October 2011

Occupy Wall Street: A Month-Long Wake Up Call In the Streets

Despite some clumsy attempts to draw parallels between the Tea Party protests in the summer of ’09 and the Occupy Wall Street marches that are now passing the one-month mark, the video and images have been perfectly clear. Back then we saw right wing cable hosts hard selling and health insurance companies charter-bussing as many fans as they could to rallies to give the impression that there was a populist sentiment against radical ideas like affording a doctor visit and preserving the social safety net.  All we really learned is that a lot of white people are irked they have a black president. Shocking.

This autumn these motley mismatched marchers have found their voice and the directions to Wall Street on their own, creating their own media on the way. True, the Grey Lady whose eyes have clouded to marches in New York over the last decade reluctantly put down her sherry to acknowledge these people eventually. After a few weeks of relative silence the “liberal” newsies are now interviewing OWSers in Zuccotti Park and Washington Square Park and Times Square, but these people didn’t drive the story, they followed it. A pendulum has begun to swing back with a multitude of so-called leaders in tow.

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The images coming during this one-month-old movement have presented at times a perplexing variety of placards and ideas, confusing boffo Biff Newsreader who relies upon a three word phrase to sum it all up before breaking for a pharmaceutical commercial.  But this is New York, a land of 11 million stories and more than a hundred languages and tens of religions and the non-religious. These signs and skin colors and accents are what makes New York so stunning, so strong; and now this startlingly un-silent majority in all it’s complexity is teaching us the simple truth of just showing up. Who knows what the one big message is? These people here are the message.

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

Polls out at the one-month mark say New Yorkers favor the “Occupy Wall Street” marches 3 to 1.  Unlike the largely monoculture Tea Party protests, it looks like our streets are primed for these conversations because we’ve been working out our extreme differences and have found constructive ways to talk to each other – without spitting on each other or on passing congressmen. This looks like direct action democracy with many visions and voices, the majority peaceful, and many a little tired from the late nights and walking. If you can come to these streets right now and say you are frightened by what you see, get your head examined. Old people. Kids. Dogs. Respectful lively debate. Does this scare someone?

Here’s another installment of photos from the developing story on the street – a panoply of faces and messages; artful, pedestrian, human.

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Tough New York pigeons dropping in to lend a wing. Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011. According to the guy with these lavender fabric strips; The combination of red, white and blue in the American flag gives you purple. He said they are a symbol of unity in the whole country. All are invited to join, to occupy, to ask for a fair share of the country’s wealth. (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. The pantry. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. Ben of Ben & Jerry serving free ice cream. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. Jerry of Ben & Jerry serving free ice cream. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. An artist drawing the scene at Zuccotti Park on October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Occupy Wall Street. October 14, 2011 (photo © Jaime Rojo)

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Signs of the Times; local so-called liberal media eventually were forced to acknowledged what quickly became a global story, if only to gently patronize. (photo © BSA)

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See One Solo Show “Technicolor Daydreams” at Brooklyn Oenology (Brooklyn,NY)

See One
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See One

Enjoy the 2nd solo show and the opening reception of Brooklyn Oenology’s 2011 winning wine label artist, SEE ONE. This past Spring, Williamsburg Winery, Brooklyn Oenology held a competition for artists to have thier artwork voted on by their winery members to be selected as the cover of a new bottle of wine. My painting won this competition of the show is coming up soon.

Artist Statement:

In 2009 I developed my current painting style, known as “Shards”, a fluid, transforming, jagged pattern named after broken shards of glass.

An illustrator at heart, my current work is a sort of departure while heavily combining my other influences, Graffiti and Street art into this vision.This signifies a shift in my artistic tastes of creation as I concentrate on these distinct weaving, layered forms.

The process to creating my work is less about the subject but more about the flow, color story, energy, layering and the elusive attempt to capture movement through graffiti-esque forms and lines. I’ve always been one to experiment with techniques, multiple types of paint or ink and in these paintings, have continued that. Most paintings are textural, holding peaks, dips and scrapes forming various surfaces. Spray paint is always on hand as it helps creates the raw energy and movement I desire. While Collage maintains the building of layers, provide depth and helping to break the eye away from the rest of what is going on to look beneath the surface.

