April 2012

Jeice2’s Lone Wolf in the Alley

April 17, 2012 , , , ,

After businesses are closed and respectable families are inside their homes gathered around their electronic devices, you are skulking through the streets in search of adventure. Wait, what was that? You turn back for a second to look through an opening you just passed. At the end of the cobblestone path the glowing eyes of a lone wolf await you in here in Sevilla. He looks kind of cuddly, but he may bite.

Street Artist Jeice2 hits us up with another piece from his project “Savage Planet” – this one is called “Rayo”.

Jeice 2 ”Rayo, The Wolf” Sevilla, Spain. (photo © Cristina Cerezo)

Jeice 2 ”Rayo, The Wolf” Sevilla, Spain. (photo © Cristina Cerezo)

Jeice 2 ”Rayo, The Wolf” Sevilla, Spain. (photo © Cristina Cerezo)

Jeice 2 ”Rayo, The Wolf” Sevilla, Spain. (photo © Cristina Cerezo)

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

 

Read more

Kraftwerk At MoMA

April 16, 2012 , , , , , , ,

Stylized Leaders of the Computerized Electronic Revolution at MoMA

First as D.I.Y. experimenters and visionaries, then leaders in a nearly empty field, then as inspiring catalysts for man-machine marriage, Kraftwerk paved the way for millions of musicians, programmers, DJs, rappers, and fans to integrate a mechanized electronic precision into the modern musical oeuvre.  At a time when the youth movement was peacing out and getting high with arena rock and disco, Kraftwerk was turning itself into robots and its vinyl platters were getting play in New York house parties as an ideal futuristic soundtrack to integrate with lyrics, riffs and samples.  With New Wave, House, and Techno music all spawned with those same programmed beats, voices, and influences, now in the 2010s we acknowledge that a wide spectrum of musical categories, recordings, and performances contain a significant part of Kraftwerk’s digital DNA.

 

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

A teenager in the early 80s listening to Man Machine and Computer World would have thought that Kraftwerk were geekily impressing each other with their sweeping vision of a future daily existence where people and robots interact via  smart electronic devices and programs. Not only did each year afterward bring us many steps further into their outlandish computerized vision, it may be that they partially ushered it in with their undulating funky precision and robotic wit. And so it is in New York now that “Kraftwerk Week” is blowing away a roomful of people who are holding up their personal glowing rectangles toward the stage at the Museum of Modern Art. Over the course of 8 consecutive nights they appear as slightly human robots to perform one of their albums in it’s entirety, followed by a very satisfying collection of favorites.

The retrospective Kraftwerk 1 2 3 4 5 6 7 8 brings a vision of the current band members poised before their master controls while 3-D visuals crisply fly into your face with elements of aerospace, rail travel, and the pumping machinations of human propelled progress.  Swelling pulsating vistas are punctuated by text and funnily low-tech robotic movements – all infused with a sense of classical European styling. As pure and total fans we were extremely lucky to have attended one of the performances and we felt like witnesses to an historic event that testified to the influence of 4 decades of experimentation but also displayed a delightfully stellar quality of skill and performance.

Naturally, these photos were shot on our personal hand-held computers.

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

 

 

Read more

Images of the Week 04.15.12

April 15, 2012 ,

Here’s our weekly interview with the streets, this week featuring Don John, Enki, General Howe, James Nardone, Never, Rae, Sheryo, Stikman, The Yok, and Willow.

Artist Unknown (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Never, The Yok and Sheryo (photo © Jaime Rojo)

Never, The Yok and Sheryo (photo © Jaime Rojo)

General Howe is waging war in Wisconsin (photo © General Howe)

Willow (photo © Jaime Rojo)

Artist Unknown in Reykjavik, Iceland (photo © Enki)

Artist Unknown in Istanbul, Turkey (photo © James Nardone)

Artist Unknown in Istanbul, Turkey (photo © James Nardone)

Don John in Berlin, Germany (photo © Don John)

Stikman (photo © Jaime Rojo)

Rae (photo © Jaime Rojo)

Untitled (photo © Jaime Rojo)

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We don’t mind sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not take the photographer’s name off the .jpg file. Otherwise, please do not re-post. Thanks!

