Urban Folk Art® Studios is proud to re- present the work of Mark Bode, Dr.Revolt, and Stan 153. The first ‘It’s Alive ‘ Show in March of 2010 was the 2nd gallery opening UFA® studios presented, and has stood as the most well received. The show will include new works from Dr. Revolt, Mark Bode, Stan 153. Lets recap if anyone hasn’t been doing their graffiti history homework, Dr Revolt is one of the founding members of The Rolling Thunder Writers (RTW) and is infamous for taking over the 1 subway line with his signature graffiti style (and creator of the ‘Yo MTV Raps’ logo). Stan 153, who got his start on the corner of 153rd Street and Eight Avenue defined the landscape of Harlem in the dawn of graffiti history, the 1970’s. He has been documented in The Faith of Graffiti by Norman Mailer. Mark Bode, son of the legendary comic book artist Vaughn Bode, has developed a worldwide following for taking his family legacy and applying it to the comic and tattoo industries, and has currently been showing art, painting murals (tributes to his own and his father’s notorious comic characters such as Cheech Wizard), and keeping his bloodline’s legacy alive worldwide.
The show opens Oct 19th and will be up Through Nov 19th. Urban Folk Art® Gallery is located at 101 Smith Street in South Brooklyn
About Urban Folk Art®
Urban Folk Art® Gallery is the latest physical manifestation of Urban Folk Art® Studios. Founded in ’91, UFA® is an artist collective based out of South Brooklyn working in any mediums, avenues and aspects of creating art. The collective is a mutually supportive effort to expose artists of many disciplines and levels of experience including undiscovered, emerging and established. From painting, illustration, comic book art, Legendary graffiti art, photography and more, UFA® exhibits a wide variety of mediums.The merchandising aspect represents the continual branding of Brooklyn Tattoo®, the Urban Folk Art® t-shirt line, and other such merchandise created by the members of UFA, BKT2 and affordable art by all the artists who show in the gallery.
Urban Folk Art® Studios
Mutuo Centro de Arte. Carrer de Julià Portet, 5. (Metro: Urquinaona)
Opening : Thursday, 25 October, 20hr
Works from Debens, Tom14, Kenor, Pez, Kafre, Alice, SM172, Ogoch, BToy and Gola.
Music : DJ Rocketman
Sneak preview of the Las Calles Hablan documentary.
Las Calles Hablan, the first exhibit by Mapping Barcelona Public Art, is about the evolution of street art in Barcelona. The opinions on graffiti go in many different directions – love, hate, indifference. This exhibit welcomes all opinions, inviting everyone to see and learn more about their community and how graffiti can be a compelling element for a visual discussion. Barcelona, like many cosmopolitan cities, has a rhythm, a natural beat that carries and communicates its personality: the very soul of the place. It carries the mood but also embraces the history in the streets. This vibrant energy has attracted many graffiti artists from around the world to live and work, documenting the life and soul of the city on its walls. here because of this energy.
After the death of Franco in the 1970s, Barcelona evolved into a bohemian, cultural city creating a place and environment where the people could reclaim their space, their culture and language. Over the next decades, the city flourished with street art freedom: graffiti along the city walls, music in every corner. During this urban cultural renaissance, artists created a public gallery where the people could enjoy a city which is flourishing with artistic expression. The street art of this time often provoked playful interchanges or posed political, economic or cultural questions. There was a public conversation between the artists and the people in the streets.
Other cities, like Rio de Janeiro and Buenos Aires, developed and embraced their rich street art scenes to the extent where this urban art has become a part of their cultural identities. However, recent changes to the local laws in Barcelona have tightened restrictions on street art, increasing fines and limiting the spaces where street art can be shared with the people. Las Calles Hablan aims to open up the dialogue in the community about the value of street art by providing information on the various barrios and their history since the fall of Franco, a history of the graffiti scene in Barcelona during that same time period, and sharing photographs of work from various local graffiti artists along a timeline. We encourage and invite an open discussion about the graffiti scene.
