Images of the Week 12.11.11

Thank you for all the excellent and splendid and wacky and warm submissions to the BSA Holiday Giveaway this week. BSA just has the smartest, knowledgeable, talented  and most badass readers! Our panel of judges will be casting their votes for the five winners soon and we’ll be revealing the winners during “12 Wishes for ’12” at the end of the month. A sincere “Thank You” to everybody (from everywhere!) who took the time and made the effort to share their personal wish and image. We value each and every one.

The bachanal of Street Art known as Art Basel washed like a typhoon over walls of Miami last weekend and more Street Artists than ever put up work before heading home to locations around the globe. By all accounts it was an overwhelming experience for many and artists, fans, photographers, and promoters are taking a little time to consider the experience and think about the ramifications for Street Arts’ direction. You may have seen a couple of postings we had as the work was going up last weekend here and here.

This week we show you a handful of somewhat reflective shots from the streets of Miami (and some from New York too). With time for consideration and after letting the aerosol settle, BSA will give you a huge overview of the whole Miami Street Art scene as it stands on January 2nd.

For now, here is our weekly interview with the streets, this week featuring Dain, Gaia, Hargo, Love Me, Need You, Pez, La Pandilla, Rone, and Spencer Keeton Cunningham. Photographs by Jaime Rojo and Geoff Hargadon.

Love Me (photo © Jaime Rojo)

Need You (photo © Jaime Rojo)

Dain (photo © Jaime Rojo)

Artist Unknown. This collage was made out of two different wheat pastes by two different artists at two different times. A side bust. The B&W photos were superimposed on the original wheat paste (photo © Jaime Rojo)

 

Here are Geoff Hargadon’s images for BSA from his adventures in Miami for Art Basel 2011.

Rone. This is a fine example of the spontaneous and unsanctioned art that takes place on the streets of Miami during the four days of Art Basel.  (photo © Geoff Hargadon)

Gaia for Wynwood Walls  (photo © Geoff Hargadon)

Spencer Keeton Cunningham paints next to Ben Eine.  (photo © Geoff Hargadon)

CFYW (photo © Geoff Hargadon)

Pez (photo © Geoff Hargadon)

La Pandilla (photo © Geoff Hargadon)

Geoff caught this cru from Atlanta working in the middle of the night. The painting is a tribute to a friend of theirs who passed away not long ago. (photo © Geoff Hargadon)

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“Wall & Frames”, Today’s Street Artists, Tomorrow’s Masters

There is an uneasy reluctance among some artists in the graffiti and the Street Art community to let themselves be seen hanging with art collectors or even entering galleries sometimes because they might lose credibility among peers for not being ‘street’ enough. Seeing well manicured men in pinstripes and shrieking birdberry women with tinted/straightened/plumped everything looking at your shit hanging on a wall and asking vaguely patronizing questions about it like you are an exquisite curiosity could make you go out and slice their tires after downing a few white wines.  Not surprisingly, “keeping it real” sometimes translates to keeping it out of private collections.

Even as there is an every-growing recognition of art and artists who work sometimes illegally in the street, it’s a sort of high-wire act for anyone associating with art born in margins, mainly because it forces one to face the fact that we marginalize.

Sociological considerations aside, over the last decade there is a less traditional definition of Street Artist entering the fray. The graffiti scene originally boasted a sort of grassroots uprising by the voiceless and economically disempowered, with a couple of art school kids and the occasional high-minded conceptualist to mix things up. It’s all changed of course – for myriad reasons – and art in the streets takes every form, medium, and background. Now we see fully formed artists with dazzling gallery careers bombing right next to first time Krinks writers, graffiti writers changing gears and doing carefully rendered figurative work, corporations trying their hand at culture jamming (which isn’t a stretch), and all manner of Street Art referred to as an “installation”.

A new book by Maximiliano Ruiz called “Walls & Frames”, just released last month by Gestalten, presents a large collection of artists who have traversed the now permeable definitions of “street”, gallery, collector and museum. Admittedly, this may be a brief period of popularity for Street Art, if the 1980s romance with graffiti is any indication, but there is evidence that it will endure in some form.  This time one defining difference is that many artists have already developed skill, technique, and a fan base. Clearly the street has become a venue, a laboratory for testing and working out new ideas and techniques by fine artists, and even a valued platform for marketing oneself to a wider audience.

A spread of work by Conor Harrington in “Walls and Frames”.