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

 

Read more

Anti-Putin Street Art in Moscow

April 14, 2012

Norman Hermant, reporter for Australian news program Lateline did a story airing a couple of days ago profiling a new interest in Street Art in Moscow. According to the story the uptick in interest is spurred by the dissatisfaction many have with Russia’s political leadership and a general increased interest worldwide in Street Art. “Fans of the medium say the reason for its popularity is simple – street art can speak directly to the people,” reports Hermant.

Also fun to note: Despite decades of global graffiti culture, skater culture, hip hop culture, punk and anarchist subculture, political postering, and people’s movements to change predominant political paradigms through art, the newsreader here introducing the story attributes the Russian youth’s interest in Street Art to Banksy.

Still from video of news report on “Lateline” copyright Australian Broadcasting Corporation.

A detail from a piece by Russian Street Artist Pavel 183 in this still from video of news report on “Lateline” copyright Australian Broadcasting Corporation. Very possibly his name is inspired by Taki 183.

Still from video of news report on “Lateline” copyright Australian Broadcasting Corporation.

See the full report “Russian Protesters Turn to Street Art” HERE

Read more

Fun Friday 04.13.12

April 13, 2012

 

Uh-Oh, should I be wearing a necklace of garlic today? It might not be too cool to wear it indoors. Oh snap it’s only a movie. Happy Friday the 13th everybody!

1. “Vice & Virtue” Shai Dahan (Stockholm)
2. “It Felt Like a Kiss”, Alexandros Vasmoulakis at Gallery Nosco (London)
3. “The Birds & The Bees” with H. Veng Smith and Gigi Chen (BKLN)
4. Isaac Cordal Solo tonight in Barcelona
5. Hellbent at C.A.V.E. Saturday (LA)
6. Buff Monster at Corey Helford Saturday (LA)
7. Sowat and Lek present: “Mausolee”
8. Arabic Graffiti and Egyptian Street Art in Frankfurt
9. John Crash Matos’ “Study In Watercolors” at the Addict Galerie in Paris
10. ARMO and his world of color, shapes and textures. (VIDEO)
11. Ana Peru Peru Ana “meanwhile, in new york city (VII)” (VIDEO)

“Vice & Virtue” Shai Dahan (Stockholm)

Shai Dahan’s solo show  “Vice & Virtue” opened last night at the Scarlett Gallery in Stockholm, Sweden and is open today to the public.  Are your virtues bigger than your vices?

For further information regarding this show click here.

“It Felt Like a Kiss”, Alexandros Vasmoulakis at Gallery Nosco (London)

An exploration of the seductive kiss and the female power of attraction – sounds like a valiant pursuit, doesn’t it? Alexandros Vasmoulakis’s solo show is open to the general public at Gallery Nosco in London today.

For further information regarding this show click here.

“The Birds & The Bees” with H. Veng Smith and Gigi Chen (BKLN)

A perfect theme for a show right now as the temperatures rise and skirts rise and shirts come off on the grassy knolls in Prospect Park.  “The Birds & The Bees” H. Veng Smith show with Gigi Chen at the Mighty Tanaka Gallery opens today in Brooklyn as Spring time’s gallant breeze calls you hither to Dumbo.

Veng (photo © Jaime Rojo)

For further information regarding this show click here.

Isaac Cordal Solo tonight in Barcelona

Curated by Street Art author Maximiliano Ruiz, this solo show gives platform to Isaac Cordal, a small-scale sculptor who has thus far used the street as the only necessary stage. Mr. Cordal’s little cement characters at RAS Gallery will stop you in your tracks and reconsider your giant self.

Isaac Cordal (photo © Isaac Cordal)

For further information regarding this show click here.

Hellbent at C.A.V.E. Saturday (LA)

New York Street Artist and fine artist Hellbent shares the space at C.A.V.E Gallery in Venice Beach, California this weekend with his offering “A Quilted Life”.

Hellbent (photo © Jaime Rojo)

For further information regarding this show click here.

Buff Monster at Corey Helford Saturday (LA)

Buff Monster is back at his most mischievous at the Corey Helford Gallery this time all covered in delicious pink. His solo show “Legend of the Pink” opens tomorrow in Culver City as the monster celebrates 10 years of work on the street.

Buff Monster (photo © Jaime Rojo)

For further information regarding this show click here.

Also happening this weekend:

Maya Hayuk solo show “2012 Apocabliss” in Mexico City at Anonymous Gallery. Click here for more details on this show.

