“Chicago Street Art” Debuts with an Exhibition and a Book

Author Joseph J. Depre has been traveling around the world to photograph and write about Street Art for the last few years and and when he returned to his hometown of Chicago he rediscovered his love and appreciation for the art in the streets of his city. The images in his first book just released give a very good documentation of the current scene while his essays are personal, poetic and passionate.

Brooklyn-Street-Art-CHICAGO-STREET-ART-bookOpening tomorrow at the Chicago Urban Art Society is a retrospective of work by many of the artists on that scene today.  With brand new works curated in this not-for-profit gallery environment developed by Lauren Pacheco and Peter Kepha, visitors will have the chance to see the Street Art talent that is growing in their community, including pieces by Artillary, Bonus Saves, Brooks Golden, Chris Silva, CLS, Senor Codo, Cody Hudson, CRO, Cyro, Chris Diers, Don’t Fret, Emen, 80 Legs, Tom Fennell IV, “It’s Yours, Take It”, Goons, The Grocer, Juan Angel Chavez, Kepto Salem, Melt, Nick Adam, Oscar Arriola, Poor Kid, Safety First, Saro, Sighn, Solve, Tiptoe, The Viking, You are Beautiful, among others. More information about the show at the end of the post.

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Debuting his book “Chicago Street Art” for the first time at the opening, Mr. Dupre is very excited to see the show come to fruition after nearly a year of planning. Brooklyn Street Art asked him about the Chicago scene today and his new book and he gives us some insights here. We also had an opportunity to shoot some art on the streets of Chicago last month – see photos by Jaime Rojo after the interview.

Brooklyn Street Art: How long have you been preparing this book “Chicago Street Art”?
Joseph Depre:
I originally had the idea for a book on Chicago Street Art when I started to integrate into the Chicago Street Art community in 2004. I think that is about the time I started writing. I was fascinated by these unique artists and was lucky enough to be able to talk openly with a good number of them, bounce ideas off the artists and they helped me refine my thoughts. As I traveled I was able to get together with Street Artists in cities like New York, Berlin, Barcelona, and Sao Paulo. After experiencing the Street Art in these cities and got back to the States my thoughts reflected back to Chicago and the incredible history of Street Art we have here and I thought it was important to give Chicago the recognition it deserves. So I’ve sent the last 9 months talking to all of the Artists and putting this all together.

brooklyn-street-art-chicago-street-art-Solve-Combo-Oscar-Arriola-webBrendan “Solve” Scanlon (photo courtesy of the author © Oscar Arriola) from “Chicago Street Art”

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Brendan “Solve” Scanlon (photo courtesy of the author © Oscar Arriola) from “Chicago Street Art”

Brooklyn Street Art: Can you introduce us to the Chicago Street Art scene at this moment from an artist and creative perspective?
Joseph Depre: I won’t be so forward to say I can tell you anything from an artist perspective, but as a conscious observer I can say there are a lot of good things happening in Chicago at the moment. Nice-One seems have refined his characters with an air-brush technique that looks really nice. Don’t Fret has really been putting in his time and effort. His characters are always fun and expressive. He’s turning into to a great storyteller. Mental 312 has been hitting the streets hard and doing some really beautiful work. He’s one of my favorite artists right now.

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TipToe (photo courtesy of the author) from “Chicago Street Art”

Brooklyn Street Art: Chicago has a very active anti-graffiti program, which cleans or “buffs” pieces, good and not so good, quickly with brown paint. Can you talk about how Street Artists have responded to the efficient and rapacious pace of buffing?
Joseph Depre:
Most of the Street Artist I know really hate the buff and attribute the fact that Chicago has so little international Street Art respect to “the buff.” But all of these Artists just work harder in spite of the Buff. In New York one piece can stay up for years, in the Chicago the Street Artist has to do 20 pieces just to stay up through the season.

Brooklyn Street Art: Street Artists like Chris Silva and Cody Hudson have gone beyond two-dimensional painted works to create sometimes expansive sculptural set installations. Do you see more stuff like this around Chicago these days?
Joseph Depre:
Oh Yeah. The first artist that comes to mind is CLS. It is really amazing what he has been able with scraps of wood and branches he finds on the street.

