October 2010

Nomadé Assumes Throne In Burning Los Angeles

LA Freewalls is an ongoing project of legal walls for street artists in Los Angeles that began about a year ago. This is the second time that the LA-based street art collective known as Nomadé participates in LA Freewalls with one of their Roman odes.

Produced by Jetset Graffiti and Lahoda Fine Arts on 50,000 sf of the downtown walls, Nomadé joins other artists who have participated this year including Shepard Fairey, Saber, D*Face, Dabs and Myla, Atlas, Asylm and Andy Rios.

Nomade "The Throne" (Photo © BSA)

Nomadé

“The Throne” (Photo © BSA

With installations that are at once swaggering, metaphorical, and self-deprecatory, the collective is precision minded in their attention to each detail of their dense productions.  This installation honors the oft-admonished directive of seasoned street artists to have good placement – just check out the crumbling facade incorporated into the piece, and the echoing of the cornice detail. This soldier is sitting astride a deteriorating Rome, defending it even as it falls.

Says one the the Nomadé of the Freewalls experience,”It is a great project! We feel privileged to be among so many talented artists. We love seeing our fans, meeting people, passing out posters and stickers. Great fun.”

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Images Of The Week 10.24.10

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Our weekly interview with the street; this week featuring Bast, Fleur, Gable, Hellbent, Kuma, NohJColey, Paper Twins, Rate, and Sea Seeks

Rate. Kuma. Garle (Photo © Jaime Rojo)

This is gigantic. Rate. Kuma. Gable (Photo © Jaime Rojo)

Bast (Photo © Jaime Rojo)
Is that Santa already? Wait till Halloween is over Mr. Claus, we’ll be there soon enough. Bast (Photo © Jaime Rojo)

Paper Twins (Photo © Jaime Rojo)

The Paper Twins have landed in Greenpoint (Photo © Jaime Rojo)

Paper Twins (Photo © Jaime Rojo)

Paper Twins (Detail) (Photo © Jaime Rojo)

Sea Seeks (Photo © Jaime Rojo)

Like my new hat? Sea Seeks (Photo © Jaime Rojo)

NohJColey (Photo © Jaime Rojo)
NohJColey will have to explain this one. Is she eating this cat, or just giving it a smooch? (Photo © Jaime Rojo)

NohJColey. Detail (Photo © Jaime Rojo)
NohJColey. Detail (Photo © Jaime Rojo)

NohJColey. Detail (Photo © Jaime Rojo)
NohJColey. Detail (Photo © Jaime Rojo)

NohJColey. Detail (Photo © Jaime Rojo)
NohJColey. Detail (Photo © Jaime Rojo)

Fleur (Photo © Jaime Rojo)

Fleur (Photo © Jaime Rojo)

Hellbent (Photo © Jaime Rojo)

Hellbent’s back with a new king of the jungle (Photo © Jaime Rojo)

Still Life with cut out ghost, skulls and butterflies. (Photo © Jaime Rojo)

Still Life with cut out ghost, skulls and butterflies. (Photo © Jaime Rojo)

Detail (Photo © Jaime Rojo)
Detail (Photo © Jaime Rojo)

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Stencil Top Five 10.23.10

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As chosen by Samantha Longhi of Stencil History X

Bansky in London (Photo © Pau Nine O)
Bansky in London (Photo © Pau Nine O)

The Dude Company. Soirée Plastic, Brasseries de Bellevue, Bruxelles. (Photo © The Dude Company)

The Dude Company carries his love for Brooklyn show all over the world, including here in Brussels. “Soirée Plastic”, Brasseries de Bellevue, Bruxelles. (Photo © The Dude Company)

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Xooox at The International Moniker Art Fair in London (Photo © Stencil History X)

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A collaborative piece by C215 & Orticanoodles. (Photo © C215)

To see more photos of Paul Nine O click here:

To see more The Dude Company work click here:

To see more Xooox work click here:

To see more C215 work click here:

To see more Orticanoodles work click here:

Go to Stencil History X for more stencil art:

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Fun Friday 10.22.10

Fun-Friday

Brooklyn-Street-Art-JR-Ted-PrizWEBCongratulations JR !