Sowat and Lek present: “Mausolee”. An art show and book release in Paris, France. Click here for more details on this show.

From Here to Fame Publishing Presents: Arabic Graffiti and Egyptian Street Art in Frankfurt, Germany. Click here for more details on this show.

John Crash Matos’ “Study In Watercolors” at the Addict Galerie in Paris, France. Click here for more details on this show.

ARMO and his world of color, shapes and textures. (VIDEO)

Armo (photo © Armo)

“meanwhile, in new york city (VII)” (VIDEO)

Peru Ana Ana Peru are Street Artists, jokesters, and film makers in New York. Here is their new mini-movie of unscripted New York scenes, sounds and soliloquies collected together for your amusement and befuddlement.

Read more

Anonymus Gallery Presents: Maya Hayuk “Apocabliss” (Mexico City, MX)

April 12, 2012 , , , ,

Apocabliss

MAYA HAYUK obsesses with symmetry and nourishing color played out in what might be viewed from a kaleidoscope, an aura, or visual mantra. Embracing sexuality and spirituality via symbolism evocative of radiantly woven geometries and parted orifices of the body, her work tries to decode a process towards continuity and wholeness while striking chords of an almost pathological optimism.

Apocalypse: the end of the universe, the collapse of civilization. Bliss: euphoria, peace and joy. The marriage of these 2 words is Apocabliss. With the turn of the New Year, 2012 brought with it prophesies of disaster based on interpretations of the Mayan calendar. Maya Hayuk’s solo exhibition, 2012 APOCABLISS embraces this theme but instead reflects on the possibility of the beginning – the desire to accept positive visions of a future renewed, rather than those of death and destruction. Since ancient times the end of world has brought a haunting pessimism. However Hayuk understands the meaning of these forecasts instead as a transformation in the order of the world as we know it. The real journey of evolution results in the spirit of what remains. Apocabliss is the end of an era beckoning euphoria, peace, and the joy of change.

From her large-scale murals to works on canvas, Maya Hayuk uses bold, explosive colors that often double and refract abstract shapes in proportioned patterns that literally vibrate off the canvas and walls. Layers of electric colors organically bleed and drip into new ones, creating psychedelic zones where space and time collide and form new visual wormholes. Influences abound from Madras patterns and Mexican hand woven blankets, Ukrainian crafts and holograms. Maya Hayuk explores concepts of light, space, fractals and symmetry. Painted diptychs, mirrored versions of each other, like rorschach tests or the two hemispheres of the mind, perfectly flawed in their symmetry. A visual utopia is created through the perfect state of geometric abstraction and subjective composition.

Maya Hayuk is a muralist, painter, and photographer, who’s been living in Brooklyn for the past decade. Her work has been shown internationally, including at New Image Art in LA, Gallery 16 in San Francisco, A.L.IC.E. Gallery in Brussels, and MU, Eindhoven, in the Netherlands, as well as large-scale murals in Brazil, Bejing, the Bahamas, Chile. Maya frequently collaborates with other artists and musicians. She has been a member of the artist collective BARNSTORMERS since 2002 alongside artists including Swoon, David Ellis, Doze Green and Ryan Mc Ginness. She has also produced work for musicians such as M.I.A., TV on the Radio, The Flaming Lips, Devendra Banhardt, Seun Kuti, Prefuse 73, Awesome Color, Oakley Hall, Home, Animal Collective, Dan Deacon and The Beastie Boys, amongst others.

The exhibition 2012 APOCABLISS at Anonymous Gallery in Mexico City marks Maya Hayuk’s first SOLO exhibition with the Gallery. In April Hayuk is also participating in HIGH FIVE, a group show at New Image Art Gallery in Los Angeles. In June she will launch a 2-person show with Paul Wackers at A.L.I.C.E. Gallery in Brussels and will be publishing another series of screen prints with Pictures on Walls.

MEXICO CITY:
173 Zacatecas
Col. Roma Norte, Cuauhtémoc
Ciudad de México, Mexico 06700

Read more

Is This Illegal? Desire Obtain Cherish in LA

April 12, 2012 , , ,

When your budget is so large that a violation fee is merely an operating expense, “illegal” is a quaint term.

