Opening

Armory Week NYC 2011: BSA Picks

March 2, 2011 Art Fair, Artists, Brooklyn, Events, Fundraising, Gallery, Manhattan, NYC, On the Street, Opening

Armory Week, the annual art deluge in New York is about art Fairs, Art Fans, and Fiddy Dollars, Daddy. While a fair bit of the traffic at the various fairs is about the benjamins, it’s also just about having a good time and getting out to see what your favorite street artist is up to in this milieu. In short – a whole lotta street artists are getting busy this year in the booths, on the walls, and in the streets to show you their stuff.

This year the NYC madness officially opens Thursday March 3rd. Here are some of the things we are looking forward to – you might like them too.

FOUNTAIN

A BSA favorite, Fountain is held in an old maritime vessel docked on the Hudson River on the West Side of Manhattan. Each year, and this is the sixth, the fair promises to rock at least a few boats.

Fountain is an excitedly directed directionless cacophony of hits and odd couple of misses every year. The hits usually are upside your head. We are looking forward to the 100+ feet wall of fresh Street Art as you enter and the Murder Lounge down below. As you wend your way past the bar and the flash bulbs at the Saturday night musical melee with Ninjasonik you will swear you are floating. Because you are.

An interior shot of the The Frying Pan, where Fountain splashes on the Hudson River at 26th Street. (photo © Jaime Rojo)

If you are lost, look for the mast. Fountain is the only water vessel based fair at Armory, baby (photo © Jaime Rojo)

Elle does final prep to her wall piece for Fountain (photo © Jaime Rojo)

Hellbent installing his Fountain piece (photo © Jaime Rojo)

Joe Iurato installing his piece (photo © Jaime Rojo)

Ellis G. Detail (photo © Jaime Rojo)

Highlights:

FOUNTAIN NEW YORK ANNOUNCES
MASSIVE STREET ART INSTALLATION FOR 2011 FAIR

Adding to Fountain’s signature overwhelming visual and sensory experience, visitors entering Fountain Art Fair will encounter a 100-foot long street art installation stretching along the entrance and exit—a massive collaborative installation by a number of street artists. It features Chris Stain, Dickchicken!, Faro, Gaia, Shark Toof, Clown Soldier, Love Me, Ellis G, Allesandro Echevarria, Lee Trice, Imminent Disaster, Elle, Hellbent, Joe Iurato, and Anthony Sneed. “The medium and movement referred to as Street Art has played an integral role in Fountain Art Fair’s development,” said David Kesting, Fountain Art Fair Co-Founder.

Location:

Pier 66 Maritime @ 26th Street & 12th Avenue in the Hudson RIver Park

March 3 – 6, 2011
General Public Hours:
March 4–March 6, 12pm–7pm

Special Events:
Thursday March 3, 12am – 5pm – VIP & Press Preview
Friday, March 4, 7pm – 12am – Opening Night Reception – Performance: Gordon Voidwell and Tecla
Saturday, March 5, 7pm – 12am – Performance: Ninjasonik

Go to Fountain official site to see the full list of exhibitors and to learn more details about the special events and full program:

http://fountainexhibit.com/

SCOPE

A mouthwash and an art fair, we’re checking out Scope mainly to see the new collaboration called Contra Projects, put together by brothers Tristan and Matthew Eaton – comprised of some rockin’ Street Artists who will be taking their show on the road around the globe this year. We’ve had a blast watching them put up new work on Brooklyn streets this week, and can’t wait to see the installations at Scope.

TYPOE

Also you will want to check out the sculpture work by Miami graff artist Typoe, whose friend have been saving their caps from spray cans for a minute. He laughs when he talks about graffers mailing them to him too and as a co-founder of Primary Flight, Miami’s original open air museum and street level mural installation, he’s got plenty to work with.

TYPOE | Fountain, 2011| Confetti Death Series
Represented by SPINELLO GALLERY

To see the full list of exhibitors, details of the programs and fees to enter go to the Scope Art Fair site:

http://www.scope-art.com/Index.php/

Location
320 West St (West Side Highway)
Across from Pier 40
New York NY 10014

Opening Schedule
FirstView
(For VIPs and Press
or $100 donation at the door)
Wednesday | March 2 | 3pm-9pm

VOLTA

California’s Carmichael Gallery is showing new work by Street Art brain jammer Mark Jenkins, whose well-placed human installations in public places cause people to stop and ponder. Apparently, his work has a similar effect on cats.

