Winging It With ROA – FreeStyle Urban Naturalist Lands Feet First in Brooklyn

Winging It With ROA – FreeStyle Urban Naturalist Lands Feet First in Brooklyn

While city birds sing and traffic swells and murmurs, Street Artist ROA shows BSA how his great unsung animals are made.

One of ROA’s new Brooklyn birds (photo © Jaime Rojo)

The eagerly anticipated arrival of one of Street Arts’ spray can naturalists in New York was begun with a marathon 15 hours of painting of two walls in Brooklyn that in the early morning hours of today.

Energetic and excited to be here fresh from a successful show in London at Pure Evil Gallery, where he sparked great interest with his loud-speaking silent animals inside and outside the box, the down-to-earth realist ROA began his NYC tour with two incredible gifts to his host city. With days to go before his first New York solo show at Factory Fresh gallery in Brooklyn, it only seemed natural to ROA to get up strong on BK walls before heading inside to knock out new pieces.

 

ROA (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

“Brooklyn Free Style” was the word ROA decided to describe the approach he had yesterday to his work – a nod to the hip-hop culture of creating on-the-fly as well as the sometimes chaotic path a day in Brooklyn can take for a jet-lagged Belgium who didn’t really know where his new walls were, let alone what they would look like. Just like you might expect from a former graffiti/skater kid who still listens to Public Enemy and Suicidal Tendencies to keep balanced, this guy only wants to hit higher more difficult walls than the last time, and he does.

ROA (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

As we saw throughout the day, a bit of chaos is a natural environment for ROA and one he relishes creating within – embrace the imperfect world. He likes to take what comes flying at him and deal with it with dexterity and an intuitive flow. Our day included rented cars, roaring trucks, ladders, chairs, bricks, soil, plants, trees, a monstrous cherry picker (thanks Joe), pleasant sun/punishing sun, high winds, dark skies, blowing rain, flying garbage, old vines, utility lights, fat caps and thin, good paint and bad, rollers, a harness, utility lights, hand-rolled cigarettes, and some of Brooklyn’s best family biz food.

ROA

ROA (photo © Jaime Rojo)

Like a wild willow sprouted from a patch of SuperFund soil in an abandoned industrial city lot, ROA bends and twists and re-configures effortlessly, ultimately standing strong no matter what flies his way. His credo is to find inspiration in adversity and yesterday he made obstacles seem effortless – welcoming the challenge, incorporating design issues and moving forward. It makes sense that his chosen subjects are the animals that get overlooked, are many times missed, yet persevere despite man’s dreadful determination to destroy.

ROA (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

In this first of a two-part interview, ROA talks to BSA about his approach to his work and his animals.

ROA: I’m not really prepared, but I have a lot of things with me. I have a lot of cans, caps, things with me so I can decide what I want to do at the point at whatever point I am in the piece.

Brooklyn Street Art: A little Brooklyn Freestyle
ROA:
Yeah a little Brooklyn Freestyle.

Brooklyn Street Art: How did you decide on this particular bird today?
ROA:
I think because of the shape of the wall and with the stuff that is in front of it, it makes sense. It is really important when you enter a place that the animal looks at you. If not, it would not the same dynamic. Also it is not necessary to fill up the whole wall – it is filled but it is not filled.

ROA

ROA (photo © Jaime Rojo)

Brooklyn Street Art: It genuinely occupies the rest of the wall without really being there.
ROA:
Yeah. That is not always possible, sometimes you have a ladder, sometimes you do not have a ladder to reach, some times you have a pole, some times you do not. What you make all depends on what you have and how high the wall is.

ROA

ROA (photo © Jaime Rojo)

Brooklyn Street Art: So that is one of the first things that art students learn about : how to recognize and deal with positive space and negative space compositionally. A lot of your work definitely utilizes the negative space surrounding it.
ROA:
Yeah, I think it grew by doing so many walls. In the end you begin to feel how something should be on a wall. It’s logical when you are a little kid and you begin painting graffiti and you have six cans and a wall and you just start right there. As you paint more and you paint bigger you begin to see the thing in its totality. I think placement is kind of important for the piece. But it is also the possibilities that exist that tell you what you can and cannot do. It’s always depending on the possibilities. You can see immediately what it should be, and you see what is actually possible. If the two come together then you’ve got the perfect situation.

