Gamma Proforma Presents: Futurism 2.0 A Group Exhibition (London, UK)

Futurism 2.0

FUTURISM 2.0 / Group Exhibition 


Augustine Kofie, Phil Ashcroft, Boris Tellegen (Delta), James Choules (sheOne), Matt W. Moore, Mark Lyken, Sat One, Christopher Derek Bruno, Moneyless, Mr Jago, Nawer, O. Two, Morten Andersen, Keith Hopewell(Part2ism), Jaybo Monk, Poesia, Derm, Jerry Inscoe (Joker), Remi/Rough, Divine Styler and Clemens Behr.


Blackall Studios

73 Leonard Street

Shoreditch, London,


Tel: +44 (0) 20 7739 9551

Launch Night

Thursday 27th September, a private preview for Sponsors, VIP’s and collectors with artists present. A selection of left-field DJ’s will be providing the soundtrack, a mix of classic and contemporary sounds.



Public Opening/

Friday 28th September 2012, the gallery will be open to the public all day. DJ’s and drinks from 6pm.

The exhibition will run from Thursday 27th September – Tuessday 2nd October.

Friday – Saturday 11am – 8pm
Sunday 12pm – 5pm
Monday – Tuesday 11am – 8pm

Live Paint/

Saturday 29th / Sunday 30th September. An ensemble of artists will paint live in London.




“We stand on the last promontory of the centuries! Why should we look back, when what we want is to break down the mysterious doors of the Impossible? Time and Space died yesterday. We already live in the absolute, because we have created eternal, omnipresent speed.” – Marinetti, Futurist Manifesto, 1909.



In 1912, just three years after the manifesto was published, the Futurists exhibited in London for the first time. A hundred years later on September 27th, 2012, just three years after the creation of, the Graffuturists will exhibit for the first time in London at Blackall Studios.



At the core of both movements are the parallel ideals of “dynamism” and “progression.” Both of these keywords conjure a sense of action, motion and movement, wavering disturbances of change pulsing forward, like an electrocardiogram, along a historical continuum into the future. Marinetti extolled the virtues of a dynamic art form that was alive and motivated; Poesia, the founder of, has stated that the word Graffuturism was inspired by the desire to articulate a progressive impetus for graffiti.



Uplifting arms together in spirit, both these movements revel in the urban environment as a petri dish for the advancements and inventions of their age. Just as Futurism embraced the Industrial Age and its recently mechanized urban centers, Graffuturism embraces the Digital Age and its recently wired urban-global community. For the Futurists, the ideals of dynamism were expressed in images of their century’s new inventions, such as the motor car, the steam engine, the airplane, the telephone; whereas for the Graffuturists, the icons of salvation are the subway car, electric/ diesel freight trains, markers, spray paint, rollers, fire extinguishers, and so on. A different set of symbols for this century, but still imbued with the same impetus.



Because of the global composition of the group, the Graffuturists consist of disparate backgrounds, professions, and locations. They create in different styles, but their unifying theme is abstraction, their medium is painting, and their influence is graffiti. In their work on the streets and on canvas, these painters aspire to a high level of proficiency at their craft, which creates a visual poetry of depth and complexity. The Graffuturists could be classified as a High Style New Millennium Painting movement, consisting of a long dialectic and cross-pollination between advanced graffiti and fine art painting techniques.


Wildstyle Graffiti is combined with Abstract Expressionism or Geometric Abstraction, then transposed through the artist’s unique vision into a personal vocabulary of hybrid techniques, an experimental mix of the high and low, the intellectual and visceral, the visionary and the primitive. Whereas the Street Art movement of the mid-2000s tended to focus on collaged and wheat-pasted illustrations and figurative stencils, this group of artists focuses on the act of Painting, whether on the street or off, whether with spray paint or oils, with a fat cap or a sable brush.

Just as Be-bop developed from jazz, Raw Magazine from Superman comics, and Wildstyle from Original Writing, Graffuturism progresses from graffiti, and then takes up the oily-rag torch to ignite the future.


Daniel Feral (Pantheon Projects / 12oz Prophet)

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Gamma Proforma Presents: Futurism 2.0. Group Exhibition and Book Launch. (London, UK)

Futurism 2.0

Futurism 2.0 is an exhibition, film and book examining parallels between 20th Century Futurism and 21st Century abstract urban art.  In the film and book we talk to historians, critics, cultural figures and the artists at work. Discussing creative revolutions, our world and today’s 24/7 creative society. Uncovering this truly international movement, which connects via silicon and copper across the globe, where each development is transmitted digitally and consumed organically.