Mark Jenkins, Family Room

From the press release;

“Mark Jenkins’ installation at VOLTA NY will transform Booth A1 into an unconventionally furnished family room. “I’ve been doing a lot of experimentation with resin and fiberglass,” says the artist of this new series, which includes five and a half life-size sculptures and a range of smaller pieces, “finding more original ways to make hand casts and improving structural solidity through new bracing techniques.” For the first time, Jenkins will present his works within a site-specific environment purposefully created to provide greater contextual authority and definition to his aesthetic and thematic considerations. “An empty space can feel sterile,” he observes, “as if a giant eraser has removed all context. The works become more like pinned butterflies. I have taken a different approach with (the presentation of) Family Room. This time it’s about creating a place for the sculptures to live in, so, in addition to clothes, I’ve been thrift store shopping for plants, drapes, rugs and chairs.” Both individual works and the installation as a whole will propose non-traditional commentaries on the institutions of family and home.”

Booth A1
7 West 34th Street
between 5th and 6th Avenue / 11th floor
New York, NY 10001
USA

To see the full Volta exhibitors list and details of all events please click on Volta’ site:

http://ny.voltashow.com/

To learn more about Carmichael Gallery please click on the gallery’s site:

http://www.carmichaelgallery.com/

PULSE

Brooklyn’s David Ellis at Joshua Liner is one painter/sculptor/film maker always worth checking out. As a founding Barnstormer, Ellis continues to stretch and swerve with painterly illustrations and installation.

VISIT
PULSE Contemporary Art Fair at http://www.pulse-art.com/ or contact by phone at +1 (212) 255-2327.

FAIR HOURS
Thursday March 3	10am-1pm
	Press and VIP Private Preview
Thursday March 3	1pm- 8pm
Friday March 4	12pm – 8pm
Saturday March 5	12pm – 8pm
Sunday March 6	12pm – 5pm

::ADMISSION TO ALL VERGE ART BROOKLYN
EXHIBITION LOCATIONS IS FREE::

PUBLIC HOURS
Thursday, Friday & Saturday, 3 – 5 March, Noon to 10 pm
Sunday, 6 March, Noon to 6 pm
OPENING NIGHT PARTY
Thursday, 3 March, 2011, 10:00 pm to 4 am

TOMORROW’S ART TODAY: THE INAUGURAL ART BROOKLYN
Coming Thursday, March 3, Verge Art Brooklyn invites you to experience a paradigm shift in art fairs as we know them, a show that recovers the standard of an art fair as a platform for presenting the best work by living artists. Art Brooklyn throws open the doors for attendees to a whole new universe of artists, music, art, and community. Verge Art Brooklyn is proud to announce a list of exhibitors that includes gallery exhibitors, resident DUMBO galleries and Brooklyn Art Now participants for a combined total of over seventy gallery exhibitors at nine locations, nearly forty participants for “Material Issue: Artist’s Projects Spaces” and fifty artists for “Tomorrow Stars: The Art Brooklyn Open Call Exhibition.” Chosen by a distinguished panel of jurors, “Tomorrow Stars” represents the brightest and best Brooklyn has to offer, as selected by Courtney Wendroff of the Brooklyn Arts Council, artist and former president of the NYC chapter of the American Society of Media Photographers Stephen Mallon, blogger and art critic Steve Kaplan, and Danny Simmons, chairman of the NYC chapter of the National Conference of Artists. Don’t miss out on this opportunity to own the work of tomorrow’s stars today!

GALLERY EXHIBITORS
81 Front Street, Ground Floor / One Main Street, Ground Floor ANTIDOTE, Brooklyn, NY, Albrecht Art Enterprise, New York, NY, Art Project International G77 Gallery, Tokyo, Japan, Phoenix Gallery, New York, NY, G2 Gallery, Tokyo, Japan, MoCADA Gallery, Brooklyn, NY, Cue Art Foundation, New York, NY, Firecat Projects, Chicago, IL, Stilllife Gallery, New York, NY, Fine Art Consultancy, London, UK, Arch 402, London, UK, A.R.T. Module R, Brooklyn, NY, Mayjune Gallery, Seoul, South Korea, Brooklyn Art Project, Brooklyn, NY, and others TBA.

