Opening

Torrance Art Museum Presents: Baker’s Dozen III (Los Angeles,CA)

Chor Boogie

brooklyn-street-art-chor-boogie-la-art-machine-white-tigerChor Boogie “White Tiger” (image © courtesy L.A. Art Machine)

CHOR BOOGIE, MASTER SPRAY PAINT ARTIST, DEBUTS A TRANSFORMED 12’X12’ CANVAS IN TORRANCE ART MUSEUM’S EXHIBITION BAKERS DOZEN III.

July 12, 2011 (Los Angeles, CA) – Opening Saturday, July 16th, is Torrance Art Museum’s (TAM) Baker’s Dozen III, their annual survey of “artists to watch.” This third iteration of the series continues the tradition of providing a snapshot of contemporary avenues of exploration seen in Los Angeles. Torrance Art Museum Curator, Max Presneill shares insight into his selection of Chor as the only urban artist in this exhibition: “When I saw Chor Boogie’s work at the L.A. Art Show, I felt it bridged the gap between the low brow street aesthetic and the contemporary art world, and created discourse within the two. It is bright, vibrant, physical, and powerful. I feel his work is one of the best things to be seen at this moment in time.” He goes on to describe the show as reflecting the zeitgeist of the times, and trends of artistic presence across the board.

Chor Boogie is recognized internationally for painting vibrant, masterpieces of color using aerosol spray paint on both walls and canvases, and is a pioneer of this medium and art movement. His trademark applications and techniques allow him to paint pieces that resonate on many levels with those who view them, evoking a powerful mix of emotions. His imagery is pulled from life experiences and are visual expressions of the surroundings, people and environments he has painted in around the world.

Two of Chor Boogie’s works have been selected for Baker’s Dozen III. The first is a progressive 12’x12’ canvas he began during the January ’11 L.A. Art Show, as part of L.A. ART MACHINE, prestigious Vox Humana Program. This piece, part of the Purgatory Series, is Chor Boogie’s depiction of balance as he sees it, examples being: right/wrong, heaven/hell, good/bad, and positive/negative.

The imagery challenges the perception of one’s individual mentality, and of how we look at a piece of art. It transcends memory and is mixed with elements of, landscape, realism, abstract expressionism, cubism, color, shape, form; paying reverence to his personal favorite influences including, Kandinsky, Klimt, Picasso, and Dali. “Mentally Challenged” was completed over this past week using a multitude of spray paint colors, and signature CB techniques. It is larger than life, vibrant, and has a very timeless feel to it.

The second selection is part one of a triptych. The piece chosen is entitled Silver Queens of the Romantic White Tiger, and is a testament to his artistic genius, and use of his famous spray paint methods. The silver queens are in simple relation to the strength of the white tiger, a more new age, or, renaissance/baroque style period.

Able to create various forms, even Chor Boogie’s signature inverted can technique is original. Painting dense, rich tones, allows him more room for perspective detail whether it be a wall, or small-scale canvas.

Chor Boogie’s dynamic range of artistic styles can manifest as soulful, deftly shaded portraits of color therapy, with geometric elements revealing half-hidden faces, and a minds eye or two to encourage you to see internally and externally.

He expresses his reverence for life, honesty, and art, in ways that create a lasting impression. Chor Boogie describes his work as: “Abstract expressionism with a little street romantic voodoo along with emotional landscapes of a melodic symphony through color therapy.” He has built a collector base around the world including international commissions by global institutions and cultural commemorations. This recognition allows him to inspire today’s youth with his personal story and transcendent life and style.

In addition to Bakers Dozen III, Chor Boogie’s upcoming schedule also includes Colorfornia: New Forms in West Coast Street Art – The Warehouse Gallery at the International Contemporary Art Center, Syracuse University, New York, September 15th – November 5th, 2011; followed by “Spray Paint the Movie…The Fine Art of Chor Boogie,” directed and produced by Sarah Fisher, whose credits include the documentary, Meditate and Destroy, the journey of Noah Levine, author of Dharma Punx. Chor Boogie is also sponsored and endorsed by Spanish Montana – MTN 94 Spray Paint, and has a limited edition signature spray can slated for launch at Art Basel Miami Beach, Florida.

