Jetsonorama : To Dogpatch With Love

“It was fascinating during the installation to observe neighbors who have seen one another for years stopping to hang out, talk and meet one another.  So it’s cool to think that after the images are down, the friendships will continue.” ~Jetsonorama

Street Artist Jetsonorama likes to take pictures of people and create large scale portraits of them to wheatpaste in their own community with the goal of fostering connectedness among neighbors.

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Pat rises in the Dogpatch section of San Francisco by Street Artist Jetsonorama. (photo © Jetsonorama)

Using a friends’ building in San Francisco for a backdrop, he worked last week to put up portraits of two people and a neighborhood dog, BB.  The Dogpatch section of San Francisco is the only part of the city left standing after the 1906 earthquake and the fires that followed it. Officially deigned a historic district in 2003, the nine square block section was initially an immigrant neighborhood with hand-built workers’ cottages, factories, and warehouses, many still standing.

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Neighbors Pat and Imogene, by Jetsonorama. (photo © Jetsonorama)

Jetsonorama gives us some background on the project here:

“Bruno Mauro of Ampersand International Arts in Dogpatch knew I’ve been exploring the idea of using art to build community through my wheat pasting project on the Navajo nation.  He was kind enough to literally offer me his home (after consulting with his wife, Surma), to pursue the idea of community building using his home as a canvas.

In exploring this idea here, Bruno suggested I meet Patricia Parker and her mother, who have lived in Dogpatch in their current house for 50 years or so.  Both Patricia and her mom attended Irving M. Scott school, which was built in the 1890s and is the oldest standing public school in San Francisco.  Together, these two people are dogpatch history, and they know it.

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BB in the Dogpatch with love. Jetsonorama. (photo © Jetsonorama)

Imogen Doumani lives across the street from the gallery and from Pat.  She represents the youthful vibe coming into the neighborhood.  BB the beagle is representing those who give the area it’s name.

The piece is composed of regular bond paper from Fedex/Kinko’s adhered to the wall with wheat paste I made.  It’s susceptible to the elements and will go away with time.  My hope is that the conversations and community-building started with this project will continue long after the piece is down.”

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BB with friends. Jetsonorama. (photo © Jetsonorama)

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Long time resident Pat smiling at her neighbors. Jetsonorama. (photo © Jetsonorama)

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Images of the Week 04.10.11

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Here’s our weekly interview with the street, this week featuring Bast, ChrisRWK, Creepy, ECB, OverUnder, Peeta, Ress Arts, REVS, RID, RWK, VengRWK, and YOK.

brooklyn-street-art-veng-overunder-Chris-rwk-jaime-rojo-04-11-webVeng of RWK, Overunder and Chris of RWK new wall in progress. (photo © Jaime Rojo)

Veng and Chris from RWK gathered their paint tools and called a couple of their friends over to hang out and paint on their spot in Bushwick, BK. The results have been like chocolate and peanut butter together – you are not sure how it works, but it does.  Overunder, ECB, Peeta and Never collaborated on this brand new wall, still in progress.

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Sorry, baby, not tonight. Can’t you see I’ve got a lot on my mind? Veng of RWK and Overunder. Detail. (photo © Jaime Rojo)

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Hello, I’m looking for da right kitchen. OverUnder re-creates pull-down grates commonly seen around the city after businesses close for the night, or because of the recession. After arranging them in a cluster, graffiti tags and pieces are applied in a mind-twisting reinvention with random human limbs sprouting out. We’re not smart enough to know what he’s getting at, and Veng’s character is keeping tight lipped about it.     Veng of RWK and Overunder. Detail. (photo © Jaime Rojo)

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Chris of RWK (in progress), Peeta and Overunder (photo © Jaime Rojo)

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Never and Peeta (photo © Jaime Rojo)

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ECB brings on the parade of mournfully serious men (photo © Jaime Rojo)

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ECB. Detail. (photo © Jaime Rojo)

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Manny the Buddah mechanic in the urban brush. Still Life with a plaster sculpture   (photo © Jaime Rojo)

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Nothing that a coat of paint couldn’t help. We had previously published this REVS sculpture but someone gave it a new fresh coat of paint for the spring. REVS is looking pretty sharp and full of hope these days.   (photo © Jaime Rojo)