BROOKLYN ART NOW: 2011 SURVEY EXHIBITION CURATED BY LOREN MUNK/JAMES KALM
111 Front Street, Second Floor, Suites 200, 204 & 222 Tabla Rasa Gallery: selected artist(s) and work, Audrey Anastasi, “Spoken Birch.” BAC Gallery selected artist(s) work, RahulAlexander, “Golden Chamber”, Greg Lindquist, “ntitled.” Like The Spice Gallery selected artist(s) and work, Jenny Morgan and David Mramor, “View Quan Yinha.” Micro Museum: Selected artist(s) and work, Kathleen and William Laziza “THE KISSING INSTALLATION 2.0.” Open Source Gallery: selected artist(s) and work, Peter Feigenbaum, ”02″, Katerina Marcelja “02.” Camel Art Space: selected artist(s) and work, Rob de Oude, “Hither fro Yonder”, Carl Gunhouse, “Development Nashville, TN.” MoCADA: selected artist(s) and work, Jeff Sims, “Straddle 72.” WORK Gallery: selected artist(s) and work, Eric Ayotte, “Protest Painting”, Karin Stothart, “Ileostomy Drainage.” Central Booking: selected artist(s) and work. Despo Magoni, “The Thousand and One Nights series”, Lothar Osterburg, “Zion Homestead.” BRIC Rotunda Gallery: selected artist(s) and work, Jeesoo Lee, “Darkening Blue”, Pinar Yolaçan, “Untitled (from Mother Goddess series), Lael Marshall, “Compact Florescent.” Famous Accountants: selected artist(s) and work, Meg Hitchcock, “Nausea, The Sunyatasaptati (Seventy Verses on Emptiness) by Nagarjuna, from Neasea by Jean-Paul Sartre”, Ben Godward, “Shhh! I live here.” Spring Gallery: selected artist(s) and work Charles Lahti, “First Eyes on Jura.” Front Room Gallery: selected artist(s) and work, Tom Broadbent, “Floating Camouflaged Pants” Manhattan Bridge Tunnel proposal, Stephen Mallon, “Virginia Placement”, Patricia Smith, “Mapped Location of Pronounced Situation Density.” Janet Kurnatowski: selected artits(s) and work, Craig Olson, “Murcury in the Philosopher’s Egg (Oh! Hospitable Jupiter! And the Trust)”, Ben La Rocco, “Minerva’s Pallette.” English Kills Gallery: selected artist(s) and work, Don Pablo Pedro, “jpg #1”, Andrew Hurst, “EOS Digital Rebel ETi.” 440 Gallery: selected artist(s) and work, Tom Bovo, “BOVO_TOM_02”, Richard Eagan “EAGAN_RICHARD_01.” LUMENHOUSE: selected artist(s) and work, Jeremiah Teipen, ” Untitled, digital video with screen and player.” Side Show Gallery: selected artist(s) and work, Shari Mendelson, “Bumpy Blue-Green Vessel”, James O. Clark, “Orestes 2006.” Parker’s Box: selected artist(s) and work, Steven Brower, “Child Astronaut Test Suit 1999-2000”, Joshua Stern, “Untitled V” Patrick Martinez “Jesus video.” In addition, a list of Special Projects for Brooklyn Art Now is forthcoming.

PUBLIC HOURS
Thursday, Friday & Saturday, 3 – 5 March, Noon to 10 pm
Sunday, 6 March, Noon to 6 pm

OPENING NIGHT RECEPTION
Thursday, 3 March, 2011, 10:00 pm to 2 am

To read more details about Verge Art Brooklyn click on the link below:

http://www.brooklynartfair.com/

Non-Art Fair Recommendations

Brice Wolkowitz Gallery Presents: José Parlá “Walls Diaries and Paintings” (Manhattan, NYC)

José Parlá “Order, Pattern, Organization, Form and Relationship”. Image Courtesy of the gallery.

Mint&Serf Present: Well Hung: The Chelsea Chapter at +ART. A Fundraiser for Free Arts NYC

Augustine Kofie in Studio

March 1, 2011 Artists, California, Canada, Features, Gallery, Interview, Los Angeles, Opening, Studio Visit, Valentines

Graffiti writer and fine artist. Old Skool Bomber. Wildstyle. Mid-Century Abstractionism. American Modernism. Choose One and Stick with it, right?

You find the evolution of artists of the streets can go in many different directions with time. As the current generation of wild teens and art school grads claim a hip-hop birthright to get up on public walls across cities everywhere, we are reminded of 1970s New York train-writing graff artists like Lee Quinones and Futura who eventually evolved their skills into galleries, private collections, museums. And they are only two. It has happened enough times now for it to be identified as a natural progression for some artists ‘of the street’, and in many cases, to incredible effect. It is a worthwhile point to consider if not labor over; the street has proven a valuable training ground for an increasing number of our great artists; With or without, and sometimes in spite of, our participation.

Augustine Kofie (photo © Todd Mazer)

Augustine Kofie began as a writer in Los Angeles in the 1990s and has always had a deep love for illustration and linework. Today he has a studio doing markedly different work from what he developed on the streets – and it is a direct result of his evolution as an artist and as a person.

Todd Mazer recently visited the studio of Kofie and talks here about what he saw:

“Tucked away in the sleeping hills of Filipino town in Los Angeles, just a stones throw away from an Emergency Room entrance where Bob Dylan’s immortal words “He not busy being born is busy dying” are literal, you’ll find Augustine Kofie. This meeting of degradation and downfall with birth and uprising seem to be principle themes that play out in this ongoing story. It’s a story that eloquently eludes those who question the direction, proximity and order of the beginning to the end.