Documentary
For the opening, there will be a never before seen documentary film, with footage of incredible graffiti areas in Barcelona, as well as interviews with artists, a street art gallery owner and others in the know. Justin Donlon and Sylvia Vidal are producing this fresh inspirational and educational view of the streets of Barcelona.
The impersonal isolation of living inside a human hive, the unraveling of a threadbare social safety net, the militarization of the natural world, the impact of industrial activity on our environmental, and the brutal punches of a bankrupt monetary system set free. How can Isaac Cordal address such weighty matters with such miniature sculptures? Also, does he sleep?
As has been true for decades, certain Street Artists use their work to directly or indirectly speak to the ills of society. Part of his studio work and his street practice, to varying degrees Cordal is determined to visually illustrate the impact of our external world engineering on the internal world of the individual through installations and staged scenes. What makes them particularly effective is placement; his involvement of his figures in pre-existing venues. He uses puddles of water, litter, municipal protuberances and holes in bricked buildings as pre-designed sets for his figures to interact with. Normally overlooked on your daily travels, their scale is suddenly altered by their relation to the sculptures.
Just back from trips to Zagreb, Croatia and Vienna, Austria, the artist shares these exclusive images with BSA readers of some of his latest works.
These September works in in Vienna were part of the BLK River Festival and the ones in Zagreb were for /// MUU /// Muzej ulične umjetnosti.
This week we saw pumpkins piled at the corner deli, the Yanks pushing on toward the series, Streisand returning at 70 to sing again in Brooklyn, that Rasta MC goin’ hard over his stack of speakers outside the barbershop on a sunny cool day, Christopher Columbus as a giant sculpture in somebody’s living room, and we can confirm that underground art parties are now moving to Bed Stuy, bypassing Bushwick. Stranger things will undoubtedly keep happening because Halloween is on Wednesday this year; pretty much guaranteeing a solid week of sexy horror on the street because people won’t know when to party, and you’re going to see at least 3 mock boxing fights between two guys dressed up as Obama and Romney with gloves because the Presidential election is 11/6. The actual 2nd match-up of the candidates is this Tuesday in Long Island to debate. Are the Yankees playing that night?
So here’s our weekly interview with the street, an eclectic trip that takes us to Brooklyn, Paris, Baltimore, and Russia with Cern, Overunder, Philippe HÉRARD, Lili Luciole, Concrete Jungle, Hot Tea, Love Child, Dain, Sorta, and Cynthia von Buhler. We start of with this faux neighborhood painted by Concrete Jungle on a building in Vladivostok.
Wheat-Pasting Botero, David Gouny Rolls Out a New Collection
Like a tray of hot chocolate chip and peanut butter cookies these one-off hand painted wheat pastes have been just been served in the area of Montmartre to the streets of Paris. A Botero for the urban art fan, Street Artist David Gouny has specialized in plumply chunky everyday characters and idealized rotund super sheroes in bikinis and high heels in top-down convertibles since the mid-2000s.
Often comical, fashionable, or even erotic, the strutting ladies in Gouny’s scenes can be comical in their placement or tableau. With this little chubby collection Gouny appears to widen his family of characters to include a more cultural references than previously- including one Russian hatted tribute to the activists Pussy Riot. As ever, the central focus continues as the heralded full-figured gals he loves who have so much to offer.
Looks like the Yankees could have used Joe Biden last night. “Who is this grandpa man?”, said my homey Ikbar behind the counter at the news stand, irritated that the Vice President has to hog half the cover of the New York Post from Derek Jeter. Guess the Scranton Slugger was knocking them out of the wrong park for some New Yorkers last night.
Also, anybody know why there are 10 TV vans with their saucers rotating on top and kleig lights at the end of their extended electronic probes blinding innocent semi-sleeping commuters walking by the Marcy projects in Brooklyn this morning? Saw Blondy McBlonderwig with perfect teeth and fishbowl eyes shrieking in a trench coat in front of the camera on the way to the M train, safely behind all the “crime scene” tape. Think the news has decided to do a story on the class war?
