Editorz

Editorz

Fun Friday 10.26.12

October 26, 2012

1. Perfect Storm “Big Freedia” Coming
2. Kid Acne, “Damn Straight” (Vienna)
3. Blue Dog at Michael Mutt (NYC)
4. “Las Calles Hablan” Group Show (Barcelona)
5. SANER Has “Catharsis” at New Image (LA)
6. Saner “Catharsis” Teaser # 2 (VIDEO)
7. Jeff Frost “Modern Ruin” Preview (VIDEO)
8. See No Evil 2012 (VIDEO)

Happy Friday NYC. Halloween is in full effect on the streets and there are people in costume at bars, at art parties, galleries, and in the corner deli throughout this weekend as we get ready for the Frankenstorm that is on it’s way from the South, West, and North. And from New Orleans another storm system called Big Freedia is set to hit on Halloween at Brooklyn Bowl. Watch the skies for this perfect storm – Ya’ll get back now!

 

Kid Acne, “Damn Straight” (Vienna)

This week Kid Acne has been led by his small army of sword-wielding women to Vienna, Austria for his solo show at Inoperable gallery with mono prints, graphite, screenprints, qatercolor, and more. The Kid says that the show will also feature a limited print “honoring the worlds first Graffiti Artist, Kyselak“, an Austrian who painted during the early 1800s. “Damn Straight” is now open.

Kid Acne on the streets of Brooklyn. (photo © Jaime Rojo)

For further information regarding this show click here.

Blue Dog at Michael Mutt (NYC)

With canine pragmatism, the Street Artist Blue Dog 10003 describes the rules of the street: “You put up and if people like it they take pics or poach it. If it sucks they slap over it.” Not sure how it applies to the rules inside the gallery ; “Re Tail Blue’s” is now open to the general public at the Michael Mutt Gallery in Manhattan.

Blue Dog 10003 (photo © Jaime Rojo)

For further information regarding this show click here.

“Las Calles Hablan” Group Show (Barcelona)

In support of a forthcoming documentary of the same name, Las Calles Hablan is the first exhibit by Mapping Barcelona Public Art and it is tracing the evolution of street art in Barcelona since the death of Franco. While this collection is not exhaustive, it gives an overview. Presented by MBPA at the Mutuo Centro de Arte, the show includes: Debens, Tom14, Kenor, Pez, Kafre, Alice, SM172, Ogoch, BToy and Gola. Now open.

Pez in Miami. (photo © Jaime Rojo)

For further information regarding this show click here.

SANER Has “Catharsis” at New Image (LA)

“I visited Oaxaca a lot when I was growing up because my mother is from there, and certain traditions which they carried out there really caught my attention.,” says Mexican Street Artist Saner as he talks about his youth and the rich influences that can be traced in his work. Medvin Sobio curates Saner’s new show “Catharsis” at New Image Art Gallery in West Hollywood, CA. A cultural and stylistic fusionaire, Saner is clearly poised to influence many – Saturday night it is the place to be in LA.

Saner in Miami for Wynwood Walls. A collaboration with Sego. Detail. (photo © Jaime Rojo)

For further information regarding this show click here.

Saner “Catharsis” Teaser # 2 (VIDEO)

Jeff Frost “Modern Ruin” Preview (VIDEO)

See No Evil 2012. Street Art Way of Life (VIDEO)

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Licking Street Art : Sweet Work from Shelley Miller

October 25, 2012

Wall Candy from Montreal Street Artist Shelley Miller

Shelley Miller has a sweet take on Street Art that embraces its ephemeral quality and merges it with tile making traditions from Spain and Portugal – and cake making. Using sugar and cake icing, she has brought the street occasional and temporary installations of historically based scenes that are inspired by old tile design, patterning, architectural motifs, and a decidedly calligraphic approach to letter style that most graff heads wouldn’t go near, unless they wanted a taste.

Shelley Miller. “Cargo” Montreal, 2009. Hand painted sugar tiles. Day 1 (photo © Shelley Miller)

Painstaking and faithful to traditional techniques that were originally used with more stable materials, Miller does her work on the street knowing fully well that it will be destroyed by the elements and that passersby will witness it’s disintegration as rain melts it away. Also, since it is edible, sometimes a kid will break off some pieces – or simply lick the wall.