ROA

ROA (photo © Jaime Rojo)

Brooklyn Street Art: So you do what you can with what you have.
ROA:
Yes, I think that is the main rule. And the wall is part of that. In a way, the wall tells you what you should make.

Brooklyn Street Art: You do tend to favor more difficult surfaces instead of smooth flat pristine surfaces.
ROA:
Yeah, I like texture: I like when a wall, or an area, or a building tells a little bit of a story. It is sometimes really boring to paint on a wall that is just one color. It is always better to start from something that is interesting. That is probably the same reason why I don’t paint normal canvasses. There is not a lot of inspiration. But if you’ve got some dirty materials, it’s got a little bit of the story already. In that way it is like the walls… The shape and the textures tell you immediately what the possibilities are. There’s always more than one way.

ROA

ROA  (photo © Jaime Rojo)

Brooklyn Street Art: Do you have any animals at home?
ROA:
Yes I have a cat and a turtle. The turtle was a gift from a really good friend of ours and the cat chose our home as its home so that’s how the cat came. At a certain point she was there and she didn’t want to leave so she stayed. We had moved to a new house with a basement and we were there for a month and I decided to check out the basement and I left the door open. At night we were watching TV and the came in. I thought it belonged to one of the neighbors so I put it outside and the next day she was back in the basement. So probably she was living there for a long time before us. We moved to 3 different houses and she moved with us and 10 years later she is still our cat.

ROA

ROA  (photo © Jaime Rojo)

ROA

ROA  (photo © Jaime Rojo)

Brooklyn Street Art: Did you ever do a portrait of her?
ROA: No. That’s not true I did some sketches of her – her form, a study of a cat. But I never painted her on a wall or something like that. I think animals like cats, even though they are powerful and beautiful, when you draw them you you can end up really easily with something that is a clichéd image of them. I have done an image of a cat with its skeleton inside but I’m always a little bit scared of doing cats, dogs, tigers – you know what I mean?

ROA

ROA  (photo © Jaime Rojo)

Brooklyn Street Art: Have you seen the cats that C215 does? He does those pretty successfully while avoiding “cute”.
ROA:Yeah, it’s true. The way he does it is not like a postcard or a cheesy album cover from the 80’s, you know what I mean? Anyway I like to paint unpopular animals. In a certain way I think it’s nice to paint animals that people expect.

Brooklyn Street Art: You also like rats…
ROA: I like rodents. Birds and rodents. Without having made a choice, I feel really good painting birds and rodents.

 

ROA (Photo©Jaime Rojo)

ROA (Photo©Jaime Rojo)

Brooklyn Street Art: Do you feel like you are telling their story?
ROA: I’m definitely representing for them. That’s for sure. Regarding their “story”; I don’t know what they want to be told. If you could ask a bird what they are thinking about what I’m doing…. Definitely people eat chickens, pigs, and cows but they are not so familiar with the animal itself. They know it as food and these animals are more useful animals in a “product” sort of way so I think it’s good to confront people with what they are eating or what they are not familiar with. But I leave it more for people to see what they want in the animal. There is not a message – maybe for myself but it should not be seen that way. It’s just nice to do animals that are not typical. A lot of people hate pigeons and rats but I like them a lot. I think it is fascinating that certain animals really did not die out because of humanity but instead they use humanity to survive. I think it is interesting to see birds making nests in old buildings.

Brooklyn Street Art: They persevere..
ROA: in spite of our total f*ckups and global destruction. So I think it’s really fascinating – more than our cats and dogs that are totally domesticated as pets.

 

One of ROA's two new Brooklyn birds (photo © Jaime Rojo)

One of ROA’s two new Brooklyn birds (photo © Jaime Rojo)

Tune in tomorrow for PART 2: Amazing images of ROA’s giant second Brooklyn piece and we talk about his start as a graffiti kid, how he transitioned to street art, and why we may be entering the “second wave” of street art.