And now LIVE, here are the important up-to-the-minute stories we’re following for you this hour on WBSA.
1. Bedlam in London
2. Jaye Moon Breaks the Code (NYC)
3. Moniker 2012 (London)
4. John Breiner at Mighty Tanaka (Brooklyn)
5. “Good Guys” in Chicago
6. "Street Art Live" in Da Bronx All Day Sunday
7. SANER "Catharsis" From The Cinema (VIDEO)
8. I Love Paris Volume 5 by kouettv (VIDEO)
Bedlam in London
If you are in London this weekend and are feeling spooky and wild, nevermind that tame Madame Tussard – turn your GPS to “BEDLAM”, Lazarides new group exhibition underground in the Old Vic Tunnels. With artists including Antony Micallef, Artists Anonymous, ATMA,Conor Harrington, Dan Witz, Doug Foster, Ian Francis, Karim Zeriahen, Kelsey Brookes, Klaus Weiskopf, Lucy McLauchlan, Michael Najjar, Nachev, Tessa Farmer, Tina Tsang, Tobias Klein, War Boutique and 3D all of them working on the theme of pandemonium. Inspired by the infamous mental hospital, we were expecting to see Boris Karloff popping around the corner while appreciating scary art that experiments on your brain. Welcome.
For further information regarding this show click here.
Jaye Moon Breaks the Code (NYC)
She’s been constructing on the streets for a year or two, but her main tricks have been in the gallery for about a decade. Street and Fine Artist Jaye Moon has a new solo show titled “Breaking the Code” at the Newman Popiashvili Gallery in Manhattan so you can see where some of this Lego madness came from. Study the numbers and the text and break the code. And don’t forget to hit up Red Hook Brooklyn because Jaye Moon is also an artist in GEOMETRICKS currently on view at Gallery Brooklyn.
For further information regarding this show click here.
For further information regarding GEOMETRICKS click here.
Moniker 2012 (London)
MONIKER ART FAIR is in full swing and open for business until this Sunday. Take a trip to The Village Underground in Shoreditch if you are interested on seeing original works of art by some Street Artists who are moving the conversation on the streets right now. Remi Rough, Penny, Niels ‘Shoe’ Meulman, Ludo, Jorge Rodríguez-Gerada, Hush, C215, Ben Slow are all represented with installations and new works of art.
For further details and a full list of artists and schedules click here.
John Breiner at Mighty Tanaka (Brooklyn)
Not a Street Artist but seemingly always in the street mix – maybe he has a lot of Street Art friends or something because Jon Breiner has been at a lot of events over the last couple of years and we’ve had the opportunity to see his studio work evolve so here’s a shout out. Breiner might be one of those definitely underrated fine artists that you don’t pay much attention to and then BAM!, where the hell did this kid come from? A curator of shows and DJ, Breiner goes deep below still waters; Fastidious in his craft Mr. Breiner’s work gets close and personal, meticulously drawn and painted, portaits with weight intricately real and occasional surreal little stories with plots that are off center. His new show titled “Sooner or Later We All Make the Little Flowers Grow” opens tonight at the Mighty Tanaka Gallery in DUMBO.
John Breiner. Detail. (image courtesy of the gallery)
For further information regarding this show click here.
“Good Guys” in Chicago
Wanna know who “The Good Guys” are? Head over to 2381 Milwaukee Ave. in Chicago where The HOTBOX MOBILE GALLERY new group show will open tomorrow showcasing local talent of Chicago born and raised Street Artists including, Left Handed Wave, Brooks Golden, Clam Nation, Don’t Fret, Espir, Nudnik, Lucx and Nice-one.
For further information regarding this show click here.