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Photo courtesy of the author (© Thomas Fennell IV) from “Chicago Street Art”

Brooklyn Street Art: Borrowing a tenet from the flash mob street manifestations of the last decade, Street Artists like BonusSaves devised something called “It’s Yours, Take It”. Can you talk about this practice of giving art to the public and how it has become an international programmatic approach to engaging communities?
Joseph Depre: The Internet has really helped out with this. Through sites like Flickr, BonusSaves is able to organize and direct hundreds of people from all over the place. All with the same state of mind and love of giving art to people and bringing communities together through gifting creativity. But it is not solely his doing… All the artists really believe in the idea and have been running installations in cities all over the world all by themselves. It really is a testament to the power of people to come together and do something really good just for the sake of doing something good.

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Nice One (photo courtesy of the author © Chris-Diers) from “Chicago Street Art”

Brooklyn Street Art: You dedicate a few pages of your book to the occurrence of a piece attributed to London Street Artist Banksy on a wall in Chicago, and the response of the city and other street artists to it. Is there such a thing as a “Banksy Revolution”?
Joseph Depre: I cannot say what Banksy’s actual intent is – only he knows what that is. For my part, I hope he’s attempting a revolution. If not then we are all the butt of a pretty sick joke. I also hope that he doesn’t get discouraged, I think people are just starting to listen. Maybe not the people who were introduced to Street Art through “Exit, Through the Gift Shop” but others.

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Mental 312 (photo courtesy of the author © Thomas Fennell IV) from “Chicago Street Art”

Brooklyn Street Art: What do you think distinguishes the Chicago scene and why do you feel an affinity for it?
Joseph Depre:
Other than Chicago being my home and my introduction to Street Art, I think there are quite a few things that distinguish it from the rest of the world. The sculptural history exemplified by the likes of Juan “Angel” Chavez, Cody Hudson, and Chris Silva would be a good place to start. The other thing is that all of the artists are personally close here. Everyone knows everyone. They don’t just meet up at shows and events but talk on a regular basis and are invested in each others’ lives and success.

Brooklyn Street Art had the fortune to be in Chicago for a day recently where photographer Jaime Rojo got an afternoon to run around shooting as much as he could find. Brooklyn artist Gaia had recently been in the city and he left some nice gifts for the Chicago art lovers to enjoy.  The images below are from that visit to Chicago and are not a part of the book “Chicago Street Art”

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Mars Dynamo (photo © Jaime Rojo)

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Gaia’s tribute to photographer Martha Cooper (photo © Jaime Rojo)

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Gaia (photo © Jaime Rojo)

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Gaia (photo © Jaime Rojo)

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Artist Unknown (photo © Jaime Rojo)

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“Left Handed Wave” (photo © Jaime Rojo)

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Artist Unknown (photo © Jaime Rojo)

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Artist Unknown (photo © Jaime Rojo)

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“Left Handed Wave” (photo © Jaime Rojo)

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Buffer Chicago Style (photo © Jaime Rojo)

Chicago Urban Art Society, 2229 South Halsted. The show will run until June 4. http://chicagourbanartsociety.tumblr.com/

Book Cover Artist: Chris Sliva

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Skin Deep Beauty on the Subway in NYC : Poster Boy Interventions?

The Reality-Show-Industrial-Complex continues to warp everyone’s perception of reality with its brain cell melting fusillade of advertising everywhere you turn. Street billboards, banner ads, barking taxi cab screens, and bone-headed subway posters spill bilious candy coated banality upon bystanders and passersby with entreaties to experience the misadventures of buxom babes and the buff boys who bang them.

You have to wonder how these funhouse images affect the self-perception of girls and boys and women and men who are surrounded daily by them. You will not escape the visual assault as you ride captive on the trains to your job or school or museum or library or the unemployment office – as  the vast tentacles of the entertainment industry reach ever further in search of a market.

Of course, that doesn’t mean that citizenry doesn’t talk back.

brooklyn-street-art-poster-boy-jaime-rojo-04-11-web-3Poster Boy (photo © Jaime Rojo)

From Keith Haring in the 80s to Poster Boy (s) and LUDO and a number of non street artists in the last couple of years, there is an occasional attempt to  steer the conversation, stem the tide and claim the eyeballs and attention on the subway, if just for a minute. Some artists feel that the subways are a fair playground and an instant gallery, to the chagrin of those who see their art interventions as crimes or at least, damaging to profits.