There is an idea worth spreading! JR, Street Artist, is the 2011 recipient of the TED prize:

“JR creates what might be called “pervasive art.” Working with a team of volunteers in various urban environments, he mounts enormous black-and-white photo canvases that spread on the buildings of the slums around Paris, on the walls in the Middle East, on broken bridges in Africa, and across the favelas of Brazil. These images become part of the local landscape and capture people’s attention and imagination around the world.”

Read more on the TED site and watch this gorgeous and moving video testifying to gutsy proactive engagement with the world and the power of the creative spirit that transcends silly art school armchair criticism.

Chris Stain for No Longer Empty

Chris Stain (with help from his buddy Burt Reynolds) transforms an 84 foot wall in Brooklyn with a tribute to the working class that built this city, specifically those who worked in Dumbo and the Navy Yard.

“30 Days in Brooklyn”

Rusty Ralston wants to bring his photo essay out to the streets of New York in December. He needs your help too!

Click here for his Kickstarter campaign

Brooklyn Artist Tara McPherson Prepares for Show at Jonathan Levine

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To know her is to love her. Hell, we don’t even know her but still love her from afar… as her reputation as an artist and a fine person percolates around here in Brooklyn. Also, what a great role model for girls and young women who want to make their life their art and their art their life.  Check out preview pics over at Arrested Motion.

Beautiful Losers

Recently released in it’s entirety, this influential and beautiful film is now available to you here for free. It’s the story of a group of artist kids on Manhattan’s Lower East Side who encouraged each other to continue to experiment and grow – in only the germinating way that NYC can do it. We know how important community is for artists, and thankfully New York is still a fertile soil for discovery and innovation.

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Street Art Fights Censorship: Titi From Paris

After fighting off conservative censorship, a 26-illustrator show opens in a new location four months late; “For Adults Only”

A French Street Artist who goes by the name of Titi From Paris has just completed a new plastering of texts and flying pigs to protest a feeling of encroaching censorship in Amiens, a northern French city of 160,000.

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Liberté d’expression

Censorship is sometimes traced back to the Enlightenment, but really the term ‘censor’ goes back to much older Rome, where a censor was a certain high ranking magistrate who was responsible for supervising public morality. Awarding that kind of role to someone is always a bit tricky. Our holy buddies in the Roman Catholic Church didn’t make such a bright call during the Enlightenment with Galileo, who was famously censored for his absurd and true theories concerning the movements of the Earth.

Today, during our time of Endarkenment and of yelling television, we are more often dissuaded from unpalatable truths by clever cluttering, cantankerous clouding and confusing clatter.

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But when we talk about sins of the flesh, censorship will always have its emphatic fans. So-called Erotic Art, with it’s frank and fantastic depictions of everyone’s favorite topic, electrifies the third rail for self-appointed guardians of our probity, drawing a colorful and firey debate.

As reported in Le Monde and L’Observatoire de la censure, cultural conservative Christian Manable, President of the General Council of the Somme, vetoed the show (“Pour Adultes Seulement”) two weeks before it’s debut in May because he found certain of the pieces to be degrading to women and therefore a misuse of public funds. The show of sixty drawings, paintings, and prints by twenty-six international artists, including Tomi Ungerer, André François, Jean Claverie, and Nicole Claveloux was effectively closed by the outcry. Luckily, the curator Janine Kotwica fought for the show to be re-presented and it has just opened October 14th after a large public and legal fight over whether some of the pieces were degrading, misogynist, or otherwise unsuitable for public funding.

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Street Artist Titi From Paris has just installed a large piece addressing the topic of censorship in general and a perception that this sort of thing is happening too often for comfort. Depicting clown-like men with whitewash brushes, winged pigs and similarly snouted animals flying over long texts decrying the idiocy of censorship, you get the idea that the censors have been subject of rather acidic critique recently. This street piece itself has stood untouched so the passing public appears to be in agreement in the assessment.

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“Quel stupide!”

The richest irony of course is that the show is drawing so many new eyeballs than it ever could have without the benefit of an additional 4 months of publicity. On top of it, admission is free and is open to the public until November 5.

