BEAM
Mexican artist Hugo Rojas participated in this year’s DUMBO ArtsFest and created a series of installations inspired by animals in the wild of New York State. “This piece aims to revive the real New Yorkers, creating live visuals of the animals that lived in this area for centuries, in the form of moss graffiti,” says the description on the festival site. It also says “he has been exploring photography, video and street art as a means of intervention”.
The Spanish moss illustrations are up on the exterior walls of Galapagos Art Space, and at first many Street Art watchers mistook them as work the eco-minded Brooklyn collective MOSSTIKA. Much the same as Mosstika, Mr. Rojas art work involves sheets of real moss and features animal shapes, including some of the exact same animals like deer and moose, although these versions are more detailed, most likely because they were installed as part of a proscribed program.
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Jon Breiner
Mighty Tanaka presents:
Sooner or Later…We All Make The Little Flowers Grow
A solo show by John Breiner
Life, death and rebirth, the constant cycle of existence. Yet, the turbulence of a shifting dynamic on the planet has caused a major disruption in the natural order of things. In this modern age, the Earth’s climate is increasing, causing certain aspects of flora and fauna to gain a foothold on developed land and take advantage of recouping expanses of once settled areas within the great American landscape. Through chaotic economic conditions and unforeseen disasters, devastating setbacks have allowed once expelled elements to creep back into the neglected expanses, reaping havoc on our forgotten structures. This encroachment of the wild upon once settled habitat symbolizes mans weakening grip on world. Mighty Tanaka is excited to bring you our next solo show, Sooner or Later…We All Make The Little Flowers Grow, featuring the thought provoking artwork of John Breiner. His juxtaposing views of the planets continual reclamation exemplifies the significant impact of our actions within an ever changing terrain.
Sooner or Later…We All Make The Little Flowers Grow suggests that humans have become an invasive species as the population has been growing with rapid acceleration. The natural world responds by enacting new systems to rapidly break down buildings and infrastucture. John Breiner references this to symbolize the decomposition of society and the spread of positivity to overcome all obstacles.
John Breiner uses a mixed media approach to his work that includes elements of photo transfer, acrylic paint, spray paint and illustration upon found books and old sheets of paper. Through his beautiful interpretations, the work comes to life, inviting the viewer to visit to take a step closer and unravel the contrasting enigma.
OPENING RECEPTION:
Friday, October 12th, 2012
6:00PM – 9:00PM
(Show closes November 2nd, 2012)
111 Front St., Suite 224
Brooklyn, NY 11201
Office: 718.596.8781
Email: contact@mightytanaka.com
Web: http://www.mightytanaka.com
The Art of Basketball”
POP International Galleries
Presents
Art of Basketball
Curated by Billi Kid
The Art of Basketball is a collection of original artworks
under license from the NBA. The collection currently
features unique works on official NBA backboards and
sections of the 2011 NBA All-Star Game floor boards.
This collection taps a select group of leading graffiti
and street artists to re-imagine the most iconic symbols
of this beloved game.
October 16 – October 28, 2012
Opening reception: October 16, 7-9pm
RSVP Required: popart@popinternational.com
Featuring Mr. Brainwash, URNY, The Dude Company, Skewville, Shiro, Rene Gagnon, Joe Iurato, Ewok One 5MH, Jack Aguire, David Cooper, Cope2, Chris Stain, Cern and Billi Kid
POP International Galleries
473 West Broadway
New York, NY 10012
SANER
Opening Saturday October 27, 2012, with a body of new work, New Image Art is pleased to present “Catharsis,” a new solo exhibition by Mexico City artist SANER, Curated by Medvin Sobio of 33third Los Angeles/Mid-City Arts.
ABOUT NEW IMAGE ART
ABOUT MEDVIN SOBIO
| 7920 Santa Monica Blvd. | West Hollywood | CA 90046 | P 323 654 2192 |
Street Art Live
Don‘t Miss Out! Sunday, 10/14/12, begins at 5am – Till’ A One Block Long Wall at Graffiti Universe is Completed.