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Factory Fresh Gallery Presents: Ryan Ford “Don’t Try To Play Me Like An Indoor Sport ” (Brooklyn, NY)

Ryan Ford
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Don’t Try To Play Me Like An Indoor Sport
A Solo Exhibition Featuring Ryan Ford

Opening reception, Friday, October 21st from 7pm-10pm

Bushwick resident & known hyper surreal oil painter Ryan Ford will have his first solo showing in New York City at Factory Fresh. New lavish painted environments from other dimensions will greet the viewers and unfold throughout the space. An artist known for comic symbolic abstraction, Ford delves a bit deeper into his psyche while titillating the mind with streaks of quiet violence and provocative tranquility.

Currently residing in NYC since 2006, Ryan after graduating from The Savannah College of Art and Design had no interest in city life. He instead chose to move to the quiet mountain town of Asheville, North Carolina, home of The Black Mountain college. There he spent the next four years living in an old feed factory with a crew of like minded artists where they collectively curated art shows and performances. Then in 2006 he opened the door to two photographers from the New York Times asking him if they could shoot photos of him in his studio where upon he said, “hell yes,” and ended up in a two page spread in the New York Times Style Magazine. At this years 2011 TED X Conference Ryan Ford’s recent commission was presented.

Ryan’s original inspirations derive from 15th-17th century Sienese paintings to Philip Guston, Francis Bacon, to pop culture video games. At first glance many describe Ryan Ford’s most recent paintings and sculptures as colorful and playful, however with closer inspection will reveal ideas based on the collective fear of a collapsing economy, the continual insensitivity and abuse to the delicate nature of our ecosystem, further proving we are the only species on this planet that take more than what they need. These serious topics and themes never without a mix of humor, pure absurdity and ridiculousness.

Don’t Try To Play Me Like An Indoor Sport, on view October 21-November 20th

Factory Fresh is located at 1053 Flushing Avenue between Morgan and Knickerbocker,
off the L train Morgan Stop

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The Outsiders Gallery Presents: BORF “See Something, Say Something” (Newcastle, UK)

BORF
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The Outsiders Newcastle invite you to join us on the evening of Thursday 20th October to celebrate the opening of ‘See Something, Say Something‘, the debut UK solo exhibition from young American artist BORF. The event takes place in the gallery at 77 Quayside, Newcastle upon Tyne, from 6 ’til 9pm.

BORF is one of the brightest young talents in art. Heʼs an angry young man in the finest tradition but his refreshing work makes insurrection delectable.

Formerly a notorious Washington DC graffiti artist, 24 year-old BORF gracefully dodges street art clichés in his gallery shows. He favours watercolours, oil sticks, drawings, sculpture, photography and film over stencils and spray paint. Whereas BORFʼs subject matter is pitiful and angry, his manner is melancholic and idealistic. Rebellion has a romance once more.

See Something, Say Something‘ continues the theme of impassioned revolution against a crumbling status quo. In the city we find abstracted commuters opposite transgressive kids: the former are trying to make a living, the latter trying to live.

PRIVATE VIEW – Thursday 20th October, 6-9 pm, The Outsiders, 77 Quayside, Newcastle upon Tyne, NE1 3DE

Exhibition open to the public 21st October – 19th November, Tuesday – Saturday 12-6pm, admission free

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GARDENSK8 2.0 Silent Auction (Pine Brook, NJ)

GardenSK8
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GARDENSK8 2.0
GardenSk8 Indoor Skatepark Open its Doors for the
First Time after Hurricane Irene

More than 20 International Graffiti Artist Turn the Skatepark in the World’s Largest Indoor Installation

On October 29, 2011, GardenSk8 indoor skateboarding park, located at 321 Changebridge Road in Pine Brook, NJ, will open its doors for the first time after being destroyed by hurricane Irene 3 months ago.  From 6 PM to midnight, more than 20 graffiti artists from around the world will showcase their art on the walls of the park, making it the word’s largest indoor graffiti installation.

The event, titled GardenSk8 2.0, will include hip hop music and performances from Venemous & DJ Priority, Nobel Productions, Manny D, Black Collar Biz and Animal Crackas.

There will be a silent auction featuring graffiti art on canvas and skateboards, sign product from top professional skateboarders and other products.  All money raised will go back into rebuilding the skatepark.  The park was flooded with more than 3 feet of water during hurricane Irene destroying many of the ramps and the entire retail section.

