U.K.

The Outsiders Gallery Presents: TrustoCorp “International Bank of TrustoCorp” (Newcastle, UK)

October 2, 2012 , , , , , ,

TrustoCorp

Artists: TrustoCorp
Location: The Outsiders – Newcastle
Dates: Friday 5th of October 2012 to Saturday 10th of November 2012

21st century iconoclasts Trustocorp make their debut outside of the USA at The Outsiders Newcastle gallery this autumn. International Bank of Trustocorp is a landmark interactive show will appeal to anyone interested in contemporary art and future politics.

A paradigm shift in protest art, Trustocorp use a visual language more commonly associated with mainstream media and big business to pursue an insurrectionary agenda. The collective has placed fake products in supermarkets, installed ersatz magazine covers on newsstands and placed subversive street signs across America.

Trustocorp eschew the hackneyed politics of the established left in favour of ‘post post-modern’ politics that preach self-reliance, self-worth. Their maniefesto especially rejects our fearful, material and hedonistic contemporary society perpetuated by a nanny state and alarmist media.

For ‘International Bank of Trustocorp’ the accomplished apostates will employ their high production values to transform the gallery into a counterfeit counting house that examines the power of currency.

“We’re exploring the power of money in our lives on a local and international level,” a Trustocorp spokesperson explains. “From the high power gambling of Wall Street to the broken dreams of ‘Main Street USA,’ money is simultaneously the root of all evil and the solution to all problems. This show is our take on the global effect of greed and the need for money.”

PRIVATE VIEW DETAILS – Thursday 4th October from 6pm ‘til 9pm at The Outsiders Newcastle.

‘The International Bank Of TrustoCorp’ will be open to the public from 5th October – 10th November 2012, Tuesday to Saturday 12 – 6pm, admission is, as always, free.

The Outsiders Newcastle, 77 Quayside, Newcastle upon Tyne.

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Signal Gallery Presents: Guy Denning “Paradiso” (London, UK)

September 26, 2012 , , , , , ,

Guy Denning

We are delighted to announce that we are showing the work of the much loved and respected Bristol artist, Guy Denning in his first London solo show for two years. It’s the final part of his trilogy of exhibitions interpreting Dante’s The Divine Comedy; PARADISO. Inferno and Purgatorio, which were shown in Bologna and New York, were a tremendous success and we think that the final part of the cycle will be equally so.

In PARADISO Denning has created a series of works that use highly individual visual imagery to depict the ecstatic route to a place of resolution and rest (for Dante the route to heaven). He is intrigued by how the moral ambiguities of the world we live in; with it’s emphasis on glorifying the here and now, finds resonances with the unshakeable medieval belief in the existence of life after death. Like Dante, Denning draws on contemporary political concerns to illustrate his vision.

Part of the exhibition is inspired by Beatrice, Dante’s long dead love, who is the central figure in the poem and who symbolises feminine purity and vulnerability. To represent this aspect of PARADISO Denning has painted a series of delicate portraits of famous women from the recent past, who died young and who have found immortality in their enduring youth.

Denning has been an artist all his adult life and in 2007, he moved from Bristol to rural Brittany to concentrate fulltime on his painting. The artistic freedom this move has given him has contributed greatly to the intense and consistently beautiful work that he has produced in this period; quite simply it has raised his art to a whole new level.

His belief in the importance of drawing skills is the foundation of all his work. He uses traditional painting methods of building up work from underlying sketches, mostly from life and often using his friends as models. Guy’s painting, mainly oil on canvas, is approached with an intellectual rigour, which is always directed towards a truthful interpretation of the world as he sees it.  He is a unique artist in his technique, manner and choice of subject matter and this is at its best in his modern representation of Dante’s 14th century world.