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Just thought I’d chair my feelings with you. (photo © Jaime Rojo)

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An Aussie collab in 5Ptz with Yok and Creepy  (photo © Jaime Rojo)

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Yok. Detail  (photo © Jaime Rojo)

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Creepy. Detail  (photo © Jaime Rojo)

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Parts of 5 Pointz have gotten slap happy. Notice the large sticker robot made of stickers by RID. The plea to “Save 5 Ptz” refers to this hallowed block-long spot that is slated for development by it’s owner. (photo © Jaime Rojo)

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Phun Phactory’s new walls in North Williamsburg. Detail.  (photo © Jaime Rojo)

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Ress Arts (photo © Jaime Rojo)

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Veng RWK is the friendly face of the new headquarters of Curbs & Stoops (photo © Jaime Rojo)

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Bast has game (photo © Jaime Rojo)

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Crunch Crunch Crunch, Saturday Cartoons with Bortusk Leer

Since it’s Saturday and you are still in your pajamas and on your third bowl of sugar coated vampire cookie cereal, here’s a look at Bortusk Leers cartoons.  The Street Artist has a whole posse of monsters and characters that splurp and plop and zing out of his imagination onto sheets of old newspaper with a child’s paint brush and florescent non-toxic paint that is safe to eat.

Bortusk Leer (Photo © Jaime Rojo)

The wheatpastes on New York streets look so guileless and unaffected that you might also think his work is simple and unstudied.  Truth is Bortusk is deliberate in his depictions of their crazy disproportions and he likes to poke fun at his creatures and play with the viewer.  Luckily for the artist and kids, he also learned how to animate his monsters and his inventive short stories have an audience on TV and the web too.

Bortusk Leer (Photo © Jaime Rojo)

Bortusk Leer (Photo © Jaime Rojo)

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FUN FRIDAY 04.08.11

Fun-FridayThis weekend brings a Spring bounty of delicious  Street Art related openings in many cities across this great country of ours. But FIRST, this OLD SKOOL Romanic Boogie Down Production …

Pump Up the Sculpture Jam from SAM3

Sticker Phiends in AZ

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Tempeh is a soy product and meat substitute originally from Indonesia. Tempe is a city in Arizona that is hosting the 4th giant Sticker Phiends show tonight. Stickers continue to grow in influence in Street Art and in private collections in black books and refrigerator doors and this is a cool show that gives them away and sells them. They have limited edition “Sticker Phiends” tee-shirts designed by Brooklyn street art collective Robots Will Kill. Also cold beer. Possibly tempeh too because Chris RWK is a good veggie.

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FREE HANDOUTS provided by our sponsors
ALL ART for $ale!
Limited Merch for $ale!
Drinks with ID – 21+

Opens at 8pm April 8th!
Cartel Coffee Lab
25 w. University Dr.
Tempe, AZ.
480-225-3899

Some of the names include:

Abcnt, Age, Dolla, DumperFoo, Dissizit/Slick, 123 Klan,Griffin One, Clown Soldier, Mad One, Mat Curran, MBW, 20 MG, Obey, Pez One (U.K.), Sike’, U.W.P., Seizer One

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Martha Cooper Remixed

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How & Nosm interpret Martha Cooper’s original photo from the 1970s (both photos © Martha Cooper)

The Carmichael Gallery will be throwing a memorable opening party for Martha Cooper’s REMIX show and, lazy hyperbole aside, this one is one NOT to miss.

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Photographs by Martha Cooper

with

Original remixes of these photographs in a range of media by Aeon, John Ahearn, Aiko, Bio, Nicer & B-Gee, Blade, Blanco, Mark Bode, Burning Candy, Victor Castillo, Cey, Cekis, Claw, Cosbe, Crash, Dabs & Myla, Anton van Dalen, Daze, Dearraindrop, Jane Dickson, Dr. Revolt, Shepard Fairey, Faust, Flying Fortress, Freedom, Fumakaka, Futura, Gaia, Grotesk, Logan Hicks, How & Nosm, LA II, Lady Pink, Anthony Lister, The London Police, Mare 139, Barry McGee, Nazza Stencil, Nunca, José Parlá, Quik, Lee Quinones, Kenny Scharf, Sharp, Skewville, Chris Stain, Subway Art History, Swoon, T-Kid, Terror161 and more.