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Poster Boy (photo © Jaime Rojo)

Recently we spotted a series of ads with images of the new “celebrity” class marred with the tiniest “interventions” that ring of Jenny Holzer, Barbara Kreuger and even William Burroughs. Whether these are the work of Poster Boy or the Poster Boys he hoped to inspire, the placement short circuits the messaging and questions how women are being portrayed. Ultimately these little interventions are  just a finger in the whole.

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Poster Boy (photo © Jaime Rojo)

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Poster Boy (photo © Jaime Rojo)

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Poster Boy (photo © Jaime Rojo)

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Poster Boy (photo © Jaime Rojo)

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Signs of the BEAST Seen in California (Rapture Update)

I swear if the world does not burst into flames this year and the sky doesn’t cloud with locusts and the Chinese don’t bomb the shit out of the heartland and if Angelina Jolie does not ride naked and pregnant on an 8-headed lion with wings and Jesus Christ doesn’t appear floating in the sky with his arms open to welcome all the Republicans who just got sucked out of their cars up into his embrace – if all that does not happen on May 21, 2011, I will never again listen to any prophecies for the rest of my time here with you.  I’m serious. I have spent my entire frickin’ life expecting supernatural star spangled annihilation and a prison planet and all I got was this orange “War on Terror” t-Shirt and a machine that scans my nuts at the airport.

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Street artist Beast put up his/her own series of billboards in Los Angeles last week.  In this case, we can actually say that we are seeing the Signs of the Beast. He used the back of 25 bus shelter benches, which usually advertise nasal decongestants and accident lawyers 800 numbers, to bring an uplifting message of impending pestilence and catastrophe and unemployment.  Times are so bad that superheroes are trying to cut in line at the job fair.

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Beast (photo © Beast)

You know, we spent $3 Trillion on something over the past 10 years with this war machine, surely someone could start up a World War to give these spandexed and bedazzled folks some work.  Although I don’t see too many people carrying resumes in hand here, so they could also use some career coaching.

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Beast (photo © Beast) This dude will face some stiff competition to snag a position with that crowd ahead of him. Hang in there buddy, Jesus is on his way.

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Beast (photo © Beast)

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Beast (photo © Beast). All 25 benches. Same message, different spots.

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Mighty Tanaka Gallery Presents: Hellbent and John Breiner “A Smiled Distress” (Brooklyn, NY)

Hellbent and John Breiner
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You’re Invited…

To the Opening Reception of A Smiled Distress, A Duel Art Show by Hellbent & John Breiner

Mighty Tanaka gallery is thrilled to bring you our latest show: A Smiled Distress, a duel art show featuring the work of Hellbent and John Breiner!  Both artists have been individually creating a lot of buzz in the NYC underground art scene for with their consistently dynamic artwork and we are super excited to be featuring both powerhouses in one show!

A Smiled Distress Opening Reception:
Friday, May 13th
(show runs until June 3rd)
6pm  – 9pm
68 Jay St, Suite 416
Brooklyn, NY 11201
(F Train to York Street)

Balance. All life on Earth depends on it. However, human’s impact on the world is disrupting the natural cycle, suffocating the planet. We have reached a breaking point as human beings teeter on the edge of an uncertain future. Whether it’s man-made or natural, another disaster is always right around the corner. A Smiled Distress, a duel exhibition featuring the artwork of Hellbent & John Breiner, brings forth the brutal truth of a world in transition and the ultimate fragility of life itself.

A Smiled Distress mirrors the myth of Cassandra, as one foresees the future, yet the warnings will never be heeded. Hellbent and John Breiner’s art juxtaposes the duality of life and death through our acceptance of a fate and the inevitable outcome. Their work reflects the strains of the Earth through a beautiful and enchanting interpretation of a planet in distress.

Hellbent & John Breiner approach their work from different angles, both complimenting and conflicting one another, with a means to a common goal. As the world further declines into a state of anguish, the artist’s work becomes a prophecy of things to come. A Smiled Distress matches the beautiful with ominous through each artists unique understanding of the world.

