All posts tagged: Jaime Rojo

Images Of The Week 09.05.10

September 5, 2010 Artists, Brooklyn, Manhattan, NYC, On the Street

Brooklyn-Street-Art-IMAGES-OF-THE-WEEK_05-2010 Our weekly interview with the street, this week featuring BHNL, BP, F, OverUnder, Paul Richard, Tip Toe, Tucalin, Feral, Brummel and White Cocoa.

Hey Bully You’re So Fine, You’re So Fine You Blow My Mind. (© Jaime Rojo)

Feral with Overunder (© Jaime Rojo)

Brummel. BP’s responsible for the worst oil spill ever, killing millions of animals and endangering humans – and it continues to inspire street art (© Jaime Rojo)

Lemme House You, Gurl…. Tucalin (© Jaime Rojo)

BHNL (© Jaime Rojo)

F (© Jaime Rojo)

Overunder (© Jaime Rojo)

Ever clever Mr. Paul Richard (© Jaime Rojo)

Tip Toe (© Jaime Rojo)

I got your charm right here baby. Blends (© Jaime Rojo)

Apparently this happens to women who have had a few drinks too! Wet White Cocoa (© Jaime Rojo)

White Cocoa. Detail (© Jaime Rojo)

Show And Tell Gallery Presents: Know Hope “There Is Nothing Dear (There Is Too Much Dear)” (Toronto)

September 4, 2010 Artists, Canada, Events, Gallery, Opening, Toronto

Know Hope

Know Hope (© Jaime Rojo)

For the past 4 years, Know Hope has been showing his work in galleries and exhibitions worldwide, but mainly on the streets, in their natural urban settings. Know Hope deals with the ephemeral aspect of not only the genre itself, but also as a subject – the need of momentary connections in the everyday reality, and the common denominator that is the human struggle.

Through site specific installations, murals and paste-ups, Know Hope attempts to create situations that happen in real time, and are accessible to the public on a day-to-day basis, with intentions of creating some sort of a dialogue.

He views his gallery practice as a completely different mindset as that of working in the street. Street art is about reacting to the surroundings, to an existing reality and becoming part of it, thus making the piece itself blend in and become as significant as the environment in which it is placed, whereas the gallery is a much safer environment, which can function as a greenhouse in some manners. The separation is vital, and Know Hope believes that it is impossible to recreate or bring the street indoors, but on the other hand allows the artist to create an environment of his own. The same process is valid for the viewer himself, because the context in which the pieces are seen inevitably affects the experience.

For the past year, Know Hope’s work has been revolving around the story of an un-named figure, following it and creating some sort of lifeline through its observations, mishaps and eventually its commentary. The figure is the visual manifestation of the human vulnerability addressed in all the pieces.

The re-occurring figure is used as a way for the viewer to create a “long-term relationship”, so to speak, with the character. Through different stages and situations of despair, hope and discovery, the narrative is an ever-developing one. Through the use of a vocabulary of iconography such as electricity poles, tree stumps, broken televisions and billboards, a whole world is created and is used as a visual metaphor of the world in which we live. In the gallery pieces the photographic backgrounds function as a substitute for the urban background which is provided organically in the street works.

The majority of the pieces are made out of cardboard, a choice based not only on the aesthetics of the medium, but on the essence of the material. Cardboard is often used to make boxes, to contain objects and transfer them from one place to the other, only to be discarded immediately after- it is always available, somebody else’s trash.
The use of cardboard makes the content of the pieces physical- the urgency of creating temporary art for the street, and the liability and rough fragility of the same struggle addressed before.

Know Hope has garnered much attention over the past year with his paste-ups and installations as well as successful exhibitions in the UK, LA, Norway, San Jose and recently New York and is now preparing for group and solo exhibitions in Rome, Tokyo, Toronto, San Francisco and Los Angeles in 2009.