READ PART 2 HERE

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Stencil Top Five 05.03.10 from BSA

Stencil-Top-5

“Geishaglass” by Exart created with nine layers of stencils on glass.

“Geishaglass” by Exart created with nine layers of stencils on glass.

This attractive solarium sports a tribute to the 90's movie "Trainspotting". Samantha translates the text loosely as
Welcome to  l’hermitage, have a seat! This attractive and airy solarium sports a tribute to the 90’s movie “Trainspotting”. Samantha translates the text loosely as “When you’re a junkie, your only trouble: Get Dope”.

Stencil artist Spizz names this one “Sound System is the System Sound”
Stencil artist Spizz names this one “Sound System is the System Sound”
In this scurrilous depiction of what appears to be UK politians hanging by the neck, T-Wat urges viewers to Vote Green. Please note that BSA would never advocate violence toward anyone. Period.

In this scurrilous depiction of what appears to be UK politians hanging by the neck, T-Wat urges viewers to Vote Green next to a pile of tires. Gordon Brown, Nick Clegg, and David Cameron, all running for the top post in Britain appear to be "hung" - a reference to a "hung parliament" possibility, and not an advocation of actual hanging (Please note that BSA would never advocate violence toward anyone. Period. )

C215's solo show “Urban Painting” in Milan

C215's solo show “Urban Painting” in Milan

See more at StencilHistoryX.com

See more Exart images here

See more Spizz images here

See more T-Watt images here

See more C215 images here

The Stencil Top 5 as picked by Samantha Longhi of StencilHistoryX

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SWOON BOOK SIGNING AT URBAN ART PROJECTS

SWOON

brooklyn-street-art-swoon

Saturday, May 8th from 6-9PM

Urban Art Projects

136 Wythe Ave. at 8th Street

Brooklyn, NY. 11211

Free beer and music!

Swoon will be creating an installation with the books themselves, and they will be sold right off the wall so be sure to stop in and get an exclusive piece of this project.

This event is open to the public.

FOR IMMEDIATE RELEASE

Contact: Amy Franklin

Senior Publicist

212-229-7183

afranklin@abramsbooks.com

“…different than any street art I had ever seen. There was a sensitivity in the rendering

of the figure that I was astonished to see on the street. It was some of the freshest work

I had seen outside in the city since the early 1980s.”

—Jeffrey Deitch, owner, Deitch Projects

“A lot of us in New York have extremely personal connections to

Callie’s art…her figures walk out of the city and leap onto the walls.”

—Jeff Stark, artist and creator of Nonsense NYC

Swoon

By Swoon

With an introduction by Jeffrey Deitch

Artist Caledonia Curry is known as Swoon to admirers who follow her work on streets and in galleries all over the world. She is perhaps best known for the life-size prints and figural paper cutouts she has pasted on walls for the past ten years, each portrait taking on a new life as it is slowly destroyed by the elements. Much of Swoon’s work is like this—beautiful and powerful, but ephemeral.

Swoon’s projects are often grand in scope, requiring weeks of preparation and huge numbers of collaborators to make them a reality. And then they disappear. Her art collective, Toyshop, was known for organizing massive street parties and demonstrations in New York City that were elaborate and dynamic, but fleeting. Her most recent focus has been on armadas of boats fashioned from scavenged junk and then launched by crews of craftsmen into the Mississippi and Hudson rivers and the Adriatic Sea.

This book captures Swoon’s work—her portraits, boats, installations, and parties—and presents them with reflections from collaborators and colleagues. Deitch Projects owner Jeffrey Deitch provides an introduction to the artist and her work, and other contributors include: culture critic and curator Carlo McCormick, Nonsense NYC founder Jeff Stark, journalist and Toyshop-member Rollo Romig, gallery owner Thomas Beale, and playwright Lisa D’Amour. Swoon herself writes the captions and the essay for her Miss Rockaway project.