The exhibition takes place in London from 27th September – 3rd October. The launch party/private viewing is on the 27th September 6pm – Late – RSVP

Artists include: Augustine Kofie, Phil Ashcroft, Boris Tellegen (Delta), James Choules (sheOne), Matt W. Moore, Mark Lyken, Sat One, Christopher Derek Bruno, Moneyless, Mr Jago, Nawer, O. Two, Morten Andersen, Keith Hopewell(Part2ism), Jaybo Monk, Poesia, Derm, Jerry Inscoe (Joker), Remi/Rough, Clemens Behr and more…

Find out more about the project and the artists at, you can pre-order the book here.

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Lazarides Gallery Presents: “Klimt Illustrated” (London, UK)

Klimt Illustrated

Nine internationally-renowned street artists will produce Klimt-inspired masterpieces in front of a live audience in London’s Grosvenor Gardens, on Tuesday 21st August.

Situated upon plinths, the artists will create new works resonant with the influence of Klimt in the square format,as part of the Vienna Tourist Board’s campaign to celebrate the 150th birthday of the famous Viennese artist. Inspired by Vienna’s rich cultural diversity, the unique celebration aims to showcase the city’s modern art scene and imperial heritage.

The completed works work will be displayed in the famous Lazarides Gallery in Soho as a public exhibition, ‘Klimt Illustrated’.

The exhibition at the Lazarides Gallery will be free and open to the general public from 24th August to 1st September, Tuesday to Saturday 11am – 7pm.

The Vienna Tourist Board has worked with the Lazarides Gallery and curator, Sydney Ogidan of BLK River, to secure the nine artists, who are: Mode 2; Lucy McLauchlan; Vhils; Ron English; Christian Eisenberger; Bastardilla; Know Hope; Marlene Hausegger; Work will also be on display from Shepard Fairey, the famous American contemporary street artist and illustrator.

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Graffitimundo Presents: “The Talking Walls of Buenos Aires” (London, UK)



Graffitimundo is proud to present “The Talking Walls of Buenos Aires”. Opening September 6th at Londonewcastle Project Space, the exhibition explores Argentina’s unique culture of urban art.

Urban art in Buenos Aires reflects the city’s turbulent history and rich cultural heritage. Throughout the last century the city walls have been extensively painted, by artists, activists, political groups and the public, making the city walls of Buenos Aires an established and dynamic channel for expression.

During the last two decades several different artistic styles have developed. The devastating Argentine economic crisis of 2001 created a generation of young artists determined to take to the streets and reclaim their city. As they collaborated in a spirit of solidarity a new and distinctive visual language began to emerge.

“The Talking Walls of Buenos Aires” features mural art and original artworks from leading Argentine artists and art collectives, as well as video works and historical and contemporary photography portraying the urban landscape of Buenos Aires and seminal moments in the country’s history.

The exhibition celebrates a form of expression rooted in activism and a desire to transform public space, and in the process challenges conventional views on what graffiti is, what street art represents, who creates it, and why.


Cabaio Stencil / Chu / Corona / Defi / Ever / Fede Minuchin / Gonzalo Dobleg / Gualicho / Jaz Malatesta / Nasa / Pastel / Pedro Perelman / Poeta / Prensa La Libertad / Pum Pum / Roma Stencil Land / Tec / Tester / Zumi

Event information

“The Talking Walls of Buenos Aires” will be held at Londonewcastle Project Space, 28 Redchurch Street, London, E2 7DP
The exhibition opens to the public from 6pm-10pm on September 6th, 2012.
The gallery is free and open to the public daily from 12pm – 7pm, until September 13th, 2012.

