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Brooklyn Street Art

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BSA Film Friday 09.19.14

Posted on September 19, 2014

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Shepard Fairey’s Wall in Little Italy
2. ARYZ  for CityLeaks
3. Robots Spraying Out the Window – Jeff Soto
4. Robo-Rainbow
5. NO AD: NYC
6. Edoardi Tresoldi “Pensieri” For street art festival “OLTRE IL MURO” in Sapri, Italy
7. Ryan Seslow / Adam Void * Handstyles

BSA Special Feature:
Shepard Fairey’s Wall in Little Italy

Produced by Element Tree, this is the video by Serringe that just came out a couple of days ago of Shepard Fairey’s recent installation in New York.

 

ARYZ  for CityLeaks

From the CityLeaks Urban Arts Feastival in Cologne, Germany, here is ARYZ speaking about the largest skeleton he’s every painted.

Robots Spraying Out the Window – Jeff Soto

This car manufacturer placed robots in a car to spray the walls to give their product some street cred. While they are busy patting themselves on the back we’re reminded of many street art autonomous innovators who have done this kind of work on the streets before, like Mudlevel, who created the Robo-Rainbow three years ago (below). Self-funded experimenters have jerry-rigged bikes, scooters, contraptions, machines, even drones to spray paint onto walls over the last decade so this brand hasn’t pioneered anything new necessarily. Possibly they just saw the Alexander McQueen robots spraying a dress in 1999.

Cool project nonetheless and props to artist Jeff Soto for his continued good work.

Robo-Rainbow

A splendid look at street ingenuity and over-thinking the simplest job. Clap your hands for MUDLEVEL.

NO AD: NYC

Augmented reality continues to grow into the consumer world and this app will help you to replace those pesky print messages foisted into the public space with, oh, art.

Perhaps soon when you scan one of those hideous new all-car subway advertising campaigns it will trigger a full car piece by Lee Quinones! Now that’s an idea worth pursuing!

Edoardi Tresoldi “Pensieri” For street art festival “OLTRE IL MURO” in Sapri, Italy

A permanent installation of electro-welded net for Oltre il Muro festival, in Sapri, Italy, bends perception depending on the angle it is seen from, especially when shot by drone.

 

Grafideo = Graffiti + Video * Ryan Seslow / Adam Void * Handstyles

In their second collaboration, this Street Art and graffiti duo offer up their latest experiment combining their interests and skills and feeding them through a series of texturing. “This is what happens when new-school meets old-school, when technology collides with the primal. Real life distortion of spray tags & letter styles merged with animated gifs & overlay filters.”

“West Side is the Best Side”, Vogue & BAM In Oakland

Posted on September 18, 2014

Today we have the honor of photographer, author and lecturer Mr. James Prigoff sharing with BSA readers his images and observations about a new 8,000 square foot mural that went up in Oakland last month paying tribute to graffiti’s love of locomotives, Oakland’s history as a port town and ship builder, and a line out of Tupac Shakur’s “California Love”.  A neighborhood project that aims to educate and beautify, two old school writers from The O named Vogue and BAM (Norman Chuck and Mike Tyau) gathered together some friends and interns to knock this mammoth one out. But enough from us, we’ll let Mr. Prigoff paint the scene for you.

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Vogue/Bam collaboration with help from Derp, Jase, King157, Goser, Sear & Done/TDK, Robz & Colour. West Oakland, CA. CLICK ON IMAGE TO ENLARGE (photo © Jim Prigoff)

By James Prigoff

I have been documenting Norman Vogue and Mike “BAM” Tyau’s Spraycan painting for thirty years. It was evident in the early days of West Coast “writing” that the two of them and their crews had very special talent.

Following their work over the years brought me to the Wrist Ship Supply building in West Oakland yesterday.

Modern Graffiti Art started on the East Coast with simple tags and evolved over the years until it became the most significant art form of the last forty years. In the evolution, part of the art form became Street Art and today is entitled Urban Art. The variety of imagery would fill endless books, light years away from what once were known as Graffiti Masterpieces.

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Vogue/Bam collaboration with help from Derp, Jase, King157, Goser, Sear & Done/TDK, Robz & Colour. West Oakland, CA. (photo © Jim Prigoff)

The mural that these artists have created, “West Side is the Best Side”, is historically important for many reasons and I think it has an significant place among the art form’s historical images for these reasons;

  1.  It is technically very proficient as an example of how sophisticated the use of the spray can has become.

  2.  It pays tribute to a few of the most important writers to develop on the West Coast, particularly an iconic young R.I.P who wrote DREAM.

  3.  It is a classic in that it goes back to the roots of name writing and characters.

  4.  It celebrates the train writing that brightened the drab railroad cars and became a vehicle to send the “writer’s” name to distant cities.

Put it all together and they have created a very special piece of art, far more so than the average eye would perceive.

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Vogue/Bam collaboration with help from Derp, Jase, King157, Goser, Sear & Done/TDK, Robz & Colour. West Oakland, CA. (photo © Jim Prigoff)

Sage coordinated the deal at first and got all the scissor/boom lifts for the artists to use and coordinated daily operations early on. Jase, King157, Sear & Done/TDK all painted their pieces within one day. Vogue painted his & Dream’s throwies all within one day also. The “Schmoe” piece was painted by Done on the caboose in memory of him since he passed away in a car accident back in July and he was a part of the TDK crew.