The resulting work, whether hanging on a nail inside or painted on a street wall, challenges our previously defined boundaries. The current crop of street art stars and debutantes, many of the strongest whom are collected here by Ruiz, continue to stay connected with the energy of the street regardless of their trajectory elsewhere. Some are relatively new, while others have been evolving their practice since the 70s, with all the players sliding in and off the street over time. The rich and varied international collection is remarkable and leaves you wanting to see more work by many of the artists. All considered, “Wall and Frames” is a gorgeously produced book giving ample evidence that many of today’s artists in the streets are tomorrow’s masters, wherever they practice.

Augustine Kofie in “Walls and Frames”.

 

Sixe in “Walls and Frames”.

Remed in “Walls and Frames”.

Anthony Lister in “Walls and Frames”.

Judith Supine in “Walls and Frames”.

Alexandros Vasmoulakis in “Walls and Frames”.

D*Face in “Walls and Frames”.

Interesni Kazki in “Walls and Frames”.

Jorge Rodriguez Gerada in “Walls and Frames”.

M-City in “Walls and Frames”.

 All images © of and courtesy of Gestalten and Maximiliano Ruiz.

Artists included are Aaron Noble, AJ Fosik, Alexandre Farto aka Vhils, Alexandros Vasmoulakis, Alëxone Dizac, Amose, Andrew McAttee, Anthony Lister, Antony Micallef, Axel Void, Basco-Vazko, Base 23, Ben Frost, Blek le Rat, Bom-K, Boris Hoppek, Boxi, C215, Cekis, Conor Harrington, D*Face, Dan Witz, Daniel Muñoz aka San, Dave Kinsey, Der, Dixon, Docteur Gecko, Doze Green, Dran, Duncan Jago aka Mr. Jago, Eine, Ekundayo, El Mac, Evan Roth, Evol, Faile, Faith 47, Fefe Talavera, Gaia, George Morton-Clark, Herakut, Herbert Baglione, Interesni Kazki, Jaybo, Jeff Soto, Jeremy Fish, Jesse Hazelip, Johnny “KMNDZ” Rodriguez, Joram Roukes, Jorge Rodriguez Gerada, Josh Keyes, JR, Judith Supine, Katrin Fridriks, Kevin Cyr, Kofie, L’Atlas, Lightgraff, Logan Hicks, Ludo, M-City, Mark Jenkins, Mark Whalen aka Kill Pixie, Maya Hayuk, Medo & Demência, Meggs, Miss Bugs, Miss Van, Morten Andersen aka M2theA, Mr. Kern, Mudwig, Nicholas Di Genova, Okuda, Patrick Evoke, Paul Insect, Pedro Matos, Peter Owen, Pose, Pure Evil, Remed, Remi/Roughe, René Almanza, Retna, Ripo, Ródez, Sam3, Sat One, Shepard Fairey, Sixe, Smash 137, Sowat, Sten & Lex, Stephan Doitschinoff, Tec, Tilt, Troy Lovegates aka Other, Turf One, Vitché;, Wendell McShine, Will Barras, and Zosen.

 

The launch; “Walls & Frames” will be presented at Gestalten Space Berlin on December 15th.

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Fun Friday 12.09.11

1. Last Day to Enter “BSA Holiday Giveaway”
2. “Tokyo Tattoo 1970” Martha Cooper and Aiko in Brooklyn
3.  Robots Will Kill & Friends Tonight in Brooklyn
4.  Photographer Birdman Show tonight in Los Angeles
5.  C215 at Shooting Gallery (SF)
6.  Geoff Hargadon “Dealers Protected” (Boston)
7. GAIA Saturday @ Irvine Contemporary (DC)
8. “Home For The Holidays”  group show at Klughaus Gallery
9. DD$ show “Everything Popular is Wrong” at Lab Art
10. Nick Walker’s Large Mural, “See No Evil”, in Bristol (VIDEO)
11. The Installation of David Byrne’s Giant Globe under the High Line in NYC (VIDEO)

Last Day to Enter “BSA Holiday Giveaway”

Folks today is the last day we are accepting submissions for our Holiday Giveaway Contest “12 Wishes for 2012”. Hurry! The prizes are great plus you can be featured on BSA along some great artists working today on the streets.

“Tokyo Tattoo 1970” Martha Cooper and Aiko in Brooklyn

Tonight at Urban Folk Art Gallery/Brooklyn Tattoo, a dual show of photographer and artist and friends.

Urban Folk Art© Gallery is pleased to present the the art installation and book release celebration for Martha Cooper’s latest book ‘Tokyo Tattoo 1970’ by Dokument Press.