(from the left: street painting by rundontwalk / silhouettes of the disappeared (ph. Mónica Hasenberg) / Artwork by Pedro Perelman)

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Red Gallery Presents: Part2ism “New Horizons & Future Love Songs” (London, UK)


Red Gallery proudly present Part2ism’s first solo exhibition in London since Artillery for Pleasure 2009. This new body of work is perhaps his most outlandish work in a quartz-century journey using aerosol and a vast range of different media. New Horizons and Future Love Songs explores the relationship of sight and sound as one medium. In his series of polychromatic sculptural reliefs entitled ‘Architect-sonics’, wooden planes of color appear to slice through time placing our idea of transit art in another realm. Further works on show investigate aerosol paint as a raw medium exploring vectors as pure line and color but also the use of spatialization and surface data to interpret visual noise over large sheets of canvas. An exhibition that strips away the non essential elements and at the same time takes fundamental ideas to the absolute pinnacle.
“A syncretist at heart and now a synaesthesiac in practice, Part2ism is a multi-talented creator, exploring where his interests and instincts lead him. Beyond all the “isms’ that can be applied to his work over the past twenty eight years, whether of his own invention or culled from art history, Part2ism has always aligned himself with his own visions first. As an artist, he subsumes all categories and at the same time defies them. More importantly than these post-creation categories that can be applied to his body of work, the underlying and unifying threads in Part2ism’s history are DIY individualism, a revolutionary mentality and a consistent exploration of mind-challenging aesthetics. His timbre, his voice, his style is a constantly mutating, gene-splicing hybridism embodying rebellion and progression.
With this cross pollination throughout the full spectrum of his creative output, Part2ism has reached an apex of compression and connection of his lifetime of aesthetic explorations in different disciplines, utilizing everything that he has accomplished over the past twenty-eight years, in a sensurround of synaesthesia and synchronicity”. Daniel Feral

Taken from the ‘New Horizons & Future Love Songs’ exhibition catalogue. Also featuring written contributions by Steve ‘Fly Argaric’ Pratt, Pride (TCA) and Poesia from Graffuturism over 40 pages.

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Monsters of Art Gallery Presents: Kings Moa (London, UK)

Kings Moa


Continues until 27 October

“In 1991, three intoxicated and disgruntled teenagers went out to take on the biggest graffiti crew in Copenhagen. Adopting the name MOA (Monsters of Art) the aim was to become the most recognized graffiti crew in the world…”
Now, over twenty years later, MOA is one of the most notorious graffiti crews and still hold the top spot for train ‘bombing’ in Denmark. Forever growing and expanding the fight for MOA global domination is far from over. This one-off exhibition will explore the crew’s unique codes and conducts that have, over the years, set them world’s apart from all other graffiti crews. Many crews have challenged their position but none have succeeded, proving that MOA really are the kings of unparalled artistry and skill. Since their arrival onto the scene MOA has been off-limits, only giving selected interviews and infrequent comments to certain publications. We are delighted and highly privileged to show a one-off exhibition looking back at MOA’s 21-year rein on the graffiti world.The exhibition will include original works, screenprints and photographic documentation. 

Monsters of Art Studio and Gallery
112 Mill Lane

0207 435 3433

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Stolen Space Gallery Presents: ATG Collective “Eye In The Sky” An Art Exhibition and Book Launch (London, UK)

ATG Collective


‘Eye In The Sky’

Show & Book Launch

By ATG Collective 03.08.12 – 02.09.12
Private View Thursday 2nd August, 6 – 9 pm

In December 2010 a group of artists got together to embark on a project painting London’s skyline, with the aim of inspiring people and reminding them of their voice. At a time where communities across the country feel increasingly neglected and let down by the system they decided to use the roofs of the many council blocks scattered across the city as a platform to communicate with people in the form of painted eyes and up-lifting slogans that beamed down on to the streets below. Their work was to serve as a reminder to the public that they still have control over their surroundings and although we live in the most surveyed city on the planet, where peoples liberties are often compromised for financial gain and control, there is still room to take risks, think outside the box and change the world around you.

This exhibition will see the launch of a limited edition hand bound artist book from ATG. Each book will be signed and numbered with a hand screen printed cover.

The exhibition will also feature limited edition screen prints, originals and photographic work. .

The Old Truman Brewery 91 Brick Lane London. E1 6QL
T:020 7247 2684 Open Tuesday to Sunday 11.00am – 7.00pm

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The Outsiders Gallery Presents: Logan Hicks “Structural Integrity” (London, UK)

Logan Hicks

Logan Hicks

Structural Integrity

Show dates:
20th July – 25th August 2012 Private View: 19th July 2012 The Outsiders London
8 Greek Street W1D 4DG

We are please to announce Logan Hicks’ first ever solo show at The Outsiders London titled ‘Structural Integrity’.

Logan is recognised throughout the art world as a pioneer in stencil art, creating photorealistic paintings of urban landscapes in meticulous detail, from layers upon layers of painstakingly cut stencils. Logan states the concept behind his work focusing on city architecture, is his fascination with the idea that hidden between city walls and alleyways are millions of stories and secrets from all the people who have lived and walked these areas before, “my work reflects on the events that have come before me”.

