October 2012

Pop International Galleries Present: “The Art of Basketball” Curated by Billi Kid. (Manhattan, NYC)

October 10, 2012 , , , , , ,

The Art of Basketball”


POP International Galleries
Presents

Art of Basketball
Curated by Billi Kid

The Art of Basketball is a collection of original artworks
under license from the NBA. The collection currently
features unique works on official NBA backboards and
sections of the 2011 NBA All-Star Game floor boards.
This collection taps a select group of leading graffiti
and street artists to re-imagine the most iconic symbols
of this beloved game.

October 16 – October 28, 2012
Opening reception: October 16, 7-9pm
RSVP Required: popart@popinternational.com

Featuring Mr. Brainwash, URNY, The Dude Company, Skewville, Shiro, Rene Gagnon, Joe Iurato, Ewok One 5MH, Jack Aguire, David Cooper, Cope2, Chris Stain, Cern and Billi Kid

POP International Galleries
473 West Broadway
New York, NY 10012

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New Image Art Gallery Presents: Saner “Catharsis” Curated by Medvin Sobio (West Hollywood, CA)

October 10, 2012 , , , , , , ,

SANER

“A tragedy, then, is the imitation of an action … with incidents arousing pity and fear, wherewith to accomplish its catharsis of such emotions.”
– Aristotle

Opening Saturday October 27, 2012, with a body of new work, New Image Art is pleased to present “Catharsis,” a new solo exhibition by Mexico City artist SANER, Curated by Medvin Sobio of 33third Los Angeles/Mid-City Arts.

Catharsis in the Poetics of Aristotle is defined as an emotional, corporal, mental & spiritual purification.  Through the experience of compassion and fear, the spectators of the tragedy experience a purgation of emotion, a purification of the soul, a reconfiguration of desires and passions; a new revolutionary formation of desire.
Catharsis represents the final act in a cycle of solo exhibitions Saner has been developing, where each one has looked to generate an emotional change over the spectator, guiding the viewer towards a path of rebirth, freedom & purification.
In this, the final act, the viewer is the element that gives life to the exhibition.  Catharsis will be a space that will remain wrapped in a psycho magical act of healing.  With an installation, performance piece, paintings, & works on paper; this collective act of creation, of encounter & confrontation is what will generate the liberation of the spectator.ABOUT SANER

Edgar “Saner” Flores is an urban artist, muralist, professor, illustrator & graphic designer.  Raised by his parents in Mexico City and surrounded by rich color and tradition, Saner developed an interest in drawing and Mexican Muralism early on.  “I visited Oaxaca a lot when I was growing up because my mother is from there, and certain traditions which they carried out there really caught my attention.”  He began expressing himself on paper and through graffiti art, later going on to earn a degree in graphic design from the Universidad Autonoma de Mexico.
His lively & humorous images of masked characters on public walls, found objects and other canvases are influenced by Mexican custom and folklore, color, mysticism, masks, and skulls.  A mix of these lifelong interests and passions has led him to become the artist he is today.  “The masks that I use are traditional masks from Mexico.”  The jaguars, coyotes, skulls, and other recurrent characters appear in my work because that parallel world is the real self, the real face. “
Saner’s work has been featured in galleries in Mexico, the United States, London, Berlin and Barcelona.  Recent projects & exhibitions include “Kidnap Express,” Mid-City Arts Los Angeles, “Nose Job,” Eric Firestone Gallery East Hamptons NY, “The Bone yard Project,” Tucson Arizona, “The Bone yard: Return Trip,” Pima Space & Air Museum, “The Wynwood Walls,” Miami/Art Basel.  He has collaborated with Kidrobot, Vans, G-Shock, HQTR Canada, Pineda Covalin, Persigna Store, Bacardi, Adidas Mexico, Televisa, and many others.

ABOUT NEW IMAGE ART

Marsea Goldberg, founder and director of New Image Art in Los Angeles, started the gallery in 1994 at her 10×10 design studio. Since then, the gallery has grown to attract a global cult following, grabbing the interest of art lovers and collectors worldwide. Renowned for it’s discriminating eye and solid curatorial skills, New Image Art Gallery continues to show the works of established and emerging artists coming out of the street, skate, fine art, and surf scenes. Over the years, the gallery has launched or mobilized the careers of Shepard Fairey, Ed Templeton, Jo Jackson, Chris Johanson, Rebecca Westcott, Retna, Neck Face, Cleon Peterson, Faile, Tauba Auerbach, The Date Farmers, and Bäst just to name a few.