Graffiti artist who participated in this installation include Demer, Snow, Then, Joe Iurato, Logan Hicks, Kasso, Rain, Hef fx ad, The Fresh Collective, Elan & MMK, Genoe, Mercro, Ree 2, Part 1, Col, Sen 2, Mike Die, Robots Will Kill, Swith, 2 Tek, Pase, Mek, Faro, Doctor Crab and many more.

WHAT:          GARDENSK8 2.0

WHERE:        GardenSk8
321 Changebridge Road
Pine Brook, NJ 07058
212.287.7626

WHEN:        Saturday, October, 29, 2010
6:00 PM to 12:00 AM

PRICE:        Suggested Donation, $5.00

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Munch Gallery Presents: Radical! “Upside Down Frowns” (Manhattan, NY)

Radical!
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RADICAL!
Upside Down Frowns
Opening of ‘Upside Down Frowns’ exhibition at Munch Gallery
Works by RADICAL!
October 21 – November 20, 2011
Opening reception friday October 21, 2011, 7-10 pm
New York, NY, October 7, 2011 – Munch Gallery is excited to present ‘Upside Down Frowns’ by RADICAL! The exhibition features all new works, and site-specific paintings and installations. RADICAL! was recently part of the ambitious Living Walls Albany, 2011 and has within the past three years shown in New York, Washington, D.C., Oakland, California, London, Tel Aviv, Moscow, and Basel, Switzerland. His narratives are fragments of a larger urban landscape and never intentionally political, but one cannot escape the underlying social comment that seeps through the works and the characters involved. Needles and pills are some of the reoccurring objects and they act not only as symbols of violence, but also as metaphors for a social alienation, fear and lack of communication. The artists will be present at the opening reception friday October 21, 7-10 pm.
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The exhibition runs through November 20, 2011
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New Image Art Gallery Present: “Pure Logo” A group show curated by Skullphone (Los Angeles, CA)

Pure Logo
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curated by

Skullphone

October 22 – December 10, 2011

Opening Reception Saturday October 22,  7-10pm

New Image Art

7908 Santa Monica Blvd.

Los Angeles, CA 90046

New Image Art is pleased to announce PURE LOGO, a group exhibition co-curated by Los Angeles artist Skullphone, which features the diverse multimedia artists Evan Gruzis, Curtis Kulig, Takeshi Murata, Cleon Peterson, Skullphone, Paul Wackers and Hugh Ziegler.

PURE LOGO explores the omnipresence, necessity, form and functionality of logos as they metamorphose to communicate within increasingly brief discourses. The trajectory of each individual artist informs the exhibition’s overarching investigation of logos, both literal and symbolic, and links the artists through investigations of representation.

Evan Gruzis was born in Milwaukee, Wisconsin in 1979 and received his MFA from Hunter College.  His technically rigorous ink and watercolor paintings are known for their combination of seductive light and absurd, vacuous pop imagery.  In 2008, he published his first monograph, Dark Systems, in conjunction with a solo exhibition at Deitch Projects.  Gruzis belongs to numerous collections, including that of the Whitney Museum of American Art.  Currently, his work is on view in two solo exhibitions:  Exotic Beta at The Hole and Shadow Work at Nicole Klagsbrun, both in New York.  Abroad he is represented by DUVE Berlin and Galerie SAKS, Geneva. He lives and works in Brooklyn.

Curtis Kulig is best known for obsessively covering his canvases and the streets of New York City with the two-word phrase “Love Me.” An inversion of New York’s famous slogan, Kulig’s ubiquitous plea speaks at once to humans’ most primal desire and belies self-doubt and -criticism. “Whatever it’s become,” Kulig says, “It’s kind of my everything.” Kulig was born in North Dakota and got his first taste of creating in his father’s screen-printing shop at age 13.His work has been featured at Mallick Williams & Co, Leo Kesting Gallery, and NYEHAUS in New York; Subliminal Projects, in Los Angeles.

Multimedia artist Takeshi Murata‘s immersive, painstakingly hand-drawn animations exploit broken code and programming glitches to fracture video footage into hypnotic, pixelated distortions and flowing color fields. His evolving processes, visualized in computer-aided hand-drawn forms onscreen, shift and morph into organic forms that teem and pitch, creating images that at once gesture toward technological fragmentation and painterly abstraction. The Chicago-born artist received his BFA in Film/Video/Animation from the Rhode Island School of Design and his work has been exhibited at The Museum of Modern Art, New York; Taka Ishii Gallery, Tokyo; Peres Projects, Los Angeles; and Deitch Projects, New York; among others. Murata lives in Saugerties, New York.