In addition to the stencil works in the exhibition, Logan will be showing a body of photographs taken over the past 5 years, giving the viewer an rare insight into life beneath cities of America and Europe!

The private view will take place from 6pm to 9pm on 19th July at the Outsiders London. RSVP by Wednesday 18th July with your full name and your guest’s name to be included on the guest list.

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Roktic Gallery Presents: Dscreet “The Other Side Show” (London, UK)



Hey everyone, see below the link to a video I made to promote my new solo show “The Other Side Show” opening in London 12 July at Roktik Gallery in East London. It will be my first solo show in four years and centers around the theme of duality – light and dark and black and white. The image of the owl will still be used in many of the pieces, but will have more errie and playful associations with video, installations and two new print releases that will glow in the dark.


New Works by Dscreet

Returning to the gallery space is famed London street artist Dscreet with his first solo exhibition in four years entitled “The Other Side Show.” Opening 12 July at Roktic Gallery in Brick Lane, the exhibit will feature brand new works based around Dscreet’s iconic owl in the form of paintings, installations, media and a limited edition print release.

“The Other Side Show” will be Dscreet’s most ambitious exhibit to date creating works reflecting themes of duality, death and the legacies we leave behind after departing from this world. Most notable as a member of London’s premiere street art crew Burning Candy, these new works reveal a darker side of Dscreet’s art and showcase his range as a fine artist.  Aside from his background in letter based graffiti Dscreet’s painted owls, his patented image, are recognized internationally on the street. His gallery art further explores the various meanings associated with the iconography of owls. In many cultures the owl is considered to be a symbol of wisdom and perception while in others it is considered to be a “deathsayer” and symbol of evil.

In order to realize these interpretations, the gallery space will be dark with flashing strobe lights to create an eerie, yet playful atmosphere. Projections will play on a constant loop while the 2 brand new print releases will glow in the dark embodying the duality of light and darkness of the show’s overarching theme.

The highlights of the show will be working in pairs with each representing its opposite. Two doors invite the viewer to step through to “the other side”.  Two murals divide the room into “This Side” and “That Side” while two smoking birdhouses will invite viewers to look inside both at themselves and to view a physical emulation representing the core of the confusing duality. Audiences will encounter a film installation on loop of a Michael Jackson impersonator that will show a slightly bizarre and off putting interpretation of the King of Pop. While the film celebrates the iconic singer’s legacy, it forces audiences to question whether the iconic images of Jackson’s music and appearance are his true legacy despite the more publicly dark aspects that shroud his personal life.
For Dscreet, “The Other Side Show” is a deeply personal exploration of life and death that reflect his own near death experience at 17. After a drunken night out, he aggravated a blood clot in his brain causing him to realize his own impending demise, only to be saved by a paramedic before crossing over to the other side. The heart of the work questions how one will be remembered: by their light or dark side? Will your legacy be what you did under your real name or by an alternative pseudonym used for creative endeavors? Struggling with this concept as a working artist, this new body of work is a chance to reflect on his own legacy. Revealing his own thoughts on notion, Dscreet reveals:

Whilst dying I had begun to think about the point of existence and all that heaviness and what I would leave behind; aside from some ripped cones, empty bottles, a couple of sobbing girls and my family who would be very sad of course, who else would really care and what had I done or given to this world really, pretty much nothing at all…It was a shakeup and turning point and I believe it made me more focused on leaving a mark through my art; via graffiti I cloned myself a new more creatively expressive self.

 So now I’m 2 people and 2 X 17 years old, living in a world defined by absolutes. It’s time for a review, to confront myself in a mirror and wonder is this reflection any closer to the truth or somewhere in-between, can there be one without the other?

About Dscreet

Dscreet has been painting graffiti for 20 years as a member of various influential crews like Burning Candy. He is notorious for his electrified owl image of which he has painted thousands all across the world. He has previously shown work in galleries in New York, Paris, Lyon, Melbourne, London, Berlin, Trieste, Miami, LA, Sheffield. His work has also been featured on Channel 4 documentaries like Robbo vs Banksy, The Burning Candy 3 Minute Wonder and the BBC News.

