“Artefacts”
"Artefacts"
If you’re in New York this week, check out the ARTEFACTS group show opening Thursday night, July 15th 7-11pm at Toy Tokyo’s new underground gallery space. I’ll have a couple brand new works on display alongside street luminaries Swoon, Shepard Fairey, Cope 2, Mr Cartoon, and Clayton Patterson to name a few. Should be a great show.
Thinkspace Gallery
Thinkspace presents:
‘Love Conquers All: Art for Equality’ group show
Main Gallery
Seth Armstrong
‘Well There You Are’
Project Room
Both exhibits on view: August 7th – August 28th
Opening Reception: Sat, August 7th 7-10PM
20% of the proceeds will be donated to Equality California (http://www.eqca.org/)
Co-curated by Andrew Hosner with Suzette Franck-Rosen and Nicole Rosen
Los Angeles, CA (July 13th, 2010) – Thinkspace is pleased to present Love Conquers All: Art For Equality, a special exhibition supporting the fight for equality which aims to raise awareness for the LGBT (Lesbian, Gay, Bisexual & Transgender) struggle. This special exhibition features the work of over 50 international artists and promises to open eyes and encourage dialogue. Also showing concurrently in our project room will be Well There You Are, an exhibition of new works from Oakland based artist Seth Armstrong, in what will be his debut solo exhibition with our gallery following numerous group show appearances including taking part in last December’s Aqua Art Miami during Art Basel.
So, why are we fighting for civil rights? As of July 2010, multiple states have laws on the books that ban gay marriage by explicitly saying that marriage is a union between “a man and a woman.” In addition, at the Federal level, LGBT individuals have over 1,000 rights that aren’t afforded to them because of their sexual orientation or gender identity. They cannot serve our country in the military, cannot jointly file taxes, cannot have a foreign partner made into a legalized citizen, cannot receive death benefits, etc. As you can see, this isn’t only about marriage it’s also about being equally recognized by the government. The issues at hand are much larger than solely marriage.
However, in our fight for civil rights, in this day and age, we have to start somewhere. And, in history the LGBT community has always had the world turned on its ear. Prop 8 served a purpose for those to define a government sanctioned marriage using a definition based on religion, they used gay marriage as a symbol of the undermining of family values and corruption of children and it served as a defining moment that they believed that Jim Crowe’s, “separate but not equal”, did not apply to LGBT individuals. For LGBT individuals, it served as a bastion of hope, a light at the end of the tunnel that even after it had passed would usher in a new era of civil rights…an era that would bring a more tolerant, more accepting society.
The fight for equality is not just an LGBT fight; it is a fight for all society. There are many straight allies, like those of us here at Thinkspace and the numerous artists that are involved in Love Conquers All: Art For Equality, that want to see LGBT individuals have the same rights as them. That is why Thinkspace and its co-curators have decided that a portion of the proceeds will go to EQCA (Equality California), because in the past decade, EQCA has successfully passed more than 60 pieces of civil rights legislation for the LGBT community – more than any other statewide LGBT organization in the nation. Working in partnership with California’s LGBT Legislative Caucus, EQCA is committed to building a better future for all Californians by protecting youth, strengthening families and empowering communities.