Baker’s Dozen III opens on Saturday, July 16th and runs through August 27th, and also features works by, Joshua Callaghan, Erin Cosgrove, Martin Durazo, Amir H Fallah, Alexandra Grant, Annie Lapin, Thomas Lawson, Nathan Mabry, John Millei, Robert Olsen, Britton Tolliver, and Peter Wu. For more information, please visit: www.torranceartmuseum.com.

Baker’s Dozen III
Opening reception
Saturday, July 16th
6 – 9pm
Torrance Art Museum
3320 Civic Center Drive
Torrance, CA 90503
www.torranceartmuseum.com

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Pawn Works Gallery Presents: Skewville Solo Show “Not My Type” (Chicago, ILL)

Skewville
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SKEWVILLE :: ‘NOT MY TYPE’

• For those without Google: Since 1999, Skewville is most known for its fake wooden sneakers tossed over power lines worldwide.

• For those with Google: You might have noticed that Skewville has spent even more time trying not to be known for just one thing.
Skewville is always on a mission to change things up, whether through painting, printmaking or installations, their bulky block type has always been a staple in their evolving aesthetic. Since we now know they don’t like being known for just one thing, Skewville would like to take the opportunity to dismiss this font as their own while still showcasing it as a crucial part of the overall Skewville style.

For them, the constant influence of their urban surroundings play a huge part in their artwork. Signage and type clutter the NYC skyline to the point where it all blends in as visual slang. The elements of store signs, out-door advertising and graffiti has little impact by themselves, its the abundance of those combinations that makes the entire picture. With this always in mind Skewville presents…. “Not My Type” featuring  all new work painted on old  New York metal signs.  Signage has always been a key reference point in their art but this is the first time they literally incorporate these influences in their work.

Its Summer, never a better a time to be in Chicago, follow Skewville or join in from wherever you are to celebrate the opening of ‘Not My Type’ and catch a glimpse of some of the planned outdoor works from Skewville.

We will be hosting an event on Saturday July 30 from 6-10pm for Skewville: Not My Type at Pawn Works; Artist will be in attendance.

Pawn Works
1050 N. Damen Ave.
Chicago, Illinois 60622

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Millennium Gallery Presents: Kid Acne “Kill your Darlings” (Sheffield, UK)

Kid Acne
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I’m pleased to announce my first solo exhibition in my hometown will be held at Museums Sheffield’s Millennium Gallery this Summer.

The title of the show is Kill Your Darlings and runs from July 21st – October 23rd.

For more information about the show, visit Museums Sheffield or keep an eye on my blog over the next few weeks for regular updates.

The launch night is Friday July 22nd to coincide with the “free for all” music festival, Tramlines – to which, you are all invited.

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Old Crow Tattoo and Gallery Presents: “Tales From the City” (Oakland, CA)

Tales From the City
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Old Crow Tattoo & Gallery
Presents
“Tales From the City”
New Works By Abno, Dr. Sex and Jurne

Opening Reception: July 16th @ 7pm
Exhibition Dates: July 16th  – August 8th

Old Crow Tattoo and Gallery is honored to be exhibiting the work of 3 talented and very different artists. Abno, Dr. Sex and Jurne each come from a traditional graffiti background, and their artistic endeavors in the public forum have taken them all over the country and world. They’ve left their mark on viewers as creators of large scale works that in essence are “free”– free to be viewed, in their natural state, and are also free of charge. These works became visions of risk, courage, release and the pursuit of public display.
Graffiti is ego driven, where a name becomes a marker of style, skill, purpose and meaning. “Tales From the City” is built around each artist’s approach to displaying their work on gallery walls and offers yet another environment to be explored. Working in the streets comes at a high personal price and can be a huge undertaking filled with it’s own prizes and penalties.  As these artists create work for the gallery they encounter new a energy, new rules and new criticisms.
Abno, Dr. Sex, and Jurne’s “Tales From the City” is a celebration of years of struggle, success, failure, fun and above all good old fashioned hard work. It is also a nod to the future, without compromise. The walls of the city are always there for the painting– lets see what these artists do with a new opportunity inside our gallery.