“Street Art Live” in Da Bronx All Day Sunday
This Sunday the Sermon is at The Bronx and the Minister is SinXero.
Showing brotherly love New York style, a group of Street Artists including Army of One/JC2, Fumero, ADAM DARE, TONE TANK, Elle Deadsex, ENX, Choice Royce, Royce Bannon, See One & Danielle Mastrion, VEXTA, Mike Die, KID Lew, & ZIMAD, as well as, SinXero (SX) & colleague Bayoan will gather at Graffiti Universe for “Street Art Live”. An event to honor Iranian brothers and Street Srtists Icy & Sot.
It’s a Sunrise Service so just stay up Saturday night >> The event begins at 5:00 am until the whole block at Graffiti Universe is completely painted.
For further information regarding this event click here.
Also happening this weekend:
The Kosmopolite Art Tour in Amsterdam, brought to you by Aerosol Bridge Club began on Wednesday and will continue until this Sunday at the MC Theater in Amsterdam. Big mural live painting with appearances from local and international artists with tons of side events. Click here for more details regarding this event.
Monsieur A the French artist is in Mexico City for his solo show “André Saraiva” at the Anonymous Gallery. This show is now open to the general public. Click here for more details about this show.
Low Brow Artique Gallery goes soft brow with Dickchicken’s solo show “The Penis Mightier Than the Sword” opening tonight in Brooklyn. Click here for more details about this show.
Mad One and Neely II are hosting “Sticker Phiends” in Tempe, Arizona opening tomorrow. This annual sticker feast attracts a huge following of national and international sticker artists and fans. Click here for more details about this event.
Newman Popiashvili Gallery is pleased to present the third solo exhibition of Jaye Moon entitled “Breaking the Code.” In this show Jaye Moon explores the meaning of time, privacy and visual notions in her own decoded interpretation. Moon expresses her vision by referencing the works of artists such as On Kawara, Felix Gonzalez-Torres, Tracey Emin and Damien Hirst.
Moon’s interest in patterns and numbers as a means of conveying a message can be seen in her adaptation of Damien Hirst’s spot paintings. She takes the concept of Braille, intended for the tactile sense, and asks us to experience it visually, creating a pattern. She uses Braille dots to manipulate Hirst’s spot paintings. By removing certain dots in his work, she composed a Braille sentence which reads, “Damien Hirst Spot Paintings Suck”, while at the same time keeping the original colors, maintaining the recognizable quality of the image.
From learning Braille herself, Moon discovered that it is confusing to remember the exact position of the dots. As a result she goes on to develop a more universal and exact method of communication. She explores the use of numbers and number functions as a form of writing. Her fascination with numbers lies in their universal quality and how prevalent and useful they are in our contemporary society.
This experimentation with numbers can be seen clearly in her piece where she sets two identical battery-powered clocks next to each other, referencing Felix Gonzalez-Torres’ piece“Untitled (Perfect Lovers).” Moon transforms his traditional representation of time into an abstract form by removing the actual hours of the clock and replacing them with the words “Perfect Lovers” written in English Braille number codes. Although the numbers on the clock now represent “Perfect Lovers” instead of actual time the clocks still operate as functional clocks correctly synchronized with each other.
Still exploring the concept of time, Jaye Moon references On Kawara’s date paintings. Here she connects herself with On Kawara by using the same sizes, colors and compositions of his paintings. However she replaces the numbers in his paintings that represent dates with English Braille number codes that translate into dirty words that people refrain from using in public. Again here she is removing the idea of traditional time and date and using the number system to deliver a message. She uses a universal system of communication but makes it indistinguishable by putting it in code.
Moon goes further to explore her interest in public and private notions by referencing Tracey Emin’s neon text sign piece “People Like You Need To Fuck People Like Me”. Moon recreates the Emin piece, but translates Emin’s confessional text into her English Braille number code. By doing this Moon makes Emin’s message once again private and undecipherable while keeping the statement in the form of a public neon sign.