Artist Homepage

Address
1161 Dundas St. West
Toronto, ON
M6J 1X3
Canada

Gallery Hours
Wed – Sat: 1pm – 8pm
Sun: 1pm – 7pm
Mon & Tue: By Appointment Only

Email
info@showandtellgallery.comPhone:
+ 647.347.3316

Images Of The Week 08.29.10

August 29, 2010 Artists, Brooklyn, NYC, On the Street

Brooklyn-Street-Art-IMAGES-OF-THE-WEEK_05-2010

Our Weekly Interview with the street; this week featuring Anera, Feral, Indigo Blue, Love Billy, Mr. DiMaggio, OverUnder, and White Cocoa

Indigo “Rosemary Brown” (© Photo Indigo)

“My part of the Beatty St. mural. The wall is a compilation of portraits of important people in the history of Vancouver, past present and future. I painted Rosemary Brown, the first black woman in Canadian history to be a member of a Canadian parliamentary body.”~ Indigo Blue

“Soon as I finish this sock I can go for a nice bike ride.” Love Billy (© Jaime Rojo)

Mr. DiMaggio (© Jaime Rojo)

A study of omnipotence. White Cocoa (© Jaime Rojo)

Overunder, Brummel Upsidedown (© Jaime Rojo)

Mr. DiMaggio in Paris (© Luca)

A Taking liberties with Anera with this highly digitized effect (© Jaime Rojo)

Mr. DiMaggio (© Jaime Rojo)

Feral (© Jaime Rojo)

“He obviously idea has no idea what he is talking about regarding the right to free speech. On the other hand the tone of the program makes me think he has some legitimacy. They wouldn’t give a forum to someone who is a crackpot, right? I’m confused.” White Cocoa (© Jaime Rojo)

Day 6: FINAL: General Howe’s “Battle of Brooklyn 2010”

August 27, 2010 Artists

This historic week for Brooklyn and the U.S. is being marked daily by New York Street Artist General Howe at the sites where the actual “Battle of Brooklyn” took place exactly 234 years earlier. Brooklyn Street Art is pleased to bring you daily updates on the plundering of boundaries between Street Art, performance art, and historical land-marking along with live social media updates by Kianga Ellis. All week we will travel around Brooklyn tracing the troop movements as General Howe stages small-scale battle scenes to connect us with history and possibly examine the childhood pastime of playing “war”.

“Largest battle of the entire Revolutionary War”

On this same ground, in these neighborhoods and streets that have names that are the same or similar to what they were 234 years ago today, the army of George Washington suffered it’s biggest loss.

Today the installations by Street Artist General Howe came to a booming crescendo as we raced after him across Brooklyn, erecting all manner of art pieces to commemorate the day when the American army was surrounded and nearly decimated. The largest battle fought in North America up to that point, the American Continental army suffered greatly – outnumbered, surrounded, and overpowered by the high-tech professional Brits and Hessians.

On this day, August 27^th, hundreds of soldiers were killed and hundreds more taken prisoner down to the Wallabout Bay (Navy Yard). During the night on the 29th the remaining Patriots escaped across the river by boat to Manhattan while the Brits hunkered down only a few hundred yards away.

© Jaime Rojo

General Howe: Greenwood Cemetery Area. The Battle Of Brooklyn begins here in a watermelon . Below the Cemetery and The Red Line Inn there was a watermellon patch. The Britsh soldiers were hungry and stop to eat. The Patriots saw them and fired on them and the rest of the war unfolded from here (© Jaime Rojo)

General Howe describes August 27th:

The Action:

With an outstanding flanking maneuver begun the previous day, the British outsmart the American defense. Simultaneously, full-blown combat begins near a tavern close to the Greenwood Cemetery. As fighting ensues, many Patriot soldiers flee across the Gowanus Creek to a fortified location in Brooklyn Heights.