Shelley Miller. “Cargo” Montreal, 2009. Detail. Hand painted sugar tiles. Day 1 (photo © Shelley Miller)

Shelley Miller. “Cargo” Montreal, 2009. Hand painted sugar tiles. Day 9 (photo © Shelley Miller)

Shelley Miller. “Cargo” Montreal, 2009. Hand painted sugar tiles. Day 15 (photo © Shelley Miller)

A more contemporary homage to the graffiti tradition, Miller did this “Throw Up” in Toronto for Nuit Blanche this year using sugar and food dye. (photo © Shelley Miller)

Shelley Miller. “Throw Up”. Detail.  Toronto, Nuit Blanche, 2012. Sugar and food dye. (photo © Shelley Miller)

Doing a fill with frosting. Shelley Miller. “Throw Up”. Detail.  Toronto, Nuit Blanche, 2012. Sugar and food dye. (photo © Shelley Miller)

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Fabien Castanier Gallery Presents: JonOne “A Beautiful Madness” (Studio City, CA)

October 24, 2012 , , , , ,

JonOne

Photo © Guillaume Zuili

Fabien Castanier Gallery is proud to present A Beautiful Madness, the first solo exhibition in the USA by JonOne. Though raised in New York, JonOne has lived in Paris since the mid 1980’s where he has established himself as an artist, building a career that has spanned over 20 years.

From his early days as a youth, tagging the streets of Harlem, JonOne has always emphasized a painterly approach, bringing brushes instead of spray cans to tag subway trains. Drawing from the energy and freedom of painting in an urban landscape, he translates his roots as a graffiti artist into paintings that are a completely unique form of abstract expressionism. Akin to Jackson Pollock and Willem de Kooning, JonOne’s pieces exhibit an enormous sense of movement and color. His compositions combine freestyle, precise strokes, repetition and texture for a uniquely balanced yet dynamic visual experience.

“…my life is very fast-moving and intense, and I hope I convey that energy through my work. [My paintings] represent me but in a different dynamic from when they were linked to a street context.  The way I present my work has changed but I can’t deny my roots or my schooling. Even so, I don’t see myself as a street artist because I don’t feel that need to go out and do stuff. I’m not committed to a cause. I’m someone who’s converted the negative to positive and today my work is done in the studio.”    – JonOne, Transformations
(Interview with Marie Maertens, March 16, 2012)

JonOne’s paintings represent a new era of contemporary artists who have moved beyond their roots as graffiti writers to establish themselves as painters. Recognized internationally for his urban contemporary paintings, JonOne has stayed true to his artistic vision. From Paris to Shanghai, Casablanca to Hong-Kong, he has exhibited in galleries and art fairs around the world, resulting in a tremendous response from both the public and collectors as well as at auction.

Opening Reception will be Saturday, November 3rd, 7-10pm.
A Special Preview will take place on November 1st, 7-9pm.
Both are open to the public.

Fabien Castanier Gallery

12196 Ventura Blvd

Studio City, CA 91604

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Stupid Easy Gallery Presents: Stikman “Stikman 20.1” (Philadelphia, PA)

October 24, 2012 , , , , ,

Stikman

Stikman. (photo © Stkman)

Stikman 20.1 Celebrating 20 Years Hanging Around Philly

Stupid Easy Gallery is proud to announce a new solo-exhibition by one of street art’s most prolific and elusive personalities.

Stikman presents a new body of work celebrating twenty years of public intervention.  Utilizing a diverse range of media the world-renown artist has created a truly satisfying experience.  The work is subtle and complex yet irresistibly seductive; a familiar icon of the human form, recognized by all as a symbol of being .  Stupid Easy Gallery invites you to join us Friday November 2nd From 6-9pm to honor one of Philadelphia’s best kept secrets. STIKMAN.

It could be in the form of 3D men made of small sticks to figures hidden in iconic imagery pasted to doors, or literally under your feet, smashed into the concrete. The range of mediums used and the calculated creativity given to each piece is overshadowed only by the sheer amount of work he has affixed to our cities surfaces.-Darkclouds

from the artist:

It was the summer of 1992 that I deployed my first stikman in the East Village. In the early years the sticks were not painted, It took me much longer to make them at the time because I was always changing the way they were constructed. In the first year I don’t think I made more than 50 of them, they were between 5 and 6 inches tall and made of basswood. By 1996 I had started painting them and begun producing many more per year.

