Our weekly interview with the street, this week featuring Hellbent, Faro, Bast, El Sol 25,Vending Van, Faile, Maiden Hell, Over Under, Shin Shin, QRST, and Royce Bannon
Our weekly interview with the street, this week featuring Gaia, Ludo, Liv, MBW, Beau, Yote, Clown Soldier, Faile, Man Standing, Roa, Sweet Toof, Headhoods, and Holy Family
Hands up, the new sheriffs of Culver City saw you lustily ruffling those pages with your flirting fingers!
Opening Saturday night, “Booked” at Carmichael Gallery
An unusual confluence of art and artists and the books that love them, this show satisfies your yearning for adventure and mystery, and more conventional pursuits like oggling and drooling. The art of reading tactile 3-D books has not completely been supplanted by glowing rectangles that are poked and prodded – much like the art of photography and painting, we were all silly to think they ever could have been replaced.
Dave Kinsey (Image Courtesy of Carmichael Gallery)
There’s nothing like pouring over a big fat book, page after page, staring and stalling, drifting and imagining expansive vistas on an overstuffed couch on a Sunday afternoon, or even Saturday night after many cocktails at a kitchen table, bleary and carnivorous for images.
But I gush.
Martha Cooper (Image Courtesy of Carmichael Gallery)
If Street Art has stars (an idea anathema to many), this event will bring many under one roof:
Aiko, Dan Baldwin, Banksy, Beejoir, Blek le Rat, Boxi, Bumblebee, C215, Henry Chalfant, Martha Cooper, D*Face, Brad Downey, Eine, Ericailcane, Escif, Faile, Shepard Fairey, Stelios Faitakis, Gaia, Hush, Mark Jenkins, Dave Kinsey, Know Hope, Labrona, Anthony Lister, Lucy McLauchlan, Aakash Nihalani, Walter Nomura (a.k.a. Tinho), Other, Steve Powers (a.k.a. ESPO), Lucas Price (a.k.a. Cyclops), Retna, Saber, Sam3, Sixeart, Slinkachu, SpY, Judith Supine, Titi Freak, Nick Walker, Dan Witz and WK Interact
Anthony Lister (Image Courtesy of Carmichael Gallery)
With a large selection of books and magazines from: Drago, Gingko Press, Murphy Design, Prestel, Rojo, SCB Distributors, Studiocromie, Very Nearly Almost, Zupi and more.
If you had plans you can go ahead and change them, call your friends go and enjoy fine art and the hospitality of Elisa and Seth Carmichel. They’ll quickly have you “Booked”
Carmichael Gallery is proud to present “Booked”, a group exhibition featuring over 35 of the leading figures in contemporary art.
The gallery’s rooms will showcase a wide selection of original works from artists including:
Aiko, Banksy, Beejoir, Blek le Rat, Boxi, Bumblebee, 215, Henry Chalfant, Martha Cooper
C, D*Face, Brad Downey, Eine, Ericailcane, Escif, Faile, Shepard Fairey, Stelios Faitakis, Gaia, Hush, Mark Jenkins, Dave Kinsey, Know Hope, Labrona,
Anthony Lister, Lucy McLauchlan, Aakash Nihalani, Walter Nomura (a.k.a. Tinho), Other
Steve Powers (a.k.a. ESPO), Lucas Price (a.k.a. Cyclops), Retna, Saber,
Sam3, Sixeart, Slinkachu, SpY, Judith Supine, Titi Freak, Nick Walker,
Dan Witz, and WK Interact.
Books and magazines will be available from a range of publishers,
including Drago, Gestalten,
Gingko Press, Murphy Design, Prestel, Rojo, SCB Distributors,
Studiocromie, Very Nearly Almost,
Zupi and more.
There will be an opening reception for the exhibition on Saturday,
June 5th from 6 to 8pm. The
gallery will be open for viewing from 12pm that day to coincide with
Culver City Art Walk. The
exhibition will run through July 3rd.
Carmichael Gallery
5795 Washington Blvd
Culver City, CA 90232
June 5 – July 3, 2010
Additional and/or high resolution preview images available, please do
not hesitate to contact me!
