All posts tagged: The Blind Eye Factory

Fintan Magee in Rome and Rising Tides Around Your Knees

Fintan Magee in Rome and Rising Tides Around Your Knees

Fintan Magee typically can knock out one of his murals rather quickly in a matter of 4 or 5 days, thanks to experience and focus. In Rome for his new show at the Varsi Gallery, he had to work between the raindrops and wind of inclement weather to create this magic realism inspired image of a woman up to her knees in a rising tide.

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Fintan Magee for Varsi Gallery in Rome. (photo © @blindeyefactory)

Originally more of an aerosol painter, the Australian is now very painterly, perhaps inspired by expressionists but able to slightly bend reality to present an immediacy that nearly speaks audibly. This image again references rising sea levels and Climate Change, a commentary on our actions and their now-evident impact on the environment, animal habitats, and our communal ecosystem.

One might say that the continuing campaign of rising waters in his murals may obliquely refer to various political tides that are washing up on streets in cities. For certain, Magee continues to sharpen his craft as he travels the world.

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Fintan Magee for Varsi Gallery in Rome. (photo © @blindeyefactory)

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Fintan Magee for Varsi Gallery in Rome. (photo © @blindeyefactory)

 

 

Thank you to Giorgio and Lorenzo at Blind Eye Factory for sharing these photos and video with us. https://www.facebook.com/blindeyefactory
Fintan Magee’s wall project was produced by Galleria Varsi and Muracci nostri with the collaboration of “Vengo da Primavalle” and ” Bronx a Colori”.

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Resurrecting the Church with Air Sculpture by Edoardo Tresoldi

Resurrecting the Church with Air Sculpture by Edoardo Tresoldi

Soaring Architectural Sculpture Recalls a Long Lost Holy Place

An astounding display of the volume and spatial relations defined by the built environment is now rising in Siponto, Italy thanks to the imagination of street artist/public artist Edoardo Tesoldi, and thousands of cubic feet of wire.

“I imagined being able to draw in the air, while keeping a direct relationships with the context,” says Edoardo Tresoldi, the artist of this ethereal holy host. On this soil and in this context the sculpture is an epic interpretation of an early Christian church that at one time rose from this site not far from the ocean in Southern Italy.

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Edoardo Tresoldi (photo © @theblindeyefactory)

Like an anthropod that has left its skin, the church is no longer here, but the exact replica, an exoskeleton that commands space stands hollow. The scale reminds you of the power the building and the institution had, the wind reminds you of its lack of staying power. The overall effect is as classical in its detail as it is post-modern in its digital-blur ephemerality.

Working in concert with the Ministry of Cultural Heritage and Activities and the Archaeology Superintendence of Puglia, ancient meets contemporary here and actually gives us pause to think of the relative meaning historically assigned to massively impressive architecture that one day soon may be recreated by pressing “print” on your enormous 3-D printer.

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Edoardo Tresoldi (photo © @theblindeyefactory)

Curator Simone Pallotta speaks of this work by Tresoldi as “majestic”. He says that the axiometric installation, which continously changes as you walk around and through it, is “able to tell the volumes of existing early Christian Church and at the same time is able to vivify, updating it, the relationship between the ancient and the contemporary.” This is “a work that, breaking up the secular controversy of the arts primacy, summarizes two complementary languages ​​into a single, breathtaking scenery,” and you will agree with his observations.

 

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Edoardo Tresoldi (photo © @theblindeyefactory)

Departing from the pure aesthetics here, one wonders if this translucent work doesn’t also vilify the institutional Church for its daunting network of massive edifices that rise to the skies but do not rise to the occasion of serving the needs of the increasing number of poor who are desperate to be housed, clothed, fed. Interestingly, a couple of wire human forms are included in this installation, presumably to show scale, and they are ghost-like, unmoving.

A mirage of architecture and architectural history, the computer-modeling aspect of the experience makes it seem like the viewer is interacting with a hologram. Reduced to its elemental geometry the new sculpture could be interpreted as a fitting critique of the hollow  institutions that set themselves quite apart from the people, behind majestic walls.