The private view is on the 4th October and the show runs until the 27th October. Please let us know if you need any further information or images. Here is a link to a preview video that we think captures the very essence of PARADISO

Signal Gallery · 32 Paul Street · London, Eng EC2A 4LB

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Gamma Proforma Presents: Futurism 2.0 A Group Exhibition (London, UK)

September 16, 2012 , , , , , ,

Futurism 2.0

FUTURISM 2.0 / Group Exhibition 

 

Augustine Kofie, Phil Ashcroft, Boris Tellegen (Delta), James Choules (sheOne), Matt W. Moore, Mark Lyken, Sat One, Christopher Derek Bruno, Moneyless, Mr Jago, Nawer, O. Two, Morten Andersen, Keith Hopewell(Part2ism), Jaybo Monk, Poesia, Derm, Jerry Inscoe (Joker), Remi/Rough, Divine Styler and Clemens Behr.

 

Blackall Studios

73 Leonard Street

Shoreditch, London,

EC2A 4QS.

Tel: +44 (0) 20 7739 9551

Launch Night

Thursday 27th September, a private preview for Sponsors, VIP’s and collectors with artists present. A selection of left-field DJ’s will be providing the soundtrack, a mix of classic and contemporary sounds.

RSVP: events@gammaproforma.com

 

Public Opening/

Friday 28th September 2012, the gallery will be open to the public all day. DJ’s and drinks from 6pm.

The exhibition will run from Thursday 27th September – Tuessday 2nd October.

Friday – Saturday 11am – 8pm
Sunday 12pm – 5pm
Monday – Tuesday 11am – 8pm

Live Paint/

Saturday 29th / Sunday 30th September. An ensemble of artists will paint live in London.

 

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“We stand on the last promontory of the centuries! Why should we look back, when what we want is to break down the mysterious doors of the Impossible? Time and Space died yesterday. We already live in the absolute, because we have created eternal, omnipresent speed.” – Marinetti, Futurist Manifesto, 1909.

 

SYMMETRY ACROSS CENTURIES

In 1912, just three years after the manifesto was published, the Futurists exhibited in London for the first time. A hundred years later on September 27th, 2012, just three years after the creation of Graffuturism.com, the Graffuturists will exhibit for the first time in London at Blackall Studios.

 

THE IDEALS OF DYNAMISM AND PROGRESSION

At the core of both movements are the parallel ideals of “dynamism” and “progression.” Both of these keywords conjure a sense of action, motion and movement, wavering disturbances of change pulsing forward, like an electrocardiogram, along a historical continuum into the future. Marinetti extolled the virtues of a dynamic art form that was alive and motivated; Poesia, the founder of Graffuturism.com, has stated that the word Graffuturism was inspired by the desire to articulate a progressive impetus for graffiti.

 

URBAN, ONLINE, GLOBAL

Uplifting arms together in spirit, both these movements revel in the urban environment as a petri dish for the advancements and inventions of their age. Just as Futurism embraced the Industrial Age and its recently mechanized urban centers, Graffuturism embraces the Digital Age and its recently wired urban-global community. For the Futurists, the ideals of dynamism were expressed in images of their century’s new inventions, such as the motor car, the steam engine, the airplane, the telephone; whereas for the Graffuturists, the icons of salvation are the subway car, electric/ diesel freight trains, markers, spray paint, rollers, fire extinguishers, and so on. A different set of symbols for this century, but still imbued with the same impetus.

 

GRAFFITI, PAINTING AND ABSTRACTION

Because of the global composition of the group, the Graffuturists consist of disparate backgrounds, professions, and locations. They create in different styles, but their unifying theme is abstraction, their medium is painting, and their influence is graffiti. In their work on the streets and on canvas, these painters aspire to a high level of proficiency at their craft, which creates a visual poetry of depth and complexity. The Graffuturists could be classified as a High Style New Millennium Painting movement, consisting of a long dialectic and cross-pollination between advanced graffiti and fine art painting techniques.

