All posts tagged: OZE 108

“F*ck Art” Opens Wide at Museum Of Sex (Not Safe for Work / School)

Be Sure to Ride the 14 Foot Long “F*ck Bike”

“F*ck Art”, an undulating and adventurous group show by New York Street Artists opens its arms and legs to you at the Museum of Sex (MoSex) tomorrow and whether it’s the human powered penetrating bicycle or the glass bead encrusted dildo, it endeavors to satisfy.

Miss Van. Detail. Oil on Canvas (photo © Jaime Rojo)

Co-curated by Emilie Baltz (Creative Director) and Mark Snyder (Director of Exhibitions), the show selects 20 current Street Artists who have pushed notions of propriety into provocation on the street and it invites them to let it loose behind closed doors.  Not that Miss Van needs anyone’s permission; her sensual role-playing painted ladies have been playfully preening on graff-piled walls and blue-boarded construction sites for much of the 2000s.  Similarly the powerfully stenciled sirens by Street Artist AIKO have been bending over in high heels on walls all over the world with just a hint of the geishas from her native Japan for over a decade.

Aiko. Detail. Collage on canvas. (photo © Jaime Rojo).

The “Fuck Bike #001”, a pedal operated plunging machine by William Thomas Porter and Andrew H. Shirley, has at its conceptual base an ode to the lengths a guy will go to reach his natural objective. The two artist met at a Black Label Bike Club event called “Ridin’ Dirty” in 2010 and later schemed together to make an entry for a bike-themed group show in Bushwick, Brooklyn that featured many Street Artists like DarkClouds, Ellis G., UFO, Noah Sparkes and Mikey 907. “I approached Tom with the idea of creating a kinetic bike sculpture which you could f*ck someone with,” remembers Mr. Shirley, “Tom is a very gifted artist and bike engineer, it took a few days for him to build our design.”

Andrew H Shirley and William Thomas Porter “Fuck Bike #001” (photo © Jaime Rojo)

Visitors to the show are invited to mount the bike and take it for a spin. “This bike is more sculpture oriented, but still functions sexually. It’s also totally interactive,” explains Mr. Shirley, who has displayed the bike in cities in Europe and America, most recently at Art Basel in Miami in December. So the bike has gotten around and Shirley happily recounts stories of intimate encounters it has had with both genders. (See the very Not-Safe-For-Work film of the bike in action below.)

The street has certainly seen an increase of fairly graphic sex related Street Art in the last decade or so as people have become more comfortable with such themes and much of this show can often be seen throughout the city without the price of admission. Gay couple Bryan Raughton and Nathan Vincent have been putting large and small scaled paste-ups of sexually themed imagery as a Street Art duo called RTTP for about two years on Manhattan’s Lower East Side and in Williamsburg, Brooklyn. Short for “Reply To This Post”, the line-drawn torsos and spread eagles are all part of their collaborative Street Art project that explores the desires of men seeking men on Craigslist.

 

RTTP. Collage directly on wall. (photo © Jaime Rojo)

Describing the work, Vincent says it’s a process of lifting the mystery off of a just-below-the-radar Internet dating game – and pasting it on a lightpole. “Users post an ad with an image, title, and a short description of what they are looking for tonight. The photograph they post of themselves is drawn and titled with the ad’s title.” By putting these erotically based desires on the streets, Vincent thinks “they magnify those desires that often seem to live at the edges.” Says Raughton of the project, “We see it as an interesting way to take people private desires to the public street.”

 

Lush. Spray paint directly on wall. (photo © Jaime Rojo)

In discussing the origins and underpinnings of a show like this, the co-curators reveal a more academic and sociological grounding than the prurient and salacious sauciness one might infer by a display of so much “F*ck Art”.  We asked Baltz to give us a sense of the context for a Street Art driven sex show.

Brooklyn Street Art: What is your favorite part of curating a show like this?
Emilie Baltz: Seeing the different interpretations and energy that each artist brings to their work is always the most interesting part of curating – with this topic, especially, it’s the fact that they are all pushing the limits of their medium by creating such provocative statements.

 

Wonderpuss Octopus. Sex toy with paint buildup and glass beads applique. (photo © Jaime Rojo)

Brooklyn Street Art: While these pieces are behind closed doors available to a certain audience, Street Artists typically put their work out in the public. Do you think the work should change depending on the audience?
Emilie Baltz: We don’t think it’s about changing the work, it’s about how the work changes the environment it lives in. Street art has a long history of revealing different perspectives on its surrounding environment and by placing this work in a museum it creates a certain energy and visual provocation that changes the relationship we traditionally have to the museum-going experience.