Kofie will be the first one to tell you that we are a product of our environment. Upon entering his work/living space it becomes nearly impossible to find the separation point between his environment and his work. A quick scan across the dimly lit room offers the realization that these aged manuals, endless sketchbooks and found artifacts are like records to a beat-maker and that Kofie is creating his own version of soul music on canvas”

~Todd Mazer

Augustine Kofie (photo © Todd Mazer)

Kofie talked with Brooklyn Street Art about his work and his inspirations;

Brooklyn Street Art: The clean architectural lines and shapes in your work fit together as if they were a floor plan. Have you had experience designing buildings?
Augustine Kofie: None at all. I’m inspired by preliminary design, drafting, architectural renderings and pre production concepts revolving around visual futurist design. I wouldn’t be opposed to an actual build out based on my work at some point but it’s not where my heads at right now… sticking to what I know.

Augustine Kofie (photo © Todd Mazer)

Brooklyn Street Art: Why is it important to incorporate found items into your work, when you obviously could create them yourself.
Augustine Kofie: I’m taken by their texture, color and age, plus I enjoy the archeologist/ ‘digging in the crates’ aspect of collecting. Sampling is the best way to put it.. It is like finding a strange soundscape from a record or film, then twisting, manipulating and layering it with other found bits to create a new component, both audio and visual. They possess lost histories and past stories all their own so it feels appropriate and truthful to use such ephemera instead of recently produced papers. The up cycling and reinterpretations are endless.

Brooklyn Street Art: What kind of object catches your eye and forces you to bring it back to the studio?
Augustine Kofie: Usually outdated garage and office items from estate sales make me geek out. Anything that ‘contains’. Old wooden boxes, metal file boxes and hand made cabinets from an old mans garage workshop. Drafting based items. Paper wise, the more fatigued and yellowed the better but not to the point of crumbling. Engineering and accounting paperwork is nice as well. Yardsticks definitely get scooped.

Augustine Kofie (photo © Todd Mazer)

Brooklyn Street Art Your work is vintage and futuristic – vintage in that jazz modernist warm way, and futuristic in its 1960s complex precision. Do you feel some nostalgia for that period and what does it represent for you?
Augustine Kofie: When I was a kid my parents played old jazz and soul records. This became the soundtrack to my life and I created my own perspective of a time-period that I only experienced as a child. That combined with the Futurist viewpoint of Syd Mead as well as the Futurist Movement set the foundation for what I do today and who I will become in the future.

Augustine Kofie (photo © Todd Mazer)

Brooklyn Street Art Your studio working environment really parallels the clean lines and warm tones of your work. Could you create this same work in a different place (like a chaotic and messy one for example), or is it not important at all?
Augustine Kofie: To me my studio is a place of comfort, meditation and inspiration. I prefer a ‘workshop’ environment over a living room setting. I have been working on my aesthetic for long enough that as long as I’m given paint and a surface then I could create a style that is mine, anywhere. The energy and execution of the art is always influenced by my surroundings, though.

Augustine Kofie (photo © Todd Mazer)

Brooklyn Street Art: Your earlier graffiti contained foreshadowing of the abstract approach you are using now. At what point do your pieces stop being called graffiti and start being Street Art? Or does it matter at all to use terms like this?
Augustine Kofie: This is a strange place for me, this sort of limbo between titles. I just want to contribute my work as a man and as a whole, regardless of its contemporary title or standing. Confusing or not it is what it is.

My work and I are in constant progression. Evolution is mandatory. There is no seam that defines a beginning or ending to who I am and what I wish to produce. I do both the Graffiti and ‘art on the street’ depending on the moment and situation and especially moods. I’m a moody cat and I tend to gravitate to what I want to do to ease my restlessness. A different attention and energy is given to each form of expression here. Sometimes I want to blast on a crew production with classic characters/ letters & background scenarios. Other times I want to take a 20 year old can of outdated American spray-paint to a refused and abandoned surface and paint triangles, circles and lines without lettering, just getting loose on the foundations of line-work. I feel like Graff gave me a voice and I’ve contributed to this art form, now I have to contribute further and test my styles as well as change my own mindset and preconceived ideas of what this art form is as much as where its going.

Augustine Kofie (photo © Todd Mazer)

On Saturday March 5th Augustine Kofie will be part of a group show curated by Indigo at the Becker Galleries in Vancouver, Canada. To learn more details about this show click on the link below:

http://www.brooklynstreetart.com/theblog/?p=18278

Orange Dot Gallery Presents: Michael De Feo “Coming In From The Outside” (London, UK)

February 27, 2011 Artists, Events, Gallery, London, Opening, U.K.

Michael De Feo

The Orange Dot Gallery is pleased to announce; Coming In From The Outside, an exhibition of ten new silk screened prints by acclaimed New York street artist, Michael De Feo.