Once I started painting the 3-D stikmen I also started to paint stickers. Combining the 2 dimensional graphic element expanded my view of the ever changing stikman form, and the project took off in unforeseen directions. I was finding many different materials and processes with which to explore the realm of stikman.  Over the years I have affixed and painted the stikman on numerous LP record covers, prints, book pages, cut paper paste-ups, hollow core doors and a variety of metal, wood, cloth and plastic objects. Some of my favorite pieces include stenciling images on ping pong balls, bricks, tiny slide viewers, and playing cards. And of course there were always little wooden men made of sticks.

My pieces start their lives as static objects, but they come to life when I place them in a public place where they are subject to the forces of time, interactions with humans and climate. I share this transient form of art to connect with a viewer whom I will never meet, in hopes that the joy of finding the unexpected has altered their consciousness. It finds an indigenous space in our surroundings like a flower escaping from the crack in a sidewalk. Continuously altered by time and circumstance.

Stupid Easy Gallery. 307 Market St. Philadelphia, PA

 

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Eyes On The Walls Presents: Lora Zombie “Blue Bird Lobotomy” (Manhattan, NYC)

October 24, 2012 , , , , , ,

Lora Zombie

Eyes On Walls Presents:

LORA ZOMBIE

BLUE BIRD LOBOTOMY

A night of Grunge Art by Lora Zombie – drinks, music and exclusive releases.

SOHO NYC // 11.8.2012 // 7-10pm

 498 BROOME STREET

SHOW INFO & RSVP: www.EyesOnWalls.com/LoraZombieNYC

PRESS CONTACT: Marit Weitnauer // 323-333-9614 // marit@eyesonwalls.com

EYES ON WALLS PRESENTS “BLUE BIRD LOBOTOMY” AN ART SHOW BY LORA ZOMBIE

ABOUT THE ARTIST
Lora Zombie is a young self-taught painter from Russia and a top seller on the urban art scene. Her first New York solo show will feature over 50 brand new pieces, a limited edition art book release, exclusive print offerings and more.

Since making a name for herself with her trademark “grunge art” painting style, Lora Zombie has exhibited in Los Angeles, Toronto, New York and Russia – bringing in the interest of notable collectors and fans worldwide. Her raw, trademark style is already unmistakable in the urban art scene. A unique commentary on pop culture and keen eye for beauty, along with her young and eclectic mind, prove that Lora sees things differently than the rest of us. Take a glimpse into the world of Lora Zombie – her private world of color, character and signature dripping, drooling, masterful grunge. Soft and tender, elegant and daring, her multi-disciplinary talents are evident in this recent collection of her work.

PREVIOUS EXHIBITIONS

“Crazy 4 Cult: New York”, Gallery 1988, New York, NY (2012)

“The Breaking Bad Art Project” Group Show – Gallery 1988, Los Angeles, CA (2012)

“Whales.Love.Procrastination”, Phonebooth Gallery, Long Beach, CA (2012)
“Drugs and Unicorns” – Art Show at the Gladstone Hotel, Toronto, Canada (2011)

“Grunge Art by Lora Zombie” – Art Show at MART Gallery, St. Petersburg Russia (2011)

“BROKEN DOLL LA LA LA” Phonebooth Gallery, Long Beach, CA (2011)

ABOUT EYES ON WALLS                 

Eyes On Walls is an art publishing company that works with an elite group of artists from around the world. We publish and promote these artists, selling work in open and limited edition formats, as well as offering original art, apparel and more. Since pairing up with Lora Zombie in 2010 Eyes On Walls has sold over 30,000 pieces of her work, produced two North American shows, and released a Limited Edition Book. We’re proud to present Blue Bird Lobotomy, her first solo show in New York.

MORE INFO AT                 

LoraZombie.com

EyesOnWalls.com

BroomeStreetGallery.com

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Library Street Collective Presents: Revok “Ordinary Things” (Detroit, Michigan)

October 24, 2012 , , , , , ,

Revok

Please join us in Detroit, Michigan this Friday, November 2, 2012 for

REVOK: ORDINARY THINGS

Library Street Collective

1260 Library Street in downtown Detroit, MI. 48226

313.600.7443 / www.lscgallery.com

The artist reception will take place on Friday, November 2 from 8–10pm.