Carmichael Gallery

5795 Washington Blvd
Culver City, CA 90232

April 9 – May 7, 2011

Opening Reception: Saturday, April 9, 6-8pm

Click on the link below for more information regarding this show:

http://www.brooklynstreetart.com/theblog/?p=19900

Cern YMI in Greenpoint by Gandja Monteiro

ROA at White Walls in SF

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Image of ROA in Salton City (© and courtesy of White Walls)

In San Francisco ROA will have his opening at the White Walls Gallery with his iconic paintings of nature’s marginalized animals in large scale. Ever the hard worker, ROA paints non stop year round all over the globe on surfaces that are challenging, like this one on the side of a mobile home. If you have only seen his art on line and if you are in San Francisco this Saturday, it’s your turn!

For more information about this show contact the gallery.

White Walls Gallery

835 LARKIN ST.
SAN FRANCISCO, CA. 94109

Phone: 415.931.1500

Chor Boogie in Washington DC

While the Rich Man Party of NO! brings the country to a halt in the Capitol, Chor Boogie will be bringing much needed healing color to Washington DC at The Fridge Gallery.

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The Fridge Gallery Presents: Chor Boogie “This Aint No Place For No Hero” (Washington, DC)

For more information about this show click on the link below:

http://www.brooklynstreetart.com/theblog/?p=19952

Chor Boogie is an artist, a conceptual genius, a street romantic, a master of illusion and technique, Chor Boogie is an original. His works can be described as having healing effects by his unique and unmatched use of color, which brings greater meaning and understanding to his works. Every vibrant piece has a story attached to it. Chor Boogie’s colorful paintings are attracting A-list celebrities, art galleries and museums. Originally from San Diego, the artist known as Chor Boogie currently resides in San Francisco but is an internationally known artist and has traveled extensively to exhibit his work around the world.

The Fridge is located at

516 8th Street, SE

REAR ALLEY

Washington, DC 20003

David Ellis and Blu in a collaboration of a loop video from 2009

Yo Son the Boyz from Queens are Comin out With New Jams Next Month!

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Wheatpasted Photography “One Year Before the Oil Spill”

Photographer Michael M. Koehler Talks About Shrimpers on a Brooklyn Street

The devastation produced by the BP oil disaster continues to affect the animals and people who live on the southern coast of the US and during an overcast day yesterday in Brooklyn a black and white memory of life as it was before the spill appeared on the street. Over top of a pretty battered Shepard Fairey installation from spring of last year a photograph by Michael M Koehler called “One Year Before the Oil Spill” was installed. The piece is from a series he did about life for people impacted by the polluted environment entitled Along Bayou Road.

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Michael M Koehler “A Year Before the Oil Spill” (Photo  © Jaime Rojo)

Talking to a passerby, Mr. Koehler explained that after the largest oil spill in US history, citizens who live along the gulf coast are afraid to eat the shrimp caught in the Gulf of Mexico. In the image he captures the vibrancy of sea life, culture, and commerce with gulls flying over while the nets of “shrimpers” harvest the waters to support their families and the local economy. These days, Mr. Koehler says that stores and restaurants are importing shrimp because nobody wants to buy the local production.

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Michael M Koehler “A Year Before the Oil Spill” (Photo  © Jaime Rojo)

The north Brooklyn neighborhood of Williamsburg was once a bustling port town in the 1800s and Koehler chose this spot for his piece because he feels it has a certain kinship with the seafacing communities down south. In fact if you had been on these same streets in say, 1827, you would have seen daily industry related to cargo ships, shipbuilding (the Brooklyn Navy Yard is just next door to the West), sugar refineries, iron works, and brewing. With this wheat pasted series, Koehler draws attention to the plight of a life and industry imperiled.

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Michael M Koehler “A Year Before the Oil Spill” (Photo  © Jaime Rojo)

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Michael M Koehler “A Year Before the Oil Spill” (Photo  © Jaime Rojo)

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Michael M Koehler “A Year Before the Oil Spill” Detail (Photo  © Jaime Rojo)

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Michael M Koehler “A Year Before the Oil Spill” (Photo  © Jaime Rojo)

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Michael M Koehler. A shrimper portrait from his Along Bayou Road series.  (Photo  © Jaime Rojo)

Now it’s time to put on an old vinyl 45 and listen to Jerry Jackson singing about “Shrimp Boats” and get a 1950s taste of a celebrated part of culture and cuisine.