Martha Cooper will be exhibiting photos from her book, and Aiko, internationally renowned stencil artist will be displaying work inspired by Martha’s work directly related to the book.

For Further information regarding this show click here

Robots Will Kill & Friends Tonight in Brooklyn

Mighty Tanaka ‘s new show “ROBOTS WILL KILL & FRIENDS” brings together an eclectic group of artist from different disciplines. The gallery is also celebrating 2 years.

Veng, Chris of RWK shown here with Overunder, (photo © Jaime Rojo)

For further information regarding this show click here

Photographer Birdman Show tonight in Los Angeles

In Los Angeles, esteemed photographer and BSA collaborator Bryan Mier AKA Birdman’s show “Wish You Were Here” opens today at Novel Cafe. Wish we were there!

Dabs and Myla in LA (photo © Birdman)

Birdman’s exhibition, “Wish You Were Here,” will feature his adventures in the art world. Including shots on roof tops, night sessions and rare images of artists up close working on murals.

For further information regarding this show click here

C215 at Shooting Gallery (SF)

French Artist C215 new solo show “Smoke Gets In Your Eyes” opens on Saturday at the Shooting Gallery in San Francisco.

C215 at his studio (photo © C215)

Christian Guémy, also known as C215, is a Parisian street artist known for his intensely emotive stencil portraits. C215 began painting six years ago, and has since brought his work all over the world, from New Dehli to Istanbul.

For further information regarding this show click here

Geoff Hargadon “Dealers Protected” (Boston)

Geoff Hargadon invites you to the reception of his solo show “Dealers Protected” on Saturday at the Gallery Kayafas in Boston.

 

Geoff Hargadon. CFYW Miami 2010 (photo © Geoff Hargadon)

For further information regarding this show click here

GAIA Saturday @ Irvine Contemporary (DC)

Gaia’s “Urban Interventions” solo show with the Irvine Contemporary Gallery in Washington, DC opens on December 10.

Gaia (photo © Jaime Rojo)

For further information regarding this show click here

Also Happening this weekend:

“Home For The Holidays” A group show that includes works by Faust, Moody and Katsu among other artists at the Klughaus Gallery in Manhattan. Click here for more details.

DD$ show “Everything Popular is Wrong” at Lab Art in Los Angeles. Click here for more details.

Nick Walker’s Large Mural, “See No Evil”, in Bristol (VIDEO)

 

The Installation of David Byrne’s Giant Globe under the High Line in NYC (VIDEO)

 

Mc Fitti – Strap on Traumschiff (VIDEO)

Have no idea what he is rapping about but there are some sick tricks here.

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Klughaus Gallery Presents: “Home for the Holidays” A Group Show. (Manhattan, NY)

Home for the Holidays

Downtown contemporary art gallery Klughaus Gallery is proud to announce its grand opening and inaugural exhibition titled, “Home for the Holidays,” on December 9, 2011. This group show will feature a diverse mix of mediums including paintings, photographs, sculptures and mixed media pieces. The exhibition will include a talented roster of emerging and established artists including Faust, Fuzz One, Greg Lamarche, Kimou ‘Grotesk’ Meyer, Jasper Patch, Katsu, Mr. Kiji, Michael Alan, Moody, Seb Gorey, Tom Gould, Topske, Veefer, and Vor138.

The opening reception on Friday, December 9, 2011 will be from 6:00pm-10:00pm. All are welcomed to attend the reception and may RSVP by emailing rsvp@klughaus.net.

The exhibition will be on display from:
December 9, 2011 – December 31, 2011

For more information, please contact:
646-801-6024
info@klughaus.net

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The City of Angels AND Murals Considers a New Approach

“Original Art Murals comprise a unique medium of expression that serves the public interest.”

Shocking as that may sound, it is just one of the statements contained in a proposed new mural ordinance in Los Angeles.  We don’t usually dip our toes into policy discussions regarding public art, preferring to concentrate on the art and the artist and where we’re headed from that perspective. But it has been a bit of high theater to see the machinations at work in a city prized for it’s history of public murals as official policy has wiped out perfectly legal community approved artworks and secured the rights of corporations to blight neighborhoods with billboard messages to buy goods and services.

​”For months, the L.A. Department of City Planning has been teasing street artists with announcements of a new ordinance that would lift the current ban on all pre-approved murals on private property in Los Angeles,” says the LA Weekly Blog yesterday, as they take the council of the celebrated local graffiti artist Saber and his community arts activist buddy Daniel Lahoda, among others, to pound out an agreement that puts public art back in peoples hands.  Without talking about vandalism, the current laws on the books actually prevent a property owner from commissioning artwork on their own buildings. The new policy will re-classify murals as “original works of art”  as long as they are not shilling for a business. Also, puppies are cute.  And boys like girls in short skirts. And the Pope is Catholic.

