All posts tagged: Showpaper

Images of the Week 09.02.12

Here’s our weekly interview with the street, this week featuring Cassius Fouler, Cruz, Dan Witz, Distort, Don John, Faust, GR170, Hellbent, Knarf, Leon Reid IV, Lumpenpack Crew, Meer Sau, Noah Sparkes, Rae, Ryan Doyle, Sobekicis, Sofia Maldonado, Swoon, and Toven from places like Brooklyn, Baltimore, Copenhagen, Vienna, Austria and Croatia.

Special shout out to photographers Meer Sau, Henrik Haven, and our own Jaime Rojo for getting all these great exclusive shots for BSA readers.

Sofia Maldonado (photo © Jaime Rojo)

Artist Unkonwn (photo © Jaime Rojo)

Knarf from Lumpenpack Crew in Vienna, Austria. (photo © Knarf)

Knarf from Lumpenpack Crew in Vienna, Austria. (photo © Knarf)

Meersau from Lumpenpack Crew. Knarf taking a piss in Croatia. (photo © Meer Sau)

Rae (photo © Jaime Rojo)

Sobekcis in Copenhagen (photo © Henrik Haven)

Gr170 in Søllerødgade on the North Side of Copenhagen for Galore Festival. Stay tuned for more coverage of the Galore Festival coming this week. (photo © Henrik Haven)

Distort (photo © Jaime Rojo)

Toven in Baltimore (photo © Toven)

Artist Unknown (photo © Jaime Rojo)

Dan Witz (photo © Jaime Rojo)

Dan Witz. Detail. (photo © Jaime Rojo)

Cruz in Milan (photo © Federico Cruz)

Artist Unknown (photo © Jaime Rojo)

The Brooklyn Shelflife Project by Showpaper created for BAMArts 2012 and curated by Andrew H. Shirley included five sculptures that will serve as “kiosks” for Showpaper. Finally three of the pieces, shown above, were installed outside the Brooklyn Academy of Music as they were originally intended. From left to right: Swoon and Ryan Doyle, Leon Reid IV and Noah Sparkes, Cassius Fouler and Faust. Click here to see our coverage of this show as it was being installed back in June. (photo © Jaime Rojo)

The Swoon and Ryan Doyle piece being admired and contemplated for peeing upon. (photo © Jaime Rojo)

Is this a quartet of pop heroes? Artist Unknown (photo © Jaime Rojo)

Don John in Copenhagen (photo © Don John)

Artist Unknown (photo © Jaime Rojo)

Hellbent (photo © Jaime Rojo)

Untitled (photo © Jaime Rojo)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Images of the Week 07.22.12

Here’s our weekly interview with the street, featuring Aiko, Cost, KAWS, Leon Reid IV, Mint & Serf, Nick Walker, Phlegm, Poster Boy, REVS, Swampy, and Wing.

We start off the review with this pretty amazing and magical new installation by Street Artist Phlegm in a children’s playground at the Fulton housing project. He also hit a gate and a quick wall while he was in New York, but this series will be taking kids on rides through their imaginations for a few years to come.

Phlegm (photo © Jaime Rojo)

Phlegm (photo © Jaime Rojo)

Phlegm (photo © Jaime Rojo)

Phlegm (photo © Jaime Rojo)

Phlegm (photo © Jaime Rojo)

Phlegm (photo © Jaime Rojo)

Phlegm (photo © Jaime Rojo)

Phlegm (photo © Jaime Rojo)

Phlegm (photo © Jaime Rojo)

Jetsonorama. Donté. Click on the link at the bottom of this posting to see more images of Jetsonorama at the Navajo. (photo © Jetsonorama)

WING (photo © Jaime Rojo)

Mint & Serf (photo © Jaime Rojo)

Swampy (photo © Jaime Rojo)

Kaws (photo © Jaime Rojo)

COST . REVS (photo © Jaime Rojo)

COST (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Nick Walker (photo © Jaime Rojo)

AIKO. Detail of her installation at the Houston Wall. For process shots and full completed wall click on the link at the bottom. (photo © Jaime Rojo)

Leon Reid IV and Poster Boy collaboration for Showpaper. (photo © Jaime Rojo)

Untitled (photo © Jaime Rojo)

Click here to see the full documentation of AIKO getting up on the Houston Wall.