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All images © Titi From Paris

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Upper Playground And Good Smile Co. Present: David Choe and James Jean “LA Secret Studio” (Tokyo, Japan)

David Choe
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Good Smile Co. and Upper Playground Present:
“LA SECRET STUDIO”
Works by David Choe and James Jean

Tokyo, Japan [10/17/10] — Good Smile Co. with support from Upper Playground are pleased to present the work of two of contemporary art’s finest talents, David Choe and James Jean in Tokyo, Japan. The show gets the name ‘LA Secret Studio’ from the large warehouse studio set up in Los Angeles by David Choe, James Jean and Good Smile Co. – under the idea that the artists would be able to create in the large studio without the constraints of space and distractions of the public. The show will feature a display of some of David and James’ most famous works, clips from a documentary film, limited edition prints of their work, and a display of new pieces created in the LA Secret Studio which have never been publicly seen before.

The respective careers and backgrounds of David Choe and James Jean mirror the differences and similarities between their artist styles with an uncanny ability. Where David dropped out of art school at early age and fueled his artwork by the experiences he picked up as nomadic traveller, James worked diligently at the theory behind his craft to become known for his exquisite illustrations and won a multitude of awards for his commercial work. Artistically, Jean takes deliberate and almost ornate strokes in his work and creates with a refined intricacy, where Choe paints with violently wild lines of vivid colors which portray immediate emotions. But both paths and styles have led to very similar success with each of them becoming staples in the fine art world – and although each artist possesses a unique and immediately recognizable style, the undeniable genius behind both of their work has become inherently similar.

The exhibition will occur at Parco Factory (Shibuya Parco, Part 1, 6th Floor) in Tokyo, Japan on October 29th, 2010 and runs daily until November 14th, 2010.

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Stolen Space Gallery Presents: Will Barras “Bad Reception” (London, UK)

Will Barras
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Bad Reception’
By Will Barras
29.10.10 – 14.11.10
“When I used to phone up Duncan (Mr Jago) he would have to go and stand on a chair in his kitchen to get reception, so I painted ‘Bad Reception’, the first painting I made for this body of work and the title of the show. You can see a character standing on the ledge outside his flat on the 25th floor. Does he have to stand on the ledge to get phone reception, has he just been given terrible news and he is about to jump, is he spying on the penthouse opposite, or does he just like standing on the ledge?”

Bad Reception will show case never before exhibited works, painted over the course of the past two years, by Will Barras. Featuring stunning paintings in acrylic, spraypaint, oil and ink on canvas and linen as well as a brand new limited edition hand pulled screen print by the artist.

“Mr Benn was a cartoon character who would leave his house everyday in a suit. I think he probably intended to go to work, but on his journey he walked past a costume shop which he could never resist going inside. Inside he would be given a costume and a fantastic adventure would begin… He would become a spaceman, a caveman, a chef, a knight of the realm, a wizard, a clown, a hunter… the list goes on…The brush strokes tell their own story. The shapes and colours gain momentum and begin to take you on a journey. I want to maintain the natural flow and energy, the tension between abstract and figurative, while developing and elaborating on a narrative. To generate a multiple choice of possibilities of what could be happening Ideas usually develop from the everyday mundane, broken phone converations and awkward situations … and the way we all, in some small way, do what Mr Benn does. And with this in mind its not just whats happening within the paintings…I imagined what kind of person would have made these paintings, who would have painted these pictures. I like the idea that they weren’t painted by me, but found buried underground, or discovered in a monestry, or they’ve been hanging in the quarters of a shipwreck…..” (Will Barras)

Will Barras’ composition and fluid lines provide poignant detail in liquid abstraction. The subject matter is readily familiar, but captured in a manner that seems to jar time and space with psychedelic abstraction. It is his way of expressing the emotional movements of this labour. It is therapy and pleasure and necessity.

STOLENSPACE GALLERY
Dray Walk, The Old Truman Brewery
91 Brick Lane
London E1 6QL
United Kingdom
P: +44 (0) 207 247 2684
info@stolenspace.com

Nearest tube:
Liverpool Street or Aldgate East

OPENING TIMES
Tuesday – Sunday
11:00am – 7:00pm

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Street Artist John J. Mahyo Takes on the Mafia

When was the last time you saw Street Art addressing organized crime? No, not posters for Uggs, silly, the Godfather/Tony Soprano kind of thing…

Take a look at these photos by artist John J. Mahyo, who traveled to an abandoned stone quarry in southern Italy for a representational retelling of stories related to the reported crime family, Camorra. Influenced by the book, “Gomorrah” by Roberto Saviano that reportedly unmasked a modern day crime family, thus meriting 24-hour police protection for the author, Mahyo worked with photographer and artist Elp Supra to create this homage to the victims of organized crime. In his words, “It’s a simple guerrilla action against Mafia and a support to the civic engagement of Roberto.

