Join us on Saturday July 28th for BELIEVE THE HYPE! An all day event filled with art, music, games, food, drinks, and gushing wateras Pandemic throws a summer party!!
Artists will paint the entire inside of the gallery into a stunning collaborative mural
and smaller works such as Limited Prints / T-shirts / Zines / Drawings and the likes will be available for purchase.
On his recent trip to Bantry, West Cork, Ireland Street Artist Phlegm took advantage of a brief dry interlude, got his painting materials out, rolled up his sleeves and set his magical thinking free onto a couple of walls. Unbothered by the punishing rays of the sun, the palette of black and white emulated the greyness of the days.
Phlegm’s ingenious use of scale and precisely rough rendering of imagination can make you feel good about daydreaming. With the same determination as a kids building intricate sand castles and moats on the beach in the summer, you can watch Phlegm render this giant submarine-fish and imagine how a day can evaporate without notice.
Here’s a video of his work on both walls by Colm Rooney courtesy of One Color/Conor Mahon;
August 1–November 25, 2012 The ICA presents the first solo U.S. exhibition of Brazilian artists Os Gemeos. The ICA exhibition will include a selection of the artists’ paintings and sculptures, as well as a public mural outside the museum
Organized by Pedro Alonzo, ICA Adjunct Curator
This August the ICA will present the first solo exhibition in the United States of works by the Brazilian brothers Otavio and Gustavo Pandolfo. Best known as Os Gêmeos, the twins are a major force in graffiti and urban art. The twins have a deep bond; they are tireless collaborators and say that they often experience the same dreams. In an effort to share their dreams with the world, they depict their visions in surreal paintings, sculpture, and installations: human figures with removable faces, exploding bursts of color, and room-size heads installed with shanty interiors.
Os Gêmeos draw not only from dreams, but also from their surroundings, incorporating these elements to forge a unique visual style. Their narrative work is a visual synthesis of their everyday lives: the color and chaos of Brazil—particularly in their neighborhood in São Paulo, Cambuci—or yellow-skinned youth in red hoodies breaking into train yards and painting in subway tunnels. A common motif depicts several graffiti taggers garbed in brightly patterned clothes stacked atop one another to reach an impossibly high spot. In contrast to the more contemporary urban themes, rural Brazil has an equally significant presence in their work. Carnivals, music, and folk art fascinate the twins and inspire fantastical portraits of musicians and paintings of processions and festivals—all of which are based on their own photographs.
Os Gêmeos date their artistic beginnings to 1987 when hip-hop invaded Brazil. The music and images of youth dancing and painting graffiti, transmitted via photo books and films, left an indelible mark on the twins. But in the late 1980s, the lack of information about art and art-making materials—Brazilian spray paint was expensive and inferior in quality—forced the artists to improvise and create their own visual style. They began painting New York graffiti–style murals with house paint, brushes, and rollers instead of spray paint. In 1993 while in Brazil, Os Gêmeos met then emerging artist Barry McGee. He provided magazines, materials, and information and began to paint with the twins. McGee was making a living as an artist, a fact that inspired the twins to quit their banking jobs and focus entirely on working as artists. Today they are two of the most prominent figures in public art, having succeeded in creating large-scale murals and painting public transportation throughout Brazil.
To Os Gêmeos labels—as well as reality—are not important. They do not consider themselves street artists, they “just want to paint.” Their art in public spaces, which they refer to simply as graffiti, is a means to share their work with a broad audience. This exhibition will highlight the multiple influences and recurring visual themes found in the artists’ paintings and sculptures, and allow audiences an opportunity to experience their richly fantastical work. As part of the exhibition, the artists will visit Boston in August 2012 to paint a large-scale, site-specific mural.
The Institute of Contemporary Art
100 Northern Avenue
Boston, MA 02210 General Information 617-478-3100 info@icaboston.org
Various and Gould can’t be sure that their own strings didn’t get pulled last week when they installed on the street a life-sized replica of one half of this German Street Art duo. Hanging from the beams below a train station in Berlin-Kreuzberg, the cardboard puppet named “Heinrich” had gone on display two or three times indoors before but the artists wanted to see how he would be received by passersby in the public sphere.
“Before we were even done installing people showed up and started to play intuitively with it by pulling the strings,” they told us as they described their surprise at what would become a 6-day experience.