Click here to visit Jetsonorama’s life with the Navajo through images and words.

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Ronzo and Fine Feathered Sculpture Friends in London

Feels kind of like it’s been street sculpture week on BSA since we dove deep into UFO 907 and the Showpaper show at BAM, but we also wanted to just show you a bit of the London Street Art sculpture activity that seems to happen in earnest in more integrated fashion. If you are looking for examples, check out CityZenKane, Doctor Cream, Christiaan Nagel, Issac Cordal, and Space Invader.

Ronzo on the lookout in London (photo © Ronzo)

And check out Ronzo, an artist/designer/sculptor who has recently been known for putting a certain little bird in selected locations to kind of keep an eye on things. Sometimes with a multi-colored wash, sometimes in a straight concrete hue, these Birdz look like they could take off if you clap your hands. With gold chain, baseball cap and kicks, these B-boy style birdz also join a line of little characters Ronzo developed over the last decade that include a cockroach, a credit card monster, and a little hooded vandal  called “Ed Von Tag”.

Here are some recent images from his site that show the birdz in situ.

Ronzo in London (photo © Ronzo)

Ronzo in London (photo © Ronzo)

Ronzo in London (photo © Ronzo)

Very Nearly Almost (VNA) put together this inside look into the practice of Ronzo, who casts and prepares his figures entirely from beginning to end in his studio and installs them with a bit of humor.

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“Brooklyn Shelf Life” and the Showpaper Installation at BAM

Paper boxes are an important vehicle for communications on the street , even as the City has tried to consolidate them into elaborate ‘street furniture’ schemes that often leave out independent voices. Showpaper, a free print publication has been churning out issues for five  years to give exposure to events and D.I.Y. culture around New York. It usually dedicates a large portion of print space and ink to an original artwork by an artist, and its listings provide an important exposure for artists and performers who haven’t yet been “discovered” by the larger media outlets.

Yesterday’s interview with UFO907 and W. Thomas Porter showed the amount of work and inspiration that went into their entry in the Showpaper show “Brooklyn Shelf Life” curated by Andrew H. Shirley at the Brooklyn Academy of Music.  5 pairs of artists affiliated with the New York street art scene were chosen to created new paper kiosks for the street. BSA was there in the BAM lobby to witness the installation of the sculptural pieces for Tuesday’s reception, and bring you the work of the other artists who prepared these pieces specifically for the show and to be placed on the streets of New York to distribute Showpaper.

The artists include Adam Void & Gaia, Cassius Fouler & Faust, Leon Reid IV & Noah Sparkes, Ryan C. Doyle & Swoon, and UFO 907 & W. Thomas Porter.

Leon Reid IV and Noah Sparkes (photo © Jaime Rojo)

Leon Reid IV and Noah Sparkes (photo © Jaime Rojo)

Leon Reid IV and Noah Sparkes (photo © Jaime Rojo)

Leon Reid IV and Noah Sparkes. A stack of Showpapers in a compartment behind the ear. (photo © Jaime Rojo)

Cassius Fouler and Faust (Photo © Jaime Rojo)

Cassius Fouler and Faust (Photo © Jaime Rojo)

Cassius Fouler and Faust (Photo © Jaime Rojo)

Cassius Fouler and Faust. A stack of showpapers. (Photo © Jaime Rojo)

Swoon and Ryan Doyle (Photo © Jaime Rojo)

Swoon and Ryan Doyle (Photo © Jaime Rojo)

Swoon and Ryan Doyle (Photo © Jaime Rojo)

Swoon and Ryan Doyle (Photo © Jaime Rojo)

Swoon and Ryan Doyle. A stack of Showpapers inside the beehive. (Photo © Jaime Rojo)

Gaia and Adam Void (Photo © Jaime Rojo)

Gaia and Adam Void (Photo © Jaime Rojo)

Gaia and Adam Void (Photo © Jaime Rojo)

UFO 907 and William Thomas Porter (photo © Jaime Rojo)

UFO 907 and William Thomas Porter (photo © Jaime Rojo)

UFO 907 and William Thomas Porter (photo © Jaime Rojo)

UFO 907 and William Thomas Porter (photo © Jaime Rojo)

General View of the Exhibition (photo © Jaime Rojo)

General View of the Exhibition (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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UFO Crashes at Brooklyn Academy of Music

UFO 907 & W. Thomas Porter Unveil Giant Wood / Metal Sculpture With 34 Eyes

“I think this is the kind of art work that people can step up to and they won’t say “Why the f*ck am I looking at this? I could do this – my kid could do this! I wanna blow people’s minds. I want people to be awestruck by it,” W. Thomas Porter exclaims in a burst of unhinged bravado that a master metal worker and inventor can claim after 3 consecutive weeks of custom cutting, bending, molding, and welding a crash-landing space ship, a 3-D realization of the UFO 907 graffiti moniker on it’s head.