ABOUT MEDVIN SOBIO

 

One half of the visual arts collective, Viejas Del Mercado, Medvin Sobio has Curated, produced, and consulted on various large scale mural & public art projects.  He currently serves as Art Director at Mid-City Arts Gallery & 33third Los Angeles, the largest street art supply retailer in the United States.  In 2011, he was selected as Co-Curator of Wynwood Walls, the outdoor street art museum founded by Tony Goldman & Jeffrey Deitch.  Was Co-Producer & Co-Curator for The Boneyard Project & brought on as a Consulting Producer on the HERE COMES THE NEIGHBORHOOD Docuseries which explores the power of public art.  A significant component of his advocacy is dedicated to multi-dimensional cultural awareness via art exhibitions and events.  He strives to encourage awareness of the culture that the artists have emerged from and their relevance to various stratums of American culture.
7920 Santa Monica Blvd. West Hollywood CA 90046   P 323 654 2192
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The SX Lab, Street Art Productions Present: “Street Art Live”. One Full Day on a One Block Long Of Live Painting (The Bronx, NYC)

October 10, 2012 , , , , , ,

Street Art Live

Don‘t Miss Out! Sunday, 10/14/12, begins at 5am – Till’ A One Block Long Wall at Graffiti Universe is Completed.

ADDRESS

GRAFFITI UNIVERSE: 2945 Boston Rd.  Bronx, NY 10469 at the corner of Paulding Avenue and Boston Rd.

The SX Lab, Street Art Productions, SinXero & Resident Activist, Army of One/JC2 has invited Renowned Street Artists from Iran, Icy & Sot to participate at STREET ART LIVE. Meet eighteen of NYC’s MVP Street Artists: Icy & Sot, Army of One/JC2, Fumero, ADAM DARE, TONE TANK, Elle Deadsex, ENX, Choice Royce, Royce Bannon, See One & Danielle Mastrion, VEXTA, Mike Die, KID Lew, & ZIMAD, as well as, SinXero (SX) & colleague Bayoan.

Alexis Grafal, Professional Makeup Artist from Mind Over Makeup, will be having a Live Street Art Photo Shoot & Street Art Body Painting as our Eighteen Artists Represent.

The great story here is on how these two brothers from Iran, Icy & Sot came to New York City to exhibit their works, which in their country could have cost them their lives, unlike the laws here in the states where you can get fined &/or face imprisonment for putting up your work un-officially. The reality here is that tourists from all over the world come to NYC to experience its overall dynamic lifestyle, fashion & culture. If they are lucky, some of these street art aficionados just might be able to pick up, get a glimpse or shoot a photo of original street art by the renowned NYC MVP streets artists that are on the line-up at our live street art event being curated by The SX Lab, Street Art Productions. Surely, we must keep in mind that while these tourists stayed in hotels, fine dined and shopped till’ they dropped it was street art that helped increase revenue for the entire city as they did such. All the while, various street artists were being fined, charged, & imprisoned for exercising their very freedom of expression that puts money in the pocket of the city they love most, New York, where they only wish to flourish as artists.

The SX Lab, Street Art Productions in collaboration with Virtual Street Art, The Army Grows (TAG) An Artists Collective & Resident Activist, Army of One/JC2.

“FROM THE STREETS WE SHALL RISE, IN UNITY WE SHALL PREVAIL…”

Event Link:
https://www.facebook.com/events/173037219500089/

AFTER PARTY


@ BABALU Latin Restaurant & Lounge

ADDRESS:

3233 E Tremont Ave
(btwn Waterbury Avenue and Puritan Avenue)
Bronx, NY 10461
Throgs Neck Area of the Bronx

http://www.babalubx.com/

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Anonymous Gallery Presents: Monsieur A “André Saraiva” (Mexico City, Mexico)