Below a selection of images from the murals in the Arts District of Downtown Los Angeles as part of the LA Freewalls Project spearheaded by Daniel Lahoda.

JR (photo © Jaime Rojo)

Shepard Fairey (photo © Jaime Rojo)

Anthony Lister (photo © Jaime Rojo)

Swoon (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

Saber and Augustine Kofie (photo © Jaime Rojo)

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Well Heeled Street Artist ELV : Shoes OOOOO  La La

Well Heeled Street Artist ELV : Shoes OOOOO La La

Then I met an Englishman.
“Oh,” he said.
“Won’t you walk up and down my spine,
It makes me feel strangely alive.”
I said ‘In these shoes?’
I doubt you’d survive.”

In these Shoes ~ Kirsty MacColl

ELV (photo © Jaime Rojo)

“Olalalamode”, a project by Street Artist ELV, consists of a closet full of hand painted wheat pastes glorifying the most psychologically laden ladies accessory, the shoe.  These eclectic shoes started to appear on Bushwick streets late summer, so we know they must be for Spring 2012. Garish, oddly elongated, and elevated beyond sense, this catch-me collection might not attract the eye of Imelda Marcos but Lady Gaga could certainly give them a lick. In a bold simple cartoon sketch style, the vividly rendered pumps in bright colors are marching and preening in better alleyways and empty lots everywhere.

ELV (photo © Jaime Rojo)

Fancy shoes are not usual for the Street Art scene but many a man has been transfixed by a woman in some hot high heels, hoping to have them scattered across his living room floor, or elsewhere in his apartment. Mickey Rooney didn’t have that kind of fortune. “I buy women shoes and they use them to walk away from me.”

Certain women love them more – if for different reasons. That whinneying clothes horse Carrie Bradshaw once supposedly blew 40K on shoes, but no one ever believed the characters on that show actually existed. Madame Marcos, who did exist, lustily defended herself against Philipinos clamoring for her well-coiffed head by exclaiming, “I did not have three thousand pairs of shoes, I had one thousand and sixty”. And don’t forget Condi Rice, the Secretary of State and accomplished pianist who strutted up 5th Avenue shoe shopping and later catching a Broadway show while Hurricane Katrina ravaged the south. Clearly, the list of people who are driven crazy by shoes is endless. ELV is here for you.

ELV (photo © Jaime Rojo)

ELV (photo © Jaime Rojo)

ELV (photo © Jaime Rojo)

ELV (photo © Jaime Rojo)

ELV (photo © Jaime Rojo)

ELV (photo © Jaime Rojo)

ELV (photo © Jaime Rojo)

ELV (photo © Jaime Rojo)

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A Ladies Love Project Presents: Holiday Pop Up Shop (Manhattan, NY)

Holiday Pop Up Shop

On Saturday, December 17, 2011, the LADIES LOVE PROJECT presents its third POP-UP SHOP at the West Village Brecht Forum, 451 West Street from 12pm – 8pm. The PROJECT, a brainchild of renowned street artist TOOFLY and sound sensation PattyDukes of the Circa95 duo, highlights some of NYC’s most creative underground artists and designers.  The one-day-only holiday event boasts an intimate, yet extraordinarily colorful market experience designed to familiarize consumers, media and tastemakers with established artists.
The large group of talented designers will be exhibiting one of a kind, limited edition, handcrafted goods just in time for the holidays! Featured market designers and artists Toofly, Good Wood NYC, Junkprints, Vanilla Medallions, Marka27, Antonio Kel 5MH, while several other brands will be in attendance. Music across all genres will be provided by iPod DJ’s Rephstar (of Circa95), Ben Ferrari, Jacina Love, and Slik Nik The Ruler. A live broadcasting of the event will be streamed at www.Circa95.com, while complimentary holiday treats by Jenny Kinns Cupcakes and Mi Isla Coquito by Millie will help promote the holiday cheer! Exclusive event photography will be taken by Samantha Morales with video by Barrio Media.

