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Brooklyn Street Art

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BSA Film Friday: 05.29.15

Posted on May 29, 2015

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Kiwie and Zabou in Cyprus
2. Pol Corona in Vicente Lopez (Buenos Aires)
3. Clemens Behr at ALT!rove Street Festival 2015
4. Alberonero at ALT!rove Street Festival 2015.

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BSA Special Feature: Kiwie and Zabou in Cyprus

We don’t often get to post Street Art from Cyprus, but here is an entertaining look at the recent Street Life Festival in Limassol. Mainly we posted it because Kiwie from Latvia is a ham in front of the camera and Friday is a perfect time to get up and dance!

Pol Corona in Vicente Lopez (Buenos Aires) at Nai’s house

It’s barbecue and painting season bro. Come on over.

 

 

Clemens Behr at ALT!rove Street Festival 2015

Two murals in a row from this years ALT!rove – Street Art Festival in Italy, both videos from Blind Eye Factory. Going with this years theme of Abstractism, ALT!rove brought artist including 108, Alberonero, Giorgio Bartocci, Clemens Behr, Ciredz, Erosie, Graphic Surgery, Sbagliato, Sten Lex and Tellas.

Alberonero at ALT!rove Street Festival 2015.

Hannes Tirén Paints in a WWII Bunker in Malmö, Sweden (Video)

Posted on May 28, 2015

“An underground bunker from World War II.

A manic artist painting day and night for several months.

A party in the forest and his first show/exhibition…”

That’s how street artists Erik Vestment & Nils Petter described to us this hidden art installation and show by Hannes Tirén that they recorded on video below the surface in Malmö, Sweden.

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Hannes Tirén. (photo © Erik & Nils Petter)

In it you see the Stockholm native buffing the bunker and acclimating to his new environment, gradually filling the ceiling and walls with one contiguous mural, culminating one night in a small candle lit art show for friends and family.

“I had just moved down to Malmö and bumped into Erik over a beer and we knew each other through common friends, and he asked me straight away if I would be up for talking a bike ride down to the shore in the cold rainy autumn evening to show me this military bunker that he thought I should paint,” says Hannes as he recounts the experience, which was more difficult than he may have realized at first.

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Hannes Tirén. (screenshot from video © Erik & Nils Petter)

“I spent many many night alone down there trying to paint my way in the darkness with batteries that got moist and with a brain that also kind of went a bit nuts sometimes,” he says as he describes feelings of isolation and strange imaginings – and and how he pushed beyond them.

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Hannes Tirén. (screenshot from video © Erik & Nils Petter)

At first, it wasn’t clear what kind of art project he wanted to make in this clandestine concrete cubby hole in the ground. “I had lots of different ideas; to fill it up with candy, or maybe with stolen bike skeletons that I found on my nightly expeditions,” he says.

“But in the end I decided just to try to tell a story in the room with my paint.” For inspiration he looked at his life. “It’s a story about death, love and confusion I suppose – and maybe some more ingredients.”

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Hannes Tirén. (screenshot from video © Erik & Nils Petter)

Hannes says he settled into a pattern of waiting until just after dark when he knew respectable people would no longer be walking their dogs on the public lawn near the bunker, and he climbed down into the hole with art supplies and candles to explore. While working he tried not to be disturbed by the eerie acoustics.

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Hannes Tirén. (screenshot from video © Erik & Nils Petter)

“I had to wait to climb down to into the pitch dark hole that made sounds vibrate in impossible ways,” he says with some trepidation. “The waves from the ocean, the birds that screamed in the middle of the night – they all sounded different in different places. So when I moved into a new position or location the sound vibrations in the half-sphered room played tricks with me.”

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Hannes Tirén. (screenshot from video © Erik & Nils Petter)

After many trips from his apartment to the bunker over the course of a year, it was finally show time. “Erik brushed off the dust and made the last night epic and magic,” Hannes recalls. “He had a tent that we put over the entrance to the bunker, filled it with candle lights and much much more. He really pulled much of the tough work and I’m forever grateful for how successful the night became.”