People from all walks of life and ages took interest in this naked man hanging out near the bicycles, and many took his movements into their own hands. The artists visited the site regularly to observe the interactions, and often found that a mirroring of movements, a sort of dance, took place. “Not only was the marionette being moved but also the people moved themselves. Some just pulled one of the chords briefly, while others would get totally into it, grabbing the strings with both of their hands, experimenting with various sequences of movements.” Their lifeless creation somehow brought the street to life, and vice versa.
Sometimes there was damage to Heinrich that they needed to repair when visiting him first thing in the morning, and he suffered one violent episode that left his arms dangling by themselves from the hooks in the ceiling above. But he also gained a protective crew of friends who call this area home, including the 40-ish slim musician named Ben with a bandaged hand of his own. Drinking coffee or beer with his buddies all day, Ben took on a protective air toward the puppet, instructing people how to use the strings. To their amazement, the artists often found that their creation had been repaired; a torn-off foot was reattached with a rubber band and a shoulder joint was rejuvenated with an empty cigarette box and some adhesive tape.
What began as a fun experiment with a puppet that they were ready to part with eventually transformed into a bonding experience they had not predicted. Watching individuals interact with the strings became like poetry. “It looked like two marionettes facing each other with both being joined by the same chords,” they say. Finally one day Various and Gould found that Heinrich had been cut down from his strings and taken away, perhaps to someone’s home.
For their experience, they cannot help but think of the people they met, and what Ben said about everyone being a marionette. Public artists know of course that public art will always be subject to the whims of the public. What they didn’t expect was to find that their puppet project might have had some heart strings attached to it.
Street Artist LUDO shows his active imagination is in full force with these new billboard takeovers in Paris that blend unusual themes with his ongoing fascination for insects and technology.
First are the insect playboys, appearing to merge a porno sensibility and animation 3-D rendering with the natural world. Since Summer is the season for insect love in the park perhaps the gentlemen bugs mind turns to centerfolds and multi-legged playmating?
The second installation, by way of tribute to the passing of rapper Adam ‘MCA’ Yauch is his nod to the 1986 Beastie Boys Album cover for “Licensed to Ill”. In LUDO’s version, the crashed plane is morphed into an insect chassis and rechristened “Beestie”.
Show dates:
20th July – 25th August 2012 Private View: 19th July 2012 The Outsiders London
8 Greek Street W1D 4DG
We are please to announce Logan Hicks’ first ever solo show at The Outsiders London titled ‘Structural Integrity’.
Logan is recognised throughout the art world as a pioneer in stencil art, creating photorealistic paintings of urban landscapes in meticulous detail, from layers upon layers of painstakingly cut stencils. Logan states the concept behind his work focusing on city architecture, is his fascination with the idea that hidden between city walls and alleyways are millions of stories and secrets from all the people who have lived and walked these areas before, “my work reflects on the events that have come before me”.
In addition to the stencil works in the exhibition, Logan will be showing a body of photographs taken over the past 5 years, giving the viewer an rare insight into life beneath cities of America and Europe!
The private view will take place from 6pm to 9pm on 19th July at the Outsiders London. RSVP by Wednesday 18th July with your full name and your guest’s name to be included on the guest list.
Miss Bugs, Other, Paul Insect, Sheryo, The Yok, Zero Cents and more
On view through August 15th
As street art gains in popularity among the contemporary art world, the unique relationship between the artists’ public and print work is often overlooked. In an attempt to reclaim public space, street artists apply repetition with a multiplicity of familiar aesthetics and imagery—allowing the anonymous artists to create an easily recognizable identity for themselves. Printmaking’s potential for reproduction and circulation offers an alternative vehicle to make their work accessible for the public. (Re)Print celebrates the connection found between these salient aspects of both street art and printmaking.
In conjunction with this event, Hendershot Gallery has invited a select group of artists to create new site-specific installations as part of (Re)Print’s growing underground street art project. Murals by the artists will be open to the public for the duration of the summer, however, the exact location will remain undisclosed—attempting to preserve the excitement experienced when one unexpectedly discovers a work of street art.