Widely exhibited around the world, this is Michael’s first solo exhibition in London and will feature for the first time, re-interpretations of his iconic flower image along with other new prints based on his drawings. All ten prints have been produced in small, signed and numbered editions on a variety of materials including maps and blueprint paper.

One special eleventh edition (signed and numbered) will be given away to visitors of the gallery on Saturday, March 12.

Michael’s new prints are collaborations with master printmaker, Gary Lichtenstein. The pair first worked together in 2008 when the Aldrich Contemporary Art Museum invited Michael to produce an Aldrich Edition to benefit the museum. Gary is widely known in the field and is presently working together with Robert Indiana on his HOPE series of prints and canvases.

Best known in the street art movement for his ubiquitous flower image, De Feo has been creating illegal works on the streets of international cities for over eighteen years. Not limited to the streets as his canvas, his work has also appeared in galleries and museums around the world including the Aldrich Contemporary Art Museum, Ridgefield, CT; MASS MoCA; Museo de Arte, Puerto Rico; The New Museum of Contemporary Art, NY; the A3 Art Fair, Paris; Colette, Paris; Manifesta 7, Trento/Trentino, Italy; and The National Gallery, Bangladesh, amongst others.

Tuesday, March 8 at 6:30pm – March 15 at 5:00pm

Private view Tuesday, March 8 from 6:30 – 9:30

Orange Dot Gallery

54 Tavistock Place, WC1H 9RG

London, United Kingdom

Show and Tell Gallery Presents: “Good Folks” A Group Show (Toronto, Canada)

February 24, 2011 Artists, Canada, Events, Gallery, Opening, Toronto

Swoon

Swoon
Irina
Silkscreen on fabric, hand dyed, embroidered, painted, and coffee stained.
Signed edition of 10
10.5″ x 24″ (26.67 cm x 60.96 cm)
2010

Click here to purchase this special limited edition print online now.

Entitled Good Folks, this exhibition features an exciting line up of multi-disciplinary artists whose works express a concise cultural identity by conveying shared community values, aesthetics, and a delicate understanding of society and their place in contemporary culture.

While the artists in this exhibition can be linked to folk art, on a more one-dimensional level the name simply celebrates some Good Folks who have contributed to the successful and exciting journey of Show & Tell Gallery for the past two years.

Participating artists include:

Swoon, Monica Canilao, Jeremiah Maddock,
Derek Mehaffey, Felix Berube, and Troy Dugas

If you are interested in being added to the collector preview list for this show please contact the gallery.

1161 Dundas St. West
Toronto, ON
M6J 1X3
Canada

+ 647.347.3316
info@showandtellgallery.com

Pandemic Gallery Presents: El Celso “¡NO HABLA ESPAÑOL!” (Brooklyn, NY)

February 24, 2011 Artists, Brooklyn, Events, Gallery, NYC, Opening

El Celso

Opening Reception

Friday, March 11, 2011, 7-11pm

¡NO HABLA ESPAÑOL! is El Celso’s most personal show to date. This new series of works was inspired by a recent trip to Peru where the artist became obsessed with posters made in the “chicha” style. These hand-made posters line city streets all over Peru and generally feature an eye-popping neon color palette and commercial graphics-inspired lettering. They are generally used to advertise working class concerts and other events. During a recent trip around Peru, in 2010, Celso began collecting discarded and out-of-date fragments of these posters – known as afiches chicha in Spanish – from the streets of towns such as Chachapoyas, Chiclayo, Cajamarca and Lima (to name a few).

Further inspired by their look, he established contact with the esteemed Fortunato Urcuhuaranga at Publicidad Viusa (publicidadviusa.com.pe), the print workshop that originated this iconic DayGlo look back in the 1980s. (Urcuhuaranga is a former radio DJ and he originally created these posters to advertise his station’s musical happenings.) Based on the outskirts of Lima, in the suburb of San Juan, Ate, this renowned family-run studio has produced posters for countless local Peruvian acts, as well as visual artists and arts organizations around the world.

In collaboration with the Urcuhuarangas, Celso created a series of posters inspired by the Peruvian chicha style. However Celso’s posters are a wry play on the idea of the advertisement: event posters created for non-events. Since last year, he has installed dozens of these on the streets of New York and Miami.

His exhibit and installation at the Pandemic Gallery will feature these colorful pieces, as well as fragments of the original Peruvian street posters that inspired them. Also on display will be a series of intricate collages on wood that recreate the feel of the way these posters inhabit the street. Most importantly, the show will feature a diminutive discotheque – a free-standing structure that will feature light, sound and wild graphics. All of it will serve as a tribute to contemporary Peruvian nightlife culture.