Never in the history of art has a new genre become so adventurous, honest and powerful in such a short time.  The artist REVOK sits at the forefront of this movement.  His dedication, skill and determination have garnered him the respect and adoration of his peers.  His meticulous attention to detail and willingness to step outside of the lines and his comfort zone not only make him a rebel, but a leader, a pathfinder and a trailblazer in the graffiti art world.  Now as a fine artist, REVOK does this with grace and craftsmanship. Rearranging the memories, messages, words, warnings, colors and textures into coherent patterns with an honest and meaningful message. 

These most recent works by REVOK are of particular importance for the city we call home, the city adopted by this artist. Each work consists of material cultivated and cultured in the city of Detroit. Each piece masterfully placed  among  its neighbors to tell a story of growth, inspiration and triumph. Each piece displaced from an urban tomb and certain death, given new life in a work of art that reminds us, exactly how beautiful this city is.  It signifies a rebirth of rebirth, a preservation of decay, encapsulating time and propelling it into a new age.

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Unruly Gallery Presents: Egs Solo Show. (Amsterdam, The Netherlands)

October 24, 2012 , , , , , ,

Egs

Unruly Gallery is proud to present EGS – the most internationally recognized Finnish graffiti artist. His career started in Helsinki during the late 80s and was part of the country’s first graffiti wave.
His art is an anthropological research into graffiti.
At first Egs searched for every piece of graffiti in his own neighbourhood, then in the rest of Helsinki before heading to meet and paint with like minded writers in all corners of Europe.

The last 25 years he has painted in five continents and over 40 countries. He has sought inspiration in local graffiti scenes worldwide and collected global graffiti folklore for his own art.
“Every wave, star, drip or block I have ever painted can be traced to this attitude of graffiti anthropologist. Every fade is reminiscent of some graffiti that I have seen. Every 3D or bubble has a story to tell. Every piece I’ve done pays an homage to the great graffiti folklore.” -EgsEgs’ art has been exhibited in galleries and on walls all over the world.
The works in the upcoming exhibition at Unruly Gallery in Amsterdam are inspired by graffiti art in its most distilled form: a name painted in black.

Cliffordstraat 26, 1051 GT Amsterdam, Netherlands
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Signal Gallery Presents: Dale Grimshaw “Moreish” (London, UK)

October 24, 2012 , , , , , ,

Dale Grimshaw

Dale Grimshaw solo show – ‘Moreish’

Date: 2nd Nov – 23rd Nov 12

Dale Grimshaw is a dynamic artist calling on powerful emotions and strongly held belief to fuel his creative output.  This tumultuous energy has produced a marvelous series of paintings over the past five years – works that have often been highly personal, but because of their directness and honesty, have succeeded in resonating with very many people.

In his new show, ‘Moreish’ Dale is deeply concerned by the increasingly desperate dance of excess that he sees so many of us jig along to. As the artist says ‘It’s a case of enough is never enough. The ‘haves’ want more and the ‘have nots’ can pay for it. Once we get that acquisitive taste, we just want more and more’.

The response from the artist to this view of the world is ironically seductive. Succulent cakes, fruit, meat, chocolate and cream are piled on top of each other in an orgy of visual sensations. The works themselves have a disturbingly ‘Moreish’ appeal and despite the artist’s displeasure at a world where ‘some people don’t have a pot to piss in, while others are eating live octopus and filming the torture for youtube’, the images take on a Rubenesque lushness, full of symbolism and atmosphere.

Indeed much of the imagery references the increasingly overblown world of the baroque, a world that was on a collision course with the French Revolution. There is an underlying sadness, as if the artist is saying that this unsustainable behaviour will surely come to a crashing end at some point soon.

This will be Dale’s fifth solo show at Signal. His work has been seen in galleries across the world, notably in Paris, Rome, Berlin and in the USA. Dale is also getting recognition for his street art. He is now considered to be the leading street artists in the UK to use the woodcut print ‘paste up’ medium. He has also been invited to take part in a number of street art festivals across the UK and Europe, producing large mixed media works in his inimitable style.

THE PRIVATE VIEW IS TAKING PLACE ON 1ST NOVEMBER 6 – 9PM. PLEASE EMAIL US TO BE INCLUDED ON THE GUEST LIST info@signalgallery.com

Situated in the fashionable Hoxton area of London, the Signal gallery is well served by all the main means of transport;

Bus
There are many bus routes to the area including 67, 141, 149, 76, 21, 214, 26, 45, 43, 271, 47, 48

Underground
Nearest tubes are Old Street and Shoreditch High Street.

