Our weekly interview with the street, this week featuring Above, Animal Takeover, Buff Monster, Cash4, Cope, Dan Witz, Dasic, Didi, Droid, Earsnot, Food One, Irak, Joe Iurato, J.Robles, Jade, JT, Never, Pessimo, Sand One, Shiro, Sue Works, and Uno Entes.
It’s the sulking ill-behaved fussiness, the middle of the night eruption of screaming, the “world revolves around me” attitude. You’ve seen this before, usually poking their head out of a passing stroller, ear piercing tantrum in full effect, throwing any available object, hoping to rip a hole in the sky. This is the King Baby.
Stills of Dan Witz and his installations in Stavanger, Norway, courtesy of Nuart and Spiffy Films.
Unveiled in this brand new video scored by the artist on piano, this “King Baby” is peeking out at you from behind the metal grating as you saunter through the narrow streets of Stavanger. Street Artist Dan Witz did a number of installations at Nuart 2011 and is here to tell you about the origins of this full-immersion exploration of someone he likens to certain artists. You know any King Babies?
1. The Skewvilles are turning 80 tonight (Bushwick, BK)
2. “Unpaid Dues” Cassius Fouler at Orchard Windows Tonight (LES, NYC)
3. “Should The Light Not Take Us” – Armsrock at the Galleri Profilen (Aarhus, Denmark)
4. “Street Wall” at Fourth Wall Project Gallery Saturday (Boston)
5. Philip Lumbang solo show “New Arrival”
6. LA Mural Ordinance Community Discussion with Shepard Fairey and Saber
7. New Sten & Lex Low Res VIDEO in Rome
8. MAMBO Goes for a Swim (VIDEO)
9. Creepy Tries to Control the Ocean (VIDEO)
We start Fun Friday this week with thanks to Don Cornelius for making the Soul Train an incredibly important part of the ride for lots of us for four decades.
Much respect to his work and to his family.
Here’s his interview with a new group called Run DMC.
The Skewvilles are turning 80 tonight (Bushwick, BK)
Join the Skewvilles today at Factory Fresh as they celebrate their 80th Birthday with a Retro-Retrospective. See some of the treasures they’ll be lugging out of the basement here in yesterday’s post.
For further information regarding this show click here
“Unpaid Dues” Cassius Fouler at Orchard Windows Tonight (LES, NYC)
Despite initial apprehension, Orchard Windows Gallery is proud to present Cassius Fouler, who is in about four shows this month. Dang!
For further information regarding this show click here
“Should The Light Not Take Us” – Armsrock at the Galleri Profilen (Aarhus, Denmark)
Armsrock says his new show is an investigation of parapsychology, ideology and crisis, through drawings, objects and texts. His style is getting tighter too.
For further information regarding this show click here
“Street Wall” at Fourth Wall Project Gallery Saturday (Boston)
New York is chocolate and Boston is peanut butter so when you mix these artists from both Street Art scenes together in one show you get something grittily sweet that will stick to the roof of your mouth. Want a root beer? Vodka? Featuring LNY, Radical!, Tiptoe, Nanook, The Phantom, Geoff Hargadon, Zatara and Blackmath.
Philip Lumbang solo show “New Arrival” at the Unit 44 Gallery in Newcastle, UK opens today. Click here for more details on this show.
LA Mural Ordinance Community Discussion with Shepard Fairey and Saber at Lab Art Gallery in Los Angeles. Find out how the new mural laws in Los Angeles are affecting the Urban Art and what the answers are to your questions. This event takes place on Saturday. Click here for more details.
New Sten & Lex Low Res VIDEO in Rome
Italian Duo Sten & Lex have a new body of work on the streets of Rome. Here they show us how The Stencil Poster was born.
MAMBO Goes for a Swim (VIDEO)
MAMBO pays tribute to Johnny Weissmuller and the Molitor swimming pool in Paris:
Creepy Tries to Control the Ocean (VIDEO)
Creepy “If We Can’t Control the Boat Let’s Control the Ocean” by K. Hughes-Odgers
Like a lot of the artists crawling around Bushwick, Brooklyn today, Street Artist duo Skewville were once hustling to get a show in a gallery or “art space” – only to find out that few people showed up, understood their concept, and almost nobody bought it. A testament to youth and bravado and their persistence, they eventually wore us down.
Now as he’s rummaging through his crates and boxes of Skewville memorabilia, Ad Deville has a wry smile on his face. DeVille, along with his twin Droo, has made a lot of work since they first started throwing their screen printed jig-sawed shoes (dogs) up over electrical wires around New York and the world in the 90s. This week Ad’s a busy man again at Factory Fresh gallery as he’s preparing for their joint birthday party, because he’s dragging it all back out and nailing it to a wall.