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Birdman Captures ROA in Wilds of LA

Photographer and BSA contributor Birdman captures Belgian Street Artist ROA at work in Los Angeles last week as part of LA Freewalls Project spearheaded by Daniel Lahoda. ROA loves long walls and jumped on this one like a bird of prey.

brooklyn-street-art-roa-birdman-05-11-23-webROA (photo © Birdman)

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ROA (photo © Birdman)

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ROA (photo © Birdman)

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ROA (photo © Birdman)

Perusing the selection of night images, a hallucinatory sun burned tint washes over ROA’s images like a lost day baking in the desert, certain feathered friends flying in circles over your head.

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ROA (photo © Birdman)

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ROA (photo © Birdman)

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ROA (photo © Birdman)

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ROA (photo © Birdman)

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ROA (photo © Birdman)

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Images of the Week: 05.08.11

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Mother’s Day Special

In New York today it is Mother’s Day. Today we send out love and thanks to all the moms, grandmoms, and motherly people who have cared for us. Thank you.

This weeks pics include pieces by Chris Stain, Swoon, Imminent Disaster, Dain, Fauxreel, Shin Shin, Michael DeFeo, and Word to Mother.

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Word to Mother (photo © Jaime Rojo)

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Chris Stain (photo © Jaime Rojo)

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(photo © Jaime Rojo)

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Chris Stain (photo © Jaime Rojo)

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Chris Stain (photo © Jaime Rojo)

Michael DeFeo (photo © Jaime Rojo)

Imminent Disaster  (photo © Jaime Rojo)

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Swoon (photo © Jaime Rojo)

Dain (photo © Jaime Rojo)

Valda, by Fauxreel (photo © Fauxreel)

(photo © Jaime Rojo)

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Untitled ©  Jaime Rojo

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VIDEO Premiere : Broken Crow in Mexico

Brooklyn-Street-Art-Video-Still-Broken-Crow-en-mexicoHere it is – a fantastic documentary-style short about Street Art duo Broken Crow’s first trip to Mexico City and some of the stencil based installations they undertook as guests of MAMUTT Arte and the Antique Toy Museum of Mexico (MUJAM). We don’t usually see this level of sophistication in a graffiti/Street Art video, so these guys are taking it up a notch.

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As you may remember from the two missives (1) (2) we posted in March for their Mexican Travelog, Broken Crow painted a total of five murals in different locations in D.F. The new video, which we proudly debut here, shows some of their work along with a very personal insight into their relationship as friends and painting partners. The larger piece entitled “Robot Thief” drew a regular crowd during it’s installation, while some of the smaller pieces were a more personal scale.

Congratulations to the Broken Crow gents and to Filmaciones De La Ciudad for making such a compelling and insightful piece. Enjoy.

Another point of interest in the video is the placement of “Robot Thief” next to a huge installation by Street Artist ROA, who also worked with the esteemed team of Roberto Shimizu of MUJAM and Gonzalo Alvarez of Mamutt Arte during his visit to Mexico previously. With friends/fans/promoters like Shimizu and Alvarez, international Street Art is quickly gaining a solid foundation in a city already blessed with a rich arts and cultural scene, historical and modern.

Music by CAV3 cav3.bandcamp.com/

Check out BrokenCrow.com

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Fun Friday 05.06.11

Fun-Friday

SABER at Opera Gallery now and Print Release Saturday

Los Angeles based artist SABER is in New York City for his solo show at Opera Gallery “The American Graffiti Artist”. The gallery is open from 11 to 7pm.

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Saber “Buffed” (Image courtesy © of the artist)

On Saturday from 3 -6 pm Opera is having a print release, seen here below.

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Click on the link below to learn more about this show:

http://www.operagallery.com/ny/NY16/saber.html

To see a video of the artist at work in his L.A. Studio click on the link below:

http://saberone.com/blog/2011/04/23/the-american-graffiti-artist-upcoming-solo-show-opera-gallery-nyc/

Leon Reid IV Closing Party at Pandemic Tonight

The folks at Pandemic Gallery really know how to throw a party that is at once welcoming, neighborly, and debauched. Tonight they invite you to the closing party for Leon Reid IV “Identity Theft” A Decade of Public Art.

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Leon Reid IV “Identity Theft” (photo © Jaime Rojo)

ELIK at Brooklynite Saturday

After half decade, Elik returns with a big opening in BedStuy tomorrow at Brooklynite Gallery. Always a good show and a good time – special guest music maker the legendary DJ Kool Herc.