Born in Seattle, Washington, Cleon Peterson currently lives and works in Los Angeles. Peterson paints an anxiety-ridden dystopia where corruption and injustice plague the social order. Deviance prevails, as desperate characters struggle for power and control over their environment. The indiviudual is displaced and forced to navigate this brutal world alone, finding hollow bits of pleasure and meaning in violence, sex, religion and drugs. In this show Peterson has evolved full circle creating utopian symbols that are uniquely unrepresentative of any past movement. The Los Angeles-based artist has shown at galleries internationally, including Alice Gallery, Brussels; Deitch Projects, New York; and Guerrero Gallery, San Francisco.

Los Angeles-based Skullphone first gained notoriety on city streets in 1999 for his iconic image of a black-and-white skull holding a cell phone. He drew attention once again in 2008 when his work appeared on the then-new digital billboards above the streets of L.A. Skullphone’s Digital Media paintings document our world – one which is increasingly communicating with brief encounters via technology – through a laborious painting process. Through painted pointillism on mirror-polished aluminum panels, these images dislocate when the artwork is approached. Skullphone’s work has been shown at Mallick Williams & Co, New York; Subliminal Projects, Los Angeles; the Riverside Art Museum; and was featured in MOCA’s 2009 FRESH Silent Auction.

Paul Wackers‘s work is rooted in inventive means of figuration. “My work is first a response to the world and then a reaction to what is has to offer,” notes Wackers. The formal quality and sensibility of his work is reminiscent of a 17th-century Dutch still-life painter à la Margareta Haverman or Willem van Aelst merged with atmospheric, broken-down geometric landscapes or a diptych-inspired composition on a single canvas. In these works, dreamlike non-places are populated by objects and elements that interact as part of another world that is jarringly similar to our own. Trained in fine arts at the Corcoran College of Art and Design and as a painter at the San Francisco Art Institute, Wackers’ works have appeared in solo exhibitions at Eleanor Harwood Gallery, in San Francisco, and group exhibitions in Los Angeles, London and Brussels.

Hugh Ziegler originally hails from Richmond, Virginia, and lives in Los Angeles. He received his BFA in painting and art history from the Rhode Island School of Design and was awarded an artist fellowship at the Ox-Bow School of the Arts in Saugatuck, Michigan. Ziegler has exhibited his work in Los Angeles; Providence, Rhode Island; Saugatuck, Michigan; and Richmond, Virginia. In addition to contributing to Pure Logo, he’s currently creating a body of work for a December exhibition Johansson Projects, in Oakland.

New Image Art Gallery

Since 1994, New Image Art has been the most influential gallery contributing to the underground art movement on the West Coast. Founder and director, Marsea Goldberg, has been responsible for launching and fostering many of the most recognizable and sought-after artists in the contemporary and street art genres, including: Bäst, Cleon Peterson, Clare Rojas, Date Farmers, Ed Templeton, Jo Jackson, Neck Face, Osgemeos, and Retna. New Image Art continues to push boundaries and grow its roster of both established and rising talent.

www.newimageartgallery.com / info@newimageartgallery.com

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Nuart Presents: An Invitation to the launch of “Eloquent Vandals” (Stanvanger, Norway)

Eloquent Vandals
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INVITATION
ELOQUENT VANDALS – A HISTORY OF NUART NORWAY
————————————————————————————————————————–

WELCOME TO THE LAUNCH OF THE MUCH ANTICIPATED HISTORY OF NUART BOOK
TOU SCENE, ØLHALLENE
FRIDAY 28TH OCTOBER – 19.00

GUEST DJ’S, GIVE-AWAYS, OPEN BAR

ELOQUENT VANDALS WILL BE AVAILABLE FOR PURCHASE ON THE NIGHT

Eloquent Vandals: A History of Nuart Norway [Hardcover]