As a prelude to her next project, building konbit houses in earthquake ravaged Haiti, Swoon is working with Urban Art Projects and a team of engineers and architects to produce a domed sculpture to raise awareness of the housing crisis in Haiti.  Pending NYS Parks approval, the sculpture will be exhibited in Urban Art Projects’ inaugural Williamsburg Waterfront Sculpture Exhibition in East River State Park during the month of May.   This project is also sponsored by the New York State Office of Parks, Recreation and Historic Preservation, and in addition UAP received a FY2008 Initiative Grant, and the Sponsoring Member of the local legislative initiative pursuant to which this Contract is funded is Assemblyman Joseph Lentol.

To celebrate the release of Swoon‘s new book and her project with Urban Art Projects, there will be a book-signing with the artist present at Urban Art Projects’ headquarters, located at 136 Wythe Avenue, Brooklyn, NY, on May 8th 2010 from 6 to 9 pm.

About the author

Swoon has been creating street art in New York City since 1999. She studied painting at the Pratt Institute in Brooklyn, NY, and has traveled internationally to create exhibits and host workshops. Her work can be seen at the Museum of Modern Art, the Brooklyn Museum, the Tate Modern, or on the streets of Manhattan and Brooklyn, NY.

Jeffrey Deitch is the owner of Deitch Projects in Manhattan.

About Urban Art Projects

Urban Art Projects is a 501(c) (3), Internal Revenue Service-recognized charitable, educational nonprofit corporation, in Brooklyn, New York. The organization was formed in 2007 to provide the organizational framework for public art exhibitions, both nationally and internationally.

Swoon

By Swoon

Abrams

May 2010

US $35.00; CAN $45.50

192 pages

200 full-color illustrations

Hardcover

ISBN 978-0-8109-8485-1

ABRAMS The Art of Books Since 1949
Founded by Harry N. Abrams in 1949,
ABRAMS was the first company in the United States to specialize in the creation and distribution of art and illustrated books. Now a subsidiary of La Martinière Groupe, the company publishes visually stunning illustrated books in the areas of art, photography, cooking, interior and garden design, craft, architecture, entertainment, fashion, sports, pop culture, as well as children’s books and general interest titles. The company’s imprints include Abrams, Abrams ComicArts, Abrams Image, Abrams Books for Young Readers, Amulet Books, Stewart, Tabori & Chang, and STC Craft/A Melanie Falick Book. Abrams also distributes books for The Vendome Press, Victoria & Albert Museum, Tate, Royal Academy of Arts, Booth-Clibborn Editions, Five Continents, and others.

www.abramsbooks.com

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MAYHEM! Crowds Jam the Streets for Shepard Fairey’s show at Deitch Projects

Well, it happened. May Day Arrived.

The immigration reform marches
in major cities across the U.S.?

The day that the British Petroleum oil spill
started lapping up on gulf shores?

The occasion of a mis-fired car bomb in Times Square?

No, silly, the END OF AN ERA – Deitch Projects Final show featuring America’s Top Street Artist – Shepard Fairey.

Part of the MayDay Mural piece - replicated on the Houston Street (photo © Reana Kovalcik)
Part of the MayDay Mural piece displayed – a mirror image of the mural on Houston Street nearby. (photo © Reana Kovalcik)

The crowds bloated the streets outside, possibly dwarfing the crowd inside. Some old-timers said attendance may have also dwarfed the famed Haring and Hirst shows of years past and there was plenty of visual stimulation on the pavement, including a motorcycle gang and a fair amount of actual street art to gander, so even those hapless who were penned outside the formal show didn’t seem hopeless.

The artist signing work for his fans (photo © Reana Kovalcik)

The artist signing work for his fans (photo © Reana Kovalcik)

The artist and the gallerist were in attendance, which is always nice, and minions of fans and insiders mixed with assorted downtown celebrities and catty journalists.  Mr. Fairey, in an interview with BSA earlier in the week , told us that HYPE is everywhere today, and one could say that the air felt kind of warm and summery thick with it.

(photo © Reana Kovalcik)

(photo © Reana Kovalcik)

And fun!  Did I mention Fun?