Wolftits. Painted floor mat on rubber.  (photo © Jaime Rojo)

Brooklyn Street Art: Do you think there has been an increase in sex-related street art in recent years, and if so, why?
Emilie Baltz: There definitely is an increase in sex-related conversations in recent years. It’s not that there is more content suddenly, it’s just that culture is actually ready to start talking about it now, rather than ignore it.

 

Tony Bones on wood affixed to wall. (photo © Jaime Rojo)

Brooklyn Street Art: We have noticed that themes of sex and sexuality are often quickly destroyed on the street, while other pieces remain for months. Is this a form of selective censorship by the public?
Emilie Baltz: Street art is a dialogue. Its creation is about expression and commentary, and therefore can become a barometer of cultural consciousness (or unconsciousness). The intimate and emotional nature of sexual content can obviously elicit strong feelings in viewers, and, given that street art is an environmental medium, either you have to live with it or get rid of it. Sex walks a fine line between acceptance and rejection. Public response to this kind of art is potentially a mirror into how our society relates to the topic.

Brooklyn Street Art: What surprised you the most about putting this show together?
Emilie Baltz: The enthusiasm from the public. People are genuinely excited to talk about sex in public space and it’s an incredible honor to be able to help facilitate that discussion.

 

Patch Whisky. Detail. Diorama with spray paint, paper collage and painted mannequins. (photo © Jaime Rojo)

Dickchicken. Detail. Hand colored wheatpaste directly on wall with painting on wood panel. (photo © Jaime Rojo)

Droid, Gen 2, Oze 108, 907 Crew. Detail. Spray paint directly on wall with image on a light box. (photo © Jaime Rojo)

El Celso. Paint on Lucite. (photo © Jaime Rojo)

Cassius Fouler. Detail. New piece painted directly on wall. (photo © Jaime Rojo)

The Bike on Display in the Window at The Museum of Sex (NOT SAFE FOR WORK OR SCHOOL)

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F*CK ART
A Street Art Occupation at the Museum of Sex in New York City, opens February 8 and will run through June 10, 2012.

Emilie Baltz, Co-Curator, Creative Director, F*CK ART
Mark Snyder, Co-Curator F*CK ART, Director of Exhibitions, Museum of Sex
Meghan Coleman and Alex Emmart of Might Tanaka Gallery in Brooklyn served as Chief Advisors.

Participating Artists:

AIKO. Andrew H. Shirley, B-rad Izzy, Cassius Fouler. DICKCHICKEN. DROID, GEN 2, OZE 108 of 907, El Celso, Jeremy Novy, JMR, LUSH, Miss Van, MODE 2, Patch Whisky, ROSTARR, RTTP: Nathan Vincent & Bryan Raughton, Tony Bones, William Thomas Porter, WOLFTITS, and Wonderpuss Octopus

 

 

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BSA in Print : Pantheon, The Book

Public, Urban, Street, Unauthorized, Permissioned, Private, Graffiti, Vandalism, Fine Art, Installation, Throwie, Portraiture, Poetry, Sticker, Sculpture, Aerosol, Line Drawing, Wheat paste, Yes. All of it applies and all of it is part of a large conversation that has been happening in New York for about 50 years, probably before that. The intersection of art and the street is by nature open to the interaction of every person. At its core is an expression that is human, and the reactions to it are likewise. ” – Steven P. Harrington and Jaime Rojo in PANTHEON: A history of art from the streets of NYC

An installation for “Pantheon”. Sadue, Gen2, Oze108, Droid, Goya, UFO, 907 Crew (Photo © Jaime Rojo)

When the erudite artist and alchemist Daniel Feral first talked enthusiastically in the summer of ’10 about his plans to mount a tribute to NYC graffiti and Street Art across the street from the Museum of Modern Art (MoMA) in ’11, we surveyed the large display windows of the former Donnell Library with their grand sweep on 53rd Street in Manhattan, and thought, “Why the Hell not?” As months rolled by and we continued to communicate with Feral and co-curator Joyce Manalo, the once medium sized exhibition grew larger in depth and scope – each time.

Truly a grassroots effort that was free of institutional or corporate restrictions, the PANTHEON show was funded by a modest Kickstarter campaign and administered under a non-profit. Each role and skillset was donated, as was all the labor – freely given by people involved in the scene. When the windows were unveiled in April of 2011 to the thousands of daily passersby, their Pantheon dream had grown into a full fledged installation of historic and current NYC graffiti and Street Artists, a 426 page tome of academic quality and behind the scenes insights, and the new iconic “Feral Diagram” that was quickly snapped up for display and sale at the historic “Art in the Streets” show in Los Angeles.

