“2 of Amerikas Most Wanted”
new works by
Neck Face and FUCK THIS LIFE
September 18 – October 14, 2011
Opening Reception Sunday September 18, 7-10pm
New Image Art
7908 Santa Monica Blvd.
Los Angeles, CA 90046
“2 of Amerikas Most Wanted”
new works by
Neck Face and FUCK THIS LIFE
September 18 – October 14, 2011
Opening Reception Sunday September 18, 7-10pm
New Image Art
7908 Santa Monica Blvd.
Los Angeles, CA 90046
Purgatorio
Guy Denning
“Purgatorio”
September 8 – 25
Opening Night: Sept. 8th, 6-9PM
*New York City ‘Pop-Up’ Location*
Brooklynite & FB Gallery
368 Broadway, Tribeca, NYC
BrooklyniteGallery.com
FBGallery.net
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On the heels of his highly successful “Inferno” exhibition in Italy earlier this year, Guy Denning presents the second of his three part series of oil paintings on Dante’s Commedia in New York City for the aptly titled exhibition, “Purgatorio”.
Originally drawing inspiration from Dante’s writings, Guy’s intention has not been to recreate the poem in a visual or literal sense, but instead let it act as a framework for his own personal interpretation. As with the writing of Shakespeare, Guy finds a perpetual relevance in Dante’s work where the specifics of name, situation and place are easily adapted to the modern world; as if time moves on but the problems of humanity remain essentially the same.
The events of September 11th and the emotional toll it took on the American individual is final and critical element to this body of work. Guy suggests that the suffering of America is too often defined by the media in terms of the political rather than the personal, leaving the individual voice of ordinary people sometimes unspoken in the narrative of history. His work sets out to make a small and personal amendment to that omission. Poignantly enough, this exhibition will be held in a NYC ‘Pop-Up’ location just blocks from Ground Zero and on the 10 Year Anniversary of the 9/11 attacks.
The work, though tied to Dante’s writing will also feature elements of images found on the internet, particularly of people in New York City on that terrible day. Significant press images are also used as reference for Guy’s work in hopes that they will be scrutinized that much more intensely than the photos we glance at far too quickly in newsprint. He has also constructed one large landscape painting, in the fashion of the traditional ‘history’ genre, made from connected canvas panels. This oil painting, derived from studying still frame images from amateur video footage, aims to create an assumed and complete narrative of the major elements of the day from a New York perspective.
Guy states that this is a collection of work recognizing the suffering of the American people on September 11th and immediately thereafter – when the United States had the sympathy of the world. He wants it to be viewed as nothing short of respectful to the memories of all those that died and suffered as a result – both in New York and beyond. Guy quotes another English artist William Blake who wrote “Can I see another’s woe, and not be in sorrow, too? Can I see another’s grief, and not seek for kind relief?” Despite the many cultural differences of the peoples of the world we are all essentially united by our humanity; our common desires, hopes and despairs. It is the ordinary people’s common humanity that will take us forward and not politically inspired violence.
To introduce readers to some of the Street Artists in the show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.
Today we hear from Mark Carvalho.
Something you want the world to know about you:
“I only sing two songs for karaoke; Lionel Richie’s ‘Hello’ and Tupac’s ‘How do you want it’.”
Should Bansky Graffiti Art be Listed?
Banksy in Chicago (photo © Jaime Rojo)It’s been quite a year for Banksy, but does the increased popularity merit legal protection for his art? A recent study makes the case that his most important works should be listed as assets of cultural significance in the UK.
John Webster, a postgraduate law student at Bristol University Law School (in Banksy’s hometown), recently published a paper titled “Should the Work of Banksy Be Listed?” in the Journal of Planning & Environment Law. The paper, part of Webster’s dissertation, suggests that Banksy’s art might benefit from the protection of the Listed Building Act, which seeks to protect structures of architectural and historic significance.
To continue reading this article and for more photos go to: The Huffington Post ARTS…
To introduce readers to some of the Street Artists in the show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.
Today we hear from Indigo.
Artists you admire:
“I admire everyone who has the courage to spend hours, weeks, months and years turning thoughts and feelings into things, then putting them out into the world for others to respond with love or hate or complete indifference. I admire anyone who has the integrity to create for themselves, first and foremost. I admire those who are constantly pushing themselves to try new ideas, use new mediums, reach out to new audiences and immerse themselves in uniquely challenging experiences. I admire everyone who has taken a leap of faith, fallen into dark and swirling waters and after what often seems like a lifetime of struggle, reached the sunshine on the other side – only to do it all over again.”
