Artists

Factory Fresh Gallery Presents: “Among Darkened Woods” A Group Show

July 6, 2010 Artists, Brooklyn, Events, Gallery, NYC, Opening

Factory Fresh Gallery

Appropriating an image from the opening lines of Dante’s Inferno as visual and thematic source material for the exhibit, the artists in Among Darkened Woods present works that seek to represent the derivative potential of darkness, to probe the obscure, to lend plasticity to shadows and other forms evanescent, to perceive presences and apparitions in that which seems to have disappeared.

While Dante’s infernal quest leads him from the selva oscura of life’s proper path gone astray, as it were, to visions of the most profound reaches of physical suffering, punishment and ceaseless decay, the works here suggest an earlier stopping point, a less hellish locus, a place perhaps only subtly subterranean where forms have not yet dropped into the abyss of a falling apart, evoking instead the ordered calm of a falling away.

Featuring paintings, drawings, sculptures and mixed-media works by Tim Kent,
SHM Kim, Adam Collison, Amanda Nedham, Mary Kate Maher, Monika Zarzeczna and Paul D’Agostino, and featuring an essay accompaniment by Paul D’Agostino.

Image Courtsey of the Gallery

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Pandemic Gallery Presents: “Fuck Don Pablo Pedro”

July 6, 2010 Artists, Brooklyn, Events, Gallery, NYC, Opening

Don Pablo Pedro

Image Courtesy of the Gallery

Pandemic, established in Williamsburg, Brooklyn in 2009, is an artist-run space dedicated to showing work from up-and-coming, unknown, and well-established talent alike. Embracing (but not confined to) urban street art, Pandemic is attracted to artists who think outside the confines of conventional normalcy — artists whose fresh concepts and unique visions inspire a broad audience.

Beginning on July 31, 2010, Pandemic will present the work of Don Pablo Pedro. Don Pablo Pedro draws on the technical conventions of Old Masters such as El Greco and Hieronymus Bosch, and provocatively blurs the lines between perversity and sensuality, sacred and profane, suffering and ecstasy. Don Pablo Pedro’s work has previously been profiled by P.S.1 and Brooklyn Street Art, and the artist maintains a website at http://donpablopedro.blogspot.com/.

There is no cover charge for this event; we attach a press release with additional details below. For further information, please contact our Media and Development Director, Megan Canter, at meganecanter@gmail.com (copied here) or by telephone at 973-220-5032.

OPENING SAT. 7/31/10 7-11PM
@ PANDEMIC
37 BROADWAY
BROOKLYN, NY 11211

(L subway to Bedford stop or Q59 bus to Broadway/Wythe)

Gallery open daily 11am-6pm

—-
Pandemic Gallery
37 Broadway between Kent and Wythe
Brooklyn, NY 11211
www.pandemicgallery.com

Images of the Week 07.04.10

July 4, 2010 Artists, Brooklyn, Manhattan, new york, NYC, On the Street, Queens

NYC in summer is always about abundance. Lots of cheap or free fun available for everybody. For music lovers there is the multitude of free concerts. For theater there is free Shakespeare in the Park and free outdoor movies in many parks. Foodies have the many street fairs with a cornucopia of deliciously exotic food from everywhere in the world. The sporting sort can play free in the many parks – baseball, volleyball, soccer, Frisbee, tag, hide and seek. This weekend brings parades and fireworks and block parties and hotdog eating contests…

For those that love all sorts of arts and street art in particular the city’s streets are also abundant and are talking loudly and singing beautifully, like the mockingbirds at night in the Brooklyn trees. Recently Swoon and Imminent Disaster are giving us tons of eye candy and food for thought. Over Under is trying his free hand at painting and presenting his nudes, as is Celso. And Chelsea just got a new Jeff Soto. Well known, well weathered, or well underappreciated, artists continue to call the streets of New York their gallery.