“I feel nostalgic of course but at the same time as I pull old stuff out I realized how much initially people didn’t care, how much people didn’t get it. We hardly ever sold one piece at the first shows. Instead of feeling bad that made us work harder to come out with different ideas and make new stuff”
Their 80th Birthday Retro Retrospective Friday night will be an opportunity for you to tell Ad and Droo how much you totally “got it” from the very beginning. You’ll see things like a metal version of the dogs they once experimented with, a door slammed with stickers from the gallery he and Ali Ha had on Orchard Street on the Lower East Side, and examples of their newer hardware inspired sculptures.
As he’s pulling trunks, shopping carts, crates and boxes out of the basement and poking his head inside the walk-in freezer looking for “vintage” Skewville pieces, you can see that their output throughout the years has been prolific and the mess of creativity makes you feel overwhelmed with joy as well and alert to the need for hand sanitizer.
When we asked him how felt opening all of those boxes he remarks,”When I was 28 I felt old and bitter. Now that I’m older I feel like 28 but I’m not bitter. Being bitter is not productive.” So there you have it. He’s no longer bitter. Just really old.
BSA doesn’t spotlight too much graffiti because we’re not very smart about it, and there are a lot of geniuses on graff out there. Plus the S-A part of our name precludes much BS on the graff tip. But some artists straddle the edge of graff and Street Art, and one artist who keeps catching our eye because of his placement and the light-hearted comedic quality of his character is Optimo, sometimes referred to as Werds (depending where you are surfing).
Short for Optimo Primo (best cousin), the graffiti artist Optimo grew up as a boy in Chelsea in the 1980s excited and ignited by the colorful graffiti he saw on trucks and trains around him. As a true original New Yorker, he names some of his stylistic influences as 1990s graffiti writers including Wolf1, Revs & Cost, Seen, Reas, and Sabe. His signature character has been on the streets since 2006, the American flag bandana as a symbol of free expression and the First Amendment, and the showman top hat something the artist likes to wear as well.
Now a full time artist selling his stuff on the streets of Soho, Optimo has showed his work in a gallery setting with a 40-piece show at Revolution Studios in Chelsea last summer and in a group show at Brooklyn Fire Proof in Bushwick as well as Culture Fix on the LES in the fall. His soft spot is box trucks, which he says he’s painted over 100 of, according to his bio on Tumblr, and he aspires to retain his signature style of “optimism”. Here is a BSA collection of images of work in New York and Miami by Optimo NYC.
New York Street Artist Blanco did a little touring around Beijing and Shanghai last week and took a few pictures to send back home during the tour. He liked finding some familiar names in an unfamiliar country, and he was even surprised. Along with a few quick pictures he caught on the way, he wrote to tell us about what he saw. Here’s what he says:
“I went to the Great Wall like all tourists do and I discovered Neckface tags on almost every garbage can I walked past.
In comparison to Beijing, which seems bureaucratic like Washington DC, Shanghai seems to be a lot like NYC, with more going on culturally, massive apartment buildings sprouting up all over, and a lot of money running through it.
In Shanghai I went to the French Concession neighborhood and I found a door with several tags from Utah and Ether, which made my day. It was kind of cool because I also found a Utah tag when I was in Rome three years ago and I don’t know Utah but just knowing that she is from NYC and has been in the same exact places as me is kind of comforting.
The next day I went to this art neighborhood that has a graff wall where it’s legal to paint and there were some pretty good pieces but I get a little bored with legal pieces.
After some more walking I turned a corner and found an amazing piece by Vhils and a little while later, in a more secluded spot, I found a second Vhils piece. Unfortunately it is kind of blurry – I couldn’t get a great picture of it because it was getting dark and it was in a dimly lit hallway with only one exit. I was alone and I could hear someone moving on the second floor of the abandoned building so I took a couple shots before I got scared and left but both pieces were pretty cool.” ~ Blanco
Rising deities in a darkened house of worship, the new geisha-like figures silently rise above your earthbound concerns and hover, gestural hands signalling a blessing for all who enter. These new works by Street Artist and fine artist HUSH at 941 Geary impart a serenity even as they swirl in patchwork brocades and Maypole strips of holy aerosol tags. Well lighted and well appointed, these near theatrical figures pierce the veil, solemnly, in search of a shabby gilded cosmos as Hush’s marrying of styles ultimately creates a new one at this show.
The streets have been seeing an uptick in socio-political messages recently, whether because of the Occupy protests, or because artists are exercising their speech in low cost, low-tech, person-to-person methods. The very personal nature of this kind of messaging actually feels impactful when it catches your eye with a sense of intention, grabbing you by the ear and making you think. This week we have Street Art commentary about housing, class inequality, the abuse of poser, erosion of privacy and fears of a police state. It makes sense that art on the streets is reflecting us back to ourselves.