A wall of framed rubyliths (photo © Reana Kovalcik)
A wall of framed rubyliths (photo © Reana Kovalcik)

John and Yoko in the foreground (photo © Reana Kovalcik)
John and Yoko in the foreground (photo © Reana Kovalcik)

Looks like Brooklyn style made it to the show too. (photo © Reana Kovalcik)
A little Brooklyn style was in the house. (photo © Reana Kovalcik)

See more photos by Reana Kovalcik HERE

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SIGNAL GALLERY PRESENTS: JEF AEROSOL “GIRLS, GIRLS, GIRLS” (LONDON)

SIGNAL GALLERY PRESENTS:
brooklyn-street-art-jef-aerosol-signal-gallery

Signal Gallery is delighted to be presenting the second solo show in London, by legendary French street artist Jef Aerosol. Jef is well known to London audiences, having appeared in a large number of group shows and in other venues for many years. Jef is a household name in his native land.  He has been in the vanguard of the vibrant French stencil art scene. His distinctive and elegant artworks have graced streets in France since 1982. Jef has continued to produce new work and develop his style and has shown all over the world. Recent shows in New York, Japan and Ireland are ample evidence of his irrepressible spirit and talent. For the show in Signal, called ‘Girls, Girls, Girls’, Jef is celebrating the female form in all its glory. Staying away from portraying celebrities, these women will anonymously represent their sex. The works on show will sometimes hark back to familiar poster imagery of ‘girls’ from the post-war years, while others will have a very contemporary feel. However, it’s certain that Jef’s innate elegance and charm will be strongly in evidence and show will be brimmed full of attractive and irresistible images. About the show, Jef says :

” This is a show dedicated to women, a sexy show, a sensual show… Women ‘s curves have always fascinated artists and I’m no exception! Being quite inspired by the aesthetics of the 50s and 60s, I’ve always felt attracted to the pinup style and the erotic imagery of those times. And sexy girls have also always been one main rock’n’roll source of inspiration. Later on, fishnets and lace have come back to the scene with the punk and goth trends. The women shown in those brand new pieces aren’t celebs or stars, but isn’t every woman a star? That’s the reason why you can see stencils of red stars in all those new paintings!”

When?
Private View: 6th May
Open: 7th – 22nd May

Where ?
Signal Gallery, 96 Curtain Road, London EC2A 3AA, England
www.signalgallery.com
Tel: 07766 057 212

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WOODWARD GALLERY PRESENTS: “THE GREAT OUTDOORS” ROYCE BANNON, DARKCLOUD, MICHAEL DE FEO, EL CELSO, LA II, KENJI NAKAYAMA, NECK FACE, LADY PINK, MATT SIREN, STIKMAN AND SWOON.

THE GREAT OUTDOORS
brooklyn-street-art-woodward-gallery

The Great Outdoors

May 8 – July 24, 2010

The great outdoors has long been a place of escape. The raw connection with nature and its elements has a certain allure. For street artists the great outdoors provides another dimension. These artists carry on the enlightened tradition of adapting their artwork to weather, people, space and situation. Some are early pioneers,
decades before working in this setting was socially acknowledged as art. They have managed to risk the elements of extinction, theft, decay and urban renewal.

Woodward Gallery features the following celebrated, outdoor artists to respond to their personal environment: Royce Bannon, Darkcloud,
Michael De Feo, El Celso, LA II, Kenji Nakayama, Neckface, Lady Pink, Matt Siren, Stikman, and Swoon.

These artists have proven the art of survival and have thrived in the urban environment. Their individual works have become indelible, iconic images for the public.

Since street art is exposed and unprotected from all the elements of the outdoors, this exhibition is a study of the inspirational effect and cultural
exchange when extracted for further contemplation in an indoor-gallery setting.

