Fun Friday 01.13.12

January 13, 2012

 

1. “Lost and Found” Tonight in Brooklyn
2. “On the River…”, Robyn Hasty AKA Imminent Disaster Open Today
3. SuperTwins Skewville in San Francisco Employing “Playground Tactics”
4. “Hybrid Thinking” at Jonathan Levine Saturday
5. Muhammad Ali Hits 70, and the Show Begins Saturday
6. Klughaus Gallery, Jesse Edwards show “Dialogue of the Streets”
7. Le Salon d’Art, Fumero and Joseph Meloy , “90 Stanton Street Art Show”
8. Jesse Edwards by Tom Gould (VIDEO)
9. Kophns One: Kophenjoy by The Site Unscene (VIDEO)
10. Ben Eine Off Canvas by Studio Stare (VIDEO)

“Lost and Found” Tonight in Brooklyn

“Lost & Found” opens today at Mighty Tanaka Gallery in DUMBO, Brooklyn with the participation of Adam Void, Alice Mizrachi, Curtis Readel, ELLE & John Breiner:

Avoid with friends in the wild. (photo © Jaime Rojo)

“On the River…”, Robyn Hasty AKA Imminent Disaster Open Today

Her first New York solo show “On The River…” is actually the joining of two strong and handsome rivers into one. Her Street Art work finds a sister in this new wet-plate photograph collection at the cozy Kesting/Ray Gallery in Manhattan.

Robyn Hasty. New Orleans 2011 (photo © Jaime Rojo)

To read our interview with Robyn click here

For further information regarding this show click here

SuperTwins Skewville in San Francisco Employing “Playground Tactics”

The Queens natives and New York wiseguys are re-wiring an entire band from their imagined musical teen heartthrob youth – the one where Droo was adding more gel to his perfect hair and punishing his Fender onstage and Ad was getting high in the mop closet. White Walls in San Francisco takes the risk of letting the Street Art duo put on a show this time, and you can expect more “Playground Tactics” Saturday.

Skewville “Playground Tactics” (image courtesy of the gallery)

For further information regarding this show click here

“Hybrid Thinking” at Jonathan Levine Saturday

“There’s a growing creative movement that we’ve dubbed Hybridism: a blend of both street art and fine art – a hybrid – as the raw meets the refined,” as the 2009 group show at Brooklyn’s Mighty Tanaka observed while giving evidence of what was happening on the streets and in galleries in the Brooklyn show “Hybridism”. Of course, Daniel Feral’s diagram points to 2008 as the beginning of “Hybridism”.

Similarly a year ago at Hold-Up Gallery in LA there was the “Hi-Graff” show that excitingly merged many Graff and Street Art movements as we observed at the time, “Those Cold War years are being chopped away brick by brick like the Berlin Wall 20 years ago, and a new language borrowing vocabulary from graffiti, street art, fine art, advertising, and pop/punk/hiphop/skater/cholo/tattoo culture continues to emerge in ways we never thought of before.”

Now in 2012 Manhattan’s Wooster Collective continues the conversation to reveal “Hybrid Thinking”, their collection of an international roster (South Africa, Germany, Spain, Amsterdam, Beijing) of names that have been successful in the galleries and streets, illustrating what you have been seeing alive and expanding for the last decade. In the curators’ words: “Hybrid Thinking refers to the current zeitgeist of our time: disparate cultures coming together to create something completely new.”

This roster includes Dal, Herakut, Hyuro, Roa, Sit and Vinz.

ROA in Miami. (photo © Jaime Rojo)

For further information regarding this show click here

Muhammad Ali Hits 70, and the Show Begins Saturday

An culturally interesting thematic show honoring the fighter Muhammad Ali called “Ali The Greatest”opens tomorrow at Evolve Gallery in Sacramento, CA. With new stuff from Joe Iurato and David Flores among others, the show is expected to travel to Vegas and New York and celebrates the 70th birthday of the man.

Joe Iurato. “Muhammad Ali: Almost Showtime” (photo © Joe Iurato)

For further information regarding this show click here

Also happening this weekend

At the Klughaus Gallery, Jesse Edwards show “Dialogue of the Streets” Click here for more details.