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According to Rae and Hope at Brooklynite, “ELIK’s been hoarding scrap wood, furniture, metal signage and a hell of a lot of city trash with plans to turn this place into some sort of ‘shanty town’. He’s politely insisted we turn the space over to him and find something else to do until opening night.”

Musical Guest: DJ KOOL HERC
Brooklynite Gallery is located at 334 Malcolm X Blvd., Brooklyn, New York 11233.
Phone 347-405-5976 • BrooklyniteGallery.com

Martha Cooper “Remix” Ends this Weekend

In Culver City, California Carmichael Gallery invites you this Saturday to view the landmark show Martha Cooper “Remix” before it closes. This is the last weekend this show will be on view and if you have not seen it you must go!

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Artist Blade Remixes Martha Cooper’s original photo (photo © Jaime Rojo)

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Artist Blade Remixes Martha Cooper’s original photo (photo © Jaime Rojo)

Holdup Art Gallery Presents: “Hi-Graff”

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“Hi-Graff” is an installation-based street art exhibition that explores the concept of Graffiti as a contemporary art movement. The exhibition, which opens on May 7th 7-11pm, showcases graffiti in its most original form –collaborative murals applied directly to walls.

To learn more about this show click here

Happy Mother’s Day in the Mission District, SF

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Artists and humanitarians Jeffrey Waldman and Dave Harmatz came up with a nice little project for Mother’s Day in The Mission neighborhood of San Francisco.

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Forever Stamp
“Mission Statement: To send some much deserved love to moms and to be a part of strengthening a relationship. More than that, it was to inspire and motivate people to go out and create works of their own. To showcase how simple and cheap a project can be while still delivering a tangible product amid a fantastic and universal message. Plus we had all these old envelopes to get rid of.”

Click here to continue reading about this project

Overunder,Veng of RWK and Ephemeron in Coney Island

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D*Face “Going Nowhere Fast” In Los Angeles

“Going Nowhere Fast” went somewhere with the pedal to the metal – mainly private collections. The almost sold out show at the Corey Helford Gallery in the Culver City section of LA flew out the door like a ’57 Chevrolet with tail fins last week so RISK, CRASH, and FREEDOM could take over the joint.

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D*Face. Culver City, CA (photo © Jaime Rojo)

The gorgeously mounted show by English street artist D*Face is fuel injected with Pop vernacular while kidnapping some Pop masters of the last half century with prankish lo-brow witticism.  Driving with almost surgical precision and fastidious attention to detail D*Face slickly amuses with Lichtenstein cells and flying knives, customized Warhol warping, and a mounted Hot Rod skull butterfly collection. For his fans these now familiar cruelly clever customizations by D*Face are amalgams of advertising-soaked memories and associations – a happy blast to an inexact past, graphic images afloat in the timeless area of a citizen/consumer mind.

brooklyn-street-art-dface-jaime-rojo-corey-helford-gallery-los-angeles-04-11-1-web D*Face. Culver City, CA (photo © Jaime Rojo)

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Nearly a nightmare to assemble, this flying knife installation hovered like cheery racing death above visitors heads at Corey Helford. The price tag for this sculpture included it’s installation by the artist himself. The gallery would be   flying the artist to Australia to install this piece in its new home.  D*Face. Culver City, CA (photo © Jaime Rojo)

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The knives were each cast in plastic out of a mold that the artist created.  D*Face. Culver City, CA (photo © Jaime Rojo)

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There’s no business like death business. D*Face. Culver City, CA (photo © Jaime Rojo)

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D*Face. Culver City, CA (photo © Jaime Rojo)

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D*Face. Culver City, CA (photo © Jaime Rojo)

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D*Face. Culver City, CA (photo © Jaime Rojo)

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D*Face. Culver City, CA (photo © Jaime Rojo)

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A thrilling reinterpretation of Warhol and MJ. D*Face. Culver City, CA (photo © Jaime Rojo)

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D*Face. Culver City, CA (photo © Jaime Rojo)

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D*Face. Culver City, CA (photo © Jaime Rojo)

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D*Face. Culver City, CA (photo © Jaime Rojo)

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D*Face. Culver City, CA (photo © Jaime Rojo)

This show is no longer on view.

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A Painted, Foldable House on Wheels for the Homeless?