ADDRESS
GRAFFITI UNIVERSE: 2945 Boston Rd. Bronx, NY 10469 at the corner of Paulding Avenue and Boston Rd.
The SX Lab, Street Art Productions, SinXero & Resident Activist, Army of One/JC2 has invited Renowned Street Artists from Iran, Icy & Sot to participate at STREET ART LIVE. Meet eighteen of NYC’s MVP Street Artists: Icy & Sot, Army of One/JC2, Fumero, ADAM DARE, TONE TANK, Elle Deadsex, ENX, Choice Royce, Royce Bannon, See One & Danielle Mastrion, VEXTA, Mike Die, KID Lew, & ZIMAD, as well as, SinXero (SX) & colleague Bayoan.
Alexis Grafal, Professional Makeup Artist from Mind Over Makeup, will be having a Live Street Art Photo Shoot & Street Art Body Painting as our Eighteen Artists Represent.
The great story here is on how these two brothers from Iran, Icy & Sot came to New York City to exhibit their works, which in their country could have cost them their lives, unlike the laws here in the states where you can get fined &/or face imprisonment for putting up your work un-officially. The reality here is that tourists from all over the world come to NYC to experience its overall dynamic lifestyle, fashion & culture. If they are lucky, some of these street art aficionados just might be able to pick up, get a glimpse or shoot a photo of original street art by the renowned NYC MVP streets artists that are on the line-up at our live street art event being curated by The SX Lab, Street Art Productions. Surely, we must keep in mind that while these tourists stayed in hotels, fine dined and shopped till’ they dropped it was street art that helped increase revenue for the entire city as they did such. All the while, various street artists were being fined, charged, & imprisoned for exercising their very freedom of expression that puts money in the pocket of the city they love most, New York, where they only wish to flourish as artists.
The SX Lab, Street Art Productions in collaboration with Virtual Street Art, The Army Grows (TAG) An Artists Collective & Resident Activist, Army of One/JC2.
“FROM THE STREETS WE SHALL RISE, IN UNITY WE SHALL PREVAIL…”
Event Link:
https://www.facebook.com/events/173037219500089/
ADDRESS:
3233 E Tremont Ave
(btwn Waterbury Avenue and Puritan Avenue)
Bronx, NY 10461
Throgs Neck Area of the Bronx
Andre Saraiva
“By far the best exhibition we’ve yet created,” says Martyn Reed, organizer of the Nuart 2012 street art festival as it draws to a close in Stavanger, Norway. What’s left after two weeks of painting, panel discussions, and parties stands on it own; The Art.
On old factory buildings, bricked stairways, in labyrinthine tunnels, and hanging on gallery walls, the city itself has welcomed international Street Artists to do these installations over the last decade and the funding for the events, artists, and materials are largely contributed to from public grants.
It’s a stunning model of arts funding that we’d like to see more of; one that is sophisticated enough to make behavioral and aesthetic distinctions and that is appreciative of the positive contributions of Street Art to the contemporary art canon. Here is one model that recognizes the importance of art in the streets as something necessary, valued. And the city of Stavanger keeps inviting a varied mix of well-known names and newcomers who show promise year after year.
At some point during the panel discussions at Nuart Plus this year there was talk about the dulling effect that the growing popularity of Street Art festivals specifically and sanctioned public art generally can sometimes have on the finished pieces. Certainly we are all familiar with those brain-deadening community murals of yesteryear that include lots of diversity, droning morality lectures and cute ducks. But we think the right balance of currency, community, and unchecked creativity can often catalyze great results, and smart people will know how to help keep it fresh.
Another topic discussed this year, at least in part based on our 2011 essay “Freed from the Wall, Street Art Travels the World”, which we wrote for Nuart’s “Eloquent Vandals” book, is the game-changing influence that the Internet continues to have on the Street Art movement itself. Considering that in the last year alone we have shown you art in the streets instantly from Paris, Iceland, Istanbul, Costa Rica, Jamaica, Nicaragua, Panama, Trinidad, Dominican Republic, Mexico, Copenhagen, London, Sweden, Atlanta, Bristol, Baltimore, Boston, Berlin, Beijing, Brooklyn and about 25 other cities on five continents, we think it’s worth quoting the intro from that essay; “The Internet and the increasing mobility of digital media are playing an integral role in the evolution of Street Art, a revolution in communication effectively transforming it into the first global people’s art movement.”