At Le Salon d’Art, Fumero and Joseph Meloy , “90 Stanton Street Art Show” is open to the general public. Click here for more details.

Jesse Edwards video by Tom Gould

Kophns One: Kophenjoy by The Site Unscene

 

Ben Eine Off Canvas by Studio Stare

Read more

White Walls Presents: Skewville “Playground Tactics” (San Francisco, CA)

January 13, 2012 , , , ,

Skewville

White Walls is pleased to present “Playground Tactics,” an intriguing collection of new works by Brooklyn-based artists Skewville, curated by Tova Lobatz. This will be Skewville’s first solo project with White Walls, with approximately 30 pieces and an installation that w…ill encompass and connect the Skewville style to the indoor space. The opening reception will be Saturday, January 14, from 7-11 pm, and the exhibition is free and open to the public for viewing through February 4, 2012.

As the artistic duo known infamously as Skewville, twin brothers Ad and Droo, gained recognition in the late nineties with their fake wooden sneakers tossed over telephone lines. While continuing a heavy presence in the public art forum since then, Skewville has also entered galleries with varying size of artworks on plywood, and a focus on installation. A constant source of the brothers’ inspiration is the New York City lifestyle- including graffiti, fashion, and urban expression. To create this urban experience, Skewville looks for mediums outside the canvas and paints on found objects with house paints.

“Playground Tactics” will feature large-scale and complex fine artworks themed around the old school city playground, a place where Skewville spent much of their time during adolescents. These city playgrounds set the scene for the artists’ young minds to flourish and experiment with worldly ideas and concepts. Skewville will use the playground to go back to the roots of exploration and translate that imagination into the gallery setting. Stylistally known for using urban materials, the brothers will not disappoint on that front, and may incorporate found objects and vintage toys from their past.

From the artists:

“The Ideology of Skewville came outta a crooked building filled with our collectibles and antiques we got at yard sales…hundreds of board games, lunch boxes, Star Wars, all that good stuff. We collected a lot of stuff that our mother ended up selling off at yard sales so as young adults we tried to buy back our childhood. We intend on using a lot of these oldschool items in the work and installations.

As twins, growing up with a constant playground companion always put us above the curve, but always being given a single identity (i.e. “the twins”) has always made us separately want to strive harder for our own style. Even as Kids we were always on a mission to change things up, from building club houses to making Slingshots while the rest of the kids were playing stickball. Still decades later we are still making art outside and playing with their environment, as well as still building sculptures, painting, and now printmaking and installations. Most people try to relieve their youth, while Skewville has maybe never let it go. So this random childlike energy that keeps evolving our aesthetic into new mediums has tactfully become known as the Skewville Style.”

Playground Tactics opens this Saturday, January 14th, 2012
White Walls
835 Larkin
San Francisco, CA

Read more

Wunderkammern Gallery Presents “Nature’s Revenge” LUDO Solo Show (Rome, Italy)’

January 12, 2012 , , , , ,

LUDO

Wunderkammern presents the young urban artist Ludo for his first solo show in Italy,: nature, both magnificent and menacing, challenges humankind from the walls of the city.

On show in Rome from 21st January at Wunderkammern, where he is making his first appearance
in Italy, the young French artist Ludo is one of the most innovative and promising on the urban art
scene. He has left his mark in major cities throughout the world (Paris, London, Zurich, Oslo, New
York, Los Angeles and Chicago), with surreal and bewildering works that are perfectly integrated
with the context in which he places them.

Ludo’s creatures emerge from reassuring greyscale images blended with acid green that is poured
onto paper, sending out a message of humility for contemporary society. Elegant and vindictive,
the artist’s creations belong in fact to the series Nature’s Revenge and Bugs: plants and insects
drawn with botanic precision, which have evolved into mechanical, chemical and technological
hybrids as a way of defending themselves against people’s aggression.

With his latest series, entitled Co-Branding, major brands like Chanel, Dior, Calvin Klein, H&M and
Benetton are transformed into aggressive and inappropriate images that nonetheless seem
perfectly in line with the aesthetic canons of contemporary publicity, thus contrasting consumers’
inurement to bombardment by multinational brands promoting luxury and much more.