The Brecht Forum

451 West Street (between Bank & Bethune Streets)

New York, NY 10014

www.brechtforum.org

Date: Saturday, December 17, 2011

Time: 12PM-8PM

 

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Urban Folk Art Gallery and Brooklyn Tattoo Present: Tokyo Tattoo 1970: Martha Cooper and Aiko (Brooklyn,NY)

Tokyo Tattoo 1970

 

Tokyo Tattoo 1970: Martha Cooper and Aiko
Presented by Urban Folk Art©/Brooklyn Tattoo®
 
Date of Exhibit – Dec 9-30th  2011
Opening Friday, December 9th 7-10pm
 
Urban Folk Art© Gallery is pleased to present the the art installation and book release celebration for Martha Cooper’s latest book ‘Tokyo Tattoo 1970’ by Dokument Press.
 
Martha Cooper will be exhibiting photos from her book, and Aiko, internationally renowned stencil artist will be displaying work inspired by Martha’s work directly related to the book. Martha Cooper is an American photographer best known for documenting the New York graffiti scene in the 70’s and 80’s. She started getting noticed for her personal work while working at the NY Post in the 70’s. The landmark book Subway Art published in 1984 which Cooper co-authored with Henry Chalfant is frequently credited as the catalyst and foundation for aerosol art movements worldwide. In the 70’s She was living in Tokyo with her anthropologist husband and became interested in Japanese tattooing after seeing a tattoo on display at a festival. She documented the tattoo Master Horibun I at work on clients as well as others involved in the tattooing scene there. She tried to publish these photos in the early 70’s but found that tattoong back then had an unsavory reputation, and no one was interested.
 
An original member of the art collective Faile, Aiko has been making art that has been shown and recognized internationally for many years. Aiko and Martha met in 2006,  and since then have traveled to Japan, Amsterdam and Berlin together on various projects, Aiko helped install Martha’s photos at the MOCA ‘Art in the Streets’ exhibit, as well as participated in the Carmichael gallery’s show “Remix” where artists made work inspired by Martha’s photos. Aiko’s piece was inspired by one of the photos in ‘Tokyo Tattoo 1970’. www.ladyaiko.com
 
In 2004 Martha met the guys at Dokument Press. Their magazine ‘Underground Productions’ was one of the first graffiti magazines in Europe. In 2008 Dokument press published Cooper’s ‘Tag Town’. Martha says: “Dokument has always been interested in publishing work about underground cultures, so the tattoo photos were a good fit for them.”

On choosing Urban Folk Art© Gallery for her book release, Martha says, “Aiko and I attended the Atlantic Avenue Art Walk last year and I was surprised to see a tattoo studio (Brooklyn Tattoo) and gallery with the name ‘Urban Folk Art©’ on the event map. So first of all, the name attracted me and I wanted to see what the place was. When I found out that there was a graffiti connection, I thought it would be the perfect place to launch my tattoo book”.

Co-Curated by Martha Cooper, AIKO, Adam Suerte, Robert Bonhomme.

 

718 643 1610

urbanfolkart.com

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Gallery Kayafas Presents: Geoff Hargadon “Dealers Protected” (Boston, MA))

CFYW

 

Gallery Kayafas has just opened the CA$H FOR YOUR WARHOL exhibit called “Dealers Protected!” It looks great, if I may say so. (I didn’t install it, which is probably why.) It features a wall of new signs that were just shown Moniker Art Fair in London and at Pulse Art Fair in Miami, two new plaques, a fresh-squeezed edition of signs made just for this show, and about 40 photographs from installations during the past 2 1/2 years. One of the featured photographs is the first installation we did, which was at the Rose Museum, Brandeis University (upper left image on the attachment). We will also have some photographs from installations that were done in Miami just this past week.
450 Harrison Avenue, Boston

Saturday, December 10, 3-5pm

we will have all sorts of CFYW stickers – and EVERYBODY likes stickers, right?!

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Night Walk : The High Line Park in New York City

Every day you are rushing to jobs or gigs or interviews for jobs or gigs, negotiating the path through the rough loud place you love, New York. It’s tempting to stay inside your apartment or a bar at night – especially when the sun goes down so early, but you can actually have a great time for free if you take a walk along one of Manhattans newest thoroughfares. The High Line Park has been open since 2009 and after many visits we’ve decided that this vast path of urban infrastructure is one of the most successful of the city’s public works. It is a work of art, if you can excuse a bit of gushing. And it’s work of art you can sit inside – or stroll, or jog, or dance, or steal a kiss. Not hog-kissing, don’t get carried away you kids!