 

UFO 907 and William Thomas Porter (photo © Jaime Rojo)

With the graffiti guy known on the street as UFO 907 as his master woodworking partner, Porter has crawled like a monkey inside, around, and on top of every inch of this metal-skinned vessel with 34 rotating smooth wooden eyes.  Standing inside a Brooklyn studio staring up at this audacious labor intensive sculptural blast-off of inspiration and technical handy-work, you can’t believe that this is the same UFO who jumped roofs and trains for years spraying a rapid flat version of this ubiquitous alien vessel.

907 Crew fans may also experience a mind-melt when hearing first hand the soaring descriptive narrative UFO lets loose about this brand new street piece, “It’s a symphony between wood and metal. Seeing the wood next to the metals – it’s almost like jewelry work, it’s like it’s growing up out of the earth like a flower. It’s totally looking like this flower that is blooming, this metal is blooming out of all of this wood. It’s fun, man.” A tough NYC street graffiti writer who sometimes get’s dragged into the uncomfortable position of being called a Street Artist?  Nah, UFO is just an artist now, and the usually shy guy is so ripped about this project he frankly doesn’t care about the label. It’s about the work.

 

UFO 907 and William Thomas Porter (photo © Jaime Rojo)

Introduced last night at a reception hosted by The Brooklyn Academy of Music, this UFO will house a stash of copies of Showpaper, a free print publication that lists and promotes events and DIY culture all around New York. Commissioned with funding from BAMart: Public, the “Brooklyn Shelf Life Project” is Showpaper’s hand picked selection of Street Art affliated artists collaborating as pairs to create innovative new versions of the traditional street kiosk. Curated by Andrew H Shirley, the eclectic collection of street explorers also includes Adam Void & Gaia, Cassius Fouler & Faust, Leon Reid IV & Noah Sparkes, and Ryan C. Doyle & Swoon.

 

A sketch to the side of this preliminary mockup shows the full scale of the piece by UFO 907 and William Thomas Porter (photo © Jaime Rojo)

A carpenter by trade, UFO 907 has been at it for 16 years but he didn’t try his hand at exploring his own graffiti tag in 3D till a few years ago. “It only made sense – I mean after over a decade drawing that stupid guy on the wall I began to wonder what he looked like in 3 dimensions…now I’m starting to wonder what the dude looks like in 5D!”

Porter says he started his path to metal work as a boy, tearing up old houses and rebuilding them with his father. “I’ve been making sculptures since I was 14, had no idea there was an art world then,” he says. Now that he is newly situated in his own Brooklyn studio, he’ll definitely be making more of his custom bike configurations (see his “F*ck Bike”) among other metal bending discoveries, “I’ve always been into material mashups,” he explains, “I started welding at 16, and metal became a gateway drug to all sorts of new possibilities.”

 

UFO 907 and William Thomas Porter (photo © Jaime Rojo)

UFO 907 and William Thomas Porter (photo © Jaime Rojo)

While touring through their respective studios, BSA had the opportunity to see the entire process of making the new sculpture for BAM, entitled “The End If the Beginning”. It was also good to talk with UFO 907 and W. Thomas Porter about how they teamed up, who the UFO character symbolizes, and what they’ll think if the sculpture gets vandalized on the street.

Brooklyn Street Art: When people think of UFO 907 on the streets, it’s a quick tag with not much detail. Don’t you think they would be pretty shocked to know how much time you put into a sculptural piece like this?
UFO 907:
I guess so. If there’s one thing I’ve learned all these years in the graffiti game is you never know what your going to get when you uncover the man behind the moniker.