Artists taking part include:
Adam Caldwell
Allison Sommers
Ana Bagayan
Anthony Clarkson
Aunia Kahn
Bob Dob
Brooke Grucella
Bumblebee
Caia Koopman
Cate Rangel
Chet Zar
Chris Murray
Craig ‘Skibs’ Barker
Dabs Myla
Dave Pressler
David MacDowell
Delphia
Erik Siador
Ferris Plock
Genevive Zacconi
Germs
Harriet Lambers
Imminent Disaster
Jacub Gagnon
James ‘Dalek’ Marshall
Jeff Ramirez
Jen Lobo
Jenna Colby
Jesse Hotchkiss
John Michael Gill
John Park
Joseph ‘2H’ McSween
Josie Morway
Kelly Tunstall
Kelly Vivanco
Kevin Titzer
Laurie Lipton
Leontine Greenberg
Lesley Reppeteaux
Linnea Strid
Liz Brizzi
Luke Kopycinski
Mari Inukai
Mark Dean Veca
Melanie Moore
Naoto Hattori
NohJColey
Paul Barnes
Paul Chatem
Rene Gagnon
ROA
Scott Belcastro
Shaunna Peterson
Stella Im Hultberg
Tiffany Liu
Timothy Karpinski
Tony Philippou
Tran Nguyen
Take a ‘Sneak Peek’ at the works for ‘Love Conquers All’ coming together here:
http://www.flickr.com/photos/thinkspace/sets/72157624482555932/
ABOUT EQUALITY CALIFORNIA:
Since it was founded in 1998, Equality California has strategically moved California from a state with extremely limited legal protections for lesbian, gay, bisexual and transgender (LGBT) individuals to a state with some of the most comprehensive civil rights protections in the nation.
EQCA works to achieve equality and secure legal protections for LGBT people. To improve the lives of LGBT Californians, EQCA sponsors legislation and coordinates efforts to ensure its passage, lobbies legislators and other policy makers, builds coalitions, develops community strength and empowers individuals and other organizations to engage in the political process. In the past decade, EQCA has successfully passed more than 60 pieces of civil rights legislation for the LGBT community – more than any other statewide LGBT organization in the nation. Each year at the Capitol, EQCA monitors thousands of bills and leads the state’s efforts to defeat legislation that could have a negative impact on LGBT Californians and their families.
EQCA, on behalf of its members, is an organizational plaintiff in the historic lawsuit asking the California Supreme Court to strike down state law that bars same-gender couples from marriage. In court, EQCA has also successfully defended California’s domestic partnership laws and related state policies that have been implemented in response to EQCA-sponsored legislation
Website:
ALSO ON VIEW IN OUR PROJECT ROOM:
Artist Seth Armstrong, on view in our project room, creates narrative paintings. Exactly what these narratives are, however, he probably could not tell you. Whether the subject matter is based on found reference or from the imagination, an ambiguous storyline is always present. Even in a straightforward portrait, the circumstances that surround the subject(s) and the instance of the portrait are deeply considered. With an uncertain plot, the stories behind the paintings can be limitless. Sure, the artist has his theories, but these do not take precedence over those of the casual viewer.
Since the paintings themselves are approached individually, the relationship between one piece and another is often disjointed. As a result, a common thread among a body of work is realized (if at all) only after they are completed and viewed as a whole.
ABOUT THE ARTIST (Seth Armstrong):
Seth Armstrong was born and raised in Los Angeles, California. After studying painting in Northern Holland, he received a BFA with High Distinction from the California College of the Arts in San Francisco. He currently lives and works in Oakland, CA.
Take a ‘Sneak Peek’ at the works for ‘Well There You Are’ coming together:
http://www.flickr.com/photos/thinkspace/sets/72157624357955599/
Artist website:
ABOUT THINKSPACE GALLERY:
Established in November of 2005, Thinkspace exists as a catalyst for the ever expanding new contemporary art movement that is exploding forth from the streets and art schools the world over. We are here to help represent this new generation of artists, to provide them that home base and to aid them in building the right awareness and collector base necessary for long-term growth.
Our aim is to help these new talents shine and to provide them a gallery setting in which to prove themselves. It is our hope and dream that through these opportunities these individuals will prosper and continue to grow to amaze us all for years to come. With the love of and for our community, and with the talents of so many incredible artists involved, we believe that this movement will provide the necessary proving ground for the ideas and dreams of today to become the foundations of a new tomorrow.
thinkspace
6009 Washington Blvd., Culver City, CA 90232
#310.558.3375
Web: www.thinkspacegallery.com Blog: www.sourharvest.com
Hours: Wednesday thru Saturday 1 p.m. – 6 p.m. (or by appointment)
Thinkspace Gallery is located at 6009 Washington Blvd, in the heart of the Culver City Arts District, Culver City, CA 90232. Gallery hours are Wednesday through Saturday, 1 p.m. to 6 p.m. and by appointment. For more information, please call 310.558.3375, visit www.thinkspacegallery.com, or email contact@thinkspacegallery.com.