On the occasion of his exhibition at Wunderkammern, Ludo will present a series of works on paper
and canvas from the series Nature’s Revenge and Co-Branding, as well as sculptures created
specifically for the gallery. Images of a proud and haunting nature, where the aesthetic canons of
advertising are filtered by the artist’s ironic and mocking eye.

WUNDERKAMMERN
via Gabrio Serbelloni 124, Roma
web: www.wunderkammern.net
email: wunderkammern@wunderkammern.net
Tel: +390645435662
ingresso gratuito

Read more

Klughaus Gallery Presents: Jesse Edwards “Dialogue of the Streets” (Manhattan, NY)

January 12, 2012 , , , , ,

Jesse Edwards
“Dialogue of the Streets” will feature a selection of Edwards’ strongest paintings produced over the last two years, including the classic landscapes and unconventional still lifes he is known for. Edwards’ rare appeal lies in a uniquely successful ability to cross-pollinate the classical 19th Century style of the Old Masters he idolizes with a contemporary subject matter from his personal street life. His oils on canvas are as likely to depict a marijuana plant or a crack pipe as they are a calming Tompkins Square landscape. A still life of a Playboy, a sock, and a jar of Vaseline is rendered as tenderly as a sweeping view of a Pacific Northwest park.

Opening Reception:
Date: Friday, January 13, 2012
Time: 6:00pm-10:00pm
Location: 47 Monroe Street New York, NY 10002

Read more

Evolve Gallery Presents: “Ali: The Greatest” A Group Show (Sacramento, CA)

January 12, 2012 , , , , ,

Ali The Greatest

“Ali: The Greatest”  celebrates and commemorates Muhammad Ali’s 70th birthday.

“Ali: The Greatest”
A fine art exhibition and tribute to boxing legend Muhammad Ali’s 70th Birthday
January 12 – 28, 2012

Featuring: Adrian Pickett, Alvin Burts, Alex Forster, Corey Pickett, Charly Palmer, Gerry GOS” Simpson, Frank Morrison, Joe Iurato, James Gayles, James Henninger, Kadir Nelson, Kevin OKeith, Kelvin Curry, Kinzie Davis, Lauren Gillette, Lisa Alonzo, Paul Goodnight, Tim Okamura, Charles Bibbs, Michael Grattan, Michael Brennan, and David P. Flores.

Preview Reception – Thursday, January 12th (6pm-9pm)
Opening Reception – Saturday, January 14th (6pm-10pm)

Evolve Gallery
2907 35th Street, Sacramento, California 95817
Gallery Hours: Thursday through Saturday |1-6pm | Please call first (916) 572-5123

Read more

Robyn Hasty AKA Imminent Disaster: Journey Across The Heartland

January 12, 2012 , , , , ,

About a year ago you may remember the Kickstarter banner we ran on BSA to raise money for New York Street Artist Robyn Hasty AKA Imminent Disaster to travel across the US capturing portraits with a very old photographic process for a project called “Homeland”.  The campaign was successful, and despite an episode where her car “Cecelia” completely broke down and needed a new engine, Robyn set out to find another side of the country, seen through a new set of eyes. The first portrait result we saw was the image she put in BSA’s show last August in LA, but tonight you have the opportunity to see her first real exhibition of this work at Kesting/Ray Gallery in Manhattan. In addition she’ll be showing new cut paper  works that many will be familiar with from her work on the street as Imminent Disaster in the late 00s.

Robyn Hasty (Photo © Jaime Rojo)

Over the course of 15,000 miles with her wet plate collodion camera and her chemicals in hand, Robyn set out on a road trip across the country to take photographs of people living outside the established urban settings and gridwork that forms much of the US. These simple and complex works are “magical alchemy”, according to Hasty.

“Every time I took a picture it just surprised me how it looks when it comes up. The camera doesn’t see like your eye sees. So every time you see what the camera sees – it’s a discovery.”

The new portraits bring to mind the work of the late master photojournalist from Hoboken, New Jersey Dorothea Lange (1895-1965). Ms. Lange documented with her arresting images the plight of the migrant workers during the great depression for the Farm Security Administration from 1935 to 1939. Now amidst our great recession, her wet plate collodian tintype produce beautiful portraits of her subjects that seem strangely akin to those subjects of that time – captured in their surroundings as they live today.