British Rail
Liverpool Street mainline station Old Street.

Car
Parking – some very limited on-street is available. There an NCP car park 50 meters away on Paul Street.

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Opera Gallery Presents: Ron English “Crucial Fiction” (Manhattan, NYC)

October 24, 2012 , , , , , ,

Ron English

Ron English “Star Skull Lady Lips” (image © courtesy of the gallery)

Ron English

“Crucial Fiction”

Opera Gallery NY is thrilled to present Ron English’s “Crucial Fiction”

from November 2nd till November 23rd 2012

Monday to Saturday 10:30AM to 7PM

Sunday 11:00AM to 7PM

115 Spring St. NY, NY 10012

+1 212 966 6675

“I want to tell my inner child, help me remember what you saw, and I will make it for you…”

Inspired by Andy Warhol, Ron English created his own movement and was baptized “The Father of Street Art.” One of the most important and respectable artists of our time, Shepard Fairey, referred to English as “an artist who can paint an advertising satire with the skill of a Renaissance Master (one who’s been to the future and witnessed surrealism and 1984!).”

While participating in illegal public art campaigns from the early 1980s, English developed the skills of a master painter to become one of the pioneers of Pop-Surrealism.

He is one of the very few contemporary artists who still uses his oil dipped paintbrush to create masterpieces like a Picasso on acid would do.

English’s Guernica is one of his most popular pieces. It is a piece which demonstrates that he does not see as the rest of us. The intensity of the Pop Surrealists’ explosion, including his brilliant use of color and his nightmarish creatures, surely leads the viewers eye and mind towards a feeling of tripping while standing in front of his works.

In “Crucial Fiction,” a series of paintings revealing an inspired collaboration with his former self, English seems to have made an important decision to prove that a true artist is able to use his imagination and transform it into reality. His vision is willing to offer us a unique experience with the excitement and vitality of a child, a child who cultivated a bountiful career that has been spread across streets, museums, movies, music, books and television.

“…Give me your imagination, and I’ll give you my skills.” -Ron English

English lives and works in New York. His art is in the collections of the Whitney Museum in New York, Museum of Contemporary art in Paris, Today Art Museum in Beijing, Wynwood Walls in Miami (Art Basel), MOMA: screening of his documentary “The Art and Crimes of Ron English.” His collaborations include Puma, Absolut Vodka and the album covers of artists Chris Brown and Slash to name a few.

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Inoperable Gallery Presents: Kid Acne “Damn Straight” (Vienna, Austria)

October 24, 2012 , , , , , ,

Kid Acne

Opening tomorrow October 25th at INOPERAbLE. Kid Acne will have his solo show “Damn Straight” in Vienna featuring his signature Stabby Women in all kinds of versions, including mono prints, graphite, Screenprint, Watercolor, Riso, and much more! The show will also feature a limited print honoring the worlds first Graffiti Artist, Kyselak, an austrian who painted during the early 1800’s.

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Sex In The City: Street Art That is NSFW

October 24, 2012

This art is Not Safe for Work or School, even though it’s on public streets.

It sounds strange to say it but these images of Street Art are erotic, sometimes violent, and might even be considered prurient or pornographic by some viewers – yet they are part of today’s free-wheeling ever expanding visual feast on the streets that any random passerby may see. In New York, many of these pieces ride for a long time fully on display for hundreds or thousands before someone crosses them out or otherwise damages them.

Fila in Miami (photo © Jaime Rojo)

With flesh increasingly paraded across all manner of screen and print publications, it is no wonder that large public billboards in cities throughout the western world have grown increasingly blunt in their depiction of sexual themes and innuendo; with near-coital poses, barely covered breasts, and bulbous packages thrust into the public eye while we drive, walk, and sip a pumpkin frappuccino. As long as the image is in pursuit of the sale of a product, it’s hardly mentioned today.

Street Art today falls into that nether region of art too, where certain liberties for free expression and the depiction of the human body are protected from criticism because they can be classified as artful and part of our right to freedom of speech. As we continue to scan the streets for clues about ourselves and the direction that Street Art is taking, here are more than a handful of scintillating beauties that are beckoning for the attention of, well, everyone.