The power of advertising in the public sphere on our propensity to purchase raspberry-scented shampoo is so effective that hand-bill postering and billboards pop up all over our built environment (and natural environment) like mushrooms overnight. As cities everywhere debate or ignore the appropriate growth of advertising messages, entrepreneurial billboard builders often take the initiative to spread the paid messages in legal grey or red zone because the opportunities for making green are aplenty. Talk about bombing.

 

Desire Obtain Cherish “Is This Illegal?” (photo © Birdman)

The Los Angeles Street Art collective Desire Obtain Cherish favor the billboard for a bit of culture jamming periodically and they have just raised the irony a notch. In these new photos from photographer Birdman, we see what appears to be Desire Obtain Cherish using illegal billboards for installations – raising awareness of just how many un-permitted, unsanctioned, unapproved, and illegal billboards are in our midst.  You can’t even rightly call this new installation campaign hi-jacking because it’s medium is already illegal. Compounding the fact is that this can also all all be done in broad daylight with foot traffic and cars whizzing by.

Desire Obtain Cherish “Is This Illegal?” (photo © Birdman)

Is this art? Conceptual art? Street Art? Art Activism? Community Service?

If your illegal message is on an illegal billboard in an illegal location, have you committed an illegal act? Do all those compounded “illegals” cancel one another, or create a cognitive dissonance-induced inertia?

Dang those kids for making us think about commerce, art, policy, and public space. In one of the videos below the end text clearly takes some positions but there are many to be taken. This will only mean trouble for the simple-minded who are in search of black and white answers at any cost.

Desire Obtain Cherish “Is This Illegal?” (photo © Birdman)

Desire Obtain Cherish “Is This Illegal?” (photo © Birdman)

Desire Obtain Cherish “Is This Illegal?” (photo © Birdman)

Desire Obtain Cherish “Is This Illegal?” (photo © Birdman)

“Is This Illegal?” – A video by Desire Obtain Cherish

Benjamin Alejandro “Is This Illegal?” Billboard Hijack, La Brea Ave, Los Angeles.

If you repost, please credit the photographer and link to this URL. Thank you.

Read more

Corey Helford Gallery Presents: Buff Monster “Legend of the Pink Cherry” (Culver City, CA)

April 11, 2012 , , , , ,

Buff Monster


Opening Reception Saturday, April 14, 2012 from 7‑10pm
On View April 14 – May 5, 2012
On Saturday, April 14, Los Angeles street artist Buff Monster returns to Corey Helford Gallery to unveil the “Legend of the Pink Cherry,” his fifth solo exhibition at the gallery and his most ambitious to date.

Internationally known for his super bright, happy, and bold imagery, the paintings in the main gallery will celebrate the last eleven years of Buff Monster’s career, culminating in a timeless epic tale of good vs. evil. For the “Legend of the Pink Cherry,” the artist draws inspiration from Renaissance paintings. Buff Monster will introduce his latest creamy creation, a soft serve ice cream cone with human-like arms and legs. Each acrylic-on-wood panel piece in the show is delicately rendered with airbrush, a first for the artist.

Buff Monster’s narratives are more character and figure-based than before, and the series of paintings created for the exhibition will also reveal a new direction in Buff Monster’s career. “I’ve always thought of my work as inspired by and representative of Los Angeles—Hollywood more specifically. Los Angeles is the birthplace of Buff Monster. Part of why I feel compelled to tie everything together is that I feel that this chapter of my life and my work is coming to an end, and I’m looking to the future. It’s time to go East.”

The upstairs gallery will feature the second half of the exhibition, the debut of a project Buff Monster has been working towards his entire career: “The Melty Misfits,” a set of 60 collectible trading cards honoring the the Garbage Pail Kids. “I know more about Garbage Pail Kids than anyone you will ever meet,” Buff Monster adds, and in keeping true to the original form, each painting is 5”x7” on watercolor paper with acrylic and airbrush. The cards will be released on opening night, and the original paintings will be on display. Buff Monster notes, “I am going through a ton of work to make these as close to the vintage cards that we grew up with as possible. They’ll be printed offset using a custom paper stock and custom-mixed inks, and will come in wax packages just like cards from the 80s.”

The opening reception for the “Legend of the Pink Cherry” takes place Saturday, April 14 —Buff Monster’s birthday —at Corey Helford Gallery. The reception is open to the public, and the exhibition will be on view through May 5, 2012.