 

Wildstyle Graffiti is combined with Abstract Expressionism or Geometric Abstraction, then transposed through the artist’s unique vision into a personal vocabulary of hybrid techniques, an experimental mix of the high and low, the intellectual and visceral, the visionary and the primitive. Whereas the Street Art movement of the mid-2000s tended to focus on collaged and wheat-pasted illustrations and figurative stencils, this group of artists focuses on the act of Painting, whether on the street or off, whether with spray paint or oils, with a fat cap or a sable brush.

Just as Be-bop developed from jazz, Raw Magazine from Superman comics, and Wildstyle from Original Writing, Graffuturism progresses from graffiti, and then takes up the oily-rag torch to ignite the future.

 

–Daniel Feral (Pantheon Projects / 12oz Prophet)

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“See No Evil” in Bristol Brings Thousands to the Streets

August 29, 2012 , , , , , ,

Basking in the warm glow of the 2012 Cultural Olympiad, the “See No Evil” festival unabashedly celebrated Street Art in Bristol with thousands of fans thronging through the street while London was scurrying to deal with the threat of the unofficial Street Art of the Olympic kind.

In its second year, the one-week festival invited about 40 Street Artists from around the globe to hit up the walls of one long street while visitors traveled great distances to watch. In yet another sign of the full emergence of this first global art form, people witnessed live painting day and night, took photos, visited pop up galleries, attended graffiti workshops, danced to live music on six stages, and ate huge mountains of food at what organizers called a “New York Style” block party.

M City, Nick Walker, She One and El Mac. (photo © Ian Cox 2012)

On the map for the Street Art scene since the early 1980s, Bristol was known for its own style then, eventually giving rise to some of todays’ better known names. With this expansive celebration initiated by locally raised graffiti star Inkie, many styles from the worldwide scenes of graffiti and Street Art exist alongside one another in this grand thoroughfare. Notably only 3 of last years 72 or so works survived into this year (by Nick Walker, Aryz and El Mac), suggesting a very slim chance that many of these new pieces will last for long, but few seemed to mind this month.

El Mac. (photo © Ian Cox 2012)

The 2012 crop includes painters from Los Angeles, New York, Paris, Poland, Austria, and across the UK who used an estimated 3,500 cans of aerosol to collectively create a massive gallery of public art. With roots in what was once strictly illegal, it’s mind-bending to imagine how occasionally even a police officer or mayor has been photographed proudly adding to the artworks at festivals like these. Within the space of one small decade or so, the appreciation for this form of expression has skyrocketed and in fact this month thousands in Bristol are seeing no evil in it.

Our special thanks to the talent of photographer Ian Cox, who shares these images with BSA readers. Also thanks to Ben Merrington for his photo of the ROA piece.

M City, Nick Walker, She One. (photo © Ian Cox 2012)

M City (photo © Ian Cox 2012)

She One (photo © Ian Cox 2012)

Conor Harrington (photo © Ian Cox 2012)

Conor Harrington. Detail. (photo © Ian Cox 2012)

TCF Crew (photo © Ian Cox 2012)

Sick Boy (photo © Ian Cox 2012)

Sick Boy (photo © Ian Cox 2012)

Pixel Pancho (photo © Ian Cox 2012)

Mark Lyken (photo © Ian Cox 2012)

Mark Lyken (photo © Ian Cox 2012)

Paris (photo © Ian Cox 2012)

Nychos, Flying Fortress (photo © Ian Cox 2012)

Nychos (photo © Ian Cox 2012)

Flying Fortress (photo © Ian Cox 2012)

Cheo, Soker, CanTwo and Mark Bode. (photo © Ian Cox 2012)

Mark Bode (photo © Ian Cox 2012)

Duncan Jago (photo © Ian Cox 2012)

Kashink (photo © Ian Cox 2012)

Kashink (photo © Ian Cox 2012)

KTF Crew (photo © Ian Cox 2012)

She One (photo © Ian Cox 2012)

Lucy McLauchlan (photo © Ian Cox 2012)

ROA (photo © Ben Merrington 2012)

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Gamma Proforma Presents: Futurism 2.0. Group Exhibition and Book Launch. (London, UK)

August 25, 2012 , , , , ,

Futurism 2.0

Futurism 2.0 is an exhibition, film and book examining parallels between 20th Century Futurism and 21st Century abstract urban art.  In the film and book we talk to historians, critics, cultural figures and the artists at work. Discussing creative revolutions, our world and today’s 24/7 creative society. Uncovering this truly international movement, which connects via silicon and copper across the globe, where each development is transmitted digitally and consumed organically.