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Upper Playground and FIFTY24SF Gallery Present: “THE HEAVIEST” – A collection of new work by KMNDZ (San Francisco, CA)

KMNDZ
brooklyn-street-art-KMNDZ-FIFTY24SF- GalleryUpper Playground and FIFTY24SF Gallery are proud to present a collection of works by Los Angeles based artist and graphic designer, KMNDZ. The exhibition will run from April 7th – May 19th with an opening reception being held at 7pm on April 7th.

KMNDZ’s personal artwork has consistently drawn from his own experiences and the honesty of his work his gained as much notoriety as it’s form. For ‘The Heaviest,’ KMNDZ builds upon a quote from Bob Marley, “Every man thinketh his burden is the heaviest.” Taking from this quote a sense of faith and purpose, KMNDZ has constructed the personal works that make up this show. Playing with the mediums of wood and found paper he has constructed a variety of small and medium panel works which have given his artwork a chance to have fun and breath a new life.

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ABOUT KMNDZ:
A successful leader in the graphic design community, this Los Angeles based artist, has worked for some of the world’s premier design agencies and top entertainment companies. With brands like MTV Networks, Universal Pictures, Microsoft, Lexus, Disney, and Activision populating his resume, Johnny has built an impressive portfolio of both artistic and technological accomplishments in the world of graphic design and new-media. However, first and foremost, Johnny is an artist. He attributes his success in commercial design as a direct result of his passion for art. KMDNZ is about both the past and the future. “Anyone who’s ever touched a Mac, knows that the keystroke combination ‘command’ + ’z’ = ‘undo’. After using it day in and day out at work, I started wishing that I had an ‘undo’ action for everyday life. We’ve all done things that we wished we hadn’t, and said things that we would like to take back.” Rodriguez’s personal work is quite different from his commercial endeavors. When he sits down to paint, he puts aside the pressures of mass appeal and commercial accessibility, and instead focuses on creating art for himself. Drawing from his own life, his paintings are filled with memories of family and friends, religious undertones, and iconic elements. A recent piece features a drawing of an audio cassette embedded into a hand grenade. This represents a tough look back at the time when his father left their family to fight a war in Nicaragua, and left only an audio recording to explain his actions. Other paintings depict the biblical stories of Jonah and King David. Yet another deals with a strange coincidence that reminds him of a close relative that recently passed away from cancer. “I’m overwhelmed by the reaction that I’ve received about my art. I paint about the things that have meaning in my life, and it’s amazing to know that it touches others. The messages are simple. Love GOD, Be honest to yourself. Hold yourself accountable for your actions. Never forget. And live your life fully without wishing to hit ‘KMNDZ’.”

The Heaviest will run at FIFTY24SF Gallery from April 7th – May 19th, 2011.

FIFTY24SF Gallery Contact Information:
Gallery Hours: Wednesday-Sunday from 12-6 P.M. and by appointment
Address: 218 Fillmore Street, San Francisco, CA 94117
Contact: Amanda Krampf / Phone: (415) 252-9144 / Email: Amanda@UpperPlayground.com

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Isaac Cordal’s Miniature Magic Moments in the Real World

Fairy tales mash fantastic with ordinary, playing with perceptions of both. Street Artist and public artist Isaac Cordal lives in these two worlds and finds one that is a waking dreamscape. The fastidious and attentive scene maker somehow brings his little cement people alive by placing them in the real world; creating a new context where his figures take on stirring, humorous, nearly profound qualities.

“This is a project I’ve been working on since 2006. I make small sculptures with cement and many times when I go out these small sculptures come with me. Public space has become their habitat,” explains Cordal.