Swoon (Photo © Jaime Rojo)

Swoon Detail (Photo © Jaime Rojo)

Jeff Soto (Photo © Jaime Rojo)

Overunder (Photo © Jaime Rojo)

Imminent Disaster (Photo © Jaime Rojo)

Imminent Disaster Detail (Photo © Jaime Rojo)

Celso (Photo © Jaime Rojo)

Swoon (Photo © Jaime Rojo)

Owl (Photo © Jaime Rojo)

Swoon (Photo © Jaime Rojo)

Swoon Detail (Photo © Jaime Rojo)

Overunder (Photo © Jaime Rojo)

Imminent Disaster (Photo © Jaime Rojo)

TrexNYC (Photo © Jaime Rojo)

JMR’s Transition to a Black and White World

July 3, 2010 Artists, Interview, NYC, On the Street

You’ve been seeing a new direction for Brooklyn Street Artist JMR recently. Instead of huge multi-colored abstracts that sometimes contain a portrait within, we have seen a number of smaller black and white wheat-paste portraits. We’d heard that JMR was a doing a new series about white men and their consternation. Understandably that seems like a timely topic. BSA wanted to ask JMR what’s driving this change in direction.

Jim Rizzi (Photo © Jaime Rojo)

It took a little bit, but we found JMR. As it turns out, he’s abandoned NYC for the moment and is in a frigid underground vault in Texas, to hear him tell it.

“I am held prisoner to my air conditioning, as the sun burns all vegetation around me to a light umber. No one wanders aimlessly in this climate. It is as if the outside were contaminated by nuclear fallout and my neighbors are holed up in their backyard bunkers.”

Jim Rizzi (Photo © Jaime Rojo)

BSA: So what is going on with these white guys? And why has the human form become clarified and less abstract?
JMR: I haven’t written a cohesive description of what I am doing in ages, and have begun to wonder exactly what that is. Not what to write, but what I am doing. In the push to stay relevant as an artist, there is a fine line between putting your name out, and putting out something relevant.

In a nutshell, ultimately, and I use that word loosely, my goal is to express some sort of emotion in these portraits. I’ve spent much of my artistic career in the dark shadows of abstraction, but to put abstract work out to the general masses seems less affective. A black and white paste-up seems more relatable than an abstract one. Not that I am trying to get people to recognize the humanity around them, because I am not. I am trying to portray some humanity in my art.

Jim Rizzi (Photo © Jaime Rojo)

While that explanation was clear enough, you can’t say with certitude that this is where he’ll stay. It may in fact be a transition stage to where JMR is going. He gave a funny sort of series of observations that reveal a funny sort of self-reflective artist who may be at a turning point. He even gave this startlingly clear analogy that sounds a lot like the race for recognition among artists in a city full of artists, everyone following a source of light in hopes of sustenance or recognition.

“I take my daughter to feed these giant carp at the lake nearby and there are hundreds of them (carp, not lakes). When you throw whatever it is you’ve brought to feed them, they frenzy; thrusting their open mouths to the surface in hopes that something falls in. It’s violent. Some fish actually get pushed to the point where their whole bodies are out the water. I can’t help but equate that to all of us, regardless of craft or profession, and what we are aiming to do; Trying to stay at the top of the pile. Just to get those pieces of bread, cereal, stale pretzels, bagels, hotdog buns.”

Jim Rizzi (Photo © Jaime Rojo)

Take that for what you may. I’m taking it with an icy cold six-pack of PBR out on the lake. Have a nice Saturday everybody.

One of JMR’s murals from a more colorful abstract period way back last year. (photo © Jaime Rojo)

Fun Friday 07.02.10

July 2, 2010 Artists, Bronx, Brooklyn, Manhattan, new york, NYC, Queens

It’s Only Street Art When It’s On the Street

So you might as well move the furniture out on the sidewalk for your 4th of July Bar-B-Que this weekend and enjoy the best of both worlds. Look, some guests have already arrived! Pictured below on the Brooklyn street are Veng (RWK), Imminent Disaster, El Sol 25, Yote, and Andrew Michael Ford. Is the beer cold yet?