Buff Monster
Buff Monster lives in Hollywood and cites heavy metal music, ice cream and Japanese culture as major influences. The color pink, a symbol of confidence, individuality and happiness, is present in everything he creates. Buff Monster’s creative endeavors began by putting up thousands of hand-silkscreened posters across Los Angeles and in far-away places. His frequent poster missions developed into a productive street art career, and he now works on fine art paintings, collectible toys and select design projects. He paints on wood, taking great care to create his images as flat as possible. His work has been shown in galleries worldwide, often accompanied by large installations. Buff Monster has released numerous signature vinyl toys through leading vinyl toy companies, and has many other projects in the works. His art has been published in a variety of magazines, websites, newspapers and books, including Juxtapoz, Paper, Nylon, Cool Hunting, Angeleno, The Los Angeles Times, LA Weekly, The New York Times, and many more. He was recently featured in Banksy’s movie Exit Through the Gift Shop. And in January of this year he painted a mural on the exterior of The Standard Hotel in Downtown Los Angeles. Buff Monster works tirelessly day and night to spread happiness, joy and a love of pink. For more information about the artist, please visit buffmonster.com.

Corey Helford Gallery
Located in the Culver City Art District, Corey Helford Gallery was established in 2006 by Jan Corey Helford and her husband, television producer and creator, Bruce Helford (Anger Management, The Drew Carey Show, George Lopez, The Oblongs). Corey Helford Gallery represents a diverse collection of Contemporary artists influenced by today’s pop culture, encompassing the genres of New Figurative, Pop Surreal, Graffiti and Street Art. Artists include Josh Agle (Shag), Ray Caesar, D*Face, Chloe Early, EINE, Ron English, Natalia Fabia, HUSH, Kukula, Lola, The London Police, Sylvia Ji, Eric Joyner, Michael Mararian, Brandi Milne, Buff Monster, Risk, Amy Sol, TrustoCorp, Martin Wittfooth, and Nick Walker. Renowned for its notable exhibitions, the gallery has presented “Charity By Numbers,” which was co-curated by Gary Baseman and featured an unprecedented lineup of artists including Mark Ryden, Marion Peck, Shepard Fairey, Todd and Kathy Schorr, Camille Rose Garcia, and Michael Hussar, as well as “La Noche de la Fusion,” an epic Carnivalesque festival and solo exhibition for Pervasive artist Gary Baseman. In 2010, Corey Helford Gallery partnered with Bristol’s City Museum & Art Gallery for the transatlantic collaboration “Art From The New World,” a world-class United Kingdom museum exhibition showcasing work by a formidable group of 49 of the finest emerging and noted American artists. Corey Helford Gallery presents new exhibitions approximately every four weeks. For more information and an upcoming exhibition schedule, please visit coreyhelfordgallery.com.

Corey Helford Gallery
8522 Washington Boulevard
Culver City, CA  90232
T: 310-287-2340
www.coreyhelfordgallery.com
Open Tuesday – Saturday, Noon to 6:00pm

Read more

Owen Dreams Of Atomic Sheep, Jetsonorama and Uranium

April 11, 2012 , , ,

A New York Times article a couple of weeks ago about abandoned uranium mines on the Navajo Nation reported about 638 uranium mines that were active on the Navajo Nation from the 1940s to the 1980s.  Street Artist Jetsonorama writes to say that “Fewer than 10% of the mines have been capped and contained and, as a consequence, uranium tailings circulate with wind and have contaminated ground water supplies affecting livestock and humans. The rates of liver, bone, breast and lung cancer are high on the rez.”  The Times article quotes Doug Brugge, a public health professor at Tufts University medical school and an expert on uranium, “If this level of radioactivity were found in a middle-class suburb, the response would be immediate and aggressive.”

 

Jetsonorma “Owen Dreams of Atomic Sheep” Flagstaff, AZ (photo © Jetsonorama)

According to The Guardian this year, “In the final years of the George Bush presidency, when uranium prices were rising worldwide, mining companies filed thousands of new claims in northern Arizona, on lands near the Grand Canyon. They also proposed reopening old mines adjacent to the canyon.”

As recently as this January, the Obama Administration acted to protect a 1-million acre area around the Grand Canyon from uranium mining with a 20-year ban, despite pressure from mining advocates. But that won’t prevent the current requests on record to mine the area from progressing.