Here’s our weekly interview with the street; this week featuring Buff Monster, Cash4, Cope, Dirty Teddies, Ema, Enzo & Nio, Essam, Faile, Hush, Ment, Shiro, XAM, and XXX.
“Making Faces” is as much about mix mastery as it is happenstance – kind of like walking on the street in New York. The boldly unmatching collection of portraits on view at Opera Gallery in Soho is sometimes thrilling, even challenging in it’s dismissal of category. There is this new crop of many of the Street Artists you’ve seen in the wild these last few years hanging with stars of the Chinese new wave, early 20th century European revolutionaries, an historic leader of impressionism, a surrealist – you know, a gamut. You could call it cleaning out the closets, or you could call it “Girl Talk curates the gallery”. Either way, it can be thrilling to see these pieces in this context; sparring, harmonizing, both.
Street Art springs at you when you are in ratty decayed lots in Bed Stuy, and similarly here you have rely on your own intellectual strengths to process the work in it’s surroundings, analyzing and imagining the coupling, or tripling. Is this a master or a pretender? You’ll figure it out eventually but the stimulation lies in your ability to let go of hard classifications and surprise prejudices to re-assess the faces and appreciate an occasional revelation at this New York mixer.
Artists include Yasmina Alaqui, Marco Guerra, Karel Appel, B., Jean-Michel Basquiat, BAST, Simon Birch, Bernard Buffet, Lita Cabellut, Marc Chagall, Sas Christian, Mauro Corda, Dinorah Delfin, Jean Dubuffet, Lori Earley, Ron English, Paul Insect, John John Jesse, Kid Zoom, Li Tianbing, Bengt Lindstrom, David Mach, Henri Matisse, Joan Miro, Phiippe Pasqua, Pablo Picasso, Gerard Rancinan, Pierre-Auguste Renoir, Rostarr, Judith Supine, Alexandros Vasmoulakis, Tom Wesselman, Yan Pei Ming, Zhang Xiaogang.
Today on Fun Friday:
1.”Making Faces” at Opera Gallery (Soho, NY)
2. “Nostalgia” at Rook & Raven (London)
3. “Bone Yard Project” at Pima Air & Space Museum (Tucson, AZ)
4. Phlegm at Nuart (VIDEO)
5. Official Trailer for “Getting Up” (VIDEO)
6. The Big Egg Hunt: Baku Magazine x Secret Wars (VIDEO)
“Making Faces” at Opera Gallery (Soho, NY)
An unusual collection of portraiture is on display starting today in Soho that knocks your head for a spin because of it’s loose theme that can stretch to embrace a century or two, a few continents, and about 30 schools of art.
Favorite pairing from last nights opening: Picasso next to Judith Supine. If he only knew.
“Making Faces” throws a cocktail party for old masters along with contemporary fine and Street Artists, including Judith Supine, Bast, Paul Insect, Rostaar, B., Zhang Xiaogang, Ron English and Kid Zoom sharing wall space with Chagall, Matisse, Miro and Basquiat among others.
For further information regarding this show click here
“Nostalgia” at Rook & Raven (London)
At the Rook & Raven Gallery in London the group show “Nostalgia” opens todaywith new works by Various & Gould, Dain, David Shillinglaw and Stinkfish, among others.
“Nostalgia” participants: Terry O’Neill, Dave White, DAIN, Rosie Emerson, David Shillinglaw, Various and Gould, Alex Daw, James Mylne, Stinkfish, Charlie Masson
Here is a video of David Shillinglaw, who prepared his piece for the “Nostalgia” show over the course of a week:
For further information regarding this show click here
“Bone Yard Project” at Pima Air & Space Museum (Tucson, AZ)
Another mind-blowing project – curated by Medvin Sobio and Carlo McCormick and conceived by Eric Firestone – opens tomorrow in Tucson, where there is a lot of space. Carcasses of planes lovingly wrecked by artists you love; The Pima Air & Space Museum in Tucson, Arizona announces the opening of “Round Trip: Art From The Bone Yard Project” this Saturday January 28.
More than 30 artists have participated in Round Trip including DC Super 3 planes painted by graffiti artists How & Nosm, Nunca, and Retna, and a C97 cockpit by Saner, and C45 planes by Faile and Andrew Schoultz.
For further information regarding this show click here
The Bone Yard Project 2012 by Viejas del Mercado (Medvin Sobio & 塚本清市) Featuring Retna, Nunca, Saner and How & Nosm.
Also happening this weekend:
At the Urban Folk Art Gallery in Brooklyn founder Adam Suerte has curated a show that includes ten years of work from his personal collection. Click here for more information.
Phlegm at Nuart (VIDEO)
Official Trailer for “Getting Up” (VIDEO)
“After being diagnosed with ALS and rendered almost completely paralyzed, legendary L.A. graffiti artist Tony “Tempt” Quan gets his voice back through technology that reads the movement of his eyes and enables him to create art and write once again.”