(image © Jaime Rojo)

Let Jimi Put You In the Mood for a Patriotic Weekend

In Manhattan – Street Artist Dennis McNett’s Wild Kingdom Runs 50 Feet of Barney’s Windows

Brooklyn based artist Dennis McNett totally smashed the windows at Barneys with his imagination. “Passerby’s can see over sized wolf, owl, and skull masks paired with mannequins dressed in evening wear with a backdrop of psychodelic starbursts and swooping wolfbats. Dennis’s woodcut blocks, prints, masks and paper mache sculptures adorn the mannequins and window interiors. His imagery from nature, folklore, mythology, and story telling mixed with the graphic carved wood patterns from wood block prints sets a very unique stage for the store and this part of town.”

Barneys NY Madison Ave. between 60th and 61st through July 12th
They are best seen at night as they have been professionally lit. Check out Dennis at www.wolfbat.com

Biggie on the Street at 17 – Where Brooklyn At?

You’ll Hear This One At Least ONCE This Weekend

“Paper Monster Ate That Little Boy” Opening Tonight (PHILA)

July 2, 2010 Artists, Events, Gallery, Opening, Philadelphia

Who’s the Paper Monster?

Who’s the Little Boy?

And who are all these ferocious kittens that Paper Monster features on the street and in the studio and gallery, with their piercing sharp stares and barbed wire bangs? The young NYC street artist isn’t sharing too much about the inner psyche of the creator, but our armchair analyst will only charge you 50 cents to connect the Freudian dots, and it’s worth every penny.

Brooklyn-Street-Art-PaperMonster-2SoloPrevJul

According to the press release for the show opening tonight, “each piece is a beautiful combination of layered imagery, textures and colors conveying themes of love, anger, fear, passion and mystery.” Truth is, Paper Monster has been banging out successively more intricate and polished stencils of these comely ladies, with their alter-ego wild sides, in the quietly consistent manner of a panther. Once you get past their jet-black razor wire exterior, you find a lawless riot of fluorescent color and shapes, decorative and comic, leaping and pouncing about inside.

Paper Monster Image Courtesy of the Artist

Enjoy these pics of Paper Monster and his new show, six months in the making. If you are in Philadelphia tonight, stop by and give him a shout out from BSA.

Paper Monster (Image courtesy of the artist)

Paper Monster at work. (Image courtesy of the artist)

“PaperMonster Ate That Little Boy” running Friday July 2^nd to Saturday July 31^st

Opening Reception: Friday, July 2^nd 6pm-9pm

Vincent Michael Gallery
1050 N. Hancock St. Suite #63
Philadelphia, PA 19147

More information and RSVP Contact: 215.399.1580 x.703 or info@vincentmichael.com

http://papermonster.wordpress.com/

Elbow Toe Creates Fictions With Little Bits of Shredded Truth

July 1, 2010 Artists, Interview, NYC, On the Street

The Street Artist talks about New Collage Series, NPR, and Haiku

Heat waves shimmering
one or two inches
above the pavement.

This is New York right now. Blistering smells of bubbling soot from the street. Like no other time of the year most of these summer streets are a haven for life and freedom. School’s finally out, few summer jobs are available, and there are more service cuts on the bus and subways. But in this time of lowered expectations the parks are still open and the free concerts and block parties and parades hint very little at the stress that so many are under.

Elbow Toe (Photo © Jaime Rojo)

The Brooklyn artist and poet of the streets whose moniker is Elbow Toe gets up early to “go to work” on the subway, where he rides and draws portraits of his fellow riders in a sketchbook before returning to his studio. It’s there, in the air-conditioned underground, that he wakes up and re-connects to his city, loosening up the lines so that they can wend and bend freely, and jotting a little text as it manifests.

His impressive body of work continues to grow and develop both on the streets and, in the last couple of years, into galleries on both coasts and across the pond. Recently kicked out of his studio (another New York artist story), he has settled in to working at home on a new collage series using ripped and shredded paper to create quite detailed pieces that from a distance look like paintings.

*****************

BSA: How’s the new studio? Have you done any work in it yet?
Elbow Toe: The new studio is suitable. I lost the last space when the landlord got in a dispute with the owner and forced us all out. I have been in the new space for a couple of months at this point and it has seen it’s fair share of work. I am primarily working on collages.