John J. Mahyo. Caserta, Italy. (Photo © Elp Supra)

John J. Mahyo. Caserta, Italy. (Photo © Elp Supra)

Mahyo, who speaks oddly in the third person about himself, answered a few questions about the work.

Brooklyn Street Art: Can you expand a bit on the use of death (skeletons) and the “business men” in the large mural?
John J. Mahyo: Certainly… The skeletons represent the Mafia’s victims ready to relive and get revenge against their nemesis, represented by a mobster and his killers and assistants.

John J. Mahyo "Ginevra Risman" (Photo © Elp Supra)

John J. Mahyo “Ginevra Risman” (Photo © Elp Supra)

Brooklyn Street Art: The portrait of the lady sits on a bed of arms. Could you expand on those symbols and their juxtaposition?
John J. Mahyo: The lady is Ginevra Risman (anagram of a notorious Italian actress); she looks like an “Avenging Angel” just emerging from a pool of blood, AK-47, Thompson and Beretta guns

John J. Mahyo. "Ginevra Risman" (Photo © Elp Supra)

John J. Mahyo. “Ginevra Risman” (Photo © Elp Supra)

Brooklyn Street Art: Can you tell us a little bit more about you and about Roberto? Who is John J. Mahyo?
John J. Mahyo:
Well, he was born as a graffiti artist in 1997 and at the sunrise of the 3rd Millennium he began to also create Street Art (the evolution of “writing”). Mahyo doesn’t consider himself an artist but a communicator; he asserts that art is a genuine communication that can be used as a weapon to win lost causes. Just like Roberto Saviano, who wrote “Gomorrah”, the best-selling book translated in 51 countries, where he describes the clandestine particulars of the Camorra business.

More info at:
http://johnjmahyo.wordpress.com/2010/10/04/fighting-mafia/
http://en.wikipedia.org/wiki/Roberto_Saviano

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Specter “Undereducated”

WE’RE NO. 25!

Education continues to be hotly discussed and chronically underfunded, much to the detriment of current and future workers in the US.  Despite the rhetoric of the last ten years, many children have been left behind. For some reason we can save banks but not schools. As elsewhere in the social strata, the gap widens between those with access and those who don’t stand a chance.

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A recent show in Manhattan featured Street Artists and others to raise funds and re-kindle the education discussion about how the collective “we” is in danger in the US when it comes to preparedness in science and technology among other areas.  Street Artist Specter participated in the Re:Form School show and is now thinking about how to translate that experience into his work on the street.

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Explains Specter, “My new series, ‘Undereducated,’ continues the discussion of the RE:FORM SCHOOL art show and the release of Waiting for Superman. A text-book sculpture was placed at the entrance of P.S. 277 in the South Bronx’s 7th District. Old text books are renewed to inspire students, bring art to their streets and force attention to disastrous cuts in arts education. By placing art around schools we can expose students to different ideas and present art where it has been cut out.”

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Perry Rubenstein Gallery Presents: Faile “Bed Time Stories” (Manhattan, NY)

Faile
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FAILE
BEDTIME STORIES
November 4 – December 23, 2010

Perry Rubenstein Gallery
527 West 23rd Street
New York, NY 10011
T 212.627.8000
F 212.627.6336
info@perryrubenstein.com
www.perryrubenstein.com

November 4 – December 23, 2010
Opening Reception, November 4, 2010, 6:00 PM – 8:00 PM

New York, October 18, 2010 – Perry Rubenstein Gallery presents Brooklyn-based multimedia artists FAILE. The artist collaborative returns on November 4th with Bedtime Stories, an exhibition of new works that feature imagery mined from FAILE’s singular visual archive and that emphasize the painterly dimensions of their frenetic visual tapestries.