I’ve always felt a kind of separation between my vandalism tendencies and my artistic urges. Sure my tags and retarded throwups can look artistic but it’s just a quick elementary thoughtless expression. I’m doing the macho getting up sh*t, pissing like a dog. But with my studio work I slow down to a f*cking snails pace, considering every detail, knowing each line of the brush/pen, each turn of the jigsaw, each stroke with the sander is injecting so much f*cking feeling and energy and power into the piece. So, if ya didn’t know, now ya know.

 

UFO 907 and William Thomas Porter (photo © Jaime Rojo)

UFO 907 and William Thomas Porter (photo © Jaime Rojo)

Brooklyn Street Art: What part of this new piece are you most proud of?
UFO 907: I’m pretty excited to have the opportunity to work to such a large scale. I also always had a desire to fabricate a larger-than-life UFO piece and just love the idea of using metal. And of course I’m totally stoked to have the opportunity to be collaborating on such an intense piece with an artist and craftsmen I hold in high regard, W.Thomas Porter.

Brooklyn Street Art: The first time we saw a sculptural UFO it was with Ad Hoc Projects for a group show in Miami. The piece was called “Williamsburg Guy”. Was that the first time you did something like that?
UFO 907:
No, I have built a few smaller wooden UFO pieces before the “Williamsburg Guy” piece, and over the years I have messed around with some other materials to find the form I’m looking for.

Funny story about the first time we showed “Williamsburg Guy”;

The night we finished the piece I slapped together a crate and Doyle and myself threw the piece underneath the Chinatown bus, and took it down to Richmond Virginia for a group show we were involved in. If you know the size and weight of the piece that’s a pretty impressive feat. But it was free shipping! Go Chinatown Bus!

 

UFO 907 and William Thomas Porter (photo © UFO)

UFO and William Thomas Porter (photo © Jaime Rojo)

Brooklyn Street Art: Since this is a vessel of sorts, and you have said your UFO tag is almost a self portrait, do you imagine yourself inside this sculpture looking out windows and swinging your 34 eyes in all directions looking at people?
UFO 907:
Not necessarily but I love that idea! At this point it seems less like being inside the sculpture – but more so I continue to see the UFO as an embodiment of my being. I have always seen the UFO as my self portrait, yes, but not in the sense of a photograph or painting of myself. It’s more like a window to my spirit energy and soul. The form, energy and idea behind UFO has continuously been evolving, morphing, and growing over the years. If it wasn’t it would be dead, right?

So, yes, I’m guessing at some point you might just find me sitting inside the mothership staring at ya’ll, plotting my next move. Ha ha HA!

Brooklyn Street Art: When you are making such labor-intensive carefully considered work and putting it out into the street, do you ever worry about it being vandalized?
UFO 907: Naw… that’s what happens to sh*t on the streets! I kind of secretly have a fantasy about a car running up the sidewalk and crashing into the piece. That would be pretty cool, as long as I get a nice photo of the piece pinned between the car and a brick wall!

Brooklyn Street Art: What has working with Thomas brought to your process?
UFO 907: I have been a fan of his work and his great craftsmen ship since I met him. I think I first met him the night me and Doyle were cramming to get “Williamsburg Guy” completed. Dude came through and he quietly handled shit, helping us get the piece done. Aces!

When I first heard that Andrew Shirley was curating this project, I told him I had to be on board and wanted Tom Porter as my partner. Tom has brought amazing metal work, which is not my craft but a material I love all the same, and he is a champ with the kinetics/mechanics helping us both bring our visions to life and adding many levels to the piece. As well Tom Porter is a perfect match with me with his boundless energy, obsessive attention to detail, grand positive visions, eternal positivity directed towards the project at hand. What a dude!!

 

UFO 907 and William Thomas Porter (photo © Jaime Rojo)

UFO 907 and William Thomas Porter. Inside view of the structure. (photo © Jaime Rojo)

Brooklyn Street Art: Yeah, your skills seem really well suited for collaboration.
UFO 907:
Yup we both have brought what we do best to the table and all thing immediately fell into place, leading to a seemingly effortless symphony of materials and ideas.

Brooklyn Street Art: Thomas, when you think of the sense of balance this piece has to have, do you rely on lessons learned from building other projects?
W. Thomas Porter :
We set out on this project without any concept of limitations. We just decided what we wanted to get out of it and said, “F*ck it, it’s on”. I think that confidence comes from having been a builder and a bizarre mind forever. Everything I’ve done leads me to this moment. We have to come correct.