This exhibition is also in celebration of our 2 yr. Anniversary @ Old Crow Tattoo
Music @ 8pm till later than you expect…
featuring
Live Music Performances  by

Mortar and Pestle
Metal Mother
Echo Location
Kool Kid Kreoyla
I.Ameni of the Attik
The Banana Juice Bunch
Shameless Seamus & the Aimless Amos’s

21+ 362 Grand Ave Oakland CA
www.oldcrowtattoo.com

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Hold Up Art Gallery Presents: Nomade “Recent Artifacts” (Los Angeles,CA)

NOMADE

brooklyn-street-art-nomade-hold-up-art-gallery On July 23 at the Hold Up Gallery in Los Angeles, Nomade breaks new ground with their latest show “Recent Artifacts”. This new collection of works masterfully integrates their iconic style, social metaphor, and visual fury into a full assault of the senses redefining the gallery space with the ethos of the street. Don’s miss this pivotal show that will surely ensure Nomade a prominent place in the Los Angeles Art Scene.

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Post No Bills Presents: “European Bailout Show” (Venice Beach, CA)

Post No Bills
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JR

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Conor Harrington Teaser. Image courtesy of the gallery.

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ZEVS Teaser. Image courtesy of the gallery.

EUROPEAN BAILOUT SHOW
Antony Micallef – Conor Harrington – Ian Francis – Jonathan Yeo
JR – Mode2 – Paul Insect – Stanley Donwood – Vhils – Zevs

July 28 – August 28, 2011

POST NO BILLS proudly announces their second exhibition in its Venice
Beach based print shop. The European Bailout Show will feature
exclusive new limited edition prints and original artwork by ten of
Europe’s most innovative and highly celebrated artists- Anthony
Micallef, Conor Harrington, Ian Francis, Jonathan Yeo, JR, Mode 2,
Paul Insect, Stanley Donwood, Vhils and Zevs.

Continuing the overwhelming success of the shop’s launch last month
with artist collective FAILE, the European Bailout Show highlights
some of the most riveting creative minds in Europe today, with an
impressive range of works from established and up-and-coming artists
who continue to defy categorization. These artists’ innovative
approaches and distinctive styles continue to challenge the
conventional definitions of art and its boundaries.

The European Bailout Show features exclusive print editions including
Arnold Schwarzenegger titled “Arnie” by Jonathan Yeo, the renowned
master painter recognized for his controversial portraits made from
collaged pornographic magazine clippings. Stanley Donwood, the highly
regarded designer of Radiohead’s album art, has created a unique and
limited print suite. Other notable editions include those of TED award-
winning guerrilla artist and filmmaker, JR, and a small edition of
laser etchings on wood by Portuguese artist Vhils, identified by his
inventive techniques used to manipulate urban environments. In
addition to the offered multiples, select artists will exhibit
original artwork including Antony Micallef, who won massive acclaim
for his 2007 Los Angeles sold-out solo show, Impure Idols, and Conor
Harrington, recognized for his impressive large-scale works of art,
mixing bold imagery with historical and contemporary themes.

The second exhibition at POST NO BILLS continues to promote the shop’s
mission-to provide passionate collectors of all levels with access to
artwork of premium quality and master craftsmanship from an array of
prolific talent worldwide. Now, the European Bailout Show brings an
opportunity to acquire a slice of Europe’s finest.

POST NO BILLS
The term POST NO BILLS is commonly identified in stencil form – on
barriers erected around construction sites in an effort to deter clean
walls from being altered. Generally speaking, this practice produces a
contrary effect. Our founders subscribe to the notion that breaking
rules generally inspires more ingenuity than following them. Which is
why POST NO BILLS was created.

POST NO BILLS is an inventive print shop with a focus on hand made
limited edition multiples. We are a singular destination where
groundbreaking artists from around the globe can sell their wears
directly to passionate collectors at all levels. Editions will be made
on the premises with a true dedication to quality.