When you look after what is happening in the street art field, I realize that much of the news revolves around the one who became an indisputable yet often contested star: Banksy. How surprised I was today when I realized that I had not given any “Stencil Of The Week” to the king of stencil art! Everyone talks about Banksy everywhere, both on the street, in museums, in auction houses or cinemas… all over the world. The phenomenon continues to be fascinating and for a good reason: genius.
Let’s look closely at one of his latest pieces in New York. We talk about British humor in general when we think Banksy, Monty Python and so forth.. but consider for a moment that Banksy could be one of the foremost theoreticians of street art to date? Making use of metaphor, he has already addressed many issues related to street art, such as branding through the rental of advertising space walls, the ongoing conflict between stencil/street art on one side and graffiti on the other, the concept of mimetic art. I can see how Banksy can be analytical at this point in his career. With his U.S. tour these past few weeks he has been able to show us that his analytical skills are sharp. Each piece is thought of in terms of its geographical location, Detroit differing from LA, etc.
Here in New York City : a doctor, his satchel in hand, is listening with his stethoscope placed in the heart of the famous logo created by Milton Glazer examining the love existing for the city of New York. This city, famous for its intellectuals, its writers, artists, filmmakers, is considered by some to be the European capital of the United States. Banksy plays with ambiguity; is the heart of the city of NYC sick or is the love we have for her wilting? In any case, Banksy reminds us how much the city continues to be a central concern of street artists.
This past week New York experienced a deluge of Street Artists getting up on the city’s famed walls. We are very lucky to live here and to capture the bounty before it disappears.
Artists participating are Aakash Nihalani, Billi Kid, Blanco, Cake, Celso, Cern, Damon Ginandes, Darkcloud, David Cooper, Elbow-Toe, James and Karla Murray, Joe Iurato, Matt Siren, NohJColey, Peru Ana Ana Peru, Skewville, Sofia Maldonado, Stikman, UR®New York and Veng.
Our weekly interview with the street, this week featuring Aakash Nihalani, Billi Kid, Blanco, Cake, Celso, Cern, Damon Ginandes, Darkcloud, David Cooper, Elbow-Toe, James and Karla Murray, Joe Iurato, Matt Siren, NohJColey, Peru Ana Ana Peru, Skewville, Sofia Maldonado, Stikman, UR®New York, Veng, Faile, Shepard Fairey, Various & Gould, Ron English,Mr. Kern, DAIN, and Primo.
FAILE & BÄST PRESENT “DELUXX FLUXX ARCADE”, Brooklyn Street Art
For Immediate Release
FAILE & BÄST DELUXX FLUXX ARCADE
April 30 – May 27, 2010
Opening Friday, April 30, 2010, 7:30 – 10:30 PM
What do you get when Brooklyn-based duo Faile and collaborator Bast take over a disused store front on the Lower East Side? Deluxx Fluxx, a functional video arcade that will be open to the public from April 30th to May 27th.
Originally conceived as a one-off project in London, Deluxx Fluxx allowed Faile and Bast to indulge nostalgia for the classic video arcade while exploring the tactile possibilities of the wooden cabinet as sculptural medium. In its New York incarnation, the retrofitted machines run new games by Adapted Studio based on Faile and Bast’s omnivorous visual language, with sounds produced by Seth Jabour of the noted band Les Savy Fav.
Deluxx Fluxx aims to make art less sterile, more fun, and accessible to a broad audience. This sensibility harkens back to the golden age of arcade games; a time when the Lower East Side itself was still a redoubt for punk rock and graffiti culture. These foundational roots of the neighborhood are apparent in the show’s DIY and street art production values. Faile and Bast rebuke the contemporary art world’s fixation on ideas of relational aesthetics and democratization, and give their audience a chance to genuinely engage the work without the looming formality of the traditional gallery. Deluxx Fluxx is entirely interactive, and invites viewers to play a round of psychedelic foosball and take part in the art itself. It is the artists’ intention that viewers will forget they are looking at art, and be captivated by the carnivalesque. The video arcade may be a lost form, but in Faile and Bast’s re-imagining, it gets a temporary and much needed revival.
Faile is represented by Perry Rubenstein Gallery in New York. This autumn they will have a solo exhibition with the gallery in New York.