PANTHEON, the book, was one of three published works that BSA was honored to write for and provide images for in 2011. In the process of building PANTHEON, the exhibit, many new ideas and relationships were born, and like it’s muse – graffiti and all it’s cousins, it continues to organically grow in influence in New York and around the world. As 2012 begins, Daniel and Joyce are beginning a publishing and curatorial company, Pantheon Projects. Together in 2011 the artists, writers, historians, academics, curators, and photographers in PANTHEON told a story about an organic movement over time, helping us to understand this moment.

Cassius Fowler. Egypt (Photo © Jaime Rojo)

For our part, BSA furnished a chapter in the book about the first explosive decade of Street Art in the 2000s in neighborhoods where it was most impressive and untamed, especially Brooklyn. “PANTHEON: A history of art from the streets of NYC” allowed us to put in context the importance of the public sphere and how people create in it, whether commissioned, approved, or otherwise.

“Brooklyn Street Art (BSA) has been watching, recording, curating, interviewing, and interacting with this scene and its many players and passing on what we’ve learned to readers on our blog, which now number into the thousands daily. As experts in a field of many experts and opinion makers and fans, we like to assess and synthesize the messages and movements among the madness that is the “Street Art Scene”.  As artists and creative professionals in New York for 25 years, the primary draw for us is the creative spirit that is alive and well on the streets and its fascinating ability to continuously recreate itself without the dictate of any one overriding legislative body. This organic growth of art on the street is like seeing Spring eternally. It didn’t ask anyone for permission, and it defines itself. Un-bought and un-bossed, this is a truly free movement born of the people. Not that we are overly romantic about it, mind you.”

Overunder. No Touching Ground (Photo © Jaime Rojo)

Sadue, Gen2, Oze108, Droid, Goya, UFO, 907 Crew (Photo © Jaime Rojo)

PANTHEON was the group exhibition on Graffiti and Street Art that took place on April 2 – May 1, 2011 at the former Donnell Library across The Museum of Modern Art. Daniel Feral and Joyce Manalo Co-Curated this show with 33 participating which included Abe Lincoln Jr., John Ahearn and Rigoberto Torres, Adam VOID, Cake, Cassius Fouler, Darkclouds, Droid, El Celso, Faro, John Fekner and Don Leicht, Freedom, Ellis Gallagher, Gen2, Goya, Groser, Richard Hambleton, infinity, KET, LSD-Om, Matt Siren, NohJColey, OverUnder, Oze 108, QuelBeast, Royce Bannon, Sadue, Jordan Seiler, Stikman, Toofly, UFO and Vudu. 

The 426-page catalog is a hybrid of scholarly journal, popular magazine, and graff zine. 33 artists from the 1970s through today tell their own histories, in their own words and pictures, while local writers and photographers give an overview of the cultural milieu. The catalog includes a dedication to Rammellzee by Charlie Ahearn, essay on the Feral Diagram by Daniel Feral, Street Art in the 2000s by Steven P. Harrington with photographs by Jaime Rojo, in addition to 20 essays, 20 interviews and over 400 images from the efforts of over 30 individuals.

 

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PANTHEON Opens On Street, Skewville Gives a Review

The PANTHEON show in the windows of the former Donnell Library across from MoMA on 53rd Street in Manhattan opened with a lot of fanfare and excitement on Saturday night. Within minutes of the unveiling of the giant windows there were clusters of tourists and art fans and regular New Yorkers gathering around the brightly lit windows to inspect the collection of a small sampling of the work by graff and Street Art artists during the last 40 years in New York.

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The huge and amazing installation by the 907 Crew entitled “907 Was An Inside Joke”, taken by Super Kate NYC. See more of her pics on her Flickr site here. (image © SuperKateNYC)

At the Hilton across 6th Avenue a packed lounge of artists and press and honored guests and looky-loos were milling around and celebrating the opening while a live streaming discussion of the event and interviews with organizers and artists took place on screens and online. The grassroots organized and run show will be open to the public for the next week and a half, 24 hours a day.