The Maryland 400 stay behind to hold off the British while their American comrades escape. A crucial battle takes place at the Vechte house, a farmhouse now known as the Old Stone House located in modern-day Park Slope. Many Patriot soldiers make it to safety thanks to this dedicated unit from Maryland, but some Americans are killed and drowned by the British in the Gowanus Creek. By the end of this day, the largest battle of the entire Revolutionary War will be fought and conclude in a devastating defeat for the Americans. About 300 Patriot soldiers are killed and over 1,000 captured. On the night of August 29, 1776, General George Washington personally leads an astonishing evacuation of the entire American army across the East River to Manhattan.

The Landscape: Greenwood Cemetery, Crown Heights, Prospect Park, Park Slope, Gowanus and Brooklyn Heights

General Howe: Americans retreated across the Gowanus and had to swim since the bridge was set on fire causing many soldiers to perish by drowning (© Jaime Rojo)

General Howe (© Jaime Rojo)

Gowanus Canal. Brooklyn, NY (© Jaime Rojo)

At The Old Stone House the “Maryland 400” defended from this position and distracted the British while Patriots fled across the Gowanus for safety. General Howe (© Jaime Rojo)

The actual Old Stone House in Park Slope, Brooklyn. NYC (© Jaime Rojo)

General Howe. (© Jaime Rojo)

General Howe:The Corner of Atlantic Ave and Court St. in Brooklyn is a former location of a fort where General George Washington was observing how the Battle of Brooklyn was unfolding (© Jaime Rojo)

General Howe (© Jaime Rojo)

This six-day event is shared live with the public complete with historical quotes, the General’s musings, and twitpics by Kianga Ellis on

Twitter (www.twitter.com/kiangaellis) (subject hashtag “#RevWar” if you like)

and Foursquare (www.foursquare.com/user/kiangaellis)

>>>>>>>>><><><><><>>><><><>><>><<<>>><<>

See our interview with General Howe, “WAR ON APATHY” on The Huffington Post

Link to other days in the Battle of Brooklyn – just click the date.

Day 5: General Howe’s “Battle of Brooklyn 2010”

August 26, 2010 Artists, Brooklyn, NYC, On the Street

20,000 Flanking Almost Every Side on the Eve of Battle

Today Street Artist General Howe installed soldiers at the Jamaica Pass (Evergreen Cemetery) where only 5 Patriots had been stationed to guard and were captured by the original General Howe’s forces, who had marched up the Kings Highway. And you thought that Kings Highway was just a subway stop on the D train on the way to the beach. In fact, Washington’s troops were becoming surrounded on all sides except the water.

Things start to get bad for everyone right about now. ” the people of Long Island were caught in a maelstrom between the two armies–their houses, fields, and gardens burned or pillaged by one side or the other. As the Provincial Congress finally took drastic action to starve Howe’s forces, the local farmers had been allowed to keep only a bare minimum of food, while the rest of their crops were destroyed.”*

“The Evergreen” Cemetery (© Jaime Rojo)

General Howe explains what took place:

Brooklyn-Street-Art-Battle-26-August-MAP

The Action: With tension and anticipation rising, approximately 9,000 Patriot soldiers stand guard at several natural access points to the villages of Brooklyn. The British army begins a covert attack by flanking the Americans on their left side by traveling east to the Jamaica Pass, near modern-day Broadway Junction. With surprising ease, 20,000 British soldiers advance through the Jamaica Pass prepared to overwhelm the Americans by morning.

The Landscape: Park Slope and Broadway Junction/Cemetery of the Evergreens

General Howe (© Jaime Rojo)

This six-day event is shared live with the public complete with historical quotes, the General’s musings, and twitpics by Kianga Ellis on

Twitter (www.twitter.com/kiangaellis) (subject hashtag “#RevWar” if you like)

and Foursquare (www.foursquare.com/user/kiangaellis)

>>>>>>>>><><><><><>>><><><>><>><<<>>><<>

* Quote from The Battle for New York The city at the heart of the American Revolution by Barnet Schecter

See our interview with General Howe, “WAR ON APATHY” on The Huffington Post

Link to other days in the Battle of Brooklyn – just click the date.