“Bizarre! Weird Bikes! Weird Art!” silent auction benefit
Hosted by Brooklyn Fire Proof East, 119 Ingraham Street, Brooklyn, NY
Tuesday, July 13th, 2010 8pm-Midnight
From the D.I.Y. scene in Brooklyn comes a show of epic proportion featuring art and design themed around the greatest celebrity of the modern era, the BIKE!!!
This exhibition draws together talented artists from NY to California around the launch of PORTER CYCLES, an independent bike builder established in 2010 in Brooklyn. All types of media will be represented: film, prints, photography, sculpture, installation, sound art, performance, and more. Also, a variety of weird bikes, performance track bikes, and cargo trailers will be displayed. Everything will be auctioned between 8pm and midnight. All proceeds go to the artists unless donated to Porter Cycles by artist.
DJ’s, live-silk-screening, and bike performances will run throughout the night.
Artists:
Amy Smalls, Amigo Unit, Andrew H. Shirley, AVOID ∏, Chloe Swantner, Conrad Carlson, DARKCLOUDS, DeeDock-Hobby Horse-5003, Hillel, Ellis Gallagher,Fumie Ishii, Greg Henderson, Ian Helwig, Ian Vanek, Jennifer Shear, Julian C. Duron, Ian Colon, Julie Glassberg, Keith Pavia, Lindsay Ellesar, MIKEY 907, Nick Chatfield-Taylor, Noah Sparkes, Ryan Doyle, Tod Seelie
Tony Bones, Travis Moonschien, UFO 907, Weiwei Lin, William T. Porter,
Curators: Andrew H. Shirley and W.T.Porter (wthomasporter@gmail.com)
Event Space Coordinator: Leslie Padoll (leslie@brooklynfireproof.com)
Porter Cycles exists to serve the bicycle, cyclists, and bicycle culture.
Porter Cycles designs and builds human powered vehicles of all types, including practical use vehicles, utility vehicles, and carriage trailers for the commercial market.
Porter Cycles’ future goal is to replace the semi-truck+trailer with a human-powered equivalent capable of long distance travel under heavy cargo through all conditions.
Porter Cycles is an active participant of the sustainable-living movement.
Benrimon Contemporary
Image by UR New York Courtesy of the Gallery
Benrimon Contemporay
A Tight and Irreverent Collage Show Curated by Carlo McCormick
In this piece for “Shred”, Street Artist Judith Supine clearly enunciates the radical psycho-sexual non-sequiturs that make Supine’s collage a powerful voice in New York Street Art at the moment. In addition to the signature acid bright template are the cigarette, the nudity, and the reference to childhood that occur often in pieces by the artist. The paper collage is scattered with raised green metallic pieces that look like broken fingernails forming smooth lumps under the resin. The artist confirmed in fact that the “finger nails” are glass jewel beetles. Judith Supine “Patrice ” 2010 (Photo © Jaime Rojo)
To curate any show well requires a finely balanced hand that can go unappreciated. If the gentle and deliberate directing of artists and their contributions is not thoughtful and focused, a show may feel off-kilter, unkempt, even ruinous. Although he denies it with humility in equal proportion to his expertise, curator Carlo McCormick displays his adept hand at collage (or assemblage) in “Shred”, the new collage show he curates for the Perry Rubenstein Gallery in New York’s Chelsea district.