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Edoardo Tresoldi (photo © @theblindeyefactory)

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Edoardo Tresoldi (photo © @theblindeyefactory)

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Edoardo Tresoldi (photo © @theblindeyefactory)

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Edoardo Tresoldi (photo © @theblindeyefactory)

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Edoardo Tresoldi (photo © @theblindeyefactory)

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Edoardo Tresoldi (photo © @theblindeyefactory)

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Edoardo Tresoldi (photo © @theblindeyefactory)

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Edoardo Tresoldi (photo © @theblindeyefactory)

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Edoardo Tresoldi (photo © @theblindeyefactory)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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This article is also published on The Huffington Post

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Largely Geometric : Altrove ’15 Delivers Abstract Murals to Catanzaro

Largely Geometric : Altrove ’15 Delivers Abstract Murals to Catanzaro

Mural festivals are blanketing towns and cities with works that run the gamut from eye-poppingly stunning to banal and forgettable. The success of the mix is in the hands of organizers, and not surprisingly, there are many audiences to plan for. One strategy to set your festival apart from the teeming pack is to thematically curate your artists selection and the Altrove Festival in Catanzaro, Italy has settled upon abstraction as an aesthetic principle to organize around.

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Ciredz. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

Delighting in shape, form, and myriad manners of deconstruction, Altrove’s invited artists steer clear of the figurative and opt instead for patterns, reductive masking, organic forms sheared and overlayed, translucent polygons, optikal graphics, mise-en-scene illusion, paint-chip mosaics, nostalgic early 3D computer rendered graphics, minimalism, and even full-on Matisse like cut-outs and organic forms occupying gridded blocks of color.

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Ciredz. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

All considered, the collection hangs together quite well – even though the sophisticated mix is spread out. Without pandering to the merely pleasant, it actually hits one of Altrove’s expressed goals, to “make nearly invisible the boundaries between art and architecture, space and place.

Artists include 108, Alberonero, Giorgio Bartocci, Clemens Behr, Ciredz, Erosie, Graphic Surgery, Sbagliato, Sten Lex and Tellas.

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Tellas. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

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Tellas. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

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Clemens Behr. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

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Clemens Behr. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

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Graphic Surgery. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

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Graphic Surgery. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

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108. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

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108. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

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108. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

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108 . Graphic Surgery. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

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108 . Graphic Surgery. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

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108. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

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Sbagliato. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

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Sbagliato. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

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Sbagliato. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

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Erosie. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

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Erosie. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

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Bartocci. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

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Bartocci. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

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Alberonero. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

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Alberonero. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

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Tellas . 108. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

 

Our sincere gratitude to Giorgio and Lorenzo @BindeyeFactory for sharing their photos exclusively with BSA readers.
Click HERE for more on BlindeyeFactory.

Click HERE for more on Altrove Street Art Festival

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Coffee Break in a Garbage Can with Etam Cru in Rome

Coffee Break in a Garbage Can with Etam Cru in Rome

Poland’s Bezt and Sainer of Etam Cru start your week with a cup of coffee and this wall completed during late October in Rome. The soaring mural features the illustration style and palette that has distinguished their work since their beginning as students together five or so years ago and their skills have improved and evolved greatly before your eyes. The 30meter high wall piece accompanies the opening of their new show last Thursday at Galleria Varsi, entitled “Bedtime Stories”, ironically the same title of Faile’s show exactly four years ago in New York.

Special thanks to Blind Eye Factory for providing these exclusive images for BSA readers below of the new mural going up, and don’t miss their cool video at the end.

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Etam Cru (photo © courtesy of Blind Eye Factory)

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Etam Cru (photo © courtesy of Blind Eye Factory)

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Etam Cru (photo © courtesy of Blind Eye Factory)

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Etam Cru (photo © courtesy of Blind Eye Factory)

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Etam Cru (photo © courtesy of Blind Eye Factory)

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Etam Cru (photo © courtesy of Blind Eye Factory)

 

Etam Cru “Coffee Break” by The Blind Eye Factory

 Oscar the Grouch in his Trash Can singing with Johnny Cash

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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BSA Film Friday 06.13.14

BSA Film Friday 06.13.14

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. RED VAPORZ – Russian Graffiti and Street Art
2.Last Breath III – Cambodia
3. ETNIK at Memorie Urbane Festival
4. Ernest Zacharevic at Memorie Urbane

BSA Special Feature: RED VAPORZ – Russian Graffiti and Street Art

Russia has a growing Street Art and graffiti movement – in select cities, under certain circumstances. But it is ALIVE and these mostly young animated and excited artists are eager to take the scene in a new direction.

This brand new documentary travels and interviews a variety of artists working in the public realm today, brandishing cans and balancing instincts to do illegal work versus legal work – which makes it sound rather similar to other scenes around the world.