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Isaac Cordal. Survivors. Anvers. Belgium. 2011. (photo © Isaac Cordal)

Recalling our childlike ability to transform everyday locations into kingdoms, realms, domains, and enchanted lands, Cordal impeccably places vignettes into ordinary settings. His miniature gray mortar people are often being wronged by totally evil monsters, human and animal but are frozen for you to study the dynamics at play. The portraits that emerge of his somewhat battered and banal humans plodding through life occur in a multitude of scenes: Here we have a picnic. Over there we see a wedding, a funeral. Sometimes his sculptures are in a kitchen or in a living room. Other times they are outdoors waiting in line to go to work, to buy consumer goods, or to be ground like hamburger in the wheels of The Machine.

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Isaac Cordal. Survivors. Anvers. Belgium. 2011. (photo © Isaac Cordal)

Most recently Mr. Cordal has created ‘survivors’ who inhabit an environmentally taxed and burdened world, continually expecting toxic fumes or airborne viruses to invade their lungs. His cement fairies in these urban settings are stoic protagonists of our eternal misadventures, progeny of our excess. The lucky passerby who stumbles upon his vignette may be moved by its stoicism, may pause at the effort of an artist who creates such a scenario in the middle of their everyday, and may smile at the wit.

Brooklyn Street Art: There is a distinct uniformity the appearance of your little people – is the uniformity a metaphor for conformist thinking and behavior?
Isaac Cordal: I make copies of many of my pieces using molds. By repeating the same model in series I manufacture a prototype that represents a collective identity. I am interested in representing prototypes that represent human beings in modernity. I try to do scenes that summarize recognizable behavior patterns.

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Isaac Cordal. Survivors. Anvers. Belgium. 2011. (photo © Isaac Cordal)

Brooklyn Street Art: Sometimes the staged scenes have elements of comedy and light heartedness. Does the process feel like play for you?
Isaac Cordal: I think my friends have begun to be worried about me. I really take it seriously and I always am perusing the streets with an unusual amount of interest. A couple of days ago, I was climbing a wall and suddenly the wall collapsed; I was very lucky because nothing serious happened. It was a curious situation because my mother was visiting me and she was the person who was helping me with my installation. I felt as if I was a child in the wrong place.

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Isaac Cordal. Survivors. Anvers. Belgium. 2011. (photo © Isaac Cordal)

Brooklyn Street Art: With clever placement, the figures interact in the man made and natural environment in a surrealist way.  Do you have any favorite surrealist painters?
Isaac Cordal: The world we have created is very surreal in itself. There are strong doses of surrealism in our society. Regarding Surrealism as a painting movement, I always liked Dali. Recently I quite liked the photo project The Architect’s Brother.

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Isaac Cordal. Survivors. Anvers. Belgium. 2011. (photo © Isaac Cordal)

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Isaac Cordal. “Naure of the Zone” Brussels. 2011. (photo © Isaac Cordal)

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Isaac Cordal. “Naure of the Zone” Brussels. 2011. (photo © Isaac Cordal)

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Isaac Cordal. “Naure of the Zone” Brussels. 2011. (photo © Isaac Cordal)

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Isaac Cordal. “Another Cement Island” Brussels. 2011. (photo © Isaac Cordal)

BSA……………….BSA…………….BSA……………….BSA…………….BSA……………….BSA…………….

Mr. Cordal’s new monograph Cement Eclipses: Small Interventions in the Big City will come out this spring, published by Carpet Bombing Culture.

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To learn more about this book click on the link below:

http://www.brooklynstreetart.com/theblog/?p=19784

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Read our article on Isaac Cordal last September in The Huffington Post :

Little Cement Urbanites: Isaac Cordal’s Street Art Installations

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Brooklynite Gallery Presents: Elik “Snake Bite” (Brooklyn, NY)

Elik
brooklyn-street-art-elik_snub_joe_lewis_brooklynite-gallery

brooklyn-street-art-elik-brooklynite-galleryELIK ‘Snub-Nose’ Prints now available in our Shop/Extras Section.

ELIK “SNAKE BITE” May 7th, 7-10pmBrooklynite Gallery

Musical Guest: DJ KOOL HERC
Brooklynite Gallery is located at 334 Malcolm X Blvd., Brooklyn, New York 11233.
Phone 347-405-5976 • BrooklyniteGallery.com
During exhibitions, we are open Thursday thru Saturday from 1-6pm or by appointment.
We are located 2 blocks from the A or C subway to Utica Ave. stop.