Day 4: General Howe’s “Battle of Brooklyn 2010”

August 25, 2010 Artists, Brooklyn, NYC, On the Street

Brooklyn-Street-Art-Battle-Brooklyn-August-25

“Consolidation of allies”

Today we traveled with General Howe within Red Hook to recall and honor the skirmishes and dead that began to pile up; also to stuff papers with proclamations by the actual General Howe in Park Slope. That political animal, the British General Howe whom our intrepid street artist has taken his name from, used propaganda in this handbill to try to convince new Americans living in Long Island to switch it up and be nice subjects of the King of England. In his handbill, he promised that all would be forgiven, generous General that he was;

Twisting their status as freedom lovers into dolts who had been duped, he offered those who were ” forced into rebellion, that on delivering themselves up at the head quarters of the army, they will be received as faithful subjects; have permits to return peaceably to their respective Dwellings, and meet with full protection for their persons and property.”*

Nice, right? Well don’t be so quick to judge because Mr. General absorbed the militia from four Kings County (Brooklyn) towns. Oh, snap! Brother’s got a silver tongue!

General Howe (© Jaime Rojo)

General Howe the Street Artist explains what was happening August 25th:

Brooklyn-Street-Art-Battle-25-August-MAP

The Action: General Howe releases a proclamation as a hand bill soliciting support for the British in their pursuit to reclaim the colonies. Howe entreats both Loyalists and slaves who are promised freedom in exchange for fighting on the British side. German soldiers, hired by the British, arrive to assist in the war. Patriot soldiers from Manhattan and New Jersey continue to flow into Fulton Ferry to reinforce the American forces in Brooklyn.

The Landscape: Brooklyn Heights, DUMBO and Park Slope

General Howe’s gentle parody of himself shows his soldiers on a log of wood against a graffitied corrugated metal fence with razor wire. This nested self referential paste up is next to the proclamation by the original General Howe. Confused yet? (© Jaime Rojo)

“Read all about it! Todays’ insert tells how to surrender to the King!” General Howe (© Jaime Rojo)

Sometimes irony is serendipity. General Howe (© Jaime Rojo)

Brooklyn-Street-Art-WEB-HoweProclamation-1

* Quote from The Battle for New York The city at the heart of the American Revolution by Barnet Schecter

This six-day event is shared live with the public complete with historical quotes, the General’s musings, and twitpics by Kianga Ellis on

Twitter (www.twitter.com/kiangaellis) (subject hashtag “#RevWar” if you like)

and Foursquare (www.foursquare.com/user/kiangaellis)

>>>>>>>>><><><><><>>><><><>><>><<<>>><<>

See our interview with General Howe, “WAR ON APATHY” on The Huffington Post

Link to other days in the Battle of Brooklyn – just click the date.

Day 3: General Howe’s “Battle of Brooklyn 2010”

August 24, 2010 Artists, Brooklyn, NYC, On the Street

“American Forces Dig In While Quietly Circled”

Today we followed the General to Park Slope to stage some skirmishes on the hill as a sense of doom settled in. It wasn’t just the gray rainy miasma that cloaked Brooklyn today, or the giant leafy pumpkin plants that hovered over the mini-troops, but it was General Howe’s descriptions of how the Patriots nervously tried to fortify positions while the British began to appear in new locations all the time, as they began to make their path toward the elevated hills of “The Heights” to look down upon the land.