The exhibition takes place in London from 27th September – 3rd October. The launch party/private viewing is on the 27th September 6pm – Late – RSVP events@gammaproforma.com

Artists include: Augustine Kofie, Phil Ashcroft, Boris Tellegen (Delta), James Choules (sheOne), Matt W. Moore, Mark Lyken, Sat One, Christopher Derek Bruno, Moneyless, Mr Jago, Nawer, O. Two, Morten Andersen, Keith Hopewell(Part2ism), Jaybo Monk, Poesia, Derm, Jerry Inscoe (Joker), Remi/Rough, Clemens Behr and more…

Find out more about the project and the artists at www.futurism2-0.com, you can pre-order the book here.

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Lazarides Gallery Presents: “Klimt Illustrated” (London, UK)

August 23, 2012 , , , , ,

Klimt Illustrated

Nine internationally-renowned street artists will produce Klimt-inspired masterpieces in front of a live audience in London’s Grosvenor Gardens, on Tuesday 21st August.

Situated upon plinths, the artists will create new works resonant with the influence of Klimt in the square format,as part of the Vienna Tourist Board’s campaign to celebrate the 150th birthday of the famous Viennese artist. Inspired by Vienna’s rich cultural diversity, the unique celebration aims to showcase the city’s modern art scene and imperial heritage.

The completed works work will be displayed in the famous Lazarides Gallery in Soho as a public exhibition, ‘Klimt Illustrated’.

The exhibition at the Lazarides Gallery will be free and open to the general public from 24th August to 1st September, Tuesday to Saturday 11am – 7pm.

The Vienna Tourist Board has worked with the Lazarides Gallery and curator, Sydney Ogidan of BLK River, to secure the nine artists, who are: Mode 2 www.mode2.org; Lucy McLauchlan www.beat13.co.uk; Vhils www.alexandrefarto.com; Ron English www.popaganda.com; Christian Eisenberger www.van.at/see/eisen; Bastardilla www.bastardilla.org; Know Hope www.thisislimbo.com; Marlene Hausegger www.mmhhh.com; Work will also be on display from Shepard Fairey www.obeygiant.com, the famous American contemporary street artist and illustrator.

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Graffitimundo Presents: “The Talking Walls of Buenos Aires” (London, UK)

August 19, 2012 , , , , ,

Graffitimundo

 

Graffitimundo is proud to present “The Talking Walls of Buenos Aires”. Opening September 6th at Londonewcastle Project Space, the exhibition explores Argentina’s unique culture of urban art.

Urban art in Buenos Aires reflects the city’s turbulent history and rich cultural heritage. Throughout the last century the city walls have been extensively painted, by artists, activists, political groups and the public, making the city walls of Buenos Aires an established and dynamic channel for expression.

During the last two decades several different artistic styles have developed. The devastating Argentine economic crisis of 2001 created a generation of young artists determined to take to the streets and reclaim their city. As they collaborated in a spirit of solidarity a new and distinctive visual language began to emerge.

“The Talking Walls of Buenos Aires” features mural art and original artworks from leading Argentine artists and art collectives, as well as video works and historical and contemporary photography portraying the urban landscape of Buenos Aires and seminal moments in the country’s history.

The exhibition celebrates a form of expression rooted in activism and a desire to transform public space, and in the process challenges conventional views on what graffiti is, what street art represents, who creates it, and why.