One of the peeps on the street looking at the show was wiseacre Ad Deville of Skewville (below), who posed in front of PANTHEON and offered this succinct assessment.

brooklyn-street-art-skewville-alex-emmart-pantheon-04-11Skewville (photo © WTF)

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907 Crew “907 was an inside joke” Detail  (photo © Jaime Rojo)

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907 Crew “907 was an inside joke” Detail  (photo © Jaime Rojo)

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NohJColey. “Before Columbus” Detail  (photo © Jaime Rojo)

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NohJColey. “Before Columbus” Detail  (photo © Jaime Rojo)

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Fun Friday 04.01.11

Fun-Friday

1. Birdsong ZINE Benefit
2. Nomade on LA Freewalls
3. 10th Anniversary of Robots Will Kill in Philadelphia Tonight
4. PANTHEON Opens in Manhattan on the Street Tomorrow
5. EL Celso Closing Party Saturday at Pandemic
6. Spring is Just Around the Corner!  Time For Wedding Planning!
7. GAIA Does Giant Martha Cooper Tribute in Chicago
8. BSA Was in the Newspaper Yesterday
9. Happy April Fools! Insane German Synth Pop “Razor Scooter” Video
10. Banksy Revealed as Nude USC guy having sex on the roof

Birdsong ZINE Benefit – Support Your Local ZINE – Tonight at Brooklyn Fireproof

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The Birdsong Zine birthday party and benefit — celebrating 3 years of the Brooklyn artist small collective that produces birdsong among other zines, celebrate with a print show and sweet live music.

art: featuring limited edition $20 prints by a group of artists who have contributed to, or who have been interviewed by, birdsong over the past three years: Blanco, Cara Fulmor, Cat Glennon, Elizabeth Hirsch, J. Morrison, Julia Norton, Joey Parlett, Danielle Rosa, Will Varner, and Michelle Yu
When: Friday, April 1st. Doors at 8pm, bands start at 9pm
Where: Brooklyn Fire Proof,119 Ingraham St @ Porter Ave, Brooklyn (Morgan L)
Why: $$$ goes to offset some of the cost of producing birdsong #15, a Brooklyn-based full color bi-annual lit/art/interview zine.

Nomade on LA Freewalls

Haven’t seen these fellers in action before, now, have ye?  Bunch of black blobs on their faces though. Did you see the pictures of the final installation here a couple of days ago?

10th Anniversary of Robots Will Kill in Philadelphia Tonight

And if you find yourself in Philly today and want to have a good time and experience great art and excellent company head over to the Vicent Michael Gallery where RWK Art Collective is celebrating their 10th Anniversary of art making

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At the Robots Will Kill show will be this piece “Winter Flower” by Veng RWK

PANTHEON Opens in Manhattan on the Street Tomorrow

Curators Daniel Feral and Joyce Manalo invite you to go window shopping this Saturday April 2 to view and buy the art on display on the windows of the old Donnell Library across from MOMA for their exhibition PANTHEON: A History of art from the streets of New York City.  See some detail pics from the show here:

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907 Crew. Detail. “907 Was an Inside Joke” (Photo © Jaime Rojo)

PANTHEON:
A history of art from the streets of New York City

Windows exhibition runs April 2-17, 2011
On view 24 hours a day

EXHIBITION LOCATION
chashama at the Donnell
20 West 53rd Street, b/w 5th & 6th Avenue
New York, NY 10019 (across from MoMA)

brooklyn-street-art-daniel-feral-pantheon

Image Credit: GRAFFITI & STREET ART diagram by Daniel Feral is a 75th Anniversary celebration of Alfred H. Barr’s CUBISM & ABSTRACT ART diagram.

EL Celso Closing Party Saturday at Pandemic

Pandemic will be hosting a closing party for their El Celso show tomorrow night (1/2) from 7-11pm

brooklyn-street-art-el-celso-pandemic-gallery

It’s your last chance to dance like a maniac in their exclusive…El Celso Mini Discoteca.

Pandemic
37 Broadway (between Wythe and Kent)

Brooklyn, NY 11211
(917) 727-3466

pandemicgallery@gmail.com

Spring is Just Around the Corner!  Time For Wedding Planning!

Fools rush in …. where angels fear to tread. Enjoy some of these inspiring Photoshopped delights from romantic Russia and your friends at Sad And Useless

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GAIA Does Giant Martha Cooper Tribute in Chicago

Pawn Works and Maxwell Colette Gallery recently hosted New York Street Artist GAIA in Chicago for his “Resplendent Semblance” show and helped him find some walls, like this one in an image from the Pawn Works site, which doesn’t mention that the original image is a photograph from Martha Cooper.  Ms. Cooper’s Remix show prep begins in earnest today as she touches down in LA to start installing the her photos and the 50+ original works by graffiti and street artists who have reinterpreted them.  Brooklyn-Street-ARt-WEB-Copyright-Pawn-Works-Gaia-Chicago

Image of GAIA piece courtesy and copyright of Pawn Works

From our piece with Chris Stain, Billy Mode, and Ms. Cooper a couple of weeks ago:

Brooklyn Street Art: Oh yeah! Gaia is doing that one for this show!
Chris Stain:
He is?  Cool, that’s cool.
Brooklyn Street Art:
Well he loves doing birds, and feathers, and animals.
Chris Stain:
Well Gaia’s a bird brain, that kid, so it makes sense.