Robyn Hasty. New Orleans (Photo © Jaime Rojo)

Ms. Hasty took a few moments from hanging the show to talk about the new work with Brooklyn Street Art.

Brooklyn Street Art: What did you think you were going to discover
Robyn Hasty: I guess I was hoping to find relationships between a community that I’ve been working with in New York, and across the country in various ways, to see how that community kind of extended beyond those boundaries and was formulating into a movement. It is a national movement creating an alternative way of living that is different from the capitalist system.

Brooklyn Street Art: In a way you kind of envisioned, or saw in a some way, what happened at Zuccoti Park but in different parts of the country?
Robyn Hasty: I think the thing that was significant about Occupy Wall Street was that it started in New York and within weeks it had spread to most other cities in the country. That seems to indicate that there is actually an unrest and a unity between people who feel that they want radical change and I think I do see a lot of commonalities with the different people I met. An overlap in ideologies; they may not agree in ideologies and there may not be an established ideology that is stated, that has been formalized.

Robyn Hasty. Brooklyn, NY (Photo © Jaime Rojo)

Brooklyn Street Art: You encountered people you didn’t know. Was it difficult for them to say yes to posing? How did you approach them?
Robyn Hasty: Most people were receptive to it. I just introduced myself and sometimes I would chat for a while and then eventually I’d show them the wet plates I’d already taken and ask them if they wanted to be involved in the project and have their portrait taken. Usually they said yes.  There were a few cases where they said no.

 

Robyn Hasty. St. Louis, MO (Photo © Jaime Rojo)

Brooklyn Street Art: What sort of inspiration do you get from these people?
Robyn Hasty: I feel like I choose the portraits that I take because I feel a connection to my subjects, like as a cohort. I respect what they are doing. I am inspired by what they are doing, and I feel like there is kind of an overlap between what we’re trying to do in our lives.  Based on that relationship, it is the reason why I’m taking the portrait and what I’m trying to convey in the portrait to other people.

Brooklyn Street Art: What was it like traveling across the country? Was it ever lonely?
Robyn Hasty: I rarely felt lonely. I think I had a very positive experience because I realized how large the country is, how beautiful it is, how many opportunities there are to build and to re-envision it. I think I saw that from traveling across it.

Robyn’s large scale, cut paper portraits for which she is mostly known with her work on the streets are part of this show as well.

Robyn Hasty. Self Portrait (Photo © Jaime Rojo)

Robyn Hasty. Detail (Photo © Jaime Rojo)

Robyn Hasty (Photo © Jaime Rojo)

Robyn Hasty (Photo © Jaime Rojo)

Robyn Hasty (Photo © Jaime Rojo)

The original banner we ran on BSA for the Kickstarter fundraiser. (left)

For more information and complete details about tonight’s show “On the River…” opening at Kesting/Ray Gallery, click here.

Read more

Isaac Cordal : New Cement Guys in Galicia, Spain

January 11, 2012 , , ,

Isaac Cordal,  “Survivor 1” (photo © Isaac Cordal)

Street Artist and sculptor Isaac Cordal installed new work on a recent visit to his native town of Galicia in Spain. As much a project about photography as sculpture, it is an illuminating trip to follow his little grey men while they interact with the world. With his impeccable sense of placement and capture, instant storylines emerge just because of their context. Vulnerable, engaging, sometimes pessimistic, or quietly reflective, Cordal’s cement vignettes always look like these cement fellows are caught in the middle of a stream of activity they didn’t quite elect. Ultimately, the impact lies in the artists imagination, and yours.

Here are exclusive images of the new work for BSA readers (along with our witty and insightful captions).