Artists:

Cabaio Stencil / Chu / Corona / Defi / Ever / Fede Minuchin / Gonzalo Dobleg / Gualicho / Jaz Malatesta / Nasa / Pastel / Pedro Perelman / Poeta / Prensa La Libertad / Pum Pum / Roma Stencil Land / Tec / Tester / Zumi

Event information

“The Talking Walls of Buenos Aires” will be held at Londonewcastle Project Space, 28 Redchurch Street, London, E2 7DP
The exhibition opens to the public from 6pm-10pm on September 6th, 2012.
The gallery is free and open to the public daily from 12pm – 7pm, until September 13th, 2012.

(from the left: street painting by rundontwalk / silhouettes of the disappeared (ph. Mónica Hasenberg) / Artwork by Pedro Perelman)

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The Outsiders Presents: Borf “Walls Are Two Sided” (Newcastle, UK)

August 19, 2012 , , , , ,

Borf

The Outsiders Newcastle invite you to join us on the evening of Thursday 23rd August at the opening party for ‘Walls Are Two-Sided‘, the new solo exhibition by young American artist BORF. The event takes place from 6 ’til 9pm in the gallery at 77 Quayside, Newcastle upon Tyne.

The most critically lauded young talent in urban art, BORF (AKA John Tsombikos) returns to The Outsiders Newcastle gallery. An exhibition exploring conflict, serenity and contradiction, Walls are Two-Sided features ten large canvases. All feature the artist’s charm, sensitivity and humour underlaid with yearning idealism and quiet but passionate anger. Five of the paintings are detailed close-ups of derelict houses in the artist’s resident town of Detroit, and a further five feature “old school” graffiti overlaid with colour fields in the style of late abstract expressionist painter Mark Rothko.

“Rothko talked about wrestling with opposing and competing elements to eventually discover an equilibrium, what he called a pocket of silence” says BORF. “For this show I was fighting through layers of ambivalence and opposites: graffiti as youth expression and Rothko as adult expression; the art market and property rights; education and improvisation, youth and adulthood.”

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Red Gallery Presents: Part2ism “New Horizons & Future Love Songs” (London, UK)

August 7, 2012 , , , , ,

Part2ism

Red Gallery proudly present Part2ism’s first solo exhibition in London since Artillery for Pleasure 2009. This new body of work is perhaps his most outlandish work in a quartz-century journey using aerosol and a vast range of different media. New Horizons and Future Love Songs explores the relationship of sight and sound as one medium. In his series of polychromatic sculptural reliefs entitled ‘Architect-sonics’, wooden planes of color appear to slice through time placing our idea of transit art in another realm. Further works on show investigate aerosol paint as a raw medium exploring vectors as pure line and color but also the use of spatialization and surface data to interpret visual noise over large sheets of canvas. An exhibition that strips away the non essential elements and at the same time takes fundamental ideas to the absolute pinnacle.
“A syncretist at heart and now a synaesthesiac in practice, Part2ism is a multi-talented creator, exploring where his interests and instincts lead him. Beyond all the “isms’ that can be applied to his work over the past twenty eight years, whether of his own invention or culled from art history, Part2ism has always aligned himself with his own visions first. As an artist, he subsumes all categories and at the same time defies them. More importantly than these post-creation categories that can be applied to his body of work, the underlying and unifying threads in Part2ism’s history are DIY individualism, a revolutionary mentality and a consistent exploration of mind-challenging aesthetics. His timbre, his voice, his style is a constantly mutating, gene-splicing hybridism embodying rebellion and progression.
With this cross pollination throughout the full spectrum of his creative output, Part2ism has reached an apex of compression and connection of his lifetime of aesthetic explorations in different disciplines, utilizing everything that he has accomplished over the past twenty-eight years, in a sensurround of synaesthesia and synchronicity”. Daniel Feral

Taken from the ‘New Horizons & Future Love Songs’ exhibition catalogue. Also featuring written contributions by Steve ‘Fly Argaric’ Pratt, Pride (TCA) and Poesia from Graffuturism over 40 pages.