BSA Was in the Newspaper Yesterday

Yes we geeked out to see Brooklyn Street Art in the AM New York newspaper yesterday morning! Plus we were all over the fact that NohJColey and El Sol 25, two of the newest talents on the street got some props. Oh yeah, and that guy Shepard.

Brooklyn-Street-Art-AM-New-York-03312011

See it in the online version here.


Happy April Fools! Here’s An Insane German Synth Pop “Razor Scooter” Video



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PANTHEON : A Photo Essay

PANTHEON: A history of art from the streets of New York City is a labor of love.

This Saturday the PANTHEON mounts a show seen from the street, bringing visual story from the last 40 years of graffiti and Street Art alive in a space that once housed a city library across from the Museum of Modern Art on 53rd Street.  Like the real shows we follow on the public thoroughfare, this one is also open 24 hours a day.

brooklyn-street-art-907-crew-sadue-gen2-oze108-droid-goya-ufo-jaime-rojo-pantheon-03-11-web-1907 Crew. Sadue, Gen2, Oze108, Droid, Goya, UFO “907 Was an Inside Joke” Detail (Photo © Jaime Rojo)

An ambitious project spearheaded by Daniel Feral and Joyce Manalo, PANTHEON is truly grassroots, an academic and historic presentation by people who love it and study it and create it. Funded by modest personal contributions to their Kickstarter campaign, the show’s mission is to foster future understanding of how graffiti and Street Art has claimed a place as catalyst in the culture through it’s own wild and wooly evolution on the margins and in the mainstream.  A small selection of some of the players on this now global scene, the resulting exhibit aims to be an un-hyped insight into the experience by people who are more concerned with the art than who collects it.

As their media partner, BSA got a behind the scenes peek at many of the pieces that will be shown and here is a photo essay by our own Jaime Rojo. These rich and storied detail shots will hopefully incite your imagination and peak your interest to check out the street show in person.

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907 Crew. Sadue, Gen2, Oze108, Droid, Goya, UFO “907 Was an Inside Joke” Detail (Photo © Jaime Rojo)

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907 Crew. Sadue, Gen2, Oze108, Droid, Goya, UFO “907 Was an Inside Joke” Detail (Photo © Jaime Rojo)

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907 Crew. Sadue, Gen2, Oze108, Droid, Goya, UFO “907 Was an Inside Joke” Detail (Photo © Jaime Rojo)

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907 Crew. Sadue, Gen2, Oze108, Droid, Goya, UFO “907 Was an Inside Joke” Detail (Photo © Jaime Rojo)

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907 Crew. Sadue, Gen2, Oze108, Droid, Goya, UFO “907 Was an Inside Joke” Detail (Photo © Jaime Rojo)

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Infinity. Detail (Photo © Jaime Rojo)

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Abe Lincoln Jr.  Detail (Photo © Jaime Rojo)

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Adam VOID. Detail (Photo © Jaime Rojo)

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Cake. Detail (Photo © Jaime Rojo)

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Cake. Detail (Photo © Jaime Rojo)

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Cassius Fouler.  Detail (Photo © Jaime Rojo)

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Darkclouds.  Detail (Photo © Jaime Rojo)

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Ellis G. Detail (Photo © Jaime Rojo)

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Faro. Detail (Photo © Jaime Rojo)

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Freedom. Detail (Photo © Jaime Rojo)

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Matt Siren. Detail (Photo © Jaime Rojo)

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OverUnder. Detail (Photo © Jaime Rojo)

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John Ahearn. Detail (Photo © Jaime Rojo)

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Rigoberto Torres. Detail (Photo © Jaime Rojo)

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Jordan Seiler. Detail (Photo © Jaime Rojo)

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NohjColey. Detail (Photo © Jaime Rojo)

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Quel Beast Detail (Photo © Jaime Rojo)

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Royce Bannon. Detail (Photo © Jaime Rojo)

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Stikman.  Detail (Photo © Jaime Rojo)

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Toofly. Detail (Photo © Jaime Rojo)

http://www.pantheonnyc.com/


PANTHEON:
A history of art from the streets of New York City

Windows exhibition runs April 2-17, 2011
On view 24 hours a day

EXHIBITION LOCATION
chashama at the Donnell
20 West 53rd Street, b/w 5th & 6th Avenue
New York, NY 10019 (across from MoMA)

PRESS EVENT – RSVP ONLY*
Saturday, April 2, 4-5 PM

PRIVATE RECEPTION – RSVP ONLY*

Saturday, April 2, 6-8 PM

* To attend either event, please email rsvp@pantheonnyc.com or call 646-269-9494. Location details will be announced at the latest by Saturday morning.