Pure Evil Gallery and Famiglia Baglione Presents: Alexandre Cruz Sesper “Fxck UPS” (London, UK)

February 24, 2011 Artists, Events, Gallery, London, Opening, U.K.

Sesper

“Unusual Suspects” at 17 Frost : Art, Friendship and Collaboration

February 24, 2011 Artists, Brooklyn, Features, Gallery, Interview, NYC, Opening

Street Art can be a very singular activity, and if you desire, you can do your own thing without ever hanging with the crew. Royce Bannon has never been interested in the Lone Wolf approach, preferring to work with friends on projects. In fact, as part of the Endless Love Crew, he brought about the big “Work to Do” show in Soho a couple of years ago with a truckload of mostly New York Street Artists, all working collaboratively to pull off one of the most lively freeze-frames of the current scene, without attitude.

Royce Bannon and Dark Clouds (photo © Jaime Rojo)

For “Unusual Suspects”, opening Saturday, the curator and artist invited some of these same artists to this nice open community space in Williamsburg with one important requirement; They all needed to collaborate on a piece with a least one artist in the show.

When asked why he wanted the artists to collaborate he explained that a lot of them work together in many shows but most of them have not painted together on a single piece. In a collaboration you are more cognizant of the working style of the other, and, while not losing your own identity, you are part of a conversation. The resulting work is something entirely different from what either one could have produced solo. The process here involved passing the work back and forth over a period of time with each artist adding his or her contribution. Instructed Royce “Do what you want – just make it look good!”

Chris RWK and Matt Siren (photo © Jaime Rojo)

Most of these names are seen on the street and it is always interesting to see how the work translate to the framed pieces on gallery walls. Included in this offering are a number of individual pieces that span a wide range of styles and one can clearly see these Street Artists going forward in their personal explorations.

“Unusual Suspects”At 17 Frost Gallery in Williamsburg, Brooklyn opens this Saturday, February 26.

Deekers, Celso, Infinity and Stikman (photo © Jaime Rojo)

To read more details about “Unusual Suspects” click on the link below:

http://www.brooklynstreetart.com/theblog/?p=17537

Little Field Gallery Presents: “Pop Art/Punk Rock Explosion” A Group Show (Brooklyn, NY)

February 23, 2011 Artists, Brooklyn, Events, Gallery, NYC, Opening

Tip Toe

Black Book Gallery Presents: Galo, 2501 and Ottograph “666 Dollar Show” (Denver, Colorado)

February 23, 2011 Artists, Colorado, Denver, Events, Gallery, Opening

666 Dollar Show

Opening Reception March 4th at 7pm
Artists will be in attendance
Open to the public

The March exhibition at Black Book Gallery is going to be a powerhouse display of three well-established, international street artists: OTTOGRAPH, GALO and 2501, all accomplished in their craft and all bringing their big style and influence to Denver.

Big style is not just a metaphor. Ottograph, Galo and 2501 all work large. 2501, for example, reads spacious surfaces like animate objects and then gives them the dignity of character they deserve with paint. Born in Milan as Jacopo Ceccarelli, the name 2501 marks a deliberate style shift and focus on blending wall painting, paint on canvas, sculpture and video. Circulating between Milan, Sao Paulo and Berlin, 2501s work is best recognized in massive, highly detailed mural paintings. They are pretty amazing and give new meaning to the term, urban renewal.

Ottograph, also a large-scale muralist, has been slinging paint since the age of ten. Starting out in Amsterdam, where he is from, and then moving on to become an internationally sought after artist, Ottograph has established himself squarely in the middle of the global street and graffiti art movement. Simultaneously though, Ottograph has bridged the fine art gap with his work, an advantage that comes with age and time dedicated to painting. The Modern Art Museum of Antwerpen (Belgium) is home to a giant Ottograph mural. Ottographs contribution to street art extends beyond his own work, as he is also a community leader, having organized several cooperative painting commissions and operating the website I Paint Everyday www.ipainteveryday.com to encourage the tedious, yet necessary practice of serious painting.

Hailing from the same underground culture in Amsterdam, street artist Galo, will be the third of the group showing at Black Book Gallery in March. Originally from Italy, Galo moved to Amsterdam in 1998 to start his career and fell into opportunity after opportunity to paint. This is where Galo developed the bulk of his artistic abilities and a network that would take him on a world-class tour of painting, spanning ten years and four continents. Galo now resides in Italy and has recently opened the first official street gallery in Turin, The Galo Art Gallery (Ottograph was commissioned to deck the interior out). Galos signature characters are recognizable by their bulbous eyes, long jaws and open-teeth smiles, most of the time intertwined into a tessallation-like graphic, spanning whatever surface it is that catches Galos attention. In part, he is known for his willingness to tag anything in sight.