Solidly, Stavanger took a lead in the Street Art festival arena early and is still setting standards for high quality as an integrated cultural event without compromising integrity with so-called ‘lifestyle’ branding. These images from 2012 show just a sampler of the many directions that Street Art is taking us, with traditional graffiti and letter-based influences and new overlays of 20th century fine art modernism keeping the scene unpredictable and vibrantly alive. Nuart artists this year included Aakash Nihalani (US), Dolk (Norway), Eine (UK), Ron English (US), Saber (US), Sickboy (UK), Mobster (UK), HowNosm (US), Niels Shoe Meulman (NL), Joran Seiler (US), and The Wa (France).
Thanks to Ian Cox for sharing these images, some exclusive and some previously published.
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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German Street Artist TIKA has been in Chur, Switzerland recently and last week she put up this piece called “Staibock & Hirtin”, which loosely translates to Albine Ibex and his shepherdess. It is a local theme, this heraldic animal, she says, that has a lot of history in this part of the country. She did the entire wall with aerosol, using stencils and some tape for details. She pulled back some of the aluminum tape to give it a relief structure, which is a technique she’s been experimenting with for a few years.
“One man with a long, wild, white beard was very interested in the piece and stopped to talk. He was super happy when he saw that I painted the alpine ibexes “zipfel” (a really old-fashioned Swiss word for penis) and he told me that in town nowadays they do not always paint it in the emblem and kids often ask why sometimes it has a penis and sometimes not.”
So there you have it, when in Chur doing a bit of gatukonst (street art), do as the Churians do and make sure all your ibexes have zipfels.
Great thanks to TIKA for sharing these new exclusive pics with BSA readers!
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Brooklyn got a visit from former New Yorker MOMO this week as he stopped by for a few days after summer trips to FAME festival in Italy, the Bien Urbain project and a collaboration with Eltono in Besançon, France, and just before he headed to Baltimore for a lecture today at MICA. A staple in the mid-2000s NY Street Art scene known by many for his wheat-pasted tissue paper geometric formations and screen prints, you may remember more recently seeing his massive work for Baltimore this spring for Gaia’s OWB project and we’re really glad he is participating in our gallery show curated by Hellbent in Red Hook right now called GEOMETRICKS.
An easy-going ever-thoughtful modern minimalist who has a love for graffiti fundamentals, MOMO is usually experimenting with his pieces, his process (see his MOMO Maker), his techniques. You may grow familiar with the vocabulary he uses but you’ll never see the same outcome twice because his exploratory mind is always spacing out new ways to deduct, add, unmask, recombine, and ultimately find balance.
Here he leaves his newest marks on a wall in Brooklyn in collaboration with Bushwick Five Points.
MOMO’s paintings are currently on view at Gallery Brooklyn for GEOMETRICKS.
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Here’s our weekly interview with the street, this week featuring Barry McGee, Berth Control, BustArt, Cash4, Hot Tea, JM, Michael DeFeo, OverUnder, Rae, Shie Moreno, Smells, Spiro, Swoon, and Willow. First we start with a selection of details from the brand new piece by Brooklyn Street Artist Swoon that appeared on the street recently – in her inimitable style of revealing an internal world at play within the larger structure.
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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There is a stretch of highway from Bitter Springs to Moenkopi Wash where you might slow down or stop all together to take a look into the eyes of a Navajo. They are there looking at you. Artist and photographer Jetsonorama is telling more stories out here about the Navajo people and their neighbors in black and white poster-sized wheatpastes.
The portraits, snapshots of life, and representational scenes are telling you their stories, even if you didn’t ask a question. The sun-baked creases on their faces are maps of roads you may have traveled but probably not. Serene, apprehensive, jovial, content, resigned, pensive, beautiful – that’s how these individuals are captured and blown up; a way of life on display for the world to see.
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