At this point I have converted part of my residence to a studio. It is a weird mix because we don’t have any walls in our place per se. And I don’t want to ruin the floors so I had to build a wall that could balance on the floor to provide privacy yet let in some light. I have done well over a half dozen collages at this point so the space is pretty broken in. If I had one complaint it would be that I wish I was in a studio building again so that I could just shut the door at the end of the night. As it is, the pieces sort of nag away at me. Who knows, it might make them just that more intimate with my psyche. brooklyn-street-art-elbow-toe-jaime-rojo-2

She’s seen it all. Two of Elbow Toe’s figures stretch from Madonna’s eyes as Elbow Toe adds to MBW (Photo © Jaime Rojo)

BSA: What’s informing your art right now? What’s inspiring you?
Elbow Toe: I have to hold the cards for what is informing me pretty close to my chest, as I am still engrossed in working out the imagery for the show. But I can say that I spent the better part of a year working out the boundaries and technical hurdles in my approach to collage. Though I am doing some portraits still, the new works are exploring narrative frameworks. I would say that I am creating fictions with a little bit of truth. I do my best to let my imagination play with the hopes that it know intuitively what stories I want to tell.

Elbow Toe (Photo © Jaime Rojo)

BSA: You touch on political and social themes in your art. Are you a news junkie?
Elbow Toe: I am a news junkie. It certainly doesn’t help that I get into bouts of listening to NPR for 8 – 10 hours a day. It really makes for great light small talk in social situations, let me tell you.

brooklyn-street-art-elbow-toe-jaime-rojo-7

Elbow Toe (Photo © Jaime Rojo)

BSA: What’s your best way to get news right now? Radio, TV, or internet?
Elbow Toe: I primarily stream NPR in on my computer.

BSA: What’s the environment that you like to create in your studio while you work?
Elbow Toe: When I start a piece I like the studio to be pristine. By the time I have completed the piece there is very little space to stance, and it is quite visually painful as there is basically a storm of color all over the floor. I generally get so pulled into the process that the chaos works to my advantage as I tend to know where every piece of paper is amidst the chaos. The real problem that arises is when I set my keys down in the studio by accident.

Elbow Toe (Photo © Jaime Rojo)

BSA: You’ve referred to classic and modern art masters in your work. Is there anybody in the current crop of contemporary artists who do you admire and with whom you would like to collaborate on a piece with?
Elbow Toe: There are a lot of artists out there that I really admire. I am always looking. Cutting up Art Forum magazines for my collages keeps introducing new artists to me. As much as I like their work, I am really not that interested in collaborating with any of them. I prefer honing my own vision. brooklyn-street-art-elbow-toe-jaime-rojo-5

Elbow Toe (Photo © Jaime Rojo)

BSA: You are known to write a bit of poetry – what brings it forth? People on the street? Books you read? Music?
Elbow Toe: The quotes that I write around town… They tend to just well up from somewhere inside me. I go draw (in my sketchbook) on the subway in the mornings to warm up, and when I really drop into the work, they just sort of present themselves.

brooklyn-street-art-elbow-toe-jaime-rojo-6

Elbow Toe (Photo © Jaime Rojo)

BSA: Who is your favorite poet? What resonates about their work?
Elbow Toe: I like the Haiku masters Basho, Buson and Issa. There is such a compactness to the form. And the work is so humble.

I have been a fan of Sharon Olds for some time. There is such a vocal quality to her work. The rhythm is so strong that it completes the ideas perfectly that she is conveying. A particular favorite book of hers is The Father. Amazing.

Elbow Toe (Photo © Jaime Rojo)

You can see Elbow Toe’s newest piece tonight at the Perry Rubenstein Gallery in a collage based group show, “Shred”. See the press release and his piece HERE.

San Diego Museum of Contemporary Art Presents: “Viva La Revolucion: A Dialogue with the Urban Landscape” Featuring works by Prominent 20 Street Artists from Eight Countries

June 30, 2010 Artists, California, Events, L.A., Museum, Opening

San Diego Museum for Contemporary Art

Date Farmers, Me No Sugar, 2008, mixed media and collage on found metal. Courtesy of Jonathan LeVine Gallery

For the first time in history, the majority of the world’s population lives in urban communities. The urban setting and its corresponding lifestyle are major sources of inspiration in contemporary culture. This is an historic revolution in visual culture, in which the codes and icons of the everyday—found on the streets in graffiti, signage, waste, tattoos, advertising, and graphic design—have been appropriated and used as an integral part of contemporary art-making. The urban landscape inspires and serves as both a platform for innovation and a vehicle for expression for many artists. The city itself, its buildings, vehicles, people, and advertisements, are not only the surface where the art is applied. The city fuels the practice.