ARTISTS
Abe Lincoln, Jr., John Ahearn and Rigorberto Torres, Adam VOID, Cassius Fouler, Cake, Darkclouds, Droid, El Celso, Ellis Gallagher, Faro, John Fekner and Don Leicht, Freedom, Gen2, Goya, Groser, Richard Hambleton, infinity, KET, LSD-Om, Matt Siren, NohJColey, OverUnder, Oze 108, Quel Beast, Royce Bannon, Sadue, Jordan Seiler, Stikman, Toofly, UFO, and Vudu.
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Daniel Feral and Joyce Manalo Curate: “Pantheon: A History of Art From The Streets of New York City” (Manhattan, NY)

Pantheon
brooklyn-street-art-pantheon-daniel-feral-joyce-manalo

PANTHEON:
A history of art from the streets of New York City

OPENING RECEPTION
Saturday, April 2, 5-7PM
Press preview with curators: 4-5PM
Exhibition runs April 2-17, 2011

LOCATION
chashama/Donnell Library Building
20 West 53rd Street, b/w 5th & 6th Avenue
New York, NY 10019 (across from MoMA)

ARTISTS

Abe Lincoln, Jr., John Ahearn with Rigorberto Torres, Adam VOID, Cahil Muraghu, Cake, Darkclouds, Droid, El Celso, Ellis Gallagher, Faro, John Fekner, Freedom, Gen2, Abby Goodman, Goya, Groser, Richard Hambleton, infinity, Ket, Don Leicht, LSD-Om, Matt Siren, NohJColey, OverUnder, Oze 108, Quel Beast, Royce Bannon, Sadue, Jordan Seiler, Skewville, Stikman, Toofly, UFO, and Vudu.

CLICK HERE FOR PRINT VERSION OF PRESS RELEASE (2 of 4)

NEW YORK – On Saturday, April 2, 2011, 35 graffiti writers and street artists will unite to reclaim the former Donnell Library as a repository of visual information on the growing world-wide phenomenon of street art. This exhibition will present an art historical timeline that is a part of New York City’s unique legacy. The artistic contribution of these cultural catalysts and preservationists from the 70’s to the new millennium will address the ever-changing urban landscape and alternative modes of producing art in the streets.

Graffiti and street art are at the crossroads of historicism.
In the last five years, museums have organized exhibitions that present graffiti and street art in a broader scope; Brooklyn Museum’s, Graffiti in 2006; the Museum of Modern Art’s laser-tagging demonstration by Graffiti Research Lab in 2008; the Bronx Museum’s, Street Life Street Art in 2008; and the Tate Modern’s, Street Art in 2008, to name a few. Although these exhibitions have legitimized graffiti and street art as an art form, this genre has not been fully resolved by the art world. At present, this contemporary art zeitgeist signals a symptomatic dystopia created between the institutionalization of this art form and its anti-institutional tenets.
PANTHEON aims to maintain the aesthetic diversity of the genre.

The forthcoming exhibition at MoCA Geffen Contemporary, Art in the Streets, will be a worldwide survey of graffiti and street art and Los Angeles’ role in the movement’s evolution. Despite its focus on Los Angeles, New York City’s graffiti and street art cognoscenti partake in their exuberance. Outside the institutional framework of museums, PANTHEON is situated within the DIY fundamentals of alternative art spaces. It is important to call attention to this space as the convergence of public and private spaces, because it informs an innovation of contemporary graffiti and street art in terms of medium, content and style.
Artists such as John Ahearn with Rigoberto Torres, John Fekner, Freedom, and Richard Hambleton independently paved the way for Skewville, Stikman, Ellis Gallagher and the various crews, ADHD, ELC, and the Grunts, to name a few

The axiom of this movement is its ubiquity in the streets of New York City. During its nascency, John Ahearn and Rigoberto Torres’ casts of everyday people adorned buildings, John Fekner’s simple large-scale text stencils politically charged brick walls, Freedom’s representational art graced tunnel cathedrals, Richard Hambleton’s silhouette paintings emotionally moved sidewalks and alleys, and Ket’s prolific tags saturated NYC’s subway cars. These artists established the tone for style, medium and content in this genre. The radical style, guerilla approach and ephemeral aesthetic of this subculture have been challenged since the 80’s and today’s artists are exploring
new ways to respond.