Opening Reception: July 28, 2011 (7 – 10pm)
Exhibition Runs: July 28– August 28, 2011


Post No Bills
1103 Abbot Kinney Blvd.
Venice Beach, CA 90291
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Honeycomb “Ritual” Opens today at Causey Contemporay

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UK fine artist and Street Artist David Shillinglaw prepares his panels for tonights “Ritual” show at Causey Contemporary in Brooklyn (photo © Jaime Rojo)

Artists and artwork are buzzing around one of Williamsburg’s newest hives for the creative spirit in the July heat as Causey Contemporary prepares the sweetest part of all this industry for you, a Buenos Aires based collective called The Honeycomb. King bee and artist Trystan Bates has sent out the signal to 27 artists from 8 countries to present new works within the theme of “Ritual” for this show.

brooklyn-street-art-alice-mizrachi-jaime-rojo-07-11-web-2Alice Mizrachi. Detail (photo © Jaime Rojo)

Imputing the magic and mysticism of ritual has inspired art of every discipline for thousands of years: authors, musicians, dancers, auteurs, photographers, sculptors, and painters all assist in our transcending the limitations of the physical world.

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Alice Mizrachi. Detail (photo © Jaime Rojo)

This neighborhood of Brooklyn has been the site of Rites of Passage, creative Rituals, and some say, Last Rites, as a place of collaboration for a diverse artist community and a hive for Street Art for nearly two decades. Across the street from two pieces by Bristol Street Artist Nick Walker and around the corner from a huge wall by Brooklyn Street Artists Skewville, the rituals of preparation continue anew. Here are some of the preparations inside and outside for tonight’s show.

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Alice Mizrachi. Detail (photo © Jaime Rojo)

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David Shillinglaw. Detail (photo © Jaime Rojo)

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David Shillinglaw found this piece of wood on the street. He incorporated the blue paint and eventually it will be a part of his installation. (photo © Jaime Rojo)

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Adria and Sherley Freudenreich. Detail (photo © Jaime Rojo)

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Adria and Sherley Freudenreich. Detail (photo © Jaime Rojo)

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Tooco (photo © Jaime Rojo)

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Jaz working on his installation (photo © Jaime Rojo)

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Jaz. Detail (photo © Jaime Rojo)

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Jaz. Detail (photo © Jaime Rojo)

For more information about this show click on the links below:

http://www.brooklynstreetart.com/theblog/?p=22430

http://www.inthehoneycomb.com/ritual_press_release.html?r=20110529143837

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Black Book Gallery Presents: Phil Lumbang and Ernesto Yerena: “Dead Relatives” (Denver, CO)

Dead Relatives
brooklyn-street-art-Phil-Lumbang- Ernesto-Yerena-DEAD-RELATIVES-balck-book-gallery

Dead Relatives

Second Saturday at Black Book Gallery in July will entail a visit by two artists from Southern California, Phil Lumbang and Ernesto Yerena Montejano.

Animals are our relatives. Dead Relatives is a special look at death, as a satire. Usually a taboo subject in many cultures, Mexican traditions revere death. Death is celebrated, it is humorous. The Day of the Dead (Dia De Los Muertos) patterns embodied by the endearing silhouettes of chosen animals set a cunning tone to the show. The styles of Ernesto Yerena and Philip Lumbang contrast and compliment. Whether the animal is mythological or culturally relevant, each animal carries a message that the artists would like for the audience to ponder. The dynamics of the artists collaboration result in striking imagery with two different styles working in perfect balance.

555 Santa Fe Drive Denver, CO 80204

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Maximillian Gallery Presents: Cope2 “Authentic” (Los Angeles, CA)

Cope2
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Maximillian Gallery at Sunset Marquis Presents

COPE2 – AUTHENTIC In His First Los Angeles Solo Exhibition

OPENING RECEPTION: Opening July 9th, 2011 6 PM – 9 PM

Exhibition: July 9th, 2011 – August 17th, 2011

Every Day, 1PM – 8PM, and by appointment (Closed Mondays)

Maximillian Gallery is pleased to present COPE2 – AUTHENTIC. In his first solo exhibition in Los Angeles, California, COPE2 brings his raw energy and original graffiti art to the city of street art. This important exhibition presents current work as well as a retrospective of COPE2’s art. From his early graffiti to his iconic work on New York City Subway trains, to his latest artistic creations, this show is not to be missed. COPE2’s works in the show also include his famous graffiti New York City MTA subway maps and miniature subway trains.