Spoke Art Gallery
September Group Exhibition
Featuring: Handiedan, Charmaine Olivia, Craww and Tatiana Suarez
Opening night September 1, 2011 6pm – 10pm
show on view through September 22, 2011
Spoke Art is pleased to present our September Group Show featuring four artists from around the world. While there is a similar subject matter, each artist has their own individual aesthetic, form of medium and exploration of technique for representing the female figure in a substantially different way. We are excited to announce that all four artists will be in attendance.
Handiedan’s layered and intricate collages are influenced by old pin-up girl posters and movie images. She collects found items in the streets, old buildings, flea markets, and during her travels which she then later alters to create new works. In her artwork you can find Chinese post papers, cook book pages, old stamps, fabric, rusty nails, dried flowers, currency, and old movie posters. Charmaine Olivia’s arresting oil paintings capture sensual tattooed women. Whether they are wearing a fox mask, a feathery headdress, or there is a ship emerging from a tangle of black hair, it is hard to pull your eyes away from these beauties. In a recent interview she says, “As most of my paintings are some sort of reflection of me, this is me living vicariously through them.” Craww uses graphite and acrylic paints to fabricate seductively dark and fantastical women who come to him in his day-dreams. He enjoys seeing his creations evolve into something unexpected as he paints. He describes his work as “stream of consciousness doodlings and paintings. Steeped in ambiguity, often melancholic and usually featuring big hands and crows.” Tatiana Suarez is a multifaceted artist who primarily uses oils although you can also find her on the streets painting murals with a graffiti can. Her fascination with faces and emotional facial expression inspires her to create unique and vivid portraits. Touching on symbols and mythology from her Brazilian and El Salvadorian background, her trademark wide-eyed girls conjure other-worldly fantasy.
ABOUT THE ARTISTS
Handiedan, also known as Hanneke Treffers, was born in 1981 in a small town in the Netherlands. Recently, her work has been shown at: Phone Booth Gallery (Long Beach, CA), Mondo Bizzarro Gallery (Rome, Italy), and a solo show at Unit 44 (Newcastle, UK). She now lives and works in Amsterdam.
Charmaine Olivia is a self taught artist originally from San Diego, CA. Some of her clients and projects include: Urban Outfitters, Lady Gaga, Volcom Stone, Element, Nylon Magazine, Eyes on Walls, and Society 6. Recently she has had shows in San Francisco at Project One Gallery, Public Works, 111 Minna, Vessel (Oakland) , and C.A.V.E Gallery (Venice, CA). She is currently living in San Francisco.
Craww Recently he has shown with London Miles Gallery, Phone Booth Gallery (Long Beach, CA) and had a successful solo show entitled Crooked Comfort at C.A.V.E. in Venice, CA. Craww currently resides in Sheffield, England.
Tatiana Suarez was born in 1983 and is a graduate of the University of Miami’s graphic design program. Her work has been seen at Primary Flight, Art Basel (Miami, FL), Art Whino Gallery (MD) and our own Quentin vs. Coen show (NYC). After living in Miami, she has recently migrated to Brooklyn, NY where she is a full time artist.
Spoke Art Gallery
816 Sutter St.
San Francisco, CA 94109
Bien Urbain
«BIEN URBAIN» is an artistic path in a popular city center district and the University campus of Besançon – France that aims at promoting art in public spaces just next a rich historic architecture.
The invited artists, all coming from the “street art” scene, are used to work with different kinds of tools and materials to create their own pieces of art: painting, paper, pasting, wood sculpture…
Once they have taken over the place, they finally start to make their ideas come true, revealing sometimes abandoned or unused spaces!
The event will take place every year at the end of summer, invading the town block by block.
Street art spread worldwide: many websites are updated every hour, presenting new crazy artists everyday, whereas in France a small number of events tend to promote these artists
BIEN URBAIN will contribute to make people realize the power of art on our everyday life perception on museums, theaters or clubs, and also on the streets!
For us presenting such an event is a good way to question everybody on our public space using. «Where is the place for art when ads and grey walls are everywhere? How to enjoy public spaces then?»
Moreover we are very proud to promote great artists and give them the possibility/chance to travel with their art in the best conditions.
As an inaugural issue, we wanted to welcome some of our favourite artists. So we got in touch with them and gladly realize that they really looked enthusiastic about our project!