Brooklyn Street Art: Is it difficult to carry a demanding project like this across the finish line? Do you get tired of the detail work?
W. Thomas Porter:
I don’t think it’s easy to get anything actually “finished”. Starting things is easy but getting there can be war. We are up against a tough deadline, a limited budget, working for money, UFO and I both just started new studios…it’s been hectic. As for the details, I’m with the devil. Every detail is an example or the bigger picture; it’s the fabric, and the pattern, the feel and what you see.

Brooklyn Street Art: This is a collaborative piece using the skills of a metal worker and a wood worker. How did you achieve an organic feeling with such rigid and sturdy materials?
W. Thomas Porter:
It’s amazing to work with someone like UFO; Half man, half beast and all gusto. We both came to a similar place by working with our hands while our brains are off in the universe. It’s only a matter of time before that all explodes into space! I always loved wood and metal together, flesh and bone. In this case, I had to make steel feel like skin, and without a single straight line anywhere – it’s a challenge. I was blessed to have a dedicated assistant like Dagga to help plow through the process. Out of extremely limited means we came up with something greater than the sum of its parts.

 

UFO 907 and William Thomas Porter (photo © Jaime Rojo)

UFO 907 and William Thomas Porter (photo © Jaime Rojo)

UFO 907 and William Thomas Porter (photo © UFO)

 

UFO 907 in the wild. (photo © Jaime Rojo)

UFO 907 in the wild. (photo © Jaime Rojo)

UFO 907 and William Thomas Porter. The sculpture arrived to BAM in parts. Here is one half. (photo © Jaime Rojo)

UFO 907 and William Thomas Porter. Inside view of the armature. (photo © Jaime Rojo)

UFO 907 and William Thomas Porter (photo © Jaime Rojo)

UFO 907 and William Thomas Porter (photo © Jaime Rojo)

UFO 907 and William Thomas Porter (photo © Jaime Rojo)

UFO 907 and William Thomas Porter (photo © Jaime Rojo)

“The Beginning if the End”, 2012, by UFO 907 and W. Thomas Porter

Materials: Yellow Pine, Walnut, Plywood, Epoxy, Cold Rolled Steel, Hot Rolled Steel, Bearings, Ball Joints, Hardware, Wax
 

Assistants: Dagga Gaines, Kelsey Womack, Jumbo, Diego Guzman, Sadue 907, and Hest One

“Brooklyn Shelf Life” is Presented by SHOWPAPER and curated by Andrew H. Shirley. Newsboxes commissioned by BAM for BAMart: Public.

Go to http://brooklynshelflife.org/ to learn more about this project. Joe Ahearn, Managing Director

Go to BAMart: Public to learn more about this program.

Stay tuned to BSA as tomorrow we’ll feature the rest of the sculptures of “Brooklyn Shelf Life” by Leon Reid IV + Noah Sparkles, Cassius Fouler + Faust, Swoon + Ryan Doyle and Gaia + Adam Void.  Also you can visit the Showpaper Tumblr http://showpaper.tumblr.com/ for more images.

 This article is also published on The Huffington Post

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Images Of The Week 11.21.10

Brooklyn-Street-Art-IMAGES-OF-THE-WEEK_05-2010

Our Weekly interview with the streets, this week featuring; ASVP,  Burning Candy, Cake, Castro, Chris Stain, Clown Soldier, Deekers, DsCreet , Ellis G., Fumero, Futura ,Gaia ,Goya ,Hush , Imminent Disaster ,Infinity ,K-Guy , Kirby ,KRSNA ,OverUnder ,QRST ,Quel Beast ,Samson ,Showpaper ,Skewville , Sten & Lex ,Tek33 ,VUDU ,  and XAM

brooklyn-street-art-faile-bast-WEB-jaime-rojo-11-10-webphoto © Jaime Rojo

The block party in Bushwick provided by Factory Fresh Gallery and the app called All City turned out a number of new Brooklyn Street Art pieces on a block long installation, complete with friends, fans, and a taco stand. Included in the offering was this surprise collab with Faile and Bast, auspiciously appearing the morning of the event like a pre-Christmas gift wrapped in razor wire. The news of the piece travelled fast and while Ad Deville couldn’t find his red carpet, he did post a velvet rope to hold back the crowd. That didn’t stop Futura from climbing on top of his car to get the perfect shot.