At Tony Goldman’s reception for Street Artist Aiko on Friday, the diminutive dynamo looked pretty smashing as she signed fresh Martha Cooper prints, despite smashing a wall till 4 am the same day. In fact Aiko was on a cherry picker every night last week as she methodically knocked out the candy-pink and purple pastiche of sexy stenciled ladies and butterflies across this nearly institutional wall that stands as an edificial link to Manhattan’s Street Art past.
With summer’s sun now scorching NYC during the day, beginning the job as the sun set over Gotham meant Aiko could avoid the brain-frying heat and study the detailed booklet of plans she had prepared for this high-profile wall that’s been hit by the likes of Haring, Scharf, and Fairey. During the day you might spend a third of the time answering questions from inquisitive New Yorkers who want to know exactly what the hell is going on, but at 3 am on Wednesday morning it’s only sanitation workers, dog walkers and the occasional drunken revelers.
Ironically, while many Street Artists have worked anonymously under cover of night, in this case hitting a wall means you’re more public than ever before. For Aiko, it’s a perfect opportunity to bring her fully female flurry of power to “represent” in a scene that has a preponderance of dudes. For New Yorkers, this is another free Street Art show that runs 24/7 all summer long.
Here’s our weekly interview with the street, this week featuring Concrete Jungle, Edaurdo Jones, El Sol 25, Know Hope, Love Me, Matteo Efrem Rossi, Peeta, Phlegm, QRST, Rambo, Royce Bannon, Russell King, Shok 1, The Weird, Venezia, WAS, Swil and Willow.
Street Artist Rae from the BK tied a knot in the busted fanbelt of his heavily rusted ’83 Camaro with no A/C and made a long hot trip to Chicago last week to visit Nick and Seth at Pawnworks – and to hit up some walls. Whether it’s a scrapyard sculpture or multicolored mural, Rae’s stiff and speckled street dudes are often animated and gesticulating about something very important – but you might not know exactly what. Dapper, direct, and a bit childlike, you have to show them respect because they remind you of your Uncle Eugene who always starts out normal at the family reunion but ends up sitting at a picnic table under an oak tree by himself putting egg salad in his hair and talking about quarter-horse racing or the Republicans or Rupert Murdoch.
“We were very excited to be able to host Rae in Chicago to do some work as part of an on-going mural project in the Historic Pilsen neighborhood on the Southside of Chicago,” says Nick Marzullo.
Pawnworks Gallery have been asked to participate on a neighborhood project working with the local alderman, The Mexican Museum of Art and The Chicago Urban Art Society and other partners to beautify a stretch of wall in the Pilsen neighborhood. And there will be more to see first here on BSA. Says Nick, “Stay tuned for more as there is an array of amazing artists planned to come out to participate in the future”.
1. Dscreet is on “The Other Side Show” (London)
2. Neck Face is “Simply The Worst” Tonight in LA
3. Stormie Mills “Dark Lights” Friday (Perth, AU)
4. “Welcome to the Neighborhood” Low Brow Artique Grand Opening Saturday (Bushwick, BK)
5. MEGGS at White Walls (San Francisco)
6. VINZ Solo in 3 Places Saturday (Netherlands)
7. Cassius Fouler Now Open in Brooklyn
8. “Summer Selections” Group Show at Woodward (LES)
9. Morley “I Don’t Make Sense Without You”at Outsiders Gallery in Newcastle, UK
10. David Ellis and Kris Kuksi “Go West” to LA
11. Jeremy Fish at Fifty24SF Gallery in San Francisco
12. BASK One Stand in Detroit (VIDEO)
13. Snyder in Los Angeles (VIDEO)
Dscreet is on “The Other Side Show” (London)
“It will be my first solo show in four years and centers around the theme of duality – light and dark and black and white,” says Dscreet, the London based Street Artist of Burning Candy fame and infamy as he returns to the gallery with a solo show titled “The Other Side Show” at the Roktic Gallery in London. This show is now open.
For further information regarding this show click here.
Neck Face is “Simply The Worst” Tonight in LA
Neck Face returns to New Image Art Gallery in West Hollywood, CA to state why he is “Simply The Worst”. This show opens today and you are encouraged to wear something that it is not you.
For further information regarding this show click here.
“Welcome to the Neighborhood” Low Brow Artique Grand Opening Saturday (Bushwick, BK)
Uh-Oh, there goes the neighborhood. Tomorrow Street Artist Bishop 203 invites you to the grand opening of his gallery and art shop Low Brow Artique in Bushwick.