General Howe (© Jaime Rojo)

Not only that but Washington wrote in a letter today to Putnam (his man in command) that he was pretty ticked off about the way some of the trigger-happy fools in the Patriots crew had the bad habit of shooting willy-nilly in an undisciplined way all over the place, sometimes just for the hell of it. If you read The Battle for New York The city at the heart of the American Revolution by Barnet Schecter, you’ll find that George hated horsing around with guns because he thought it was wasteful of valuable bullets and distracting for everybody, “as we know not the hour of the enemy’s approach to our lines but have every reason to apprehend that it will happen sudden & violent, whenever attempted; we shall have our men so scattered & (more then probable) without ammunition, that the consequences must prove fatal to us.”

General Howe talks about what happened on August 24th:

Brooklyn-Street-Art-Battle-24-August-MAP

The Action: Plagued by second thoughts about General Howe’s strategy, Washington reshuffles the command in Brooklyn putting the popular Israel Putnam in command. However, “Old Put” is ill equipped both experientially and temperamentally for the task. Among the American forces digging in for whatever is to come are the Maryland 400 comprised of six companies of soldiers from Maryland. This group of 400 will be the last soldiers to hold the line during the Battle of Brooklyn, providing cover while the rest of the Americans retreat.

The Landscape: Park Slope

A new wheat-paste by General Howe looks a lot like a coloring book page, while a strategically placed feather is placed over a bit of vulgar language. (© Jaime Rojo)

AWOL, lost, or just looking for some quiet time alone. General Howe (© Jaime Rojo)

This six-day event is shared live with the public complete with historical quotes, the General’s musings, and twitpics by Kianga Ellis on

Twitter (www.twitter.com/kiangaellis) (subject hashtag “#RevWar” if you like)

and Foursquare (www.foursquare.com/user/kiangaellis)

>>>>>>>>><><><><><>>><><><>><>><<<>>><<>

See our interview with General Howe, “WAR ON APATHY” on The Huffington Post

Link to other days in the Battle of Brooklyn – just click the date.

Cake And Patrick Seeley This Weekend At The Armory For: “Convergence NYC”

August 24, 2010 Artists, Events, Gallery, Manhattan, NYC, Opening

Cake

Cake (© Jaime Rojo)

I’d like to invite you to come see an installation Patrick Seeley and I created and will be showing at the Armory that opens this Friday. It will be a part of a large show called Convergence NYC. The doors open at 9am, and it will be showing all weekend. I will be there Friday night from 5 to 9 pm. Here is the info:

Location :The 69th Fighting Regiments Armory.
68 Lexington Avenue at 25th Street.
Time: 9:00AM Friday, August 27th

Day 2: General Howe’s “Battle of Brooklyn 2010”

August 23, 2010 Artists, Brooklyn, On the Street

“Gen. Washington Assesses Threats”

Not much of a ground battle in Red Hook and Flatbush Pass today, as Street Artist General Howe staged battles where Patriot troops first began seeing the arriving British, who were well equipped with better technology. As they encounter one another, almost by chance, minor skirmishes occur on this day in 1776. Ironically, the majority of deaths are because of faulty equipment, including cannons that misfire and kill Patriots.

General Howe explains what happened on August 23rd:

The Action: General George Washington and his army are uncertain of how and when the British will attack. Some minor skirmishes take place in the area of the Flatbush Pass. Patriot soldiers in Red Hook exchange cannon fire with British war ships. Washington fears that Howe will move his naval fleet upriver, blocking off escape routes north. Few perish on this day. The fatalities and injuries of Patriot soldiers that do occur result from the misuse of their own arsenal.

The Landscape: Red Hook and Flatbush Pass (Prospect Park)

General Howe. The majority of fatalities and injuries of Patriot soldiers that do occur result from the misuse of their own arsenal. (© Jaime Rojo)

This six-day event is shared live with the public complete with historical quotes, the General’s musings, and twitpics by Kianga Ellis on

Twitter (www.twitter.com/kiangaellis)

and Foursquare (www.foursquare.com/user/kiangaellis)

>>>>>>>>><><><><><>>><><><>><>><<<>>><<>

See our interview with General Howe, “WAR ON APATHY” on The Huffington Post

Link to other days in the Battle of Brooklyn – just click the date.