Please join us for the opening reception Saturday, May 8th 6-8pm.

address

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Images of the Week 05.02.10 on BSA

Our weekly interview with the street; This week featuring Veng (RWK),Hellbent,Invader, Shepard Fairey, Showta, Gussa, Clown Soldier, Alec,C215,Chris (RWK), Skewville, DAIN,TrutoCorp, Trust Corp, Jaime Rojo

Veng RWK
A new rare red frog from Veng RWK (photo © Jaime Rojo)

Hellbent
Hellbent (photo © Jaime Rojo)

Space Invader looking down on Shepard Fairey
Space Invader looking down on Shepard Fairey (photo © Jaime Rojo)

$howta
Lemme tell you something, those Goldman Sachs guys just make me wanna Shout! ($howta) (photo © Jaime Rojo)

Gussa in action
Gussa in action (photo © Jaime Rojo)

Clown Soldier
Hey Banana Head! New Clown Soldier (photo © Jaime Rojo)

Alec
Alec (photo © Jaime Rojo)

C215

C215 (photo © Jaime Rojo)

Chris RWK
A new take on Batman by Chris RWK (photo © Jaime Rojo)

Skewville
Skewville goes pop. (photo © Jaime Rojo)

Dain
Dain (photo © Jaime Rojo)

Trusto Corp
YO Brooklyn!!  Trusto Corp (photo © Jaime Rojo)

Veng RWK
A long fanged feller is partially viewable – Veng RWK (photo © Jaime Rojo)

Shepard Fairey

The man of the moment in NYC : Shepard Fairey (photo © Jaime Rojo)

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Blek Le Rat, “ABOVE” and “HUSH” at White Walls/Shooting Gallery in SF tonight

Props to Blek Le Rat, who started doing street art in Paris 3 decades ago -and is pointed to as an inspiration by everyone from Banksy and Fairey to a posse of new stencil artists.

Blek spraying one of Le Rat's on the facade of White Walls Gallery (photo ©Mike Cuffe)
Blek spraying one of Le Rat’s on the facade of White Walls Gallery (photo ©Mike Cuffe)

I remember him telling me how hard it was for him to get anyone’s attention when he first came to New York in 1987 with his portfolio. He even sprayed a stencil on the sidewalk in front of Gagosian Gallery – to no discernible result. Gallerists absent-mindedly thumbed through his portfolio pieces and told him there wasn’t much interest in his work. So, hang in there kids, there is room for everybody, if you are persistent.

Blek is opening tonight with HUSH and ABOVE, two more high quality artists with roots in the street art scene, with the addition of starting in graffiti.

Thanks to Mike Cuffe at Warholian for sharing some of his pictures with us.

Hush uses graff and fine art elements - it's all fair game - along with Japanese graphic novels.
Hush uses graff and fine art elements – it’s all fair game – along with Japanese graphic novels.

The artist "Above" is self-referential here, taking his heaven pointing arrows that one typically sees hanging over your head and creating very
The artist “Above” is self-referential here, taking his heaven pointing arrows that one typically sees hanging over your head and creating very highly polished reworkings of national flags.

Everybody bring your camera!  (Blek Le Rat) (photo © Mike Cuffe)
Everybody bring your camera! (Blek Le Rat) (photo © Mike Cuffe)

Visit White Walls Gallery for more information:
Blek le Rat’s website:
ABOVE:

HUSH FLICKR:
http://www.flickr.com/photos/warholian/sets/72157623965436282/
“Passing Through” runs from May 1st – June 5, 2010 at the Shooting Gallery in San Francisco.

Blek le Rat FLICKR:
http://www.flickr.com/photos/warholian/sets/72157623966423988/
“Faces in the Mirror” runs from May 1st – June 5, 2010 at White Walls Gallery in San Francisco

ABOVE FLICKR:
http://www.flickr.com/photos/warholian/sets/72157623841942229/
“Transitions” runs from May 1st – June 5, 2010 at White Walls Gallery in San Francisco

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FAILE & BÄST PRESENT “DELUXX FLUXX ARCADE”

FAILE & BÄST PRESENT “DELUXX FLUXX ARCADE”, Brooklyn Street Art

brooklyn-street-art-faile-bast-perry-rubenstein-gallery

For Immediate Release

FAILE & BÄST
DELUXX FLUXX ARCADE

April 30 – May 27, 2010
Opening Friday, April 30, 2010, 7:30 – 10:30 PM

What do you get when Brooklyn-based duo Faile and collaborator Bast take over a disused store front on the Lower East Side? Deluxx Fluxx, a functional video arcade that will be open to the public from April 30th to May 27th.