Insa in Los Angeles for LA Freewalls Project. (photo © Jaime Rojo)

Artist Unknown in NYC (photo © Jaime Rojo)

Faile in NYC (photo © Jaime Rojo)

Judith Supine in NYC. Detail. (photo © Jaime Rojo)

El Celso in NYC (photo © Jaime Rojo)

Anthony Lister in NYC (photo © Jaime Rojo)

Fuck Me in NYC (photo © Jaime Rojo)

Self Indulgence in NYC (photo © Jaime Rojo via Iphone)

Self Indulgence in NYC (photo © Jaime Rojo via Iphone)

Self Indulgence in NYC (photo © Jaime Rojo)

Artist Unknown in NYC (photo © Jaime Rojo)

RTTP in NYC (photo © Jaime Rojo)

RTTP in NYC (photo © Jaime Rojo)

RTTP in NYC (photo © Jaime Rojo)

Just Breathe in NYC (photo © Jaime Rojo)

LUSH in NYC (photo © Jaime Rojo)

Enzo & Nio in NYC (photo © Jaime Rojo)

Vinz in NYC (photo © Jaime Rojo)

Bik Ismo in Miami (photo © Jaime Rojo)

Sofia Maldonado in Miami (photo © Jaime Rojo)

Smile Your Beautiful in NYC (photo © Jaime Rojo)

Love For Rent in NYC (photo © Jaime Rojo)

Just Breathe in NYC (photo © Jaime Rojo)

Astrodub in NYC (photo © Jaime Rojo)

Artist Unknown in NYC (photo © Jaime Rojo)

Aiko in Miami (photo © Jaime Rojo)

Artist Unknown in NYC (photo © Jaime Rojo)

Imminent Disaster in NYC (photo © Jaime Rojo)

Artist Unknown in NYC (photo © Jaime Rojo)

We think this might be an ad campaign for the I’ll Be Your Mirror Festival but we like the inclusion of the famous collaboration between The Velvet Underground and Andy Warhol. Andy would have approved we think. (photo © Jaime Rojo)

David Choe in NYC (photo © Jaime Rojo)

J in NYC (photo © Jaime Rojo)

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Face Tattoo Cholo Style – Judith Supine Inked by Jesse Hazelip in BK

October 23, 2012

Here are some hot new shots of stuff on the streets by Judith Supine that seem perfect for startling New Yorkers this week on their way to the haunted house.  Characterized by putrid hot color, recombined body parts of various proportions, a contorted focus on maquillage, it looks like Supine is in full effect for Halloween (or Day of the Dead) this year, and with help from a couple of collaborations.

Judith Supine on the streets of Brooklyn next to Anthony Sneed’s colorful bar codes. (Photo © Jaime Rojo)

The first “collabo” is really just about placement next to the colorful geometric colorplay patterning of Anthony Sneed– which on a normal day look bright but next to Judith can appear dimmed in comparison. The second collabo is more of the roughneck kind – bringing more of the west coast SoCal flavor of cholo tattoo – with patterns inked directly on the face by Street Artist/fine artist/illustrator Jesse Hazelip. Given their inherent visual punch, we never really thought of Supine works as a canvas and never really thought the portraits could evoke more evil pranksterism – but seeing these tattooed symbols on the fluorescent faces is going to scare some of the kids next week as they walk by with plastic pumpkin buckets of treats.

Judith Supine. Detail. (Photo © Jaime Rojo)

Judith Supine. Detail photo of different version of the above street piece taken during our recent Studio Visit with the artist. (Photo © Jaime Rojo)

Judith Supine . Jesse Hazelip (Photo © Jaime Rojo)

Judith Supine . Jesse Hazelip. Detail (Photo © Jaime Rojo)

Judith Supine . Jesse Hazelip. Detail (Photo © Jaime Rojo)

Judith Supine . Jesse Hazelip. Detail (Photo © Jaime Rojo)

Judith Supine . Jesse Hazelip (Photo © Jaime Rojo)

Judith Supine . Jesse Hazelip. Detail (Photo © Jaime Rojo)

Judith Supine . Jesse Hazelip. Detail (Photo © Jaime Rojo)

Judith Supine. A recent studio shot features carved patterns and symbols. (Photo © Jaime Rojo)

To read our recent interview and studio visit with Judith Supine click here.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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