October 10, 2012 , , , , , ,

Andre Saraiva

SOLO PROJECT
October 11 – November 10, 2012
Opening reception: October 11, 8-11 PM
MEXICO CITY:
173 Zacatecas
Col. Roma Norte, Cuauhtémoc
Ciudad de México, Mexico 06700
____________________________________________________
“Graffiti is not vandalism but a beautiful crime”
Monsieur A is known by his distinctive figures –  long lined characters with disturbing yet charismatic smiles. This Atelier de Production et de Création, develops precise execution in his deceptively naive contours or childish lines that depict more than we see.
Andre’s recognizable geography, cursive and dynamic hand style transforms his life into an oeuvre that carries his aesthetic values and fuses with his own stylistic criteria in a perfect constellation of art and fashion. Within the variable contexts, André oversize’s graffiti production to personalize spaces while constructing landscapes of identity and recognition. André could be described in Baudillard’s words “ingenious publicity in which each person becomes the impresario of his own existence”.
André Saraiva, has expanded the definition of art as itself, while re-defining “what an artist can do” – his new extended worlds manifest in production, process and exhibition. With this playful manifestation, André will take over the newly renovated project space of Anonymous Gallery, Mexico City. The space will surround the artist with his works on paper while this cross-cultural phenomena paints live in front of a viewing audience on the night of
October 11th.
ABOUT THE ARTIST:
 
André Saraiva, also known as Monsieur André or Monsieur A, is a French graffiti artist. Born as son of Portuguese parents in Uppsala, Sweden, he has been living in Paris since his childhood. Saraiva started doing graffiti in 1985, quickly acquiring notoriety in the late 90s with Mr. A, a cartoonish character with a top hat, big smile, long legs, and a cross and circle for his eyes that could be found all over the streets of Paris. A famous member of the early Parisian graffiti scene alongside Invader and Zevs, he also made an appearance in Banksy’s street art movie ‘Exit through the Giftshop’. Thanks to his distinctive poetic and joyful style and his use of pink colour, he became instantly recognizable – for example in his Love Graffiti series, which he created in the year 2000 – and expanded into various techniques such as wall paintings and sculpture from there. Even installations now count to his repertoire as seen in ‘Art in the Streets’, recently on display at the MOCA in Los Angeles that was curated by Jeffrey Deitch and Aaron Rose.
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“NUART 2012” International Street Art Catalysts in Norway

October 10, 2012

“By far the best exhibition we’ve yet created,” says Martyn Reed, organizer of the Nuart 2012 street art festival as it draws to a close in Stavanger, Norway.  What’s left after two weeks of painting, panel discussions, and parties stands on it own; The Art.

On old factory buildings, bricked stairways, in labyrinthine tunnels, and hanging on gallery walls, the city itself has welcomed international Street Artists to do these installations over the last decade and the funding for the events, artists, and materials are largely contributed to from public grants.

It’s a stunning model of arts funding that we’d like to see more of; one that is sophisticated enough to make behavioral and aesthetic distinctions and that is appreciative of the positive contributions of Street Art to the contemporary art canon. Here is one model that recognizes the importance of art in the streets as something necessary, valued. And the city of Stavanger keeps inviting a varied mix of well-known names and newcomers who show promise year after year.

Ben Eine (photo © Ian Cox)

At some point during the panel discussions at Nuart Plus this year there was talk about the dulling effect that the growing popularity of Street Art festivals specifically and sanctioned public art generally can sometimes have on the finished pieces. Certainly we are all familiar with those brain-deadening community murals of yesteryear that include lots of diversity, droning morality lectures and cute ducks. But we think the right balance of currency, community, and unchecked creativity can often catalyze great results, and smart people will know how to help keep it fresh.

Another topic discussed this year, at least in part based on our 2011 essay “Freed from the Wall, Street Art Travels the World”, which we wrote for Nuart’s “Eloquent Vandals” book, is the game-changing influence that the Internet continues to have on the Street Art movement itself.  Considering that in the last year alone we have shown you art in the streets instantly from Paris, Iceland, Istanbul, Costa Rica, Jamaica, Nicaragua, Panama, Trinidad, Dominican Republic, Mexico, Copenhagen, London, Sweden, Atlanta, Bristol, Baltimore, Boston, Berlin, Beijing, Brooklyn and about 25 other cities on five continents, we think it’s worth quoting the intro from that essay; “The Internet and the increasing mobility of digital media are playing an integral role in the evolution of Street Art, a revolution in communication effectively transforming it into the first global people’s art movement.”