brooklyn-street-art-WEB-futura-bast-faile-jaime-rojo-11-10-web1Futura takes a photo of the Bast and Faile collaboration at the Factory Fresh Block Party (photo © Jaime Rojo)

brooklyn-street-art-faile-bast-detail-jaime-rojo-11-10-webBast and Faile detail © Photo © Jaime Rojo

brooklyn-street-art-ASVP-Cake-Overunder-quel-beast-clown-soldier-fumero-krsna-qrst-jaime-rojo-11-10-web

A box of chocolates from many of the newer Street Art confectioners; ASVP, Cake, Overunder, Quel Beast, Clown Soldier, Fumero, Krsna, QRST  (Photo © Jaime Rojo)

brooklyn-street-art-cake-qrst-clown-soldier-overunder-fumero-asvp-jaime-rojo-11-10-webDetail Photo © Jaime Rojo

brooklyn-street-art-chris-stein-jaime-rojo-11-10-web Chris Stain busted out a new piece (photo © Jaime Rojo)

brooklyn-street-art-gaia-samson-castro-jaime-rojo-11-10-web Gaia, Samson, Castro Photo © Jaime Rojo

brooklyn-street-art-imminent-disaster-goya-ellis-g-jaime-rojo-11-10-webImminent Disaster, Goya, Ellis G Photo © Jaime Rojo

brooklyn-street-art-kirby-mike-jaime-rojo-11-10-webBurning Candy, Tek33, Dscreet (photo © Jaime Rojo)

brooklyn-street-art-deekers-jaime-rojo-11-10-webDeekers is hanging out on the corner watching the rest of the proceedings (photo © Jaime Rojo)

And here we move to a British invasion of sorts with Geishas and Primates from Hush and K-Guy respectively.  XAM has been installing some pretty cool looking bird houses around town equipped with LED lights on their porches that illuminate when the sun sets. Infinity and VUDU’s pieces for the Showpaper box project adds to the conversation on the street with a beaming signal tower atop the box.

brooklyn-street-art-k-guy-jaime-rojo-11-10-3-webK-Guy’s recent “Primates” piece, including this one that appears to be pretty fresh, have been appearing around Brooklyn suddenly. Apparently its meaning is reference to the growing perception of hypocrisy in the Catholic church, particularly as pertains to pedophilia coverups, its position on contraception, gay rights, among other issues.  brooklyn-street-art-k-guy-jaime-rojo-11-10-12-web

K-Guy (photo © Jaime Rojo)

brooklyn-street-art-hush-jaime-rojo-11-10-9-webHush (photo © Jaime Rojo)

brooklyn-street-art-hush-jaime-rojo-11-10-10-webHush (photo © Jaime Rojo)

brooklyn-street-art-infinity-vudu-jaime-rojo-11-10-webInfinity and Vudu piece for “Community Serviced” (photo © Jaime Rojo)

brooklyn-street-art-infinity-vudu-detail-aime-rojo-11-10-webInfinity detail (photo © Jaime Rojo)

brooklyn-street-art-xam-jaime-rojo-11-10-webXAM “CSD Dwelling Unit 1.6” (photo © Jaime Rojo)

brooklyn-street-art-xam-jaime-rojo-11-10-close-webClose up of the birdhouse by XAM  (photo © Jaime Rojo)

brooklyn-street-art-samson-sten-lex-jaime-rojo-11-10-webSamson, Sten & Lex (photo © Jaime Rojo)

And finally the 800 pound pink gorilla in the group, Samson from Albany, began his audacious cityscape project directly beside his hero/shero Sten & Lex. The neighbor next door liked it so much Samson will be back to continue the piece – which is part of a much grander scale piece on urban decay, development, and renewal that he hopes to stage in the future.

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Fun Friday 11.12.10

Fun-Friday

The Community Serviced

Not to be confused with the similarly named C215 show opening in Paris tonight, “The Community Serviced” this Sunday showcases 12 uniquely produced Showpaper newspaper boxes designed by 24 artists. After the opening night, the works will be placed around the city to serve the community both as public art pieces as well as an expansion of Showpaper’s distribution network of their bi-monthly publication.