In addition to the number coded pieces Moon also installs texts made out of lego blocks as street art. One of the texts, “I AM STILL ALIVE” by On Kawara will be shared with passerby.
In this show Jaye Moon is exploring the two sided nature of expressing ourselves with numbers. Using numbers to represent ourselves and to communicate can be practical but as a result our emotions become less personal. The use of numbers in Moon’s work break all the rules of her own interpretation but still maintain true meaning encoded underneath the surface. The numbers become abstract, minimal and emotional and at the same time all expressing a clear sense of humor.
Jaye Moon is a Brooklyn based artist. She received her MFA from Pratt Institute. She has previously exhibited at the DUMBO Arts Center, White Columns, Artists Space, Galeria Max Estrella in Madrid, Spain and Gallery Momo in Tokyo, Japan. In 2006 she won the Pollack Krasner Foundation Grant.
This fall she will participate in the CJ Art Studio Residency program in Korea.
Public transport
Major bus routes: 8, N8, 26, N26, 48, 78, 149 (24H), 242 (24H), 388, 35, N35, 47, 135 and 67
Near Shoreditch High Street Station (5 min), Old Street Station (10 min) and Liverpool Street Station (10 min).
This Saturday the HOTBOX Mobile gallery is opening a new show featuring local chicago street artists.
“The GOOD GUYS” celebrates the good guys who wear masks – a group show with some of the most notable street artists from Chicago. Left Handed Wave, Brooks Golden, Clam Nation, Don’t Fret, Espir, Nudnik, and ourselves Lucx and Nice-one. Opening this Saturday 13th 12pm-10pm @ 2381 n. Milwaukee (in FRONT of) Gallery F Chicago IL
Mexican artist Hugo Rojas participated in this year’s DUMBO ArtsFest and created a series of installations inspired by animals in the wild of New York State. “This piece aims to revive the real New Yorkers, creating live visuals of the animals that lived in this area for centuries, in the form of moss graffiti,” says the description on the festival site. It also says “he has been exploring photography, video and street art as a means of intervention”.
The Spanish moss illustrations are up on the exterior walls of Galapagos Art Space, and at first many Street Art watchers mistook them as work the eco-minded Brooklyn collective MOSSTIKA. Much the same as Mosstika, Mr. Rojas art work involves sheets of real moss and features animal shapes, including some of the exact same animals like deer and moose, although these versions are more detailed, most likely because they were installed as part of a proscribed program.
Sooner or Later…We All Make The Little Flowers Grow
A solo show by John Breiner
Life, death and rebirth, the constant cycle of existence. Yet, the turbulence of a shifting dynamic on the planet has caused a major disruption in the natural order of things. In this modern age, the Earth’s climate is increasing, causing certain aspects of flora and fauna to gain a foothold on developed land and take advantage of recouping expanses of once settled areas within the great American landscape. Through chaotic economic conditions and unforeseen disasters, devastating setbacks have allowed once expelled elements to creep back into the neglected expanses, reaping havoc on our forgotten structures. This encroachment of the wild upon once settled habitat symbolizes mans weakening grip on world. Mighty Tanaka is excited to bring you our next solo show, Sooner or Later…We All Make The Little Flowers Grow, featuring the thought provoking artwork of John Breiner. His juxtaposing views of the planets continual reclamation exemplifies the significant impact of our actions within an ever changing terrain.
Sooner or Later…We All Make The Little Flowers Grow suggests that humans have become an invasive species as the population has been growing with rapid acceleration. The natural world responds by enacting new systems to rapidly break down buildings and infrastucture. John Breiner references this to symbolize the decomposition of society and the spread of positivity to overcome all obstacles.
John Breiner uses a mixed media approach to his work that includes elements of photo transfer, acrylic paint, spray paint and illustration upon found books and old sheets of paper. Through his beautiful interpretations, the work comes to life, inviting the viewer to visit to take a step closer and unravel the contrasting enigma.
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