Aakash Nihalani (photo © Ian Cox)

Solidly, Stavanger took a lead in the Street Art festival arena early and is still setting standards for high quality as an integrated cultural event without compromising integrity with so-called ‘lifestyle’ branding. These images from 2012 show just a sampler of the many directions that Street Art is taking us, with traditional graffiti and letter-based influences and new overlays of 20th century fine art modernism keeping the scene unpredictable and vibrantly alive. Nuart artists this year included Aakash Nihalani (US), Dolk (Norway), Eine (UK), Ron English (US), Saber (US), Sickboy (UK), Mobster (UK), HowNosm (US), Niels Shoe Meulman (NL), Joran Seiler (US), and The Wa (France).

Thanks to Ian Cox for sharing these images, some exclusive and some previously published.

Aakash Nihalani installing a piece on the street. (photo © Ian Cox)

Sickboy takes in his indoor installation. (photo © Ian Cox)

Saber at work. (photo © Ian Cox)

Saber (photo © Ian Cox)

How & Nosm (photo © Ian Cox)

How & Nosm (photo © Ian Cox)

How & Nosm (photo © Ian Cox)

Jordan Seiler (photo © Ian Cox)

Mobstr takes in the wall. (photo © Ian Cox)

Mobstr makes MOM proud. (photo © Ian Cox)

Mobstr indoor installation. Detail. (photo © Ian Cox)

Mobstr makes friends with the notoriously wet climate in Stavanger. (photo © Ian Cox)

Ron English at work on his indoor installation. (photo © Ian Cox)

Niels Shoe Muelman working on his indoor installation. (photo © Ian Cox)

Niels Show Muelman (photo © Ian Cox)

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TIKA in Switzerland With a Shepherdess and Ibex

October 9, 2012

German Street Artist TIKA has been in Chur, Switzerland recently and last week she put up this piece called “Staibock & Hirtin”, which loosely translates to Albine Ibex and his shepherdess. It is a local theme, this heraldic animal, she says, that has a lot of history in this part of the country. She did the entire wall with aerosol, using stencils and some tape for details. She pulled back some of the aluminum tape to give it a relief structure, which is a technique she’s been experimenting with for a few years.

TIKA “Staibock & Hirtin” Chur, Switzerland. 2012. (photo © TIKA)

“One man with a long, wild, white beard was very interested in the piece and stopped to talk. He was super happy when he saw that I painted the alpine ibexes “zipfel” (a really old-fashioned Swiss word for penis) and he told me that in town nowadays they do not always paint it in the emblem and kids often ask why sometimes it has a penis and sometimes not.”

So there you have it, when in Chur doing a bit of gatukonst (street art), do as the Churians do and make sure all your ibexes have zipfels.

Great thanks to TIKA for sharing these new exclusive pics with BSA readers!

TIKA “Staibock & Hirtin” Chur, Switzerland. 2012. (photo © TIKA)

TIKA “Staibock & Hirtin” Chur, Switzerland. 2012. (photo © TIKA)

TIKA “Staibock & Hirtin” Chur, Switzerland. 2012. (photo © TIKA)

TIKA “Staibock & Hirtin” Chur, Switzerland. 2012. (photo © TIKA)

TIKA says he has also been using a scratching technique with his work. 2012. (photo © TIKA)

TIKA “Staibock & Hirtin” Chur, Switzerland. 2012. (photo © TIKA)

TIKA “Staibock & Hirtin” Chur, Switzerland. 2012. (photo © TIKA)

TIKA “Staibock & Hirtin” Chur, Switzerland. 2012. (photo © TIKA)

The views in Chur, Switzerland are pretty sweet, yo.  I’m going for “bucolic”, because that’s one of my favorite words. Also, “pastoral”. 2012. (photo © TIKA)

Yo, Chur, YOU know what time it is!  2012. (photo © TIKA)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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MOMO Does New Work in Brooklyn, Maximally

October 8, 2012

Brooklyn got a visit from former New Yorker MOMO this week as he stopped by for a few days after summer trips to FAME festival in Italy, the Bien Urbain project and a collaboration with Eltono in Besançon, France, and just before he headed to Baltimore for a lecture today at MICA.  A staple in the mid-2000s NY Street Art scene known by many for his wheat-pasted tissue paper geometric formations and screen prints, you may remember more recently seeing his massive work for Baltimore this spring for Gaia’s OWB project and we’re really glad he is participating in our gallery show curated by Hellbent in Red Hook right now called GEOMETRICKS.