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PANTHEON Opens On Street, Skewville Gives a Review

The PANTHEON show in the windows of the former Donnell Library across from MoMA on 53rd Street in Manhattan opened with a lot of fanfare and excitement on Saturday night. Within minutes of the unveiling of the giant windows there were clusters of tourists and art fans and regular New Yorkers gathering around the brightly lit windows to inspect the collection of a small sampling of the work by graff and Street Art artists during the last 40 years in New York.

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The huge and amazing installation by the 907 Crew entitled “907 Was An Inside Joke”, taken by Super Kate NYC. See more of her pics on her Flickr site here. (image © SuperKateNYC)

At the Hilton across 6th Avenue a packed lounge of artists and press and honored guests and looky-loos were milling around and celebrating the opening while a live streaming discussion of the event and interviews with organizers and artists took place on screens and online. The grassroots organized and run show will be open to the public for the next week and a half, 24 hours a day.

One of the peeps on the street looking at the show was wiseacre Ad Deville of Skewville (below), who posed in front of PANTHEON and offered this succinct assessment.

brooklyn-street-art-skewville-alex-emmart-pantheon-04-11Skewville (photo © WTF)

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907 Crew “907 was an inside joke” Detail  (photo © Jaime Rojo)

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907 Crew “907 was an inside joke” Detail  (photo © Jaime Rojo)

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NohJColey. “Before Columbus” Detail  (photo © Jaime Rojo)

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NohJColey. “Before Columbus” Detail  (photo © Jaime Rojo)

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The Fridge Gallery Presents: Chor Boogie “This Aint No Place For No Hero” (Washington, DC)

Chor Boogie
brooklyn-street-art-Chor-boogie-the fridge-gallery

Chor Boogie

This Aint No Place For No Hero

Opens April 9th

Who exactly is Chor Boogie?

Chor Boogie is an artist, a conceptual genius, a street romantic, a master of illusion and technique, Chor Boogie is an original. His works can be described as having healing effects by his unique and unmatched use of color, which brings greater meaning and understanding to his works. Every vibrant piece has a story attached to it. Chor Boogie’s colorful paintings are attracting A-list celebrities, art galleries and museums. Originally from San Diego, the artist known as Chor Boogie currently resides in San Francisco but is an internationally known artist and has traveled extensively to exhibit his work around the world.


The intentions behind his art work are to create timeless dynamic moments of Imagination, Creativity, Originality, Meaning, Style, Self Expression, Audience, Taste, and the Visual Elements of Line, Light, Composition, Form, Space, and Color. It is derived from the colors of his soul. It is a therapeutic flow of colors, shapes, and movements combined in to one. A movement of images that has adapted to space giving it the significance of belonging to its surface, coming together as one and forming images of creation. Expressing realms of colors that give a healing sense and encourages you to wake up.


Click here to experience more Chor Boogie

The Fridge is located at

516 8th Street, SE

REAR ALLEY

Washington, DC 20003

We are located in the alley directly accross the street from Matchbox on 8th Street, SE.

We are 2 blocks from the Eastern Market Orange and Blue Line Metro.

Street parking is available.

We reccommend Parking in the lot directly under the Southeast Freeway at 8th and I Street, SE.


Gallery Hours

Wednesday- Saturday 2-7

Sunday 2-5

Closed Monday and Tuesday

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Elbow Toe New Piece: A Bee in the Bonnet, A Geranium in the Cranium

“I suppose you have heard of Mr. Coward’s pranks. He has, as the Scotch call it, a Bee in his Bonnet.” ~the Reverend Philip Doddridge’s Letters, 1790

Buzzing with pranks of his own, Street Artist Elbow Toe’s first street piece in New York since last summer appeared as a 14′ x 6′ hand colored wheat paste.  According to online accounts Mr. Toe informs us it’s title is “Say I’m The Only Bee In Your Bonnet”. Stung by the mystery of the piece, the title has our minds swelling with possible explanations about what it could mean. Ah well, the onward march of spring continues in our midst.

brooklyn-street-art-elbow-toe-jaime-rojo-04-11-web-2Elbow Toe (photo © Jaime Rojo)

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Elbow Toe (photo © Jaime Rojo)

brooklyn-street-art-elbow-toe-jaime-rojo-04-11-web-4

Elbow Toe (photo © Jaime Rojo)

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