Following on the heels of two major projects—the interactive arcade of Deluxx Fluxx and the haunting, allegorical suite, Lost in Glimmering Shadows—Bedtime Stories is a return to fundamentals that pushes questions of form and process to the forefront. Each of the twelve works’ compositions are assembled from numerous painted wooden blocks and they emerge as unified paintings. They reveal FAILE’s relentless assimilation and refinement of the vast visual vocabularies of both the urban environment and their own decade-long practice. The grids of these paintings are at once modular and fixed, tactile and graphic. On their surfaces, iconoclastic characters fluidly intermingle with adroit deconstructions of commodity culture. The re-combinations of carefully constructed texts and images provide a glimpse into FAILE’s rigorous and organic process, and draw attention to painting’s inherent materiality.

Works such as Addicted & Alone and Faile Launch reshape painterly traditions of pointillism and the affichistes, while simultaneously suggesting newer media that draws on the pixelation of digital technology and the improvisational roots of collage and street art. Bedtime Stories presents works of a neo-baroque ilk yet they are aggressively beautiful while underscoring FAILE’s continued exploration of formal and aesthetic inquiry and evolution.

Perry Rubenstein Gallery
527 West 23 Street
New York, NY 10011
T 212.627.8000
F 212.627.6336
E info@perryrubenstein.com
W www.perryrubenstein.com
Gallery Hours: Tuesday – Saturday, 10:00 AM to 6:00 PM

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Yote: “The Bienvenidos Campaign” Update

brooklyn-street-art-election-2010

Political postering has a long tradition in the public space – from slick to goofy to earnest to comic, everyone can get into the game of smacking their opinions on a wall or staking it onto a patch of grass. Street Artist Yote has jumped into the ring this year by putting his hand-painted signs amidst the forest of political missives along streets in Arizona.

In Yote’s case, it’s more of a plea for tolerance and brotherhood rather than a shill for a specific vote. Always a fanastic money maker for politicians and even religious leaders, the flames of good old fashioned racism have been fanned again this year. Here’s to the one-person campaign to dampen their enthusiasm.

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Yote spoke to BSA about the background for his personal/political campaign called “Bienvenidos”.

“A few days after Governor Jan Brewer signed SB1070 into law she signed HB2281.  2281 bans all ethnic studies programs in public High Schools in the state of Arizona. 

Last Thursday and Friday were two events for Ethnic Studies Week here in Prescott, AZ.  I donated t-shirts I silk screened saying “Eduquémonos,” meaning “Educate Ourselves.” As well as some “Bienvenidos” stickers for them to sell.  I was excited to hear that hundreds of dollars were raised for the Ethnic Studies Defense Fund from those two events.  I also donated 50 “Bienvenidos” yard signs for the defendants and students to take back to Tucson.

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As the sunset on Saturday Night a couple friends and I descended into Phoenix to add our voices to the political dialogue. Methodically we followed the light rail from North Phoenix to Mesa installing yard signs at every intersection already littered with political campaign signs.
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We continued on to Guadalupe, a small town that in part inspired this project.  My friend who runs The Garage Bike Shop there had told me a lot of people had left over the summer.  Moved on to other places where they would have more security. In the shopping center where his shop is they were down to only a few business still open.  Leaving about 20 vacancies. When I was there last fall every storefront was open.  There was so much life and abundance then, now its just quiet.  But my friend tells me the people who are here, are here to stay. They are ready to ride out whatever else is coming.
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Then we headed north to the arts district and hit a few more spots in central Phoenix before finally ending the night on McDowell in West Phoenix.  Over 100 signs were distributed throughout Phoenix. Keep an eye out for more appearing all over the rest of the state leading up to the November 2nd election.
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Arriving home just before sunrise I was exhausted but felt elated to be participating in the immigration debate.  As the election nears I hope “The Bienvenidos Campaign” can help shift the Immigration debate into a more constructive conversation.  I also hope businesses and communities embrace the image to represent the hope for safer and healthier communities.
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Here is a great trailer for a new documentary about some students experience in the Raza Studies program in Tucson, AZ. http://vimeo.com/15062646
To Support the Bienvenidos Campaign go here:
A portion of the proceeds from each sale will be donated to the Ethnic Studies Defense Fund.
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Text and Images ©Yote

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