“He seems to be a soft-spoken, measured leader, with a solid vision for the future.”  Isaac Cordal, “Survivor 2” (photo © Isaac Cordal)

“Interesting, we may have a discovered a blind spot in the system, which otherwise seems to be on track for the year-over-year returns. ” Isaac Cordal, “Survivor 3” (photo © Isaac Cordal)

“Going forward, I’m optimistic about 3rd Quarter earnings, despite a rising tide of negative indicators”. Isaac Cordal, “Titanic 1” (photo © Isaac Cordal)

“You guys go ahead, I’ll be right there. I just want to check some messages.” Isaac Cordal, “Titanic 2” (photo © Isaac Cordal)

“On second thoughts, those environmental regulations were a good idea. Sorry.” Isaac Cordal, “Mutant” (photo © Isaac Cordal)

Read more

Winners of Stikman Calendar Announced

January 10, 2012

Just wanted to update everybody on the Happy New Year Stikman 2012 Calendar give-away today …

As expected, a.) they went fast and,  b.) people love Stikman.  Congratulations everybody!

Discovering Stikman pieces in NYC is one of my fave things. Even better when I saw them in Chicago! Everyone I introduce them to falls in love with the city all over again.

RM

<<>><<>><<>><<>><<>><<>><<>><<>><<>><<

Dear Stikman,
You are invited to my wedding. You will be the groom.
Love
Elisabeth T.

P.S. I would love to know what day it is

 <<>><<>><<>><<>><<>><<>><<>><<>><<>><<

I’d be honored to have one of your calendars. I’ve been tracking your work all over NYC for the last 3-years…

Keep ’em coming!!!!

Scott B.

<<>><<>><<>><<>><<>><<>><<>><<>><<>><<

I love Stikman because I find him in the most unexpected places… like on a bridge in downtown Chicago! (I’m a New Yorker!)
And I he draws on choral hymn music… love.

Best,
Amanda D.

<<>><<>><<>><<>><<>><<>><<>><<>><<>><<

Stikman iz gr8 bc he izn’t overwhelming liek “soem” street
artiztz…and no matter where he may be found it’z alwayz juzt enough
2 grab ur attention until the next tiem u turn n find him…for such a
simple dezign he’z so recognizable.
do i win? lol! 0:P

Steven L

Read more

Stikman Wants You To Have A Sexy 2012

January 10, 2012 , , , , ,

You’ve seen him in the pavement, you’ve seen him stuck to lamp posts, now see him every day inside your locker at school! Stikman made a handful of these for the new year, featuring one of those dapper dames from calendars you used to stare at while sitting on two phone books at Dad’s barber shop.

2012 by Stikman. (photo © Jaime Rojo)

Always reinterpreting the iconic Stikman in new venues and mediums, this perky little new pin-up by the Street Artist is Joyce Ballantyne meets Penthouse meets The Car’s album “Candy-O”.  2012 is just big enough to slide into a legal sized envelope and Stikman is feeling very generous indeed, allowing us to send one free to the first five BSA readers who write and tell us why you love Stikman.

These calendars are not offered for sale anywhere and he only made a handful, so write to us with your address at stikman2012@brooklynstreetart.com and tell us why you love Stikman. We’ll write back to the first five.

In the meantime, enjoy these shots from Jaime Rojo in New York; Stikman’s recognizable  character pops up very often in different parts of the city. Below are some of our favorite versions.

Stikman plays with Banksy (photo © Jaime Rojo)

Stikman (photo © Jaime Rojo)

Stikman (photo © Jaime Rojo)

Word! Stikman (photo © Jaime Rojo)

Watching your step, Stikman (photo © Jaime Rojo)

Straight to the heart of the matter, this Stikman appears on the remains of a piece by Know Hope. (photo © Jaime Rojo)

Stikman in cartoon hand (photo © Jaime Rojo)

A re-purposed movie poster by Stikman (photo © Jaime Rojo)

 

Read more

Le Salon d’Art Presents: Fumero and Joseph Meloy “90 Stanton Street Art Show” (Manhattan, NY)

January 9, 2012 , , , , ,

Fumero and Joseph Meloy

So it’s THURSDAY, JANUARY 12th and you ask yourself “What am I doing tonight? Where will I be? What is on the agenda for today?” And then you remember, “Oh right! Tonight is the opening party for the 90 STANTON STREET ART SHOW! Today is Thursday, January 12th!” A warm rush of endorphins lifts you up as you envision the idea of hanging out in the Lower East Side in an alternative gallery space on Stanton Street, surrounded by exciting urban artwork that’s never been seen before (expressive post-graffiti kind of stuff kinda exploding with colors and interesting lines and shapes and marks), and you are mingling, and you are drinking alcoholic drinks for free and having a pretty damn good time on this Thursday evening in January…This is the kind of vibe we’re talking about on January 12th at the 90 STANTON STREET ART SHOW, proudly presented by Le Salon d’Art and featuring the artwork of FUMERO and JOSEPH MELOY.

