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Brooklyn Street Art

…loves you more every day.

“Banksy In New York” by Ray Mock

Posted on August 21, 2014

Ray Mock, the one man publisher who photographs, designs, and writes insightful observations of his daily Banksy revelations in his new book is no stranger to the New York graffiti and Street Art scene.  “I had mostly been shooting graffiti in recent years, preferably grimy tagged up doors, man-size fill-ins, freight trains and illegal pieces in abandoned buildings or along railroad tracks,” he says in the introduction to Banksy in New York, one of the first books dedicated to the one month “residency” the superstar Street Artist mounted in October of 2013.

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Banksy In New York by Ray Mock. (photo of book cover by Jaime Rojo)

Filled with photos of the various installations of his “Better Out Than In” show, as well as the scenes that popped up around them, Mock finds that the personal experience is a fitting voice for description when it comes to how you see art on the street. With humor and a bit of sarcasm not unlike the subject of the book, Mock leads the reader along the path of the near-daily occurrences of new aerosol stencils, paintings, sculptures, mobile performances, and even a bucolic diorama in the back of a box truck.

Only a street watcher like Mock is able to reveal through observations and posing questions just how much of the great Banksy caper may be staged, and how much is real. If the art doesn’t get your attention, the circus that surrounded it for a month in New York streets will.

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Banksy In New York by Ray Mock. (re-photo by Jaime Rojo)

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Banksy In New York by Ray Mock. (re-photo by Jaime Rojo)

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Banksy In New York by Ray Mock. (re-photo by Jaime Rojo)

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Banksy In New York by Ray Mock. (re-photo by Jaime Rojo)

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Banksy In New York by Ray Mock. (re-photo by Jaime Rojo)

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Banksy In New York by Ray Mock. (re-photo by Jaime Rojo)

 

To purchase your copy of “Banksy In New York” By Ray Mock click HERE, published by Carnage.

In Istanbul the “Language Of The Wall”, Street Art, and Graffiti

Posted on August 20, 2014

“The Language Of The Wall. Graffiti / Street Art” Pera Museum. Istanbul, Turkey

No Street Artist is a prophet in his own land, to paraphrase the Latin “Nemo propheta in patria”.

To see a large show of new Street Art in a museum right now don’t think of New York.  Surprisingly a vibrant and impactful art scene that has foundational roots in NYC streets and culture is once again celebrated more often by major museum exhibits elsewhere in the world.

In Istanbul they even invite you to paint on trains.

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With portraits by C215 of his daughter in the background, Evol moves his sculptures for his installation. Pera Museum. Istanbul, August 2014. (photo © Martha Cooper)

The nine year old Pera Museum is currently hosting 20 artists from America, Germany, France, and Japan, along with some more local talents and is featuring photographers whose New York work is considered seminal such as Martha Cooper, Henry Chalfant, and the California skate culture documenter Hugh Holland.

The detailed study of New York graffiti, train writing, hip-hop culture, and the evolution that pushed this current explosive growth of Street Art are all evident in the curation and choices by Roxane Ayral. Language of the Wall is cognizant of the weight of graff history while looking squarely in the eye of the present and considering the interdisciplinary nature of today’s scene, the show is at once expansive and tightly lyrical. The swath of new works inside the museum and out on the streets of Istanbul is a mix of respected older graff writers and some of the newer practitioners including Futura, Carlos Mare, Cope 2, Turbo, Wyne, JonOne, Tilt, Psyckoze, Craig Costello (aka KR), Herakut, Logan Hicks, C215, Suiko, Evol, Gaia, Tabone, Funk, and No More Lies.

Over the course of the installation, Martha Cooper traveled the city and captured the new works by the artists and she shares with us her shots and some of her observations.

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Parisian Street Artist C215 working on his stenciled installation outside. His daughter and frequent muse, Nina, on the street is assisting him. Istanbul, August 2014. (photo © Martha Cooper)

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C215. Istanbul. August 2014. (photo © Martha Cooper)

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Evol. Pera Museum. Istanbul. August 2014. (photo © Martha Cooper)

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Evol working on an outdoor installation. Istanbul. August 2014. (photo © Martha Cooper)

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Carlos Mare (Mare 139) working on his installation. Pera Museum. Istanbul. August 2014. (photo © Martha Cooper)

“Mare worked with a local foundry to produce 3 big welded sculptures and 2 little “B-Boy” ones,” says Ms. Cooper. “The foundry was able to produce pieces of metal with Islamic patterns, which I found impressive. This was the first time Mare was able to design the metal in this way.”