Phone:
303-941-2458

General Info:
info@theblackbookgallery.com

Orders:
orders@theblackbookgallery.com

Black Book Gallery is located on the West side of Santa Fe Dr. Santa Fe is a North bound one-way street. Meter free parking is available on both sides of street.

Gallery Address:
555 Santa Fe Dr. Denver, Colorado 80204

Hours:

Tuesday – Friday
2pm – 6pm

Saturday
12pm – 6pm

Corey Helford Gallery Presents: D*Face “Going Nowhere Fast” (Culver City, L.A.)

February 23, 2011 Artists, California, Culver City, Events, Gallery, Opening

D*face

The winter months and grey, grey short days have been kept busy harvesting creatures, painting pictures, approaching new themes and reoccurring dreams… and as Spring approaches it’s time to unveil this new body of work… I’m pleased to announce my solo show at Corey Helford Gallery, Culver City. LA. April 9th.

Corey Helford Gallery
8522 Washington Blvd.
Culver City, CA
310 287 2340

Mint & Serf Curate “Well Hung, The Chelsea Chapter” At +ART (Manhattan, NY)

February 22, 2011 Art Fair, Artists, Events, Fundraising, Gallery, Manhattan, NYC, Opening

Well Hung

FOR IMMEDIATE RELEASE

Well Hung, The Chelsea Chapter at +aRt
A Fundraiser Benefit for Free Arts NYC
Curated by Mint&Serf
March 5th – April 3rd, 2011

Opening Reception March 5th, 6pm – 10pm

NEW YORK, NY, FEBRUARY 18 – As the cold days of February come to a close, artists, gallery owners, collectors and creative people from across the globe begin their annual migration to New York City for the highly anticipated Armory Show. Here at +aRt (540 West 28th Street), at a brand new gallery in Chelsea, we will offer a fresh alternative to the congestion and attitudes by showcasing the diversity between artistic communities.

“In an effort to create an exhibition platform for our friends during Armory week, we decided to revisit our past by opening up The Chelsea Chapter at +aRt. The Chelsea Chapter comes on the heels of The Stanton Chapter, an alternative art space we opened in 2008 in Lower East Side. ” – mint

Well Hung is a group exhibition featuring photography, sculpture, paintings and drawings by an eclectic mix of old and new friends. Participating artists include: Adam Krueger, Alfredo Martinez, Andrew Poneros, Clayton Patterson, Curtis Kulig, David Forer, David Hochbaum, Erik Foss, Futura, Jeff and Will Robbins, Jordan Seiler, Julie Floersch, Kevin Bourgeois, Leo Fitzpatrick, Lucien Samaha, Maripol, Matisse Patterson, Michael Anderson, Mint&Serf, Misha Most, Norman Reedus, Oswaldo Chance Jimenez, Peter Pan Posse, Peter Passuntino, Pablo Power, Samantha West, Skullphone, Shadi Perez, Tristan Eaton and Victor Payares.

Free Arts NYC, is a charitable organization that recognizes that art exists in unconventional ways, and is proud to be the official charity partner and supporter of The Chelsea Chapter at +aRt. A portion of proceeds will be donated to their mission to provide under-served children and families with educational arts and mentoring programs. The Chelsea Chapter will host the opening reception on Saturday, March 5th from 6 pm to 10 pm. A schedule of events including artist workshops and sponsor-hosted programs will be available soon. For further information on the exhibit, sales and events please contact Kelly Hulbert at kelly@stateofgraceny.com.

About Mint&Serf
Born in Moscow and Brooklyn respectively, Mint&Serf are Mikhail Sokovikov and Jason Aaron Wall. They took to the streets of NYC, which acted as a canvas for their creative vision, producing a vast range of artwork including large-scale murals, paintings, photographs, sculpture and graffiti. After launching The Canal Chapter in 2005 followed by The Stanton Chapter in 2008, Mint&Serf (otherwise known as The Mirf) have extraordinarily crossed relationships between street art and civic spaces. Most recently Mint&Serf finished a large commission at District 36, a new dance club in Manhattan. For more information, please visit: http://www.themirf.com.

About Free Arts NYC
Free Arts NYC is a local nonprofit that brings educational arts and mentoring programs to underserved children and families by partnering with group homes, shelters, schools and community centers to give children the opportunity to express themselves in a supportive environment in order to develop communication and trust. Their programs and the relationships they foster help children and families experience new levels of hope and creativity.

About +aRt:
Set in the heart of West Chelsea, +aRt is located at 540 West 28th Street. The 13-story new construction building features 91 artfully designed condominium residences. +aRt is being developed by Ekstein Development, L+M Development Partners and RD Management and is exclusively marketed and sold by Halstead Property Development Marketing. For more information, please visit: http://www.540W28.com or contact Allison at allison@mediashoppr.com or 212-867-8778 x223.