MOMO. Bushwick 5 Points (photo © Jaime Rojo)

An easy-going ever-thoughtful modern minimalist who has a love for graffiti fundamentals, MOMO is usually experimenting with his pieces, his process (see his MOMO Maker), his techniques. You may grow familiar with the vocabulary he uses but you’ll never see the same outcome twice because his exploratory mind is always spacing out new ways to deduct, add, unmask, recombine, and ultimately find balance.

Here he leaves his newest marks on a wall in Brooklyn in collaboration with Bushwick Five Points.

MOMO. Bushwick 5 Points (photo © Jaime Rojo)

MOMO. Bushwick 5 Points (photo © Jaime Rojo)

MOMO. Bushwick 5 Points (photo © Jaime Rojo)

MOMO. Bushwick 5 Points (photo © Jaime Rojo)

MOMO. Bushwick 5 Points (photo © Jaime Rojo)

MOMO. Bushwick 5 Points (photo © Jaime Rojo)

MOMO. Bushwick 5 Points (photo © Jaime Rojo)

MOMO. Bushwick 5 Points (photo © Jaime Rojo)

MOMO. Bushwick 5 Points (photo © Jaime Rojo)

 

MOMO at FAME 2012 in August

MOMO’s paintings are currently on view at Gallery Brooklyn for GEOMETRICKS.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Images of the Week 10.07.12

October 7, 2012

Here’s our weekly interview with the street, this week featuring Barry McGee, Berth Control, BustArt, Cash4, Hot Tea, JM, Michael DeFeo, OverUnder, Rae, Shie Moreno, Smells, Spiro, Swoon, and Willow. First we start with a selection of details from the brand new piece by Brooklyn Street Artist Swoon that appeared on the street recently – in her inimitable style of revealing an internal world at play within the larger structure.

Swoon. “Neenee. Bradock”.  Swoon created this piece to raise funds for the restoration of the church in Braddock, PA. This hand tinted what paste for the streets was done on a metal fence with a colorful background by a different artist. (photo © Jaime Rojo)

Swoon “Neenee. Braddock”. Detail. (photo © Jaime Rojo)

Swoon “Neenee. Braddock”. Detail. (photo © Jaime Rojo)

Swoon “Neenee. Braddock”. Detail. (photo © Jaime Rojo)

Swoon “Neenee. Braddock”. Detail. (photo © Jaime Rojo)

Swoon “Neenee. Braddock”. Detail. (photo © Jaime Rojo)

Swoon. Detail of the maquette of the church as envisioned by the artist during a recent fundraiser called “Pearlys”. (photo © Jaime Rojo via Iphone)

Swoon. Detail of the miniature mode of the church as envisioned by the artist. (photo © Jaime Rojo via Iphone)

Shie Moreno (photo © Jaime Rojo)

JM, Berth Control (photo © Jaime Rojo)

Rae (photo © Jaime Rojo)

Willow (photo © Jaime Rojo)

Overunder (photo © Jaime Rojo)

Overunder (photo © Jaime Rojo)

Michael DeFeo (photo © Jaime Rojo)

Smells . Cash4 . Spiro (photo © Jaime Rojo)

Barry McGee’s completed mural. (photo © Jaime Rojo)

BustArt in Amsterdam goes after the behaviors of corporate chains. (photo © BustArt)

Hot Tea’s latest very subtle installation almost got lost here in the photo. Too bad, as this is one of his best installs so far. The fonts are beautifully rendered with the yarn. (photo © Jaime Rojo)

Untitled (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Navajo on the Road: Jetsonorama from Moenkopi Wash to Bitter Springs

October 6, 2012

There is a stretch of highway from Bitter Springs to Moenkopi Wash where you might slow down or stop all together to take a look into the eyes of a Navajo. They are there looking at you. Artist and photographer Jetsonorama is telling more stories out here about the Navajo people and their neighbors in black and white poster-sized wheatpastes.