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Tilt. An assistant helps hang the bus as canvas. Pera Museum. Istanbul. August 2014. (photo © Martha Cooper)

“Tilt painted a garbage truck with his iconic throwup,” says Ms. Cooper, of the actual truck he painted on the street. “The garbage men gave him an official shirt to wear and he painted their names (and mine) on the truck. He also painted an entire bus that had been cut apart and hung on the wall of the museum.”

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Tilt in action. Pera Museum. Istanbul. August 2014. (photo © Martha Cooper)

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Tilt painted a garbage truck. Istanbul. August 2014. (photo © Martha Cooper)

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No More Lies. His assistant and girlfriend, an artist named Merve Berkman, is shown here painting an intricate stencil. Pera Museum. Istanbul. August 2014. (photo © Martha Cooper)

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Suiko working on his installation. Pera Museum. Istanbul. August 2014. (photo © Martha Cooper)

“Suiko is from Hiroshima, Japan. We were in the museum on the anniversary of the bombing on August 16th,” says Martha. “Hiroshima, synonymous with nuclear bombs, now sells spray paint for graffiti bombing. Crazy world!”

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Suiko. Pera Museum. Istanbul. August 2014. (photo © Martha Cooper)

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Herakut sits atop their outside installation. Istanbul. August 2014. (photo © Martha Cooper)

“Imagine you had to teach your kids never to laugh” is the translation of the text, which Martha says was Herakut’s response to a Deputy Minister’s outrageous statement that women shouldn’t laugh in public.

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Herakut in action inside the Pera Museum. Istanbul. August 2014. (photo © Martha Cooper)

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JonOne “came last and painted fast,” says Martha. Pera Museum. Istanbul. August 2014. (photo © Martha Cooper)

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Gaia in front of his installation. Pera Museum. Istanbul. August 2014. (photo © Martha Cooper)

Street artist Gaia did very labor intensive pieces inside and outside the museum “commemorating those that have lost their lives in construction murders due to lack of safety, regulation and corruption,” he says. For more information on Workers’ Families In Pursuit of Justice please go to http://iscinayetleriniunutma.org/ .

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Gaia. Pera Museum. Istanbul. August 2014. (photo © Martha Cooper)

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Gaia at work on his outdoor installation of workers helmets and Forget-Me-Not flowers. Istanbul. August 2014. (photo © Martha Cooper)

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Turbo in action. Pera Museum. Istanbul. August 2014. (photo © Martha Cooper)

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Shoot To Kill . Turbo. Istanbul. August 2014. (photo © Martha Cooper)

“Turbo has the reputation of being one of Turkey’s first writers. He’s an archivist with many graff related collections (cans, markers, books etc). His crew is S2K—Shoot to Kill,” says Ms. Cooper.

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Logan Hicks in action. Pera Museum. Istanbul. August 2014. (photo © Martha Cooper)

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Logan Hicks photo-realistic stenciling on display in this outdoor installation. Istanbul. August 2014. (photo © Martha Cooper)

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The New York legend Futura was one of the first graffiti writers to break new ground into abstraction, and more than 30 years after his first foray, is kicking it. Pera Museum. Istanbul. August 2014. (photo © Martha Cooper)

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Mist in action. Pera Museum. Istanbul. August 2014. (photo © Martha Cooper)

“Mist painted a bold abstract wall in the museum and numerous pieces outside,” remarks photographer Cooper.  “I liked his ‘Mistanbul’ piece the best.”

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The Mist rolldown gate, “Mistanbul”. Istanbul. August 2014. (photo © Martha Cooper)

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Psyckoze. Pera Museum. Istanbul. August 2014. (photo © Martha Cooper)

“Psyckoze is famous for being the king of the Paris catacombs. He knows every nook and cranny,” reports Ms. Cooper.  “I once spent the night there—scary and completely confusing if you don’t have a guide. Psyckoze made an installation replicating a room in the catacombs reproducing paintings that were actually there.”

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KR. Pera Museum. Istanbul. August 2014. (photo © Martha Cooper)

“KR did his extinguisher thing inside the museum and it turned out great—sort of a delicate blizzard of criss-crossing spray. I liked this shot of the cleaning lady in his room – Who’s to decide what needs cleaning?” asks Martha.

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The action at the train yards. Istanbul. August 2014. (photo © Martha Cooper)

A highlight of the events was the opportunity for many of the artists to legally hit a number of train cars in the yards, and archetypal right of passage immortalized by a handful of New York photographers in the 1970s and 1980s like Martha Cooper and Henry Chalfant, among others. Martha was at least as excited as the artists and felt like she was in a movie she had seen before, but with new enthusiastic  actors and actresses – and without the fear of being arrested.