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Hannes Tirén. (screenshot from video © Erik & Nils Petter)

The plan was for guests to keep warm by a bonfire a hundred meters away and for Hannes to invite them in small groups to come see the installation below. “I told them to be careful because of all the burning candles,” he says about the possibility of hair catching on fire in the close quarters. “I myself accidentally started a fire the night before when I lit a candle that was too close to the wall. Not much damage done although there was much smoke.”

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Hannes Tirén. (screenshot from video © Erik & Nils Petter)

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Hannes Tirén. (screenshot from video © Erik & Nils Petter)

 

Have a look at another hidden underground oasis project from last year by Erik Vestment & Nils Petter, who debuted their project “The Pier” last June here on BSA.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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El Mac Brings Electricity to Creativity at Northeastern University

Posted on May 27, 2015

El Mac, the LA based aerosol Caravaggio has just illuminated a university wall in Boston with a portrait of his wife as alchemist, a glowing vision completed on the side of Northeastern’s Meserve Hall this month in time for Spring graduation.

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El Mac (photo © Todd Mazer)

“The meeting of art and sciences is key to this campus,” says Todd Mazer, who lives in the city and who spent a lot of time with the artist while he painted, shooting incredible photos of the process. The image based on a photo of Kim presents a perfect marriage of symbols for the university, but also may refer directly to the artists’ personal lineage, he confides.

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El Mac (photo © Todd Mazer)

“Mac’s father went to Northeastern and studied Engineering where he met Mac’s mother, who was an artist going to MassArt at the time,” he explains, “so the lightning, which is science, and the brush, which is art, just may represent his parents. In his distinctive style that includes scientifically chilling paint cans in a cooler with ice, El Mac renders an heroic, comely, and gentle figure even on this rough surface using a circular patterning that appears alternately mechanically digitized or smooth as a Vermeer, depending on your angle and distance from the work.

Even the starry sky may be a reference to his father, we learn, because of his father’s history with things astronomical. “Also the stars above could be of significance too because although Mac was born in LA he moved to Phoenix because his father was pursuing a career in the space program.”

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El Mac (photo © Todd Mazer)

On breaks from plowing through 150 or so cans of paint, El Mac also took time to see art at his dad’s Alma Matter, poking inside the Museum of Fine Arts, Todd tells us. “He mostly painted but since he was just across the street from the MFA it was on his mind and when he got some small windows of time he would head over there,” says Mazer.

“It was nice to see him get off the lift and put down the iced out cans and catch some inspiration from a different surface. I remember him with a pencil and a sketchbook in front of a sculpture and just like earlier in the day at the wall I got a sense he was somewhere he belongs.”

Our sincere thanks to Todd for sharing these images with BSA readers.

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El Mac (photo © Todd Mazer)

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El Mac (photo © Todd Mazer)

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Northeastern University (photo © Todd Mazer)

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El Mac (photo © Todd Mazer)

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El Mac (photo © Todd Mazer)

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El Mac (photo © Todd Mazer)

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El Mac (photo © Todd Mazer)

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El Mac (photo © Todd Mazer)

 

 

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Skount and Rone : Lady Lying Under an Amsterdam Bridge

Posted on May 26, 2015

Collaboration between artists can be fraught with peril; styles don’t mesh, egos don’t play nice, mismatched palettes produce nausea.

Here is an example when it works. Rone’s realist/pulp fiction figures wouldn’t normally dance with Skounts’ folk patterns and mystical symbols but here they are complimentary. Rone provides the girl, Skount gives her a dress.

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Skount . Rone. Amsterdam. May 2015. (photo © Skount)

Wonder what she thinks about when she opens her eyes and stares at the bottom of the bridge, listening to the traffic rumbling across it above her. The Australian artist Rone paints portraits of sexy women – not in a sexualized manner, just oozing with sexiness. Skount, who is from Spain but lives in Amsterdam takes inspiration from old masters and popular culture as well as from traditional ornamental geometry and illustration. This is an unusual pairing that works well as collaboration.

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Skount . Rone. Amsterdam. May 2015. (photo © Skount)

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Skount . Rone. Amsterdam. May 2015. (photo © Skount)

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Skount . Rone. Amsterdam. May 2015. (photo © Skount)

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Skount . Rone. Amsterdam. May 2015. (photo © Skount)

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Skount . Rone. Amsterdam. May 2015. (photo © Skount)

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Skount . Rone. Amsterdam. May 2015. (photo © Skount)

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