The opening will be celebrated with a group exhibition of Brooklyn based Street Artists including Cern, Clown Soldier, Elle, ENX, See One, Sheryo, Willow and Yok. Come wish this impresario good luck. An art supply spot in the front and a gallery in the back, “Low Brow” hopes to raise some eyebrows tomorrow night.
For further information regarding this show click here.
MEGGS at White Walls (San Francisco)
“Mythology tells the stories of gods, heroes, humans and supernatural beings as the personification of natural phenomena and more importantly the human condition… ” Saturday Meggs delves deeper into the subject of fantasy in San Francisco for his new solo show “Truth in Myth” opening tomorrow at the White Walls Gallery.
Meggs Red Skull. Detail. (image courtesy of the gallery)
For further information regarding this show click here.
VINZ Solo in 3 Places Saturday (Netherlands)
Spanish Street Artist VINZ has invaded Amsterdam with “Rules of Etiquette” his first solo show in The Netherlands opening tomorrow on three different locations: The Garage, Andenken Gallery and Battalion.
For further information regarding this show click here.
Cassius Fouler Now Open in Brooklyn
Opened last night at Weldon Arts Gallery, “Four Borough” is a cool collection from Cassius as he continues to merge symbols and irony and inside jokes with a deceptively simple and friendly hand delivery.
Woodward Gallery has put together “Summer Selections” an eclectic show of dead and alive artists, with some modern and contemporary masters mixed in with a select group of Street Artists that might or might not be the masters of tomorrow. Come in, cool off and judge for yourself.
Artists included are : Jean Michel Basquiat • Rick Begneaud • Susan Breen • Thomas Buildmore • Alexander Calder • Celso • Deborah Claxton • Darkcloud • Paul Gauguin • Sybil Gibson • Richard Hambleton • Curt Hoppe • Infinity • Jasper Johns • Russell King • Kosbe • LAII • Moody • Margaret Morrison • Mel Ramos • Robert Rauschenberg • Matt Siren • stikman • Jeremy Szopinski • Francesco Tumbiolo • Jo Ellen Van Ouwerkerk • Andy Warhol.
This show is now open to the general public. Click here for more details on this show.
Also happening this weekend:
The Outsiders Gallery in Newcastle, UK new show featuring Morley and entitled “I Don’t Make Sense Without You” is now open to the general public. Click here for more details on this show.
The Joshua Liner Gallery new show in Los Angeles at the Mark Moore Gallery pairs David Ellis and Kris Kuksi for “Go West”. This show is opens tomorrow in Culver City, CA. Click here for more details on this show.
Jeremy Fish is at the Fifty24SF Gallery in San Francisco with the opening tomorrow of his new show “Where Hearts Get Left”. Click here for more details about this show.
BASK One Stand in Detroit (VIDEO)
A quick look at how BASK did his recent piece in Detroit.
Snyder in Los Angeles (VIDEO)
For Street Art that verges on handmade crafting and display work, here’s a homey installation from Snyder.
FIFTY24SF Gallery, in association with Upper Playground, is pleased to announce a new exhibition by San Francisco-based fine artist,Jeremy Fish. Where Hearts Get Leftis Fishs first gallery show with Upper Playground in 5 years, featuring 60 new works inspired by and created as a visual love letter to the city of San Francisco. The exhibition will open on July 14, 2012 with a special afterparty at Milk Bar in Haight Ashbury, featuring a set by hip-hop artist, Edison. The exhibition runs through September 14, 2012.
For Where Hearts Get Left, Fish has prepared six paintings, four statues, fifty drawings, six screen prints, and an installation specifically created for FIFTY24SF Gallery. As well as the original artwork presented in Where Hearts Get Left, Fish has created 6 screen prints for the show, each in edition of 100 only available through FIFTY24SF Gallery. There will also be a limited edition, hand bound book featuring 50 black and white drawings, printed in an edition of 100 in a wood and leather cover, printed by Edition One Books in Berkeley, California. FIFTY24SF Gallery 218 Fillmore Street San Francisco, California 94117
Street art welcomes all manner of materials and methods, typically deployed without permission and without apology. This hand-formed wire piece …Read More »
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