DAY 1: General Howe’s “Battle of Brooklyn 2010”

August 22, 2010 Artists, Brooklyn, NYC, On the Street

“His Majesty’s Forces Arrive”

To begin the week the General went down to the waterfront where Staten Island connects to Brooklyn with New York’s youngest bridge, the Verrazano-Narrows Bridge. This narrow pass through which all ships must go to get into New York City was the shore where over 20,000 British soldiers arrived today.

General Howe explains the events of this day thusly:

The Action: Before dawn on August 22, 1776, thousands of British soldiers land on the shores of Brooklyn, known then as Long Island. The British immediately control the entire coast from where the Verrazano Bridge is located today to Jamaica Bay. American loyalists by the hundreds welcome the large, bright-red mass of British soldiers. Aware that the long anticipated invasion had begun, Patriot riflemen withdraw into the hills burning fields and killing livestock as they flee. British General William Howe, Commander in Chief of His Majesty’s Forces in America, orders his troops to head north toward the Flatbush Pass, located in modern-day Prospect Park.

The Landscape: Dyker Beach Park, Fort Hamilton Park, Coney Island and Flatbush Pass (Prospect Park)

Amazingly, the history books remark on how the British soldiers were shocked by the fruitful bounty of food they discovered on the shoreline when they arrived in 1776 – and today’s installation reveals that it is currently apple season at the same location. Looking at these soldiers, the term “Big Apple” comes to mind. General Howe (© Jaime Rojo)

Pointing out to the Atlantic Ocean at an incoming ship, this soldier discovers Marty Markowitz has put up a sign of welcome. General Howe (© Jaime Rojo)

While based on historical fact, the installations inject improvisational touches from an active childhood imagination. Here General Howe fashions a pizza box as a ship with sails on Coney Islands’ beach. (© Jaime Rojo)

This six-day event is shared live with the public complete with historical quotes, the General’s musings, and twitpics by Kianga Ellis on

Twitter (www.twitter.com/kiangaellis) (subject hashtag “#RevWar” if you like)

and Foursquare (www.foursquare.com/user/kiangaellis)

>>>>>>>>><><><><><>>><><><>><>><<<>>><<>

See our interview with General Howe, “WAR ON APATHY” on The Huffington Post

Link to other days in the Battle of Brooklyn – just click the date.

Images Of The Week 08.22.10

August 22, 2010 Artists, Brooklyn, NYC, On the Street, Queens

Our weekly interview with the street, this week featuring Aakash Nihalani, Chor Boogie, Labrona, Peat Wollaeger, ROA, Swampy, Swoon, and White Cocoa

PaperGirl Rolls into Bushwick: Gaia & Clown Soldier Play Next Door

August 21, 2010 Artists, Brooklyn, NYC, On the Street

The Free Art Paper Girls Paint a Street Art Mural in Bushwick (BK)

PaperGirl is bringing a new way to experience Street Art to New York this month. Originally debuted in Berlin five years ago the project also offers you something to take home, if you are lucky.

One thing that you will not be able to take home is the fresh new mural in Brooklyn that PaperGirl put up yesterday with the help of some of their participating artists. Helpfully, the map they painted on the corner of the building gives you the schedule and locations of their upcoming events, which is so handy – although not as lightweight as an iPhone. They gave the artists the chance to experience street painting whilst promoting their New York Project where they give out art to people on the street.

And while PaperGirl-NY was busy with their mural, Gaia and Clown Soldier were busy with theirs on the same huge wall in Brooklyn. Gaia told us that his pieces were done and that RAMBO was going to go over them with his work. By the time BSA was there RAMBO was nowhere to be found. Meanwhile Clown Soldier had some more work ahead.

To learn more about PaperGirl-NY Click on the link below:

http://www.brooklynstreetart.com/theblog/?p=13428

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