Curbs & Stoops Presents: Active Space X Beat Nite (Brooklyn, NY)

February 17, 2011 Artists, Brooklyn, Events, Gallery, NYC, Opening

Curbs and Stoops

Sebastian Vallejo “Jardiìn Galaìctico” Detail. Image courtesy of the Curbs & Stoops

Comin’ in hot: This Friday, February 18th, Curbs & Stoops is pleased to announce the grand opening of our space on Norte Maar’s Beat Nite. The Curbs & Stoops Active Space, is a collaboration with Welner Associates to create a progressive cultural center designed to promote community through art. This Friday we open the first 6,000 square foot of space our space. The Active Space will house artists studios, our residency program, exhibition spaces, and our art accessibility think tank that will continue to produce the Curbs & Stoops blog and curated publication. Friday’s opening will include five exhibitions, three open studios and a party all curated to highlight the scope and caliber of artists we will be collaborating with.
Participating artists include: Angel Otero, Ashley Zelinskie, Brian Maller, Brian Matthew, Christopher Rivera, Hector Arce, Hector Hernandez, Jason Mones, Jeffrey Pena, Jonathan Chapline, Korakrit Arunanondchai, Pep Williams, Rachel LaBine, Sebastian Vallejo, Lapiztola Collective, UR New York Collective and Super Pop Collective.
About Beat Nite: Norte Maar’s well loved bi-annual Bushwick block party Beat Nite: Bushwick Art Spaces Stay Open Late is part art walk, part pub crawl, Beat Nite encourages an accessible and informal introduction to the neighborhood’s vibrant art community. This month’s episode of Beat Nite is sponsered by Hyperallergic, and will feature shows at local spaces English Kills, Centotto, Fortress to Solitude, Famous Accounts, and re-installation by Austin Thomas of the apartment gallery that started it all, Norte Maar.

//Information//

566 Johnson Street 2nd Floor
Friday, February 18, 6-10PM
Morgan L Stop

Opening night party with DJ Grimmace.
Beers courtesy of DogFish Head.

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FOUNTAIN

An interior shot of the The Frying Pan, where Fountain splashes on the Hudson River at 26th Street. (photo © Jaime Rojo)

If you are lost, look for the mast. Fountain is the only water vessel based fair at Armory, baby (photo © Jaime Rojo)

Elle does final prep to her wall piece for Fountain (photo © Jaime Rojo)

Hellbent installing his Fountain piece (photo © Jaime Rojo)

Joe Iurato installing his piece (photo © Jaime Rojo)

Ellis G. Detail (photo © Jaime Rojo)

Location:

SCOPE

TYPOE

VOLTA

PULSE

Non-Art Fair Recommendations

José Parlá “Order, Pattern, Organization, Form and Relationship”. Image Courtesy of the gallery.

Mint&Serf Present: Well Hung: The Chelsea Chapter at +ART. A Fundraiser for Free Arts NYC

Graffiti writer and fine artist. Old Skool Bomber. Wildstyle. Mid-Century Abstractionism. American Modernism. Choose One and Stick with it, right?

Augustine Kofie (photo © Todd Mazer)

Augustine Kofie (photo © Todd Mazer)

Augustine Kofie (photo © Todd Mazer)

Augustine Kofie (photo © Todd Mazer)

Augustine Kofie (photo © Todd Mazer)

Augustine Kofie (photo © Todd Mazer)

Augustine Kofie (photo © Todd Mazer)

Augustine Kofie (photo © Todd Mazer)

Augustine Kofie (photo © Todd Mazer)

Augustine Kofie (photo © Todd Mazer)

Augustine Kofie (photo © Todd Mazer)

Royce Bannon and Dark Clouds (photo © Jaime Rojo)

Chris RWK and Matt Siren (photo © Jaime Rojo)

Deekers, Celso, Infinity and Stikman (photo © Jaime Rojo)

Keely and Dark Clouds (photo © Jaime Rojo)

Moody and Sno Monster (left) Chris RWK (photo © Jaime Rojo)

Infinity (photo © Jaime Rojo)

Dark Clouds (photo © Jaime Rojo)

Keely (photo © Jaime Rojo)

Matt Siren (photo © Jaime Rojo)

Mutz/Moody (photo © Jaime Rojo)

Nose Go (photo © Jaime Rojo)

Royce Bannon (photo © Jaime Rojo)

Celso, Keely and Mutz collaborate on the scaffolding outside the gallery (photo © Jaime Rojo)

A detail view of the front facade of the gallery (photo © Jaime Rojo)

A detail view of the front facade of the gallery (photo © Jaime Rojo)

Sebastian Vallejo “Jardiìn Galaìctico” Detail. Image courtesy of the Curbs & Stoops

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