A multifaceted exhibition that explores the dialogue between artists and the urban landscape, Viva la Revolución: A Dialogue with the Urban Landscape features works both in the Museum’s galleries as well as at public sites throughout downtown San Diego.

The exhibition includes a diverse range of 20 artists from 8 countries that are linked together by how their work addresses urban issues — Akay (Sweden), Banksy (U.K.), Blu (Italy), Mark Bradford (U.S.), William Cordova (U.S.), Date Farmers (U.S.), Stephan Doitschinoff [CALMA] (Brazil), Dr. Lakra (Mexico), Dzine (U.S.), David Ellis (U.S.), FAILE (U.S.), Shepard Fairey (U.S.), Invader (France), JR (France), Barry McGee (U.S.), Ryan McGinness (U.S.), Moris (Mexico), Os Gemeos (Brazil), Swoon (U.S.), and Vhils (Portugal).

Viva la Revolución: A Dialogue with the Urban Landscape is curated by guest curator Pedro Alonzo and MCASD Associate Curator Lucía Sanromán.

Members Opening: Viva la Revolucion

Related Exhibition >

Saturday, July 17 at MCASD Downtown, Jacobs Building
7-10 PM
Members: Free
General: $20

1100 & 1001 Kettner Boulevard
(between Broadway and B Street)
San Diego, CA 92101
858 454 3541

Mighty Tanaka Presents: “City Scapes” A Four Person Photography Show Featuring the Works of Vinny Cornelly, Mari Keeler, Shane Perez & Bryan Raughton

June 30, 2010 Artists, Brooklyn, Events, NYC, Opening

Mighty Tanaka

Mighty Tanaka is excited to present our next show entitled CityScapes, a four person photography show that delves into and documents a variety of perspectives in and around NYC. Featuring the work of Vinny Cornelli, Mari Keeler, Shane Perez & Bryan Raughton, each photographer individually deciphers their own unique interpretation of the City through a myriad of techniques and inspirations.

CityScapes invites the visitor to explore the seemingly ubiquitous and familiar environments of New York City through the eyes of the photographers, as they excavate new vantage points through their exceptional observations. From grand panoramas to the subtle details, the show looks to provide the viewer with an in depth examination of the urban environment that most people are likely to overlook.

From multiple exposure photography and models posing in precarious locations to textured urban environments and the grimy gems of the City, this New Century art exhibition aims to uncover the hidden treasures constantly found on the streets of NYC and fuse them within our daily lives.

Featuring the photography of:
-Vinny Cornelli
-Mari Keeler
-Shane Perez
-Bryan Raughton

OPENING RECEPTION:
Friday, July 16, 2010 – 6:00PM-9:00PM, and closing August 6, 2010

Mighty Tanaka
68 Jay St., Suite 416 (F Train to York St.)
Brooklyn, NY 11201
Hours: M-F 12PM to 7PM, weekends by appointment only
Office: 718.596.8781
Email: alex@mightytanaka.com
Web: http://www.mightytanaka.com <http://www.mightytanaka.com/>;

Herakut Had Some Doubts…. (Video)

June 30, 2010 Artists

Gorgeous New Video from the graffiti sprayer/street art team from Germany

Dan Witz Tonight at Spoonbill and Sugartown

June 30, 2010 Artists, Brooklyn, NYC

Street Artist Dan Witz Signs Copies of His New Book “In Plain View”

Dan Witz is a 30+ year veteran of New York City street life, beginning in the late 70’s as an art student in the bombed out East Village, inspired simultaneously by the punk rock explosion and an analogous expression of the discontent that graffiti contained.