10 DAYS LEFT FOR PANTHEON KICKSTARTER CAMPAIGN!!!
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chashama is a 501(c)(3) nonprofit founded by Anita Durst in 1995. The organization’s mission is to support creativity in New York City by repurposing vacant properties enabling artists a space to create. PANTHEON: A history of art from the streets of New York City was awarded the former Donnell Library as an exhibition space, which is part of chashama’s Windows Program. PANTHEON is Co-Curated by Daniel Feral and Joyce Manalo along with Debra Anderson and Royce Bannon of the Advisory Committee and the collaboration of dedicated and talented individuals, most notably, Abe Lincoln, Jr., Francesco Alessandra, Maura Barry, Jennifer Diamond, Valentin Farkasch, Karla Henrick, Ebi Kagbala, Luna Park, Ashlene Nand, Dan Nguyen and Mariette Papic. Thank you to Brooklyn Street Art (media partner); Gothamist, Hyperallergic, The Street Spot, Streetsy (media sponsors); Cresent Artists (exhibition sponsor); and WM Dorvillier & Company, Inc. (structural design consultation). Image credits courtesy of the artists. Special thanks to the Woodward Gallery, NYC for the loan of Richard Hambleton’s Fountain of Youth, 1982.
For more information, please visit pantheonnyc.com or chashama.org.

For further exhibition details, media relations, Kickstarter campaign, sponsorships, and partnerships please email info@pantheonnyc.com or visit www.pantheonnyc.com. For more information about the Windows Program, please visit www.chashama.org.

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Fun Friday 02.25.11

Fun-Friday

BREAKING: Nick Walker New Work in Brooklyn This Morning!

The BK’s British Brotha Debuts a New Character

brooklyn-street-art-nick-walker-jaime-rojo-02-11Nick Walker (Photo © Jaime Rojo)

While Nick Walker is in town hitting up all kinds of fancy, he spent a little time with BSA to make this new stencil in The People’s Republic of Brooklyn, above. Coming from the printers to check on the progress of the new release tomorrow (see below), Nick and his merry cluster of “assistants” rolled through the BK to poke his head into a couple of windows. Full process pics and the installation come up Sunday on BSA’s Images of the Week.

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Nick Walker (Photo © Jaime Rojo)

brooklyn-street-art-Nick-Walker-WEB-NEW-YORK-The-Morning-After-opera-gallery

Nick Walker will be releasing a print in collaboration with Opera Gallery, 115 Spring Street, New York, this Saturday, February 26th, 2011 at 3pm EST. A lottery has been set up making 50 prints available for collectors in the UK. In order to apply for a print please email info@theartofnickwalker.com with New York TMA lottery in the subject box.

Nick Walker’s “Morning After New York” print release at Opera Gallery Tomorrow at 3:00 p.m.

The print will be a signed limited edition of 150 with 18 hand-finished Artists proofs.

Royce Bannon Catches Unusual Suspects at 17 Frost Tomorrow

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Check out Abe Lincoln Jr. Celso, Chris RWK, Darkclouds, Infinity, Keely, Matt Siren, Moody, Nose Go, and Sno Monster, all curated by monster man Royce Bannon at this eclectic show in Brooklyn Saturday night. Read more and see images from the show HERE:

Please Support the Pantheon Show Across from the MoMA in April

Brooklyn-Street-Art-Pantheon-ContactSheet

This spring at the former Donnell New York Public Library across the street from MoMA Joyce Manalo and Daniel Feral will bring you PANTHEON: A History of Art From the Streets of NYC. This artist’s initiative is a 40 year history of New York Street Art told by the people who actually did the work. Run with volunteers, this show promises an erudite assessing of this moment in the timeline, and a look at how we got this far – and daily demonstrations in the windows. With your pledge to their Kickstarter campaign they will be able to afford to print catalogues and mount the show. Please throw them a buck! Click Here to see their KickStarter.

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Daniel already has been mocking up the catalog, which will contain extensive interviews, writing, and photographs! Your support will get it printed! Click on the link below to go to their KickStarter and pledge your donation to help them see this project through.

http://www.kickstarter.com/projects/1959564116/pantheon-a-history-of-art-from-the-streets-of-nyc

Featured Writers

  • Alex Emmart
  • Ali Ha
  • Adam VOID
Featured Interviewers

  • Monica Campana
  • Jennifer Diamond
  • Becki Fuller
  • Katherine Lorimer
Featured Photographers

  • Jake Dobkin
  • Sam Horine
  • Alan Ket
  • Luna Park & Becki Fuller

Brick Lane Art: The Other Side

Géométrizm

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Fun Friday 11.12.10

Fun-Friday

The Community Serviced

Not to be confused with the similarly named C215 show opening in Paris tonight, “The Community Serviced” this Sunday showcases 12 uniquely produced Showpaper newspaper boxes designed by 24 artists. After the opening night, the works will be placed around the city to serve the community both as public art pieces as well as an expansion of Showpaper’s distribution network of their bi-monthly publication.