Aside from painting on the streets, Dscreet works in film and creates sculptural installations to house the work. His work is part of the V & A Museum’s street art print collection and he has created videos for street artist Dabs & Myla and Conor Harrington as well as the latest music video for The Duke Spirit. He has also been published in numerous street art & graffiti books including Graffiti 365, London Street Art and New York Street Art.

For further information regarding this show click on the link below:

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Black Rat Projects in Conjunction with The Corey Helford Gallery Present: “Letters From America” A Group Exhibition. (London, UK)

Letters From America



Celebrated graffiti and street artists from the US invade London

for the 2012 Summer Olympic Games

Opening June 30, 2012

Outdoor installations at the London Pleasure Gardens

Gate 1, North Woolwich Rd, London

Opening July 4, 2012

Gallery Exhibition at Black Rat Gallery

Arch 461, 83 Rivington Street, London


RISK, Ron English, SABER, and TrustoCorp


“LETTERS FROM AMERICA” continues its UK invasion with an all-American Independence Day celebration on Wednesday, July 4 at Black Rat Gallery. Open to the public, the exhibition transforms the London tunnel into a bunker of America’s most wanted artists, showcasing new works from RISK, Ron English, SABER, and TrustoCorp. Gallerists Jan and Bruce Helford add, “Corey Helford Gallery is proud to be bringing U.S. artists to a UK project of this “Olympian” scale and finishing with a celebration of four of the top U.S. street and graffiti artists – RISK, Ron English, Saber and TrustoCorp – in a gallery that’s been home to some of the finest street artists in the world, Black Rat Gallery.”

The exhibition of paintings and sculptures will feature an original Bob’s Big Boy statue customized by RISK, as well as SABER’s famous flag series, which serves as a commentary about the National Healthcare System and his personal challenges with it. For the show, SABER will unveil first Union Flag piece, titled “The Flag Of The National Healthcare System.” “Quite literally, I paint for my life,” he says. “Every painting I touch, I try to envision my pieces on a travel into the future as a record of the great emotional value as well as artistic merit that can only be matched by someone living under such extreme conditions during these tumultuous times. I only hope that after I am gone, these pieces will be hung on the walls of a different era where we as nations care more about nurturing its citizens than perpetuating the system of profit over life.”

The opening reception for “LETTERS FROM AMERICA” at the London Pleasure Gardens is free and open to the public. Outdoor installations will be on view until December 2013. The opening reception at Black Rat Gallery is private and by invitation only. All of the artists will be in attendance on opening night, and the show runs through July 18, 2012.


London Pleasure Gardens

Gate 1

North Woolwich Rd

London E16 2BS


Black Rat Gallery

Through Cargo Garden

Arch 461, 83 Rivington Street

London EC2A 3AY

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A-Side B-Side Gallery Presents: Tinsel & Twinkle “Mini Restrospective” (London, UK)

Tinsel & Twinkle


6th – 19th of July, this is the first retrospective by the art duo – Tinsel and Twinkle – and is also an amazing opportunity to see a large cross section of their work, including previously unseen pieces, and a selection from the back catalogue. This is also a chance to re visit previous art stunts – Tinsel and Twinkle as Traffic Wardens giving away free art, and the wonderfully acclaimed ‘Opinionated Objects’.  All works will be for sale including a run of limited edition prints.

Tinsel & Twinkle have chosen to present their ‘mini’ Retrospective fairly early on in their artistic careers. The works on display offer an insight into their individual artistic concerns. Social and political themes dominate the show, illustrating their quest to highlight, expose and question; bringing contemporary issues to the forefront.
Tinsel’s passionate ideology as an artist is rooted in a desire to create works which question and challenge social and political issues. Her commentary is a personal response to social injustice. Incorporating text into her paintings, the works are littered with action statements, personal mottos, questions, observations and anecdotes, reflective of her earnest approach to dealing with serious concerns.
Twinkle’s work has been inspired by social political issues in Britain both now and as it existed decades and centuries ago. Recently her work has become more universal in it’s consideration. Often satirical and usually political, the content carries dark undertones and attempts to shine a light on where the Human condition repeatedly remains in the dark.
For more information or to RSVP to the Private View contact Stephanie at
Private View
: 7.30-9.30pm Thursday July 5th.

: 6th –  19th July

: A-side B-side Gallery, Hackney Downs Studios, 5-9 Amhurst Terrace, Hackney LONDON E8 2BT

Gallery Hours
: Thursday – Sunday 12-6pm or by appointment.

Nearest Tube
: Dalston Kingsland Overground

: Free
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