Wanting to draw attention to this situation, artist Jetsonorama did this installation in Flagstaff, AZ over the weekend called “Owen Dreams of Atomic Sheep,” and one called “JC at the Reservation”. With infants as their spokespeople these new pieces on water storage containers spotlight the next generation, the inheritors of whatever we decide to do with the earth and it’s resources. American Indian tribes in the region — Havasupai, Hualapai, Kaibab-Paiute, Navajo and Hopi — have banned uranium mining on their lands, according to the Center for Biological Diversity and Sierra Club, and it makes you wonder if environmental defense will become the preeminent issue that this generation will seize as their own.

Jetsonorma “Owen Dreams of Atomic Sheep” Flagstaff, AZ (photo © Jetsonorama)

JC in C0w Springs. (photo © Jetsonorama)

JC in Cow Springs. (photo © Jetsonorama)

 

 

Read more

The Scarlett Gallery Presents: Shai Dahan “Vice & Virtue” (Stockholm, Sweden)

April 10, 2012 , , , , ,

“Vice and Virtue”

The Scarlett Gallery is pleased to present a solo exhibition by Shai Dahan.

The former New Yorker, now residing in Sweden, will be presenting a body of new work in his first solo Stockholm show.

The artist is known for his iconic realistic rendition of the Swedish Dala Horses. Shai uses them as a metaphor for urban art to create a dialogue between the conformity and foundation of Royal history and the scorned graffiti culture that authoritative leaders have tried to prevent from advancement. VICE & VIRTUE is a symbolic alteration of Swedish Royal figures and sovereignty ripped apart by unbound graffiti impressions. In vivid forms of graffiti tags, Swedish Royal and monarch names dating back centuries, are placed in almost an architectural manner to decorate figures to poetically carry vandalism into art.

Shai’s work is captivating, thought provoking and yet emotionally positive. His gallery work is an expressive way of bringing this urban artistry into a more delicate environment while still maintaining its attractive elegance. Shai has been featured in magazines and books worldwide, and has taken part in multiple urban art projects around the world including New York, Los Angeles, Canada, Madrid and Sweden. He has exhibited internationally and has also painted murals across the U.S. and Europe

Currently, residing in Borås, Sweden with his wife and two dogs where he continues to paint and exhibit internationally.

Read more

More Mansion Rooms from “This Side of Paradise”

April 10, 2012 , , , ,

A week and a half before the exhibition “This Side of Paradise” opened at the Andrew Freedman House, BSA readers got the first glimpse of the completed rooms of the mansion that were taken over by artists like Daze, Crash, How & Nosm, and Adam Parker Smith (“Poorhouse for the Rich” Revitalized By The Arts). The grand unveiling of the completed installations at last weeks opening was attended by throngs of people who simply poured in through the gates of the grand estate, darling, and listened to speeches, enjoyed libations, took photos, and waded through the crowded hallways to poke their heads in the individual mini-suites and their various interpretive installations.

Cheryl Pope (photo © Jaime Rojo)

In case you missed the opening and still need some encouragement to see this free show over the next 7 weeks or so, we bring you views of some more of the rooms that have opened since the first visit. Each artist was well-schooled in the curious history of this place and it’s former residents so what emerges is part tongue-in-cheek reenactment, part fragmented memory, and part lyrical reverie. Thanks to Mid-Bronx Council for hosting us and here’s is what caught our eye to share with you.

Cheryl Pope (photo © Jaime Rojo)

Sylvia Plachy (photo © Jaime Rojo)

Sofia Maldonado (photo © Jaime Rojo)

Sofia Maldonado (photo © Jaime Rojo)

Justen Ladda (photo © Jaime Rojo)

Federico Uribe (photo © Jaime Rojo)

Federico Uribe (photo © Jaime Rojo)

Gian Maria Tostatti (photo © Jaime Rojo)

Gian Maria Tosatti (photo © Jaime Rojo)

Princess Alexander, Kristen McFarland, Jimmy Smith (photo © Jaime Rojo)

To read our article “Poor House for the Rich: Revitalized by the Arts”on the Huffington Post click here

For further details regarding this exhibition click here.

Read more

Featured Video | Martin Wong’s “Houston Street”

Recent Articles on BSA