Originally conceived as a one-off project in London, Deluxx Fluxx allowed Faile and Bast to indulge nostalgia for the classic video arcade while exploring the tactile possibilities of the wooden cabinet as sculptural medium. In its New York incarnation, the retrofitted machines run new games by Adapted Studio based on Faile and Bast’s omnivorous visual language, with sounds produced by Seth Jabour of the noted band Les Savy Fav.

Deluxx Fluxx aims to make art less sterile, more fun, and accessible to a broad audience. This sensibility harkens back to the golden age of arcade games; a time when the Lower East Side itself was still a redoubt for punk rock and graffiti culture. These foundational roots of the neighborhood are apparent in the show’s DIY and street art production values. Faile and Bast rebuke the contemporary art world’s fixation on ideas of relational aesthetics and democratization, and give their audience a chance to genuinely engage the work without the looming formality of the traditional gallery. Deluxx Fluxx is entirely interactive, and invites viewers to play a round of psychedelic foosball and take part in the art itself. It is the artists’ intention that viewers will forget they are looking at art, and be captivated by the carnivalesque. The video arcade may be a lost form, but in Faile and Bast’s re-imagining, it gets a temporary and much needed revival.

Faile is represented by Perry Rubenstein Gallery in New York. This autumn they will have a solo exhibition with the gallery in New York.

For more information about Deluxx Fluxc, please visit:
www.DeluxxFluxx.com

For more information about FAILE, please visit:
www.perryrubenstein.com

Deluxx Fluxx
158 Allen Street (Between Stanton and Rivington)
New York, New York
Tuesday – Sunday, 3:00 – 11:00 PM
Opening Reception, April 30, 2010, 7:30 – 10:30 PM

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SECRET PROJECT ROBOT PRESENTS: DEUCE 7 “MYSTIC STYLEZ”

DEUCE 7

Deuce7 and Other
Deuce 7 and others (photo © Jaime Rojo)

Mystic Stylez
A show by Deuce 7

May 15th through June 12, 2010
Opening Reception Saturday May 15th 8 to 10
with after party hosted by PopGun booking featuring
THESE ARE POWERS

On May 15th 2010, Deuce 7, and some friends he hasn’t told us who yet, are repainting Secret Project Robot with an exhibition called MYSTIC STYLEZ. Needless to say the show will be sick…

The first time we saw his work we were walking back to Secret Project Robot and passed a street sign with a small wooden piece, a few days later he had hit the Williamsburg Bridge. Immediately we wanted to find him. It took nearly two year, in fact we couldn’t figure out who he was until he hit our building and we had Maya Hayuk introduce us. The rest we shall say is a happy history.

Deuce 7 has taken New York City Streets by storm. On first seeing the exhaustive detail of his work we wondered how he could possibly finish each piece in the open streets. His prolific and colorful, almost painterly works, are filled with Native American tribal references, images of insects, trains, horrifying alien invaders, references to 1950’s horror movie posters and video games like Galaga, beautiful and complicated symmetry and an appeal that seems to be apolitical and universal.

Deuce 7’s modus operendi isn’t in claiming space as much as in reclaiming, in fact, though his work has touched the heavy hitting spots- The Williamsburg Bridge, Lower East Side, etc. he seems to operate best in abandoned buildings, train cars in the Midwest, underneath and behind things; his art is often a happy surprise, it puts objects back into points of visual interest.

SECRET PROJECT ROBOT

210 Kent Ave
(between 13th St & 14th St)
Brooklyn, NY 11211
Neighborhoods: Williamsburg – South Side, Williamsburg – North Side
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MIGHTY TANAKA PRESENTS: “OSMOTIC TRANSMISSIONS” ART FROM THE MINDS OF AVOID AND INFINITY

MIGHTY TANAKA
Brooklyn_Street_Art-042110BabelCodeCard-1
Version:1.0 StartHTML:0000000179 EndHTML:0000006922 StartFragment:0000002414 EndFragment:0000006886 SourceURL:file:///Users/Jaime/Desktop/Babel%20Code%20Press%20Release.doc

Mighty Tanaka Presents: Babel Code <osmotic transmissions>

Art From the Minds of AVOID pi and infinity set to open May 21st – June 11th

Brooklyn, NY – April 24, 2010 – Thought provoking Street Artists AVOID pi & infinity team up for their first duo show together entitled Babel Code <osmotic transmissions>.  Peering through a semiotic Petri dish intermixed with sub-conscious communication, Babel Code uses primitive and mystical sources as well as runic references, which charges the works of art with a power and energy beyond the objects themselves.