Sure to be a raw fun show free of pretension with artists: Amy Smalls , Dennis Franklin, Maggie Lee ,Jennifer Shear, Oliva Katz ,Keith Pavia, Peter, Andrew Sutherland, ADAM COST, DARKCLOUDS , SADUE, FARO, GROSER, COOLCAT, GEN 2 , OZE 108, GOYA , NSK, NET, DROID, VUDU , INFINITY,WOLFTITS , CAHBASM

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Invader Goes To Hollywood…and gets chased by the police

“Block Party”

brooklyn-street-art-BOXI-JPG-carmichael-gallery-11-10-1-webThe Carmichael Gallery is throwing a “Block Party” tomorrow (10/13) and they have a stellar line up of artists that will be showing work at the Culver City gallery. Some street art roots on display in the lineup: Boxi, Krystian Truth Czaplicki, Gregor Gaida, Simon Haas, Dan Witz and Sixeart.

Read more about the show here

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Boxi. (Image courtesy of the gallery)

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Boxi. (Image courtesy of the gallery)

Nuart 2010 Photography by Carl Fredrick Salicath

Like Martyn Reed says, this local photographer in Stavanger, Norway, where the Nuart 2010 festival of street art murals happened this fall, shows some of Street Art photography at its finest”.

Brooklyn-Street-Art-WEB-Nuart-2010-Vhils-copyright-Carl-Fredrick-Salicath

Street Artist Vhils at Nuart 2010. (Image © Carl Fredrick Salicath)

See more of Carl’s work here.

“BETA Spaces” in Bushwick Brooklyn Sunday

A free one-day festival of conceptualized and thematic group exhibitions that focuses on curatorial experimentation and collaboration. There will be over 50 shows, including the work of over 400 individual artists, in spaces ranging from galleries to studios to apartments to mobile trucks and smart phone apps.

Preview the exhibitions in the online directory, including images, curatorial statements and lists of participating artists.

beta2010Map

To learn more about this festival and to read the full program and juicy details please go to  http://artsinbushwick.org/beta2010/

Down on Me

Some killer hip-hop inspiration for your weekend shorty! Keenan Cahill and 50 Cent shredding it. That’s what’s up.

“She want it I can tell she want it
want me to push up on it
fore she know when I’m all on it
we get the party going liquor flowing this is fire

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Showpaper Presents: “The Community Serviced” (Manhattan, NY)

Showpaper
brooklyn-street-art-showpaper

> SHOWPAPER presents <

+++++++++++++++++++++++++++++++++++++++

THE COMMUNITY SERVICED:

12 public space Showpaper newspaper boxes

++++++++++++++++++++++++++++++++++

Sunday November 14, 2010 at 7pm – 10pm

at The Showpaper 42nd st Gallery

217 East 42nd st (btwn 3rd and 2nd ave)

**************************************************

with artists:

Amy Smalls and Dennis Franklin

Maggie Lee and Jennifer Shear

Oliva Katz and Keith Pavia

Peter and Andrew Sutherland

ADAM COST

DARKCLOUDS and SADUE

FARO, GROSER, and COOLCAT

GEN 2 and OZE 108

GOYA and NSK

NET and DROID

VUDU and INFINITY

WOLFTITS and CAHBASM

Curated by: Andrew H. Shirley

============================

“The Community Serviced” showcases 12 uniquely produced Showpaper newspaper boxes designed by 24 artists. After the opening night, the works will be placed around the city to serve the community both as public art pieces as well as an expansion of Showpaper’s distribution network of their bi-monthly publication.

On Sunday November 14, 2010 at 7pm please join us at 217 East 42nd st (between 3rd and 2nd ave) for the send off of these public works of art.

Charlie Ahearn and Parakeets will be providing music.

Showpaper is a non-for-profit organization committed to establishing a greater network of emerging young artists and musicians throughout the tri-state area. In conjunction with providing a database of more than 50 show spaces for young performing artists and a comprehensive listing of over 300 all ages music events every two weeks, each issue has a full color print by a current and upcoming artist.

JOE AHEARN | Showpaper

\\ Managing Director

// phone: (646) 881-4397

\\ email: joe@showpaper.org

// site: www.showpaper.org

——————————————

THE SUPERIOR BUGOUT

Film / Video & Multi-Media Arts

Brooklyn, NYC

http://www.chickenpoxthefilm.com

email:andrewhshirley@hotmail.com

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