The Big Egg Hunt: Baku Magazine x Secret Wars (VIDEO)
Last month photographer and video artist Carlos Gonzalez tagged along with Street Art duo Dabs & Myla in Los Angeles to do a bit more than the typical mural project. Following them through the steps of their own tradition, Carlos captured some of their humanity along with their serious skillz with cans. Since illuminating different angles of the creative process that provide you with more insight is always a BSA value, Carlos has appeared on these pages many times as photographer and videographer. This time he’s thinking his newest project is a documentary. Let’s see what you think.
Brooklyn Street Art asked Carlos a couple of questions about his experience shooting on the streets and how many arms he would like to have:
Brooklyn Street Art:You like both stills and video. How do you divide your time when shooting a new installation between still photography and video. Do you wish you could have eight arms to cover everything that happens?
Carlos Gonzalez: I still lean more towards still photography even though I have a background in film and graduated from film school. I like the concept of freezing a moment in time. That’s something you can’t capture in video. When one remembers a certain moment from the past, it’s always an image or a single moment that comes to mind. It’s hardly ever a scene playing out entirely. At least that’s my experience. So I feel like photography captures moments that will never happen again in a more honest way.
Of course this complicates things when making a video because in essence, I have to choose between capturing those moments in stills or filming the moment. The best approach: Be ultra aware of everything that’s going on so when the special moment happens, you’re ready to capture it before it’s gone. What’s really interesting about this Dabs & Myla video, and one factor which didn’t hit me till later on, was how uniquely close the mural footage looked to my photos. In this instance, it was just a matter of predicting when those moments would happen and capturing them as soon as possible. So yeah, it’s a balancing act and at times, I do wish I had multiple cameras all running at once from 5 different angles. But even then, I’m sure I would still kick myself for missing out on a small human expression, a certain movement, a wink or a smile. Case in point, the shot where Myla’s hair is blowing amidst the wind. I wish I had photographed that moment as it happened. I still look back and think, “how did I not get that shot?”
Brooklyn Street Art:You begin the video with the artists going to a grocery store and debating over purchases. At the end we find out what they are used for. Can you talk about the experience from your perspective?
Carlos Gonzalez: The experience was really interesting and I felt privileged to be a part of it, mostly because I understood how important this tradition is for Dabs Myla. Before the mural even took place we got together and talked about the tradition, their reasons for doing it, and I even saw early sketches of the mural. From that moment I understood how special this project could be and it simply came down to capturing the whole experience in the most honest way possible. The entire process really came down to capturing as much footage as possible. Sure there were ideas of how to edit the video. But those concepts are always changing so you don’t worry too much about those technical aspects in the start. At least with this video, which I treated like a short documentary, I was just concerned with making sure I filmed moments that feel unique and that have a human element that we can all relate to.
I never once asked Dabs Myla to replay a certain moment just for the camera. I basically asked them to go through their routine as usual and pretend that I was never there. This feeling definitely comes through the video. From the second they walk into the grocery store to the final shot of the film, it’s all real emotions and actions bursting through the screen. So in a way, this video is not so much about a mural, but rather it’s a story about helping one individual with street art as the backdrop. The last part of the process was to edit the footage in such a way that put a question in the viewers’ minds about what the tradition may be and you keep their attention till the very end so there’s an emotional payoff.
Brooklyn Street Art: When you’ve hung out with artists creating murals on the street, have you had occasion to meet people who live there?
Carlos Gonzalez: I have had the chance to meet individuals whose properties or walls are being painted on. And they’ve always being very supportive of the art. I’ve only had one instance where certain people or neighbors feel like street art is affecting their neighborhood in a negative way. So yes, there’s a bit of stigma still attached to graffiti and street art, but it’s clearly changing and it’s more acceptable now than it ever was. And hopefully videos like this one and others can change more people’s perspective about how this kind of art can have a much more positive aspect across different communities.
Team Robbo, the fun-loving anti-Banksy graffti Collective from South London who is not pleased with the appearance of work by the world-known Street Artist. Even in his hometown of Bristol, Banksy gets no respect from Robbo, and apparently The Rolling Stones are now buffing as well? Team Robbo employs a classic Stones lyric “Paint it Black” by way of engaging the public with a very open demonstration of tough street love and ironically, the only thing you may remember from the effort is the refrain.
Interviewed regarding this Street Art/Graffiti rivalry that sends bloggers and print journalists into paradoxisms of high alert, this local London duck was non-plussed. While congenially posing for a photo opp on Regents Canal, Mallard seemed to know little about the whole home turf affair and wondered aloud if we had any bread crumbs.
Thanks to Garry Hunter for his in-the-field photography.
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