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Monsters of Art Gallery Presents: Kings Moa (London, UK)

August 7, 2012 , , , , , ,

Kings Moa

PRIVATE VIEW 27 SEPTEMBER 2012

Continues until 27 October

“In 1991, three intoxicated and disgruntled teenagers went out to take on the biggest graffiti crew in Copenhagen. Adopting the name MOA (Monsters of Art) the aim was to become the most recognized graffiti crew in the world…”
Now, over twenty years later, MOA is one of the most notorious graffiti crews and still hold the top spot for train ‘bombing’ in Denmark. Forever growing and expanding the fight for MOA global domination is far from over. This one-off exhibition will explore the crew’s unique codes and conducts that have, over the years, set them world’s apart from all other graffiti crews. Many crews have challenged their position but none have succeeded, proving that MOA really are the kings of unparalled artistry and skill. Since their arrival onto the scene MOA has been off-limits, only giving selected interviews and infrequent comments to certain publications. We are delighted and highly privileged to show a one-off exhibition looking back at MOA’s 21-year rein on the graffiti world.The exhibition will include original works, screenprints and photographic documentation. 

Monsters of Art Studio and Gallery
112 Mill Lane
London
NW6 1NF

0207 435 3433
info@moasgallery.com
www.moasgallery.com

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Stolen Space Gallery Presents: ATG Collective “Eye In The Sky” An Art Exhibition and Book Launch (London, UK)

July 25, 2012 , , , , ,

ATG Collective

 

‘Eye In The Sky’

Show & Book Launch

By ATG Collective 03.08.12 – 02.09.12
Private View Thursday 2nd August, 6 – 9 pm

In December 2010 a group of artists got together to embark on a project painting London’s skyline, with the aim of inspiring people and reminding them of their voice. At a time where communities across the country feel increasingly neglected and let down by the system they decided to use the roofs of the many council blocks scattered across the city as a platform to communicate with people in the form of painted eyes and up-lifting slogans that beamed down on to the streets below. Their work was to serve as a reminder to the public that they still have control over their surroundings and although we live in the most surveyed city on the planet, where peoples liberties are often compromised for financial gain and control, there is still room to take risks, think outside the box and change the world around you.

This exhibition will see the launch of a limited edition hand bound artist book from ATG. Each book will be signed and numbered with a hand screen printed cover.

The exhibition will also feature limited edition screen prints, originals and photographic work. .

The Old Truman Brewery 91 Brick Lane London. E1 6QL
T:020 7247 2684 E:info@stolenspace.com Open Tuesday to Sunday 11.00am – 7.00pm

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The Outsiders Gallery Presents: Logan Hicks “Structural Integrity” (London, UK)

July 16, 2012 , , , , ,

Logan Hicks

Logan Hicks

Structural Integrity

Show dates:
20th July – 25th August 2012 Private View: 19th July 2012 The Outsiders London
8 Greek Street W1D 4DG

We are please to announce Logan Hicks’ first ever solo show at The Outsiders London titled ‘Structural Integrity’.

Logan is recognised throughout the art world as a pioneer in stencil art, creating photorealistic paintings of urban landscapes in meticulous detail, from layers upon layers of painstakingly cut stencils. Logan states the concept behind his work focusing on city architecture, is his fascination with the idea that hidden between city walls and alleyways are millions of stories and secrets from all the people who have lived and walked these areas before, “my work reflects on the events that have come before me”.

In addition to the stencil works in the exhibition, Logan will be showing a body of photographs taken over the past 5 years, giving the viewer an rare insight into life beneath cities of America and Europe!

The private view will take place from 6pm to 9pm on 19th July at the Outsiders London. RSVP by Wednesday 18th July with your full name and your guest’s name to be included on the guest list.

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