Yes, there appears to be political repression, and content needs to steer clear of political opinions, and in the end we are really just talking about a growing muralist movement. It is also interesting to see the various western influences as interpreted and filtered through local tastes, traditions, styles.  While hip-hop culture is likely to have been the lever in the 90s, the international Street Art aesthetic is here as well as the global branding of youth culture. Pre-Internet, they wouldn’t have known about us, and we wouldn’t have known about them. When it comes to grassroots movements fed by the open exchange of culture, does it increasingly appear that there is no “us and them’?

 

Last Breath III – Cambodia

The Last Breath initiative that installs art inside condemned architecture is taking a detour through Cambodia. Is this evidence of the strengthening of “spraycations” or interactive extreme art tourism? Let’s keep an eye on this.

ETNIK at Memorie Urbane Festival in Italy by The Blind Eye Factory

 

Ernest Zacharevic at Memorie Urbane Feastival

 

It’s Friday Ya’ll – Let’s Get up and Dance!

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BSA Film Friday: 05.09.14

BSA Film Friday: 05.09.14

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. ECB and ANPU in Delhi, India with Ghandi
2. “If I Live I’ll See you Tuesday” By Gary Gardner
3. René Almanza: Gloves, drawing project
4. Martin Whatson at Memorie Urbane Festival 2014

BSA Special Feature: Hendrick ECB Beikirch x ANPU in Delhi, India

A few years ago in Bushwick, Brooklyn, the German street artist named ECB was painting elongated men’s heads on diminished factory facades with pieces of semi-cryptic text passages accompanying them. This spring he was painting India’s largest mural with ANPU in Delhi for what organizers say is that country’s very first Street Art festival. Check out the angles that you can get with a drone camera that capture the installation of this Ghandi portrait. Dude, the future is drones.

“If I Live I’ll See you Tuesday” By Gary Gardner

Skater culture is gliding through Christie’s storage department here, thanks to smart young director Gary Gardner, who also directed their Basquiat piece last year. Showing off individual pieces that will be auctioned this Tuesday throughout the thrillride, the Richard Prince, Jeff Koons, Jean-Michel Basquiat, and Ed Ruscha pieces rush by you in one of the slickest branded content videos you’ll see this year. Stuff like this makes the competition drool when it comes to marketing to the ADD demographic with collector genes.

There will be more.

 

René Almanza: Gloves, drawing project.

Often we talk about gestural painting, that is, strokes and movements that are tied to your movements. Dribbled, slashed, smashed, smeared. Action painting. Artist René Almanza allows you to watch him experimenting with a technique whereby each finger has it’s own writing device. That may sound like you can get great specificity, but in fact it looks like he is a bear scratching on the outside of a jar of honey. Please try this at home.

 Martin Whatson at Memorie Urbane Festival 2014

 

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Ernest Zacharevic “Toy Mafia” in Gaeta, Italy

Ernest Zacharevic “Toy Mafia” in Gaeta, Italy

You’ll have to laugh when you first see the new double wall installation just completed by Ernest Zacharevic for the Memorie Urbane Festival. Known for his light hearted hand rendered site-specific illustrations of kids at play, Zacharevic positions two boys around the corner from one another ready to blast each other to pieces with water guns. Hopefully Gaeta appreciates the humor.

The title? Toy Mafia. brooklyn-street-art-ernest-Zacharevic-lorenzo-gallitto-memorie-urbane-festival-italy-04-14-web-2

Ernest Zacharevic. Detail. (photo © Lorenzo Gallitto/The Blind Eye Factory)

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Ernest Zacharevic. Detail. (photo © Giorgio Base/ The Blind Eye Factory)

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Ernest Zacharevic (photo © Lorenzo Gallitto/ The Blind Eye Factory)

Click HERE for more Memorie Urbane Information

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BSA Film Friday: 05.02.14

BSA Film Friday: 05.02.14

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Da Mental Vaporz and ‘The Wall’
2. YZ – Lost in the City
3. NYCHOS: Pen and Paper
4. Stealing Banksy
5. E1000 x Pablo Herrero at Memorie Urbane 2014

BSA Special Feature: Da Mental Vaporz and ‘The Wall’

To mark their new show that opened this week at BC Gallery, the 10 member France-based collective known as “Da Mental Vaporz” release this panoply of inventive and tight wall work and, as it turns out, canvasses. It is reassuring to see original thinking and solid skills still can win the day, and good to see artists sticking together to make great collaborations.

Included are Bom.k, Blo, Brusk, Iso, Dran, Kan, Lek, Gris1, Jaw and Sowat.