Jetsonorama. Owen. (photo © Jetsonorama)

The portraits, snapshots of life, and representational scenes are telling you their stories, even if you didn’t ask a question. The sun-baked creases on their faces are maps of roads you may have traveled but probably not. Serene, apprehensive, jovial, content, resigned, pensive, beautiful – that’s how these individuals are captured and blown up; a way of life on display for the world to see.

Jetsonorama. Ben. “Water is Life” (photo © Jetsonorama)

Jetsonorama. (photo © Jetsonorama)

Jetsonorama. (photo © Jetsonorama)

Jetsonorama. (photo © Jetsonorama)

Jetsonorama. (photo © Jetsonorama)

Jetsonorama. (photo © Jetsonorama)

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Fun Friday 10.05.12

October 5, 2012

Happy Friday Everybody

Our Fun Friday Stories This Week

1. Mitt Hunts Big Bird for Thanksgiving Dinner #defendthearts
2. Stormie Mills in Melbourne
3. Ambush Group Show (Sydney)
4. TrustoCorp at Outsiders (Newcastle, UK)
5. Guy Denning Solo at Signal (London)
6. Goons Go Inside (Chicago)
7. Graffitimundo Needs Your Help to Finish Documentary (VIDEO)

Today is going to be 80 degrees in New York so we’ll be outside checking out some new stuff on the street – ya’ll hear that MOMO is in town? We’re still reeling a bit from the debate Wednesday night where Mittens threatened to have Big Bird for Thanksgiving dinner and that makes us think of Saber’s skywriting campaign to #DefendTheArts.

Image courtesy VH1

Stormie Mills in Melbourne

Stormie Mills has a solo show “Peoples and Places 2012” at the Metro Gallery in Melbourne, Australia that’s open to everybody and Mr. Mills will delight you with his funny, industrious little characters done mostly in monochrome palette. Also, it was snowing at the opening Wednesday. Kind of stormy.

Stormie Mills entry on this summer’s Welling Court. (photo © Jaime Rojo)

For further information regarding this show click here.

Ambush Group Show (Sydney)

The Australians are putting in a good game it seems as the Ambush Gallery in Sydney has an interesting line up of dozens of Aussies for their group show “Living In A Glass House”. This exhibition is now open to the general public. Also interesting because all the profits go directly to the artists.

For further information regarding this show click here.

TrustoCorp at Outsiders (Newcastle, UK)

The Outsiders Gallery has invited American Street and Fine Artist TrustoCorp to come and mint wads of money, honey. Currency is power and with this show titled “The International Bank of TrustoCorp” you’ll find plenty of both. Opening today.

TrustoCorp on the streets of Brooklyn always has a variety of subversive messages posted on official looking signs. (photo © Jaime Rojo)

For further information regarding this show click here.

Guy Denning Solo at Signal (London)

Guy Denning’s solo show “Paradiso” at the Signal Gallery in London, UK is now open to the.  This show is the last of a trilogy inspired by Dante’s The Divine Comedy. Go and be tempted.

Guy Denning. (image courtesy of the gallery)

For further information regarding this show click here.

Goons Go Inside (Chicago)

Goons, the Chicago based Street Artists are exhibiting at the Maxwell Colette Gallery in Chicago with a solo exhibition titled “Welcome to Goonswood”. This show opens today.

Goons on the streets of Brooklyn. (photo © Jaime Rojo)

For further information regarding this show click here.

Graffitimundo Needs Your Help to Finish Documentary (VIDEO)

Graffitimundo in Argentina is working on documentary “White Walls Say Nothing” to capture the art and activism on the streets of Buenos Aires. Take a look at the trailer for the film and please help them to raise the funds needed to complete their film by clicking on the link to their Kickstarter campaign.

“White Walls Say Nothing” link to their kickstarter page: http://www.kickstarter.com/projects/whitewallsdoc/white-walls-say-nothing-buenos-aires-street-art-an

 

 

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Overunder LNY and ND’A Study and Play in Bushwick

October 4, 2012

Even as they shoot spit-wads at the windows and doodle intensely in the margins of their notebooks while constantly shifting in their chairs in the back row of English class, these two ADHD kids are paying sideways attention to the teacher and not really trying to cause trouble. If you want to keep their attention you just need to keep them engaged and help them channel their energy productively because the next thing you know Overunder and ND’A will be eyeballing the fire extinguisher or pulling apart the wall clock to see what makes it tick…

Overunder (photo © Jaime Rojo)

Two of the new crop of painters on the street who can’t keep their metaphors unmixed, Overunder and ND’A are sprinting through Brooklyn looking for new walls and ladders right now, and they’ve covered a lot of space already this new fall semester. The fast talking buddies have a way of playing off each others’ fantastic ideas and stories that will get you lost if you try to follow them, with words and symbols and meanings tossed into a clothes dryer and tumbled. Give ’em a spot, some bucket paint, and a couple of cans, and who knows what you’ll get. But you won’t be bored.