Sure to be a raw fun show free of pretension with artists: Amy Smalls , Dennis Franklin, Maggie Lee ,Jennifer Shear, Oliva Katz ,Keith Pavia, Peter, Andrew Sutherland, ADAM COST, DARKCLOUDS , SADUE, FARO, GROSER, COOLCAT, GEN 2 , OZE 108, GOYA , NSK, NET, DROID, VUDU , INFINITY,WOLFTITS , CAHBASM

brooklyn-street-art-showpaper

Invader Goes To Hollywood…and gets chased by the police

“Block Party”

brooklyn-street-art-BOXI-JPG-carmichael-gallery-11-10-1-webThe Carmichael Gallery is throwing a “Block Party” tomorrow (10/13) and they have a stellar line up of artists that will be showing work at the Culver City gallery. Some street art roots on display in the lineup: Boxi, Krystian Truth Czaplicki, Gregor Gaida, Simon Haas, Dan Witz and Sixeart.

Read more about the show here

brooklyn-street-art-boxi-carmichael-gallery-11-10-3-web

Boxi. (Image courtesy of the gallery)

brooklyn-street-art-boxi-carmichael-gallery-11-10-2-web

Boxi. (Image courtesy of the gallery)

Nuart 2010 Photography by Carl Fredrick Salicath

Like Martyn Reed says, this local photographer in Stavanger, Norway, where the Nuart 2010 festival of street art murals happened this fall, shows some of Street Art photography at its finest”.

Brooklyn-Street-Art-WEB-Nuart-2010-Vhils-copyright-Carl-Fredrick-Salicath

Street Artist Vhils at Nuart 2010. (Image © Carl Fredrick Salicath)

See more of Carl’s work here.

“BETA Spaces” in Bushwick Brooklyn Sunday

A free one-day festival of conceptualized and thematic group exhibitions that focuses on curatorial experimentation and collaboration. There will be over 50 shows, including the work of over 400 individual artists, in spaces ranging from galleries to studios to apartments to mobile trucks and smart phone apps.

Preview the exhibitions in the online directory, including images, curatorial statements and lists of participating artists.

beta2010Map

To learn more about this festival and to read the full program and juicy details please go to  http://artsinbushwick.org/beta2010/

Down on Me

Some killer hip-hop inspiration for your weekend shorty! Keenan Cahill and 50 Cent shredding it. That’s what’s up.

“She want it I can tell she want it
want me to push up on it
fore she know when I’m all on it
we get the party going liquor flowing this is fire

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Showpaper Presents: “The Community Serviced” (Manhattan, NY)

Showpaper
brooklyn-street-art-showpaper

> SHOWPAPER presents <

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THE COMMUNITY SERVICED:

12 public space Showpaper newspaper boxes

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Sunday November 14, 2010 at 7pm – 10pm

at The Showpaper 42nd st Gallery

217 East 42nd st (btwn 3rd and 2nd ave)

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with artists:

Amy Smalls and Dennis Franklin

Maggie Lee and Jennifer Shear

Oliva Katz and Keith Pavia

Peter and Andrew Sutherland

ADAM COST

DARKCLOUDS and SADUE

FARO, GROSER, and COOLCAT

GEN 2 and OZE 108

GOYA and NSK

NET and DROID

VUDU and INFINITY

WOLFTITS and CAHBASM

Curated by: Andrew H. Shirley

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“The Community Serviced” showcases 12 uniquely produced Showpaper newspaper boxes designed by 24 artists. After the opening night, the works will be placed around the city to serve the community both as public art pieces as well as an expansion of Showpaper’s distribution network of their bi-monthly publication.

On Sunday November 14, 2010 at 7pm please join us at 217 East 42nd st (between 3rd and 2nd ave) for the send off of these public works of art.

Charlie Ahearn and Parakeets will be providing music.

Showpaper is a non-for-profit organization committed to establishing a greater network of emerging young artists and musicians throughout the tri-state area. In conjunction with providing a database of more than 50 show spaces for young performing artists and a comprehensive listing of over 300 all ages music events every two weeks, each issue has a full color print by a current and upcoming artist.

JOE AHEARN | Showpaper

\\ Managing Director

// phone: (646) 881-4397

\\ email: joe@showpaper.org

// site: www.showpaper.org

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THE SUPERIOR BUGOUT

Film / Video & Multi-Media Arts

Brooklyn, NYC

http://www.chickenpoxthefilm.com

email:andrewhshirley@hotmail.com

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