Joseph Meloy “Fiesta” (image © courtesy of Joseph Meloy)

If you’re in the mood for vibrant and uniquely personalized portraiture, rendered in bold post-graffiti style and composed with the eye of a Renaissance man, then come to the show and enjoy the classy and classic-meets-modern artwork that is FUMEROISM, courtesy of fine art painter FUMERO.

Fumero “Eyes” (image © courtesy of Fumero)

And if you enjoy futuristic cave paintings from an era that is right now, highly abstracted hieroglyphic land and cityscapes and maps and all kinds of wacked out post-graffiti-fine-art-Rorschach-Test-lookin’ goodness, then surely you will enjoy the artwork of JOSEPH MELOY and his special brand of VANDAL EXPRESSIONISM.

So come on out and have a good time and if you see something you really like, guess what, you can buy it and take it home with you so there you go. Free admission, top notch art to look at and to buy, a live DJ, uhh snacks, cool people and memories to last a lifetime! Maybe one day you’ll be telling your grandkids about how you were so cool back in the day because you were there for the opening party of the 90 STANTON STREET ART SHOW! On THURSDAY, JANUARY 12th!



Thursday, January 12, 2012
“90 Stanton Street Art Show – featuring VANDAL EXPRESSIONISM and FUMEROISM”
Opening Reception: 7PM – 11:30-PM
90 Stanton Street, NYC
Read more

Texting at the Bus Stop, On the Bus Stop

January 9, 2012

(Image © Ludo)

An interesting departure for Street Artist LUDO, the Parisian who’s usually messing with nature:  a new series of images show what appears to be bus shelters scrawled with clever phrases and plays on words. Can’t help but be reminded of Brooklyn’s Elbow Toe, another studio artist who places text-based snatches of poetry and reverie on dumpsters and doorways around New York. Without stylistic flourish or flair, this form of street texting has antecedents of course; Basquiats’ SAMO scripting, for example, and REVS underground diaries, among others. It raises questions about how one might define it? Street Art? Graffiti? It is just interesting to follow this thread that continues into this new year.

Elbowtoe (photo © Jaime Rojo)

 

Read more

Images of the Week 01.08.12 Miami Special Part II

January 8, 2012 , , , , ,

Here is the 2nd half of the Miami images we captured for you from the massive blocks long street installation party called Art Basel this year. Most of these pieces are legal, many are not. You can call them Street Art, but not all are actually on the street and many could also be classified as murals.

Now is a perfect window of opportunity to go see these as many will be buffed in the next few weeks and months, as property owners sell the buildings or decide they didn’t actually dig the art as much as they thought they would. Within a decade or so, this area in Miami will most likely be less enthused with and even hostile toward graffiti and Street Art in general, but the red carpet is laid out at the moment. Artists are flocking from all over the world to jockey for walls, hoping to be seen by potential fans and collectors, or at least to hang out with peers and make new friends. This is a moment on a timeline and, for right now, the colors, patterns, textures, messages and lucid dreams are pulsating on walls everywhere; a mountain of creativity set free.

So here are more than 50 images in our interview with the street, this week featuring 2501, Adjust, AM, Andrew Schoultz, Art Basel 2011, AWR, Bask, Ben Eine, Bik Ismo, Buff Monster, C215, Chris Stain, Clown Soldier, Col, Cope, Dabs&Myla, Des, Ema, Emo, Entes Pesimo, Ethos, Ever, Florida, Gaia, Interesni Kazki, Jade Uno, Jaz, Joe Iurato, Liqen, Miami, Michael DeFeo, Neuzz, Nomade, Nomads, Nunca, Pancho Pixel, Pez, PHD, Pi, el Pancho, Primary Flight, Remote, Retna, Roa, RONE, Shark Toof, Shiro, Smells, Spagnola, Stormie Mills, Vhils, Wynwood Walls, and Zed1.