While their individual styles are distinct, with OU blending realism and figurative forms with architectural elements and ND’A giving a gritty low-brow cartoon monster treatment to his symbols and characters, the fluidity of undulating shapes and the free flow of ideas keeps these two in the same school. Here are a couple of new pieces of theirs for you to grade as they run down the hall and out the double back doors onto the playground to swing from the monkey bars and look up girls skirts. Here on this wall Overunder found a way to interact with that other devilish, horns ‘n all bad boy LNY. The results are well balanced with both pieces complimenting each other.

Overunder (photo © Jaime Rojo)

Overunder (photo © Jaime Rojo)

Overunder (photo © Jaime Rojo)

LNY (photo © Jaime Rojo)

Overunder on the left with LNY on the right. Detail. (photo © Jaime Rojo)

Overunder and LNY (photo © Jaime Rojo)

ND’A (photo © Jaime Rojo)

ND’A (photo © Jaime Rojo)

ND’A (photo © Jaime Rojo)

ND’A (photo © Jaime Rojo)

Overunder is one of the artists participating in GEOMETRICKS currently on view at Gallery Brooklyn.

 

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Stolen Space Gallery Presents: Shepard Fairey “Sound & Vision”. (London, UK)

October 3, 2012 , , , , , ,

Shepard Fairey

STOLEN SPACE

presents

SHEPARD FAIREY

SOUND & VISION

19th October – 4th November 2012

The Old Truman Brewery

StolenSpace Gallery are delighted to announce a solo exhibition of work by Shepard Fairey opening on 19th October 2012. This will be Fairey’s second major London exhibition, following his collaboration with the Gallery in 2007. It will feature a range of new works including mixed media paintings on canvas, works on paper, retired stencils collages, rubylith cuts, and as well as serigraphs on wood, metal and paper

Entitled Sound and Vision, the exhibition title is taken from the David Bowie song of the same name. Bowie has been a major influence on Fairey, because he was able to master music and visual presentation with equal virtuosity. Music is an artistic medium that Fairey reveres almost more than he does visual art. He comments: “Music is visceral, but also has the additional powerful layers of the lyrics, with their content and politics, and the style, politics, and personalities of the musicians themselves. No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is much more able to reach people’s hearts and minds.” The artist hopes to be able to induce in people, even a fraction of the emotion that hearing a new song or listening to a familiar one can evoke.

Sound and Vision, will incorporate a diverse array of mixed media works, which embody both the political and social influences on Fairey’s work, particularly that which is directly inspired by music. It is not only David Bowie, but also the Sex Pistols, Roxy Music, Gang of Four, the Clash and Metallica which have had an impact on Fairey’s work. To encourage viewers to experience an interaction between music and art, the artist will provide records from his own collection as well as customised vintage turntables to enable viewer listening. This section of the show is complemented by a display of eighty works which have the same 12×12” dimension as an LP sleeve. The artist will therefore use both sound and vision to connect with his audience.

Over the last five years the artist has seen a meteoric rise with a series of international projects and exhibitions. In 2008 his portrait of the then Democratic candidate, Barack Obama, with the message of ‘HOPE’ under the illustration, became an internationally recognised emblem of the campaign and a symbol political change for many. Since last exhibiting in London, Fairey has continued to progress with his art and with a/ 20 Year Retrospective museum exhibition that began at the Institute of Contemporary Art, Boston in 2009 and continued to the Warhol Museum and Contemporary Art Center in Cincinnati. Last year, he was commissioned by TIME Magazine to design a cover in celebration of ‘The Protester’, an anonymous figure representative of momentous world demonstrations such as the Arab Spring and Occupy movement.

STOLENSPACE GALLERY
Dray Walk, The Old Truman Brewery
91 Brick Lane
London E1 6QL
United Kingdom

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