I’ve told Sage to help us file this at the Guinness Book of World Records for the largest train mural.

 
(Continued credits continue at the end of posting)

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Vogue/Bam collaboration with help from Derp, Jase, King157, Goser, Sear & Done/TDK, Robz & Colour. West Oakland, CA. (photo © Jim Prigoff)

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Vogue/Bam collaboration with help from Derp, Jase, King157, Goser, Sear & Done/TDK, Robz & Colour. West Oakland, CA. (photo © Jim Prigoff)

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Vogue/Bam collaboration with help from Derp, Jase, King157, Goser, Sear & Done/TDK, Robz & Colour. West Oakland, CA. (photo © Jim Prigoff)

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Vogue/Bam collaboration with help from Derp, Jase, King157, Goser, Sear & Done/TDK, Robz & Colour. West Oakland, CA. (photo © Jim Prigoff)

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Vogue/Bam collaboration with help from Derp, Jase, King157, Goser, Sear & Done/TDK, Robz & Colour. West Oakland, CA. (photo © Jim Prigoff)

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Vogue/Bam collaboration with help from Derp, Jase, King157, Goser, Sear & Done/TDK, Robz & Colour. West Oakland, CA. (photo © Jim Prigoff)

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Vogue/Bam collaboration with help from Derp, Jase, King157, Goser, Sear & Done/TDK, Robz & Colour. West Oakland, CA. (photo © Jim Prigoff)

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Vogue/Bam collaboration with help from Derp, Jase, King157, Goser, Sear & Done/TDK, Robz & Colour. West Oakland, CA. (photo © Jim Prigoff)

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Vogue/Bam collaboration with help from Derp, Jase, King157, Goser, Sear & Done/TDK, Robz & Colour. West Oakland, CA. (photo © Jim Prigoff)

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Vogue/Bam collaboration with help from Derp, Jase, King157, Goser, Sear & Done/TDK, Robz & Colour. West Oakland, CA. (photo © Jim Prigoff)

In addition to Bryan “DERP,” three other interns who worked on the mural include Thavin Rajanakhan, Thitiwat Phromratanapongse, and Dominic Cheng

“We would not have been able to complete the first half of this mural without these guys,” say Vogue and Bam, who wish to express their gratitude to everyone and especially to the interns.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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Sweden Starts “No Limit” Mural Festival in Borås

Posted on September 17, 2014

It isn’t just Nuart any more.

Scandinavia is taking their mural festivals seriously thanks to buoyant economies, arts programming support, and a growing global appreciation for art in the streets in general. Included in the list of recent festivals are Denmark’s Galore (Copenhagen) and We Aart (Aalborg) and Sweden’s Artscape (Malmö) as well as the more graffiti-inflected Örebro, Helsinki’s Arabia and of course the one-kilometer long graffiti/Street Art slaughter that accompanies the mammoth music festival Roskilde.

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ECB. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

This month humbly began No Limit in the small city of Borås, Sweden, and artist / curator Shai Dahan hopes to enliven the daily views for this population of 66,000 with his curated collection of international artists from street / graffiti / fine art backgrounds.

An artist and entrepreneur who moved here from New York three and a half years ago, Dahan has been rallying local building owners and government institutions to aid in his idea of mounting a show on walls in the city that emulates the success of such festivals elsewhere.

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Isaac Cordal. The small scale installations by the Spanish artist provide a welcome answer to the ever more massive tendencies of wall installations in mural programs. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

“I’ve been on quite a journey and accomplishing this project has been something I have been working on personally for over a year,” he says. With participation and funding from the city of Borås, No Limit this month invited and hosted artists from countries such as The Netherlands, Brasil, France, Italy, Germany, Poland, Spain and Sweden and included artists like Natalia Rak, ETAM Cru, Peeta, ECB, The London Police, Kobra, Ollio, Ekta, Carolina Falkholt, Issac Cordal and one of the earliest Street Art stencilists, Blek le Rat.

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Isaac Cordal. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

“And best of all, we had no bad weather. The day Natalia landed (she was the first to arrive) the sun came out, and it stayed out until the very last day,” says Dahan of the festival that he deemed “phenomenal” and included guided tours for over 200 people at a time.

“After everyone left, it began raining, ” he smiles.

For countries that have a so-called “zero tolerance” for illegal art or any kind like Sweden, mural festivals like these effectively circumvent the rigid approval process that typically characterizes public art projects and many make inroads into engaging public space with art in a new way that is emblematic of a vibrant global movement. It may be a tenuous line to walk, but more cities seem willing to embrace this swing of the pendulum with art in the streets.

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The Brazillian Street Artist named Kobra created a portrait of Alfred Nobel, the Swedish chemist, engineer, industrialist, and inventor of dynamite. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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Kobra. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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The London Police began stripping because of the hot sun and of course, Jane Fonda. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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The London Police. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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Natalia Rak. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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Natalia Rak. Detail. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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The graffiti writing artist from Venice named Peeta basically killed his wall with a signature three dimensional tag that floats off of the wall. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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Simple. No Limit Borås, Sweden. September 2014. (photo © Simple)

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Ollio. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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Carolina Falkholt. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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Ekta. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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Etam Cru. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

 

Click HERE to learn more about No Limit Borås.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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