please don’t take it as an indicator of importance or value; rather, take it as a casual survey of things you may see around town.
Welcome to BSA Images of the Week! Feeling that Valentine’s chocolate buzz? Gearing up for President’s Day? Thank goodness for holidays—little pauses in the relentless, whiplash-inducing news cycle we’re all riding.
First, some street art news:
San Francisco street artist Rabi Torres taps into ad culture subversion with his new “We Buy Souls” campaign, echoing the tactics of Cash For Your Warhol artist Hargo—right down to the cryptic answering machine message and documentation website. This kind of remixing of commercial signage also has historical roots in Ed Ruscha’s experiments with text, Barbara Kruger’s billboard-style commands, Jenny Holzer’s wheat pasted provocations, Corita Kent’s screen prints, and the bold aesthetics of the Colby Poster Printing Co. Certainly Rabi is getting people’s attention in a San Francisco cityscape that some may describe as hammered with advertising. Call the number on the signs, and you might get pulled into an existential rabbit hole—if you’re up for the game. SF Gate breaks it down here.
It looks like the card company using Banksy-style artwork for its designs may soon put the anonymous street artist in the public eye, as its trademark case with Full Color Black continues to progress in court. Depending on the twists and turns of this legal case, you may see Banksy making a public appearance.
Meanwhile, here’s our interview with the streets this week, including Nick Walker, Clown Soldier, IMK, EXR, W3RC, Sluto, Short, Zaver, Katie Merz, Geraluz, Helch, HVC, TOD, Peter Daverington, Carve, and Kee:
Interpreting Warmia’s Hidden Patterns from Above and Within Bartek Swiatecki’s latest book, Warmioptikum, is a striking fusion of abstract painting …Read More »
Reprinted from the original review. “Graffiti Grrlz: Performing Feminism in the Hip Hop Diaspora” by Jessica Nydia Pabón-Colón provides an …Read More »
“CHRYSALIS” Installation by Gonzalo Borondo Spanish artist Gonzalo Borondo is again blurring the lines between architecture and illusion, history and …Read More »
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