Marte Jølbo (Editor), Martyn Reed (Editor)
Eloquent Vandals tells the story of how the Nuart festival has grown from a small underground festival to an Internationally acclaimed street art event. Without the usual restraints of corporate sponsorship or sales to consider, Nuart consistently brings out the best from some of the worlds leading Street Artists. This book offers an opportunity to look back over previous years and shows why Nuart is regarded as an important figure in the 21st century’s most dynamic and vital art movement. The book also tells the story of a movement that instead of fulfilling the criteria for modern art, created new arenas for art in the streets and on the Internet. The relationship between Street Art and the net is one of the things Steven Harrington and Jaime Rojo write about in ”Freed from the Wall, Street Art Travels the World”. This is one of three essays that have been written for the occasion by some of the most important and influential people in the field. Together with texts by Carlo McCormick, Tristan Manco, Martyn Reed, Logan Hicks and The Dotmasters we hope that this book can offer new reflections and perspectives on an art form that has been underestimated and under theorized for over a decade.
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Los Angeles Based Graffiti and Fine Artist Saber fights the City’s Mural Policy

brooklyn-street-art-saber-Occupy-Los_angeles-1-webStill from Saber’s time-lapse video of his big flag for Occupy Los Angeles

Saber, Graffiti Artist, Fights To Lift Mural Ban In LA:

For the artist Saber, participation in the democratic process has always been complicated. He’s an international graffiti legend, holding the world record for the largest graffiti piece, done along the LA river in 1997. Despite its place in the history books, the city of Los Angeles spent a whopping $837,000 to paint over it in 2009. Now Saber is approaching public art laws from a different angle, spearheading an effort to reform Los Angeles’ mural policies.

Click here to continue reading on Huffington Post ARTS…

Saber’s 32′ by 16′ Occupy Flag time-lapse directed by Saber and Greg Norman

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Isaac Cordal in Milan: Follow the Leaders

Street Artist and Fine Artist Isaac Cordal’s new installation in Milan for Venduto 3 meditates upon the theme of the failure of our leaders to do what they are supposed to do: Lead.  If the people in the streets this year from Cairo to Rome to Athens to Paris to LA to New York are indication, leadership is in crisis around the globe.

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Isaac Cordal (photo © Isaac Cordal)

Among the paradigms that are shifting, first world cultures are also watching some evaporate. With his droll knack for set design, Cordal continues to place his business man sculptures in the man-made environment to create scenes that tweak perception.  In these new images, the myth of the paternal employer continues to crumble and Cordal’s miniature loyal “organization man” plods forward unthinkingly with shoulders slumped even as he descends into the rubble.

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Isaac Cordal (photo © Isaac Cordal)

“Follow the leaders, is a reflection about how our leaders take us to a dead-end. This is a group of businessmen following the economy like automatas.

A mass of men stuck in the rubble of a civilization whose foundations are shaking” Isaac Cordal.

To continue reading and to see the full set of photos of the installation go to: http://www.isaac.alg-a.org/Cement-eclipses-Milano#IMG/jpg/1-2.jpg

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Images of the Week 10.16.11

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Our weekly interview with the streets, this week featuring  ECIF, Lucy McLauchlan, Dan Witz, Clown Soldier, Fumero, Hugh Leeman, Jaye Moon, Dain, Stikman, Quel Beast, REKA, BAST, and Infinity.

First we start with a few nice exclusive night time pics from photographer John Rodger who was in Stavanger Norway to capture the art going up at Nuart festival.

brooklyn-street-art-ESCIF-John Rodger-nuart-2011-webECIF Outdoors at Nuart 2011. (for BSA courtesy of Nuart © John Rodger)

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Lucy McLauchlan Outdoors at Nuart 2011. (for BSA courtesy of Nuart © John Rodger)

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Dan Witz Outdoors at Nuart 2011. (for BSA courtesy of Nuart © John Rodger)

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Clown Soldier, Fumero, Huge Leeman, and friends. (photo © Jaime Rojo)

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Jaye Moon Lego tree house with bird’s nest. (photo © Jaime Rojo)

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A well known fact by an Unknown Artist. (photo © Jaime Rojo)

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Dain. (photo © Jaime Rojo)

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Immigrant Movement. (photo © Jaime Rojo)

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Stikman. (photo © Jaime Rojo)

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Artist Unknown. (photo © Jaime Rojo)

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Quel Beast and REKA. Produced by MANY. (photo © Jaime Rojo)

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Bast. (photo © Jaime Rojo)

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Infinity. Produced by MANY (photo © Jaime Rojo)

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Artist Unknown. (photo © Jaime Rojo)

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Untitled. (photo © Jaime Rojo)

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