“The works of these artists can speak for themselves independently, differentiating from each other mostly in medium as in style and technique that which as soon as they are shown in a common context, creates an extraordinarily interesting and thrilling relationship. As can be deduced from the name ‘Da Mental Vaporz’, which, translated, means “The Vapors of the Psyche” it is for the artists a matter of concern to make the observer aware of the abyss of the personal psyche.” – from the description on Vimeo.

 

YZ – Lost in the City

YZ takes us on a trip through her city and invites us to get lost with her. For those non-French speakers, it is still a rewarding discovery that comes two thirds of the way through the small film that features jazz rhythms that wend you through the avenues of Paris, the suburban streets and into her studio.

 

NYCHOS: Pen and Paper

“All of my family – my dad, my grandpa, they all are hunters,” says Nychos at the picnic table as he explains his fascination for slicing apart animals and allowing us to see what organs and systems are arranged within. While listening to heavy metal you learn that Nychos was elated when he discovered his love of depicting dissection in graphic detail. He said, “Okay this is something I can stick to and go crazy on it.” May we all be so fortunate to find that thing too.

 

Stealing Banksy

“It’s like looking at a collection of hunting trophies severed from their natural environment,” our narrator intones, “stuffed into frames and soon to be seen by the privileged few”. Fair enough, you say, as long as I’m one of them. Wendy Hurrell says in her description of her new documentary “Stealing Banksy”, that she has been following Banksy’s work for a decade or more, and “it has been my privilege to wallow through the moral dilemma that is taking his works from the streets, legally and selling them for charity – never to be seen by the masses again.”

 

E1000 x Pablo Herrero at Memorie Urbane

The Blind Eye Factory shot this very large mural painted on the wall of a cemetary for the 2014 Memorie Urbane Street Srt festival in Gaeta, Italy

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BSA FILM FRIDAY: 04.18.14

BSA FILM FRIDAY: 04.18.14

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Our weekly focus on the moving image and art in the streets. And other oddities.

A sort of quiet day for much of Latin America today as it is Good Friday and many observe it, also many are reflecting on the passing of writer Gabriel Garcia Marquez yesterday. Colombia has declared three days of national mourning for this literary giant; Truly he was a storyteller globally known and celebrated. His magical realism was filled with humor and metaphor, taking it just one step further.

Muralists and painters have relied upon this third eye to transcend the mere mundanity of daily existence as well, and we meditate today on the gifts of creativity that everyone can access to discover at least a little magic in life. Each one of these videos in some way make us think of Garcia Marquez and his legacy to us as a master storyteller.

Now screening :

1. David De La Mano at Memorie Urbane
2. Vero Rivera On a Doorway in Santurce
3. Vexta: Life / Death / Life in Mexico City

BSA Special Feature: David De La Mano at Memorie Urbane

Shot by The Blind Eye Factory, this small personal interlude is the first of two videos showing the small brush painting style of muralists. David De La Mano is creating here an interconnected world of fantasy with silhouettes at the Memorie Urbane Festival currently happening in Gaeta, Italy.

 

Vero Rivera On a Doorway in Santurce

Tost Films celebrates their first year with this six day installation with one artist, Vero Rivera and one small brush on one portal. Where it leads we do not know.

 

Vexta: Life / Death / Life

In a country known for its love of magic realism, and the home of Gabriel Garcia Marquez for three decades, Vexta contemplates the cycle of life and death and life in Mexico City.

 

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BSA Film Friday: 01.03.14

BSA Film Friday: 01.03.14

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. “SOMOS LUZ” – Boa Mistura in Panamá City
2. Giulio Vesprini by Alessandro Moglie
3. Ox Alien x Spider Tag in Rotterdam
4. Borondo in Rome with some Piety from The Blind Eye Factory

BSA Special Feature: “SOMOS LUZ” – Boa Mistura

We start off the BSA Film Friday for 2014 with a newly released story about the majority.

That is, the poor. Somehow despite the miracles and wealth and technological breakthroughs of the modern age we have allowed the majority of our brothers and sisters and neighbors around the globe to live in harsher conditions and mounting insecurity.

Madrid-based Street Art quartet Boa Mistura created a project they call SOMOS LUZ when they created a transformative piece of art taking over an entire housing project building in Panamá City. Their short documentary is a thoughtful examination  that features daily scenes, observations on the political climate, the militarization of life, crime, the brutal cost of daily life.

As any mature artist will likely tell you, the work doesn’t resound so deeply until you have some skin in the game, and Boa Mistura make a serious study to learn from the people in El Chorrillo whose 50 homes they paint.