Nine European artists and an Argentinean artist will be part of the artistic crew in September 2011.
ESCIFAfter a classic graffiti life, escif has developed a beautiful and poetic way of painting the everyday life on walls. Through simple scenes, he returns the context with an «mise en abîme» process: the painting wall is not just a wall, it is a canvas where escif paints another wall!
MONEYLESSThe Italian artist known as Moneyless uses geometric tools to reveal strange spaces: abandoned landscape, woods or temporary urban zones. The tension with his sculptures and the quiet space where he makes them create an unreal, ghostly third dimension.
SAM3
Painting his large black figures all over the world, Sam3 is about to come to France for the really first time. His really sensitive work combines huge painting and introspective scene. He also has an experimental way of working on fabulous stop motion films.
NELIO, TBLR*ONE & ZEROZEDRIP
They are three French guys who love pastel colours, old wood, abandoned things, geometric shapes and urban explorations.
SAN
One of the finest spanish street artist, SAN is first of all an amazing drawer who emphasise weird walls into great and disturbing pieces of arts.
For further information regarding this art festival visit the official site:
LUDO


Drawn with the precision of botanical illustrations, Ludo sociological imagery and malevolent creatures are as elegant as they are fierce. Hailing from France, Ludo has been creating attention around industry-fueled consumer culture for over a decade. Seamlessly fusing nature wondrous species with its man-made destructive counterparts, these works intend to jolt us out of a longstanding collective denial: despite repeated natural disasters, we refuse to acknowledge our own fragile state. Ludo resulting quasi-mutant images so effortlessly evoke contemporary creative canons that they might almost go unnoticed, underscoring the impact of “commercial propaganda” on both taste and decency. For his first London solo exhibition, Ludo transmutations are an accumulation of new works spanning sculpture, drawing, and print. This exhibition also heralds the international launch of a 72-page full colour book, OPUS #23, with an Introduction by Marc & Sara Schiller of Wooster Collective. A limited 25 signed copies will be available for sale during the exhibition.
Opens 9.9.11 High Roller Society Unit 10 Palmers Road Bethnal Green London E2 0SY
Hopefully I will see some of you there.
all the best,
ludo

For further information regarding this show visit the gallery site:
Parisian Street Artist LUDO brought “Nature’s Revenge” to the US this month and his eye-popping surreal wheat-pasted creations are now on walls in New York, Chicago, and Los Angeles. By combining weaponry with insects and plants into hybrids, LUDO is using this ongoing series to draw attention to how we are messing with nature in ways we never have in an unquestioning way and at our own peril. From biotech to nanotech to robotics to remote controlled drones, the face of war is sold with branding and a sizzling “wow” factor, accompanied by vague assurances that these developments are necessary to protect us good guys from the bad ones. From the perspective of this ongoing “Nature’s Revenge” series, our romance with all things shiny and futuristic is quickly morphing out of our control and it’s likely to come back and bite us, or worse.
Using a reliably greyscale, white, and acid green palette, LUDO’s high-tech hybrids are alternately frightening and amusing, and even super cool. While a Freddy Kruger facemask is obviously symbolic, it’s pairing with a mechanical daisy is unnerving. The wheat paste of a tarantular top-loaded missile delivery device is laughable until you see the video of unstoppable multi-limbed all terrain “big dog” robots being developed to do the same thing. Even the bunch of grape skulls seems sort of blunt until you think of what we’re now learning about irradiation, pesticides, and genetically modified foods. Taken as a whole LUDO’s work is one of the more message-driven on the street today and is another example of the new narrative-driven story telling we continue to witness in Street Art. Luckily, it’s also visually compelling.

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In LA Ludo installed work with Daniel Lahoda for LA FreeWalls, C.A.V.E. Gallery, and with curation by BSA. Special thanks to Daniel for his total support, hospitality, and vision.In Chicago special thanks to Nick and Seth from Pawn Works Gallery and to Brock for making this happen and for providing the wheels and the good company.XAM
“Brooklyn based artist XAM is showing work at Fuzion Gallery in Santa Barbara, CA alongside artists Chadillac and Martin Diaz. The show titled FLIPN’ THE BIRD opens September 1st with DJ sets, giveaways, live paintings and free booze. RSVP at flipnthebirdsb@gmail.com.”Our weekly interview with the street, this week featuring Bast, Chris Uphues, Cyrcle, Dain, Enzo & Nio, Ja Ja, LMNOP, Shepard Fairey, Skewville, Swampy, and Willow.