Deluxx Fluxx
158 Allen Street (Between Stanton and Rivington)
New York, New York
Tuesday – Sunday, 3:00 – 11:00 PM
Opening Reception, April 30, 2010, 7:30 – 10:30 PM
For the most part winter can be a bit barren of new street art in New York. But these days the street art explosion continues no matter what the weather!Despite the crushing snow and black ice, BSA’s Images of Week keeps finding new stuff.This week’s crop includes a new-for-us REVS and a bunch of El Sol 25 with HAND PAINTED surrealist paper collages. Enjoy!
The neighborhood of Park Slope in Brooklyn is better known for beautiful Brownstones, impossible parking, towering maples, social liberals and baby strollers than graffiti or street art.There is one commercial strip down the upper middle of this town-y enclave,with delis and bagel shops and The New York Times on Sunday –and aside from the occasional mural or stickered paper-box, not a whole lot of Street Art action.
On a recent sunny Saturday on 5th ave and Union Street, you may have seen a window display that made you think of street art. In fact, you can see it from the street, and local artist Ryan Seslow is a huge fan of the New York Street Art scene.
Park Slope window installation by artist Ryan Seslow as a satelite to “Programmed”
Brooklyn Street Art: Tell us about yourself.
Ryan Seslow: My name is Ryan Seslow. I’m a multidisciplinary artist living and working in New York. I am also a professor of fine arts teaching studio courses between 4 colleges here in NY and I’m always involved in several different projects at once, it seems, either as an artist, curator, or both.
I feel like I’m 3 or 4 different kinds of artists all trapped into one body. I have more energy than I usually know what to do with, so I love to exercise that on artistic potential and experimentation. Making art from a very young age, my real love for art came from the inspiration I found in 1980’s graffiti, public art, and cartoons. Martha Cooper’s “Subway Art” was, and still is, one of my all-time favorite books.
I was a teenager when the b-boy movement got a hold of me. My entire family is from various parts of Brooklyn, so weekends and summers were spent combing the streets looking for inspiration, while trying to mimic the works I saw.
The original “Subway Art” book by Martha Cooper and Henry Chalfant
Brooklyn Street Art: Can you talk about “Programmed” and what it’s about?
Ryan Seslow: I was recruited to do a satellite installation for “Programmed“, a show about rethinking the relationship with these electronic objects in our lives that we no longer use. The concept of the show was to synthesize the use of obsolete electronics into your work. It touches areas of recycling and the ephemeral existence of many things in today’s world.
I had already been doing this in another commercial window space for a few years, so the fit was nice and exciting. The owner also had this great public window space that he wanted to use to showcase my installation-based works, rather than just filling the space with redundant advertising so we collaborated ideas on the use of the space.
In both projects I wanted to inspire and reach the general public of Park Slope with colorful installations that would show a variety of traditional art techniques as well as more non-traditional works. The context of the commercial window space was perfect to contradict what is essentially public work.
Artist Ryan McIntosh’s piece from the “Programmed” exhibit, made from hard drives, is called “Mirror, Mirror, on the Wall” (image courtesy www.cultofmac.com)
Brooklyn Street Art: Can you talk about some of the materials you used and their significance.
Ryan Seslow: The materials are intuitive manifestations and representations of what can be used to make ART. I’m all about the allowance of communication and self-expression. The curators did ask me to emphasize the use of obsolete electronics. The Mac Support Store (the installation site) is also a hub for the recycling of used computer parts.
The store had this enormous mountain of stuff to choose from and I was drawn to the keyboards right away because keyboards are objects of serious potential; amazing tools and an intermediary means of infinite communication. Each keyboard has the potential of writing the next great literary novel or the next great resolution to help the world. The keyboards connect both the familiar and unfamiliar imagery in the installation, maybe helping the viewers create narratives between the pop icons and the technology.
“I love making art. I’m pretty much obsessed with the process of generating things. I love learning new skills, not so much to isolate the skill itself, but more to integrate it into what I am already doing. I like to test the potentials of things,” Ryan Seslow.
Brooklyn Street Art: How long did it take you to prepare for this, and do the installation?
Ryan Seslow: This installation was built in less than two hours – It is an art practice in itself.