In the process, they bring a lot to light.

 

Giulio Vesprini by Alessandro Moglie

While painting a mural in Montegranaro for an event called Casa Museo, artist Giulio Vesprini was happy to have some musical accompaniment. Also, some interpretive dance to keep spirits high.

 

Ox Alien x Spider Tag in Rotterdam

With only six hours to spend in Rotterdam, Spidertag met up with Ox in December to do three collaborative works despite an ongoing spate of rain. The geometric interventions balance the styles of the two Street Artists, each preferring to let the lines do the talking.

Borondo in Rome with some Piety from The Blind Eye Factory

Two languid figures in repose are made from deliberate and raw impressionist swaths, relaxing in one anothers’ company across a large wall in composition entitled “Piedad”. See how Barondo moves along and defines the figures on this wall for the Museo dell’Altro e dell’Altrove di Metropoliz, and cross yourself.

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Gaia Is In Rome – Studies Architecture, Palazzos, Clouds

Gaia Is In Rome – Studies Architecture, Palazzos, Clouds

GAIA, il piccone demolitore e risanatore

Here is a new piece from Street Artist Gaia in Rome, where he is studying again the built environment and it’s historical and cultural ramifications, then interpreting through painting in the public sphere.

He says his new wall painting is inspired by Girgio De Chirico and represents the relationship between identity and function in the process that a city uses when building. While in town and working with the 999Contemporary gallery, he cleverly draws a connection between historical Italian architecture and “The Cloud” by architect Massimiliano Fuksas that is currently in formation. Rotten bananas? Check. Undisturbed local throwies next to and beneath his mural? Check.

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Gaia. Rome, October 2013. (photo © The Blind Eye Factory)

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Gaia. Detail. Rome, October 2013. (photo © The Blind Eye Factory)

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Gaia. Detail. Rome, October 2013. (photo © The Blind Eye Factory)

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Gaia. Detail. Rome, October 2013. (photo © The Blind Eye Factory)

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Gaia. Detail. Rome, October 2013. (photo © The Blind Eye Factory)

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Gaia. Rome, October 2013. (photo © The Blind Eye Factory)

Curated by 999Contemporary
Supported by OIKOS, ENI, Pescerosso, Municipio Roma VIII
Supervision: Gianluca Marziani
Project Management: Francesca Mezzano
Public Management: Dario Marcucci
Photo/Video: The Blind Eye Factory

http://www.blindeyefactory.com

 

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BSA Film Friday: 10.04.13

BSA Film Friday: 10.04.13

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening: Hot Tea “Rituals”, Gabriel Specter: “Structures” in Rome, Faith47, Omen, Ricardo Cavolo and Jasper Wong in Montreal, TOUR 13 in Paris, and Then One “Yard Work”.

BSA Special Feature: Hot Tea “Rituals”

In his second attempt at installing on the walkway leading up the Williamsburg Bridge, Street Artist Hot Tea and a few dedicated friends installed a high impact piece that redrew the public space. If you happened upon it, you were surprised by its simplicity and effectiveness. If you examined it, you realized the time and effort it took. This new video helps to appreciate the latter.

(Top image above © Jaime Rojo)

Specter Goes Geometric in Rome

Gabriel Specter just finished this monochromatic geometric piece under an overpass in Rome – working with the Blind Eye Factory. Where is that chalk snap line doohickey?  I just had it here. I hope I didn’t throw it away with my lunch bag and half eaten sandwich….

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Specter. Rome 2013. (photo © Lorenzo Gallitto – Blind Eye Factory)

 

Faith47, Omen, Ricardo Cavolo and Jasper Wong in Montreal

In a promotional program for a luxury real estate complex of penthouses and townhouses, Street Artists Faith 47, Omen, Ricardo Cavolo and Jasper Wong each did murals in downtown Montreal recently.

TOUR 13 in Paris

You will be hearing a lot more about this project that has just opened in Paris. Graffiti and Street Artists and just plain artists have been taking over abandoned or soon to be destroyed real estate for decades, and this is the newest example of a semi-curated show within one. It is great to see the range of talent and new directions that a project like this can take, and to see a centralized location for fans to visit – before it is all destroyed.


Tour Paris 13 by tourparis13

Then One “Yard Work”

A nicely paced piece by Then One is captured here and edited By SERRINGE. Watching this intimate relationship of the artist to the wall and thinking about fall – not too hot, air a little crisp; You might expect to see Then One collapse into a pile of leaves.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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