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Psyckoze at the train yards. Istanbul. August 2014. (photo © Martha Cooper)

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Suiko at the train yards. Istanbul. August 2014. (photo © Martha Cooper)

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A new classic by Martha Cooper of the action at the train yards. Istanbul, Turkey August 2014. (photo © Martha Cooper)

“Language Of The Wall Graffiti / Street Art” exhibition is currently on view at the Pera Museum in Istanbul, Turkey. The show closes on October 05, 2014. For more information click HERE

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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X-O and Amanda Marie Go To Philadelphia

Posted on August 19, 2014

‘Beautiful Times – Philly Stop’

As we follow the “Beautiful Times” summer tour of X-O and Amanda Marie we find them in the city of brotherly love laying down layers of stencils and building out abandoned places with found object constructions. All tolled, the number of completed projects in this city made it the most prodigious of the tour so far.

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Amanda Marie at a Community Garden. Beautiful Times. Philadelphia. August 2014 (photo © courtesy Amanda Maire and X-O)

First off they took a nice tour of Steve Powers ‘Love Letters’ murals that he did a couple of years ago with the Philadelphia Mural Project, and worked with that program to create their own project – something X-O refers to as an #emogarden called ‘High 5 Times’. Most likely that is about walking on stilts, we’re guessing.

As another project Amanda made some time to create a ‘camping’ scene in one of the many community gardens that dot the city of Philly, thanks to friends at HAHA x Paradigm, a magazine and gallery respectively. “Painting in the community garden was a good match for the ‘Beautiful Times’ vibe,” says X-O.

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Amanda Marie at a Community Garden. Detail. Beautiful Times. Philadelphia. August 2014 (photo © courtesy Amanda Maire and X-O)

On their next investigation the two went on the hunt for more destitute architectural decay and hit the jackpot when X-O “found a beautiful demolition / construction site that had a super good sunken window temporarily covered in plywood,” he says excitedly. Did anyone mind that he created a new piece with various pieces of wood in the framed ventana? “The owners were happy to get a ‘lost object’ piece for the space,” he says, “and the neighbors are happy to have something more interesting than blank plywood to look at.”

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X-O at a Community Garden for Mural Arts. Beautiful Times. Philadelphia. August 2014 (photo © courtesy Amanda Maire and X-O)

Moving along, the two found “Tattooed Mom,” and they thought they were in a celestial graff palace.  “If the paint store equals the candy store, then ‘Tattooed Mom’ equals the playground,” he exclaims the legendary graff writer / Street Artist hangout on South Street. “The whole upstairs is completely smashed with tags and pieces and a constantly shifting smorgasbord of aerosol madness,” says X-O.

Here Amanda Marie made some more urban ‘camping’ vignettes while X-O gave a Hanksy piece of his namesake actor some gender-reassignment surgery. “I dropped in a field of flowers behind him and updated his substantial forehead with the slogan ‘I Like Your Girlfriend’.”

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Amanda Marie at work on the street. Beautiful Times. Philadelphia. August 2014 (photo © courtesy Amanda Maire and X-O)

The last thing that got done before we split town was a big beautiful total street move from Amanda where she painted a few of her ‘Pretty Baby’ images on 5th street just a half block off of South Street … a really nice match of image with the hodge podge coloring of the empty building behind it,” X-O says.

“For both Amanda and me, one of the most impressive things about Philly were all of the walls that have been left exposed when adjacent buildings are torn down,” he says. It looks like the great experience with the mural program and these more organic adventures have gotten their wheels turning on even larger ideas for Philadelphia in the future.

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Amanda Marie. Beautiful Times. Philadelphia. August 2014 (photo © courtesy Amanda Maire and X-O)

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X-O. Beautiful Times. Philadelphia. August 2014 (photo © courtesy Amanda Maire and X-O)

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X-O. Detail. Beautiful Times. Philadelphia. August 2014 (photo © courtesy Amanda Maire and X-O)

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Amanda Marie at Tattooed Mom. Beautiful Times. Philadelphia. August 2014 (photo © courtesy Amanda Maire and X-O)

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Amanda Marie at Tattooed Mom. Detail. Beautiful Times. Philadelphia. August 2014 (photo © courtesy Amanda Maire and X-O)

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Amanda Marie at Tattooed Mom. Detail. Beautiful Times. Philadelphia. August 2014 (photo © courtesy Amanda Maire and X-O)

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X-O at work at Tattooed Mom. Beautiful Times. Philadelphia. August 2014 (photo © courtesy Amanda Maire and X-O)

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X-O at Tattooed Mom. Beautiful Times. Philadelphia. August 2014 (photo © courtesy Amanda Maire and X-O)

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X-O gives Hanksy a make over at Tattooed Mom. Beautiful Times. Philadelphia. August 2014 (photo © courtesy Amanda Maire and X-O)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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