The High Line Park (photo © Jaime Rojo)

Viewed from the High Line at night, the city is close enough to touch but still out of reach, the winding path of the former shipping rail guides you through canyons of warehouses that loom to both sides and allow you a look inside. Distant buildings form mountain peaks in fluorescent reds and greens and blues jutting behind the buildings in your foreground, holding up the sky with triumphal color and illuminating a diorama of the city before you while the Hudson River glistens alongside. You have a front seat to see architectural design of many schools and gaze down upon the creeks and streams of lights below without worrying about dodging traffic or crossing a street – or paying the high rent this island demands now.

In summer months the landscaping is tamed-wild lushness, with a wide variety of plants, tree, flowers, and tall waving grasses.  Even in the off-season, the burnished hues and rusty textures bouncing in the cold breeze make sure the natural element takes a central role in a city which celebrates the man-made. The welcoming handsome furniture is integrated along the walkway to accompany, support, and even to facilitate lounging. What is amazing is how you can be firmly in the middle of an urban footprint and yet experience a sense of being in a serene environment.

The High Line Park (photo © Jaime Rojo)

On a recent evening there were few people walking and sitting in the hidden niches while we strolled up the High Line. People talk, gaze, and of course, take photos. In a semi enclosed underside of a warehouse a lone cello player filled the air with an achingly rich timber that reverberated directly through us like waves of amber.  Just one guy playing his instrument. Where are we, on top of the world? Yes, it’s New York again.

John Baldessari “The First $100,000 I Ever Made”. (photo © Jaime Rojo).

From the High Line Web Site : “High Line Art, presented by Friends of the High Line, today unveiled The First $100,000 I Ever Made, a new work created by legendary artist John Baldessari for the 25-by-75 foot billboard next to the High Line on 10th Avenue at West 18th Street. This is the first of three works to be presented as part of a new series called HIGH LINE BILLBOARD, thanks to the generous support of Edison Properties, the owner of the property on which the billboard stands. The First $100,000 I Ever Made will remain on view until Friday, December 30, 2011.”

The High Line Park (photo © Jaime Rojo)

The High Line Park (photo © Jaime Rojo)

The High Line Park (photo © Jaime Rojo)

The High Line Park (photo © Jaime Rojo)

The High Line Park (photo © Jaime Rojo)

The High Line Park (photo © Jaime Rojo)

The High Line Park (photo © Jaime Rojo)

The High Line Park (photo © Jaime Rojo)

The High Line Park (photo © Jaime Rojo)

The High Line Park (photo © Jaime Rojo)

No Sleep AKA Werds. The High Line Park (photo © Jaime Rojo)

The High Line Park (photo © Jaime Rojo)

The High Line Park (photo © Jaime Rojo)

The High Line Park (photo © Jaime Rojo)

The High Line Park (photo © Jaime Rojo)

To read BSA feature on the High Line Park at day time click here

To learn more about the High Line Park and how to help click here

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Cryptik “Sacred Syllables” at Hold Up Art

BSA contributor Carlos Gonzalez recently checked out the golden hued installations by Street Artist Cryptik at Hold Up Art in LA. Here he shares with us his observations and photos.

Street Artist Cryptik just opened with a new solo show, “Sacred Syllables” at Hold Up Art Gallery, located in the Los Angeles neighborhood of Little Tokyo. The enigmatic, L.A.-based artist has been hitting the streets of for some time with his signature style which includes references to Eastern, Buddhist and Hindu religions. Unlike other street artists, Cryptik’s art holds a spiritual tone that is rarely seen in a city like Los Angeles. Without being overtly religious, the work speaks to those who are looking for more than the flashy, bright palette you might normally associate with Street Art.

Cryptik (photo © Carlos Gonzalez)

This exhibit is an perfect example of this mindset. As soon as you enter the gallery space, you feel like you are entering an alley somewhere in India or a market in a distant part of Asia. Still, Cryptik’s artwork is the main attraction. Utilizing a variety of materials ranging from candles to wood, the collection of work gracefully walks a thin line between street art and spiritual text. The style incorporates a precise use of Sanskrit lettering which he has perfected through out the years, and his lines seem flawless as letters create circular patterns inside the confines of a wooden frame. Without jumping at you, screaming for attention, Cryptik’s work rewards a careful observer.

Cryptik (photo © Carlos Gonzalez)

Cryptik (photo © Carlos Gonzalez)

Cryptik (photo © Carlos Gonzalez)

Cryptik (photo © Carlos Gonzalez)

Cryptik (photo © Carlos Gonzalez)

Cryptik (photo © Carlos Gonzalez)

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See more images by Carlos Gonzalez on his Flickr.

 

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