Since then he has explored a great deal about how we relate to art on the street, bringing a skilled analyst mind to play with perception, feeling, and our peripheral intake of information. In recent years his studio work has finely combined new digital possibilities with the more traditional oil based tools, producing startling realism and an auric glow that calms and unsettles.

Witz’s hyper-real street installations have become known for being missed by the busy passerby because of his uncanny and witty ability to integrate them into the urban environment below our perceptual radar. More recently his pieces have grown thematically darker and evermore perfect in their placement, daring you to overlook them.

With the release of this 30 year collection of work, Witz can clearly stake his claim as one of the forerunners of the current explosion of street art and it’s various discontents. Even in his controlled approach to study, practice, and implementation, the underlying punk rocker rips through the fabric of any bourgeois malaise you may be tempted to slip into.

Wednesday June 30th

Spoonbill And Sugartown
At 7:00 PM In Williamsburg

Spoonbill and Sugartown

218 Bedford Ave
Brooklyn, NY 11211
718/387-7322
www.spoonbillbooks.com

Dan Witz, born 1957, Chicago, IL, attended Cooper Union in New York City’s East Village. In 1982 he received a NEA grant and in 1992 and 2000 fellowships from the New York Foundation for the Arts. His first book, “The Birds of Manhattan” was published in 1983 by Skinny Books. Solo exhibitions include Semaphore Gallery NY (1985,1986), Clementine Gallery (1996), StolenSpace, London (2007); DFN Gallery NY (2003-5, 6, 7, 8, 10) and Carmichael Gallery, LA (2009). Group exhibitions include: Buying Time: Nourishing Excellence, Sotheby’s NY(2001); and Fifteen, NYFA Fellows at Deutsche Bank, NY (1999). Submission (curated by Juxtapoz) Fuse Gallery NY (2005); From The Streets of Brooklyn, Think space Art Gallery, LA (2009) and Beach Blanket Bingo, Jonathan Levine Gallery NY(2009). Dan lives and works in Greenpoint, Brooklyn.

Edgeware Gallery Presents: “Out From Underground” A Group Show With Shepard Fairey, Chor Boogie, Jaime Rojo and More…(San Diego, CA)

June 30, 2010 Artists, California, Events, Gallery, Opening

Edgeware Gallery
brooklyn-street-art-edgeware-gallery-jaime-rojo

For Immediate Release Contacts Joshua Bellfy (San Diego ) 619-788-9665

David Gillerman (Los Angeles,) 818-625-7872

Edgeware Gallery Hits the Street (Art )

San Diego Gallery to debut Street Art Exhibition July 24, 2010

San Diego’s Museum of Contemporary Art is having the first major International Street Art Exhibition, Viva La Revolucion, which opens on July 18, 2010 and features works by artists from 8 countries, including Banksy, Shepard Fairey, and Invader.

To coincide with this show and capitalize on the media attention and public awareness, Edgeware Gallery in San Diego will also be having a street art/modern pop show, Out from Underground, which will open July 24, 2010 and run through early September.

Edgeware will boast its own A-list of artists at the exhibition including Shepard Fairey, Chor Boogie, Brett Amory, Acamonchi, Michael Cuffe, Mark Rimland, Frank Vicino, Bryan Snyder, Caryn Southward, SkEm oNe, Eric Wixon, Jaime Rojo and artists to be named later.

Media ranges from canvas to posters to photos of Banksy’s April San Francisco bombing, to a live painting by spraymaster Chor Boogie, who is in the permanent collection at the Museum of Contemporary Art in San Diego.

Edgeware Gallery is run under the auspices of the Autism Research Institute. 100% of the net profits from art sales go to fund autism research. At Edgeware, talented West Coast artists are exhibited alongside Mark Rimland, Edgeware’s gifted resident artist with autism.

###

Out From Underground: Opening: July 24, 2010 5:00 p.m. to 9:00 p.m.

Regular Hours: Wed, Fri : 5:00 p.m. to 9:00 p.m.

Sat, Sun : 1:00 p.m. to 7:00 p.m.

Runs: July 24 to September 17, 2010

Edgeware Gallery: 4186 Adams Ave, San Diego, CA 92116 (619) 534-8120

www.edgewaregallery.com info@edgewaregallery.com

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