My installations are all intuitive and immediate. I have been working pretty large for about 10 years now so the energy that goes with setting up an installation is always thrilling and I like the challenge of working with the space. Each piece is created individually, so they must hold up that way first, but the installations are 100% modular. Every piece must ultimately fit and work together as a whole by means of form, color and content.
Brooklyn Street Art: Do you think of this as street art?
Ryan Seslow: I do think of this installation as street art. I have been a lover and a participant in the medium of street art for a long time. I may be a lot more careful about when and where I put my work up than I was 10 years ago; that knowledge comes from past experiences. Art forms should be embraced as ongoing expanding things, by seeing the potential of why and how they can fit the foundation of where they began. This exercise itself forms ideas and allows for expansion.
The work is right on the street, the viewers are those walking by on the side walk, or driving by in their cars. It has been framed in glass and protected to a degree. I find this interesting as well. I anticipate more museums and galleries doing this in the future as the context of public art develops and artists continue to push its limits.
Brooklyn Street Art: Do you have any favorite Street Artists whose work you follow?
Ryan Seslow: I love and follow several street artists on a daily basis. I’m a big fan of the BSA site as well as the Wooster Collective. Some of my favorite artists are John Fekner, Michael DeFeo, Gaia , Jeff Soto, Abe Lincoln Jr., Miss Van, Faile, Bast, Robert Williams, Lady Pink , Fafi, Gary Baseman, Tim Biscup, Barry McGee, Swoon, and so many more, too many to name!
Ryan used computer pieces, paper, film, and this image of Jackie Kennedy on the screen of a monitor for the installation.
Brooklyn Street Art: How does Jackie Kennedy figure into the piece?
Ryan Seslow: Funny, Jackie O and JFK have always left this long-lasting impression on me. When the John F. Kennedy assassination was brought up to me in the 5th or 6th grade, in a history class, it never left me. I recall being really freaked out by the way I was interpreting the whole event. As time went on, by the time we got into high school, we were shown the actual assassination film itself (you know the one). At least once a year, I seek to find old and grainy images of the couple. I think they represent some form of the ephemeral with in me. They remind me that our stay here on this planet is not forever, it activates this crazy gratitude to and for all things.
60 second silent collage of the Kennedys.
Brooklyn Street Art: Do you ever hang out and spy on people who have stopped to look at your installation?
Ryan Seslow: Nah, not too much spying, but I do get people who approach me and ask some interesting questions from time to time. Kids seem to be big fans on a regular basis! I have gotten several independent commissions this way, just by creating live art that invites the public to participate by simply talking to me. I am always left with a memory of the experience.
Brooklyn Street Art: You’ve done drawing, painting, stenciling, collage, even sculpture – is there something you haven’t tried but would like to?
Ryan Seslow: That is a great question. I love making art. I’m pretty much obsessed with the process of generating things. I love learning new skills, not so much to isolate the skill itself, but more to integrate it into what I am already doing. I like to test the potentials of things. I would love to do more with the synthesis of street art, public sculpture, experimental film and collaborations.
Actually, this is what I mean; I want to collaborate more with other artists. There is so much to learn when you work with other people, which is one of the main reasons I became an art professor.
Detail from the installation by Ryan Seslow
Brooklyn Street Art: What’s the next project you’ll be working on?
Ryan Seslow: Got several things going on right now. I’m teaching 8 courses this semester, so teaching is a bit more demanding than usual. I’m also curating a special video art/experimental documentary program for The Streaming Festival in the Netherlands , working on an installation series for public art in Jericho Plaza in Long Island, a group video art stills project in Denmark, participating in MagMart in Naples, and I’m part of a top secret underground stencil project.
All images of Ryan Seslow’s work courtesy the artist.
“Programmed”: a group installation art exhibition, is curated by Michele Jaslow & Spring Hofeldt. Park Slope, Brooklyn. The show is open until March 13, 2010.
The Mac Support Store is located at 168 7th Street in Brooklyn. The store is open Monday thru Friday from 9 a.m. to 6 p.m., and Saturday from 10 a.m. to 4 p.m. The store is closed on Sundays.
Spanish artist Gonzalo Borondo, from Valladolid, arrives at LuzMadrid Festival with Redentora, a site-specific installation that continues his steady movement …Read More »
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