With the help of French Street Artist 3TTMAN, a social fundraising/art/tshirt project in Spain called The N-spired Story Project built a homeless shelter. 3TTMAN is one of the first artists for this project, and the design of the house is super cool.

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Image courtesy © The N-spired Story

The foldable painted concept house on wheels is playfully offered as a possible solution to shelter the homeless and is colorfully striped and patterned. Did you ever see those red tents that homeless people in Paris have been living in thanks to the “Children of Don Quixote”? According to the Wikipedia page on the red-tent project, “the NGO Médecins du monde (MDM) had taken the initiative, in 2005, to give tents to all homeless people in Paris, in order to provide them with minimal privacy and to make misery visible.”

Dude, one time the Fire Department kicked everybody out of our building, which happens periodically in artist-settled buildings in Brooklyn because building codes are not even a consideration when you are building your fantasy chicken shack inside an old factory for art shows and performances and seances and what-not. Everybody had to find a new couch to sleep on pronto!  But that’s only temporary homelessness, and not completely dire like a lot of people’s situations.

In artist communities like those in Williamsburg, Bushwick, and Greenpoint Brooklyn, grassroots non-profit non-corporate collectives and groups have been doing projects together for years that involve community, collaboration, joint action, and art.  Street Artist Swoon used the power of community organizing and planning to hatch an idea for building the “Konbit Shelter” project in Haiti. 100% grassroots, that sustainable building project raised funds from donors and Swoon was instrumental in the conception and construction of those shelters. Currently she is working on similar community-based projects for displaced persons.

It’s uplifting and spirit-raising to see these N-spired projects pop up seemingly out of nowhere based on goodwill. According to the website of the company that created it, the project is part of a PR/marketing campaign in the “Social” space, perhaps for clients like those listed on their site. According to the materials on the site, a percentage of proceeds from this project go to charity.

If you wish to learn more about the project The N-spired Story click on the link below:

http://www.nspiredstory.com/en/

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Vandalog and M.A.N.Y. Present: “Up Close and Personal” (Manhattan, NY)

Up Close And Personal

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Troy Lovegate AKA Other (image courtesy of the curators)

Starting on May 12th, a New York City home will play host to a new type of street art exhibit. While the community concentrates on artists creating larger murals in often controversial public spaces, the subtle nuances of the genre are lost in the hype. Up Close and Personal explores the craft of artists who usually work in large-scale formats outdoors, by challenging them to create pieces that conform to the intimacy of a residential indoor setting. The works will be no larger than 30 x 30 inches, as small as a Metro card and exhibited on the walls of a small city apartment. As street art continues to morph into an all-encompassing art genre, Up Close and Personal will showcase works by talented artists whose work is impressive both indoors and outdoors. Up Close and Personal is curated by RJ Rushmore of Vandalog, and Keith Schweitzer and Mike Glatzer of M.A.N.Y.
Participating artists include:
Aiko, Chris Stain, Clown Soldier, Don Leicht, Edible Genius, Elbowtoe, Gaia, How & Nosm, Jessica Angel, John Fekner, Know Hope, Logan Hicks, Mike Ballard, OverUnder, R. Robot, Radical, Retna, Skewville, Tristan Eaton, Troy Lovegates aka Other and White Cocoa
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Logan Hicks. Detail on anodized aluminum.  (image courtesy of the curators)

Dates: May 12th– 15th, 2011
Times:
May 12th, 7 – 9pm
May 13th, 7 – 9pm
May 14th, noon – 9pm
May 15th, noon – 7pm
Note: Due to the limited exhibition space, people may be admitted in block times every half-hour.
Location: Apartment on the Upper West Side (217 West 106th Street, Apartment 1A, New York, NY 10025) – Between Broadway and Amsterdam Avenues.
Cost for entrance: Free
M.A.N.Y. (Murals Around New York) is a team of artists and curators who organize street and contemporary art exhibitions around the United States.
Vandalog is an international street art blog that covers the art scene as it evolves. Posting interviews, art news, show critiques and photographs of relevant works, Vandalog has gained a loyal following among the street art world. Founded in 2008 by then teenager RJ Rushmore, Vandalog now includes various writers and publishes across a number of social media platforms. Vandalog was Arts Media Contact’s top art blog of 2010.
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Shai Dahan in Sweden, Naturally. Readying for New Solo Show.