Babel Code challenges the viewer to reconsider the basic notions of communication and cultural change, while providing a closer look into the artist’s own techniques of non-verbal interactions. Building upon a symbolic language shared by both artists, their influences range from a resonance of mixed signals and errant transmissions.

Their symbolism ranges from introverted Platonic deliberation and chemical structures to numerology and DNA; anything and everything from hobo marks and astronomy to grammar diagrams and physics equations.

About the Artists

AVOID pi was born the year IBM released the Personal Computer. He was raised in South Carolina, on a diet of freight trains, deep forests, punk rock, and DIY. He moved to the coast on the eve of the millennium to study both graffiti and philosophy among the flooded streets of Charleston. In 2006, he moved to New York in order to interact on a global stage. He is working on a language of abstractions in the public space, as well as empowering the political potentialities of graffiti.  www.avoidpi.com

infinity was born in 1962 in the Midwest. His family moved to Manhattan in 1970. Obsessions with comic books, heavy metal, and graffiti eventually embraced studies in expressionism, semiotics, and the sciences. He graduated from the University of Wisconsin at River Falls in 1986 and The School of Visual Arts in 1989. He has followed an erratic career path, but always continued his aesthetic and scholarly research.

OPENING RECEPTION:
Friday, May 21, 2010 – 6:00PM-9:00PM, and closing June 11, 2010

Mighty Tanaka
68 Jay St., Suite 416 (F Train to York St.)
Brooklyn, NY 11201
Hours: M-F 12PM to 7PM, weekends by appointment only
Office: 718.596.8781

Email: alex@mightytanaka.com

Web: www.mightytanaka.com

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FACTORY FRESH GALLERY PRESENTS: ROA NYC FIRST SOLO SHOW

ROA
brooklyn-street-art-roa-factory-fresh-gallery

ROA
a Solo Exhibition

Opening Reception May 14th, 7-10pm

This May, Factory Fresh goes wild as it opens its doors to the zoetic art of Belgium-born artist ROA. The artist’s organic animal forms, huge in both their reputation and impact, will grace the walls of the gallery this May, reminding spectators of the forgotten natural world beneath the city’s streets.

Through his large-scale installations of very wild wild-life on the industrial canvas of the city, ROA produces a juxtaposition of the overtly natural against the mechanic that is both feral and nostalgic, a reminiscence of what the world used to be before cement and concrete. ROA is famous for his large black and white works that depict both the outer and inner appearance of rodents, bulls, roaches et al, who slumber on garage doors and cement blocks, copulate in abandoned alleyways and decay on brick walls. His work is sprawling and uncontainable, and will be filling Factory Fresh as such, barely pinned down to found materials, clustering in our corners and escaping out into our surrounding streets.

ROA began pulling animals out of the depths of the industrial world in his hometown of Ghent, Belgium, where he explored the area around his home and was inspired by the life that lurked in its lonely smokestacks. His resulting work snarls at you from wherever it prowls, awaking a visceral reaction that comes from seeing something familiar yet unknown, an uncanny portrayal of the animals within and around ourselves that our contemporary lifestyles have made null.

Since his Belgium beginnings, ROA’s work has hit the ground running like the animals he depicts, scattering on four legs all over major cities, showing up on the walls of galleries and abandoned factories alike. His work has been shown in London, Berlin, Warsaw, and sold out in two days in Paris. He now returns to New York, arriving at a very different kind of factory than the industrial wastelands his animals are known to inhabit, ROA’s show at Factory Fresh promises to be untamed and animated as his pieces.

On view till May 30th.

FACTORY FRESH GALLERY

1053 FLUSHING AVE

BROOKLYN,  NY

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