With special thanks to all the people who helped us out, showed us around and provided insight and background, especially the good folks from Primary Projects and Wynwood Walls.

Liqen (photo © Jaime Rojo)

Liqen’s metaphoric mural of miserable corporate finance workers in a labyrinthine maze may have been the singular most powerful and timely image this year.   (photo © Jaime Rojo)

Liqen (photo © Jaime Rojo)

International star Vhils and crew created a few signature portraits using his very original method of destruction and creation, a low relief sculpture that emanates from the wall (photo © Jaime Rojo)

Rone’s model looked skyward from a few locations on the street. (photo © Jaime Rojo)

Shiro (photo © Jaime Rojo)

Now, why is that? Smells Like Junk (photo © Jaime Rojo)

ROA and Ben Eine hit up this little corner spot with Primary Flight. The unusual free-standing structure called “The Living Room” has played host to a number of graffiti, mural, and street artists over the last few years, and this year also featured a pop-up piano ensemble performance. (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

JAZ (photo © Jaime Rojo)

Neuzz (photo © Jaime Rojo)

Assume Vivid Astro Focus killed this wall last year and it still looks fresh. (photo © Jaime Rojo)

Famed duo Assume Vivid Astro Focus (photo © Jaime Rojo)

New Jersey’s Joe Iurato (photo © Jaime Rojo)

Jade Uno . Entes Pesimo (photo © Jaime Rojo)

Gaia and C215 appeared frequently with one another this year on the street. This one is bookended by some Nomade posters (photo © Jaime Rojo)

Gaia, C215 (photo © Jaime Rojo)

Bik Ismo, a custom hot rod, and of course a couple of appreciative dudes. (photo © Jaime Rojo)

Zed1 (photo © Jaime Rojo)

Despite relative domestic tranquility, sometimes Felix and Ana were not sure if they were seeing the same thing. Ever (photo © Jaime Rojo)

Retna stretched his alphabet tall, and tucked in many tributes to local friends. (photo © Jaime Rojo)

 

Interesni Kazki . Liqen (photo © Jaime Rojo)

Interesni Kazki and Liqen combined forces on this mural referencing the world wide web. (photo © Jaime Rojo)

Interesni Kazki . Liqen (photo © Jaime Rojo)

Interesni Kazki . Liqen (photo © Jaime Rojo)

Michael DeFeo lit up a desolate spot under the highway. (photo © Jaime Rojo)

Ethos (photo © Jaime Rojo)

Emo, PHD, Remote (photo © Jaime Rojo)

Emo (photo © Jaime Rojo)

Ema (photo © Jaime Rojo)

A killer repetition from Des (photo © Jaime Rojo)

Dabs & Myla collaboration with AWR (photo © Jaime Rojo)

Col on a bed of seafoam blue (photo © Jaime Rojo)

Chris Stain brought some friends from New York and Baltimore. (photo © Jaime Rojo)

This bull head popped out at discrete locations. Artist Unknown (photo © Jaime Rojo)

Bask bolted to a post. (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Stormie Mills (photo © Jaime Rojo)

One of the few blatantly political pieces from Spagnola, with additional commentary added by a third party. (photo © Jaime Rojo)

This Shark Toof appears to be whispering something to Anthony Lister. (photo © Jaime Rojo)

Pixel Pancho kind of killed it.  (photo © Jaime Rojo)

Pez is on multiple surfaces everywhere. (photo © Jaime Rojo)

Nunca (photo © Jaime Rojo)

Nunca (photo © Jaime Rojo)

Cope crushed repeatedly. (photo © Jaime Rojo)

Clown Soldier stands guard at the gate. (photo © Jaime Rojo)

Buff Monster . Cope (photo © Jaime Rojo)

2501 (photo © Jaime Rojo)

Andrew Schoultz (photo © Jaime Rojo)

Andrew Schoultz (photo © Jaime Rojo)

AM (photo © Jaime Rojo)

Adjust (photo © Jaime Rojo)

Read more

Recent Articles on BSA