Shai Dahan misses New York Street Art. But he’s discovering new inspiration in Sweden, and finding an emotional component in his work he didn’t know before, and its’ exciting. As the Street Artist and fine artist prepares for his solo show May 27th at Artpace and Us Gallery in Gothenburg, Sweden’s second largest city, he is also bringing the natural world to the streets.

“Finding Street Art in Sweden is like trying to find a deer in Manhattan,” Shai remarks as he gets a little nostalgic for the layers of built up wheat pastes and posters that clump together in certain parts of New York’s streets. “I think that was a huge part of the inspiration as well – finding the torn wheat pastes and dripping dry stencils on the street. They really had my mind think about texture and color combinations.”brooklyn-street-art-Shai- Dahan-dala-horse-1-web

Shai Dahan “Dala Horse” (photo © Shai Dahan)

“It is a bit funny to me that in New York, with the exception of a short cab ride to Central Park, I had a lack of access to nature and animals, whereas here I miss the street art that I could find with the ease of taking a cab ride down to the Lower East Side.”

You can see the effect of Shai’s new home in his work; horses, deer, zebras, birds are featured through out. Can’t imagine that there are too many zebras wandering through his backyard. Thinking about that a little, maybe his animals are more symbolic than literal. “The natural elements, the green forest, it all has a huge inspirational affect on my work and me I think for me, the biggest transition was influence to inspiration,” he explains. “When I was in New York, the city, the art on the streets, the culture, all of it really had a big influence on me even if I didn’t think it did.  It all came out one way or another into my work.  Once I moved here, I really was more inspired than influenced.”

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Shai Dahan “Deer Guns” (photo © Shai Dahan)

Of course he has brought his guns from New York. His bird guns that is. And now deer guns too. A busy entrepreneur on the New York street art scene, his Bird Gun blog has given shine and opportunity to a number of street artists looking to stretch their wings.  His own design of the same name, an iconic merging of a New York pigeon with a revolver, is undergoing a reinterpretation in his new home, and taking on  additional meaning for him as he reflects on “man v. nature” mythology. “The animal/gun hybrid always expressed the never-ending need for animals to protect themselves or feel like they had a choice to fight back. We only hunt animals because we feel we know how to pick up a gun. The animals are just fighting adaptation. When humans kill animals, it is considered a sport but when any of these animals harm a human, it is a threat or savagery.”

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Shai Dahan (photo © Shai Dahan)

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Shai Dahan. Work in progress at the studio (photo © Shai Dahan)

You have heard people refer to living in New York as a rat race, and with good reason. For Dahan in his new environment, the inclusion of so much animal imagery in his new work has been a study of the relationship between humans and animals. “Those paintings really symbolize the “fight or flight” aspect of the natural world.  Animals can’t really fight back and we humans tend to feel very brave knowing we can have power over them. We hunt for fun; we set fires and cut trees down.  It makes us feel powerful.  It is a very strange dynamic.”

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Shai Dahan. Finish piece “Stay of Decay”  (photo © Shai Dahan)

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Shai Dahan. Detail of a work in progress in the studio  (photo © Shai Dahan)

It’s relevant to explore core assumptions about the world with regularity, especially during these times of continuous tumult. As an artist, change can be a strong motivational tool to re-examine work and open areas previously unexplored. It looks like Shai Dahan is on a journey and he’s sharing it with you.

Taking the broad view of the new work, Shai reflects on his growth, “I am very proud of the work for the solo show. I think I am most proud of the pieces because they are very emotional.  My paintings for this show really show the level of emotion and transition I endured when I moved.  I began working for this show only a month or so after I moved here and you can really see the different emotions I was going through.  It is expressed a lot by the colors, the movement in the brush strokes, the imagery itself…all of it really is what I went through as an artist moving from the Big Apple to…the small Smorgasbord.”

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Shai Dahan. Detail of a work in progress in the studio  (photo © Shai Dahan)

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Shai Dahan. Finish piece. “The Great Scape”  (photo © Shai Dahan)

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Shai Dahan. Detail of “To Catch a Thief” (photo © Shai Dahan)

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Shai Dahan. “To Catch a Thief” (photo © Shai Dahan)

To learn more about Shai’s art please visit his web site:

http://thevacantwall.blogspot.com/

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