COPE2 has influenced everything from other graffiti art to today’s street art and beyond. COPE2 is a worldwide celebrity and a veritable legend within the graffiti art world. Artists from all over the planet track him down in order to paint beside this master. Raised in New York in the South Bronx, COPE2 has been painting for more than thirty years on the streets, revealing his unyielding integrity as he tirelessly paints these urban labyrinths; he remains the most authentic emblematic totem of committed graffiti art.

“It’s such an honor to be working with COPE2, one of the most prolific and legendary graffiti artists of all time,” says Caradoc, Owner & Director of

Maximillian Gallery. “COPE2 is simply one of the greats. He’s a trailblazing graffiti original whose colorful, poignant, energetic art is sought after by

collectors worldwide and we are thrilled to be presenting his first solo show ever in Los Angeles.”

“Maximillian Gallery has set itself apart as a world-class art gallery in one of the greatest locations in the world, the Sunset Marquis hotel, known for rock stars and celebrities,” says COPE2. “Working with Caradoc, in this gallery in this location, on this major show, which encompasses my artistic career to date, is a true thrill for me. I’m really looking forward to this first-ever major exhibition of my work in LA.”

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Dan Witz’ Mind: A Cabinet of Natural and Unatural Curiosities

Anyone on the subway this morning knows what it is like to be mashed together with strangers and attitudes, a roiling mass of boobs and butts and sunglasses on the forehead, Rhiannon on the headphones next to you on the right, death metal on your left, and your upper arm is not as strong as you thought while you grab for something on the ceiling to hold onto. It’s a half sleeping mosh pit of commuters, with people who have just applied nice smelling things, but this ladies bag is still jammed into your back while you are pressing your already wrinkled summer pants against a messengers bike.  Here’s an opportunity right in front of me; Might as well smash the lights and crank up the metal and have some Subwaypalooza, people! Or just go see the new Dan Witz show at Jonathan Levine Gallery tonight, that’ll be fun too.

brooklyn-street-art-dan-witz-jaime-rojo-06-11-web-1 Dan Witz “In Plain View” (photo © Jaime Rojo)

Brooklyn based Street Artist and fine artist Dan Witz has been making art “In Plain View” as he likes to say it, for over 30 years. Throughout his prolific career he has been fearless in his exploration of art and the subjects that he likes to approach. He can paint beautiful photo-realistic canvases of still life scenes and humans in motion with the same ease as murky tormented scenes behind grimy windows and fragile and ethereal humming birds in flight or a lone tiny skate boarder gliding across a rusted metal wall. Pairing his study of light, his classically trained technique, and an enduring punk rock attitude, Witz’s body of work often takes it where you haven’t gone, and might be afraid to.

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Dan Witz “In Plain View” (photo © Jaime Rojo)

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Dan Witz “In Plain View” (photo © Jaime Rojo)

Mr. Witz’s new book, “In Plain View”, shows how in a span of 30 years he has pushed psychological limits with triggers in your periphery, a pursuit of interactive art with prickly engaging relevance in the public, if the public slows down and sees it. A storyteller out in the open, you’ll stop dead in your tracks when Witz hits you, commanding you to stay there until you can figure out what the hell that is, and ponder why is it there. What’s the story behind this faux door with two humans passionately kissing in the dark? Or this figure behind the wire crossed window; is she in pain? Is he dead? Is this real?

Dan’s solo show “Mosh Pits, Human and Otherwise” is opening tonight at the Jonathan Levine Gallery.

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Dan Witz “In Plain View” (photo © Jaime Rojo)

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Dan Witz “In Plain View” (photo © Jaime Rojo)

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Dan Witz “In Plain View” (photo © Jaime Rojo)

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Dan Witz “In Plain View” This is the limited edition version of the book with a hand painted cover (photo © Jaime Rojo)

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Dan Witz Detail of his piece for this year Welling Court. You can see the full piece  here (photo © Jaime Rojo)

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Dan Witz. Street installation from 2009 (still there in plain view)  (photo © Jaime Rojo)

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Dan Witz “Mosh Pits, Human and Otherwise” at the Jonathan Levine Gallery  (photo © courtesy of the artist)

Opening Reception June 30, 2011
6 to 8 pm

Jonathan LeVine Gallery
529 West 20th Street, 9th floor
New York, NY 10011

212-243-3822

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