In talking about the genesis of “Shred”, McCormick describes a downtown East Village scene and the concurrent Graffiti scene of the 70s and 80s that imploded messily at the end of a hyper-excited zenith. An author, editor, and speaker who is considered expert on the topic of NYC’s downtown scene at the time, McCormick knows well what the signs of our fickle obsessions can look like, “And yes everyone gets kind of famous for a bit and a bunch of money flows through it and it is over”.
Drawing a few connections, he explained he’d like to avoid the “the kind of phenomenology of that moment” that Street Art could find itself precariously hanging on the edge of. So it is with purpose that he extends the span of this collection to broaden the dialogue about the practice of collage.
“The main thing I thought was about street art – involving the wheat pasting and it’s stenciling and it’s silk screening – is that it has inherently a lot of collage effects”. In addition to today’s adventurous street artists who are represented here by Faile, Swoon, Elbow Toe, Shepard Fairey, and Judith Supine, McCormick also includes some of their predecessors and peers, like Jess, Erik Foss, and Gee Vaucher. For final balance, he called upon three film makers who are “really ripping shit apart”.
Recognizing that “collage was not exactly invented yesterday”, McCormick stipulates that he was crafting his own message by selecting these artists. The great common denominator? “Well obviously surrealism had a great part in it. I’m looking for the more outré elements of it. I’d say it’s an attitude; there is a certain irreverence in it, and caring about the materials working with it”. Talking with a few of the artists and guests Thursday night at the opening, those elements are present in this show and were very well received.
An elongated mutant pop pretty boy by Mark Flood, “Twilight Feelings” 2010 (Photo © Jaime Rojo)
Using photographs taken of himself by his lover Robert Mapplethorpe, Jack Walls creates optical vibrations in these recent collage pieces that span and unite both the Downtown and the Street Art explosions. (Three of Installation of Five). 2008 Photo © Jaime Rojo )
Street Art Duo Faile reprise imagery from one of their recent street art stencils in this large acrylic and silkscreened piece that welcomes guests at “Shred”. “Never Enough” 2010. Detail (Photo © Jaime Rojo)
An early example of collage at “Shred”. Jess “Untitled” (Konrad Lorenz) 1955. Detail. (Photo © Jaime Rojo)
In attendance at the opening was the Street Artist known as Elbow Toe, who created one of the more mystifying images, both in it’s content and it’s thousands of hand-cut pieces that are applied in such a painterly fashion that standing a few feet away from the piece can lead a viewer to believe it was done with oil and brush.Speaking about a new series of collages based on psychological and possibly autobiographical themes that he’s exploring, Elbow Toe said, “It was the first one I’ve done….all the collage stuff is heading in a more narrative direction. And this is the first of many that are all getting much more weird, I guess.”
A grouping of collages by Leo Fitzpatrick. Untitled. 2010 (Photo © Jaime Rojo)
A seriously dog-eared commercial landscape (signed MORAN) from a 1966 suburban living room, long since faded and liberated from its frame and stained by water drops, artist Erik Foss turns it into a surreal other planetary world with clusters of owls, floating moons, and robed faceless wizards and witches dressed by the House of Stevie Nicks. Erik Foss “Look Out” 2010 Detail. (Photo © Jaime Rojo)
BSA….BSA….BSA….BSA….BSA….BSA….BSA….BSA….BSA….BSA….BSA….BSA….BSA….BSA….BSA….BSA….BSA….BSA….
Perry Rubenstein Gallery
527 West 23rd Street
New York, NY 10001
Anthony Lister
Anthony Lister "He Who Kneels In Darkness" 2010) Image Courtsey of the Gallery
Show & Tell Gallery is pleased to welcome Anthony Lister to his first solo exhibit with the gallery as well as his first exhibition in Canada.
The Beauty of Failure is a unique look at the reward and punishment systems, and more specifically when the two overlap.The paintings and sculptures in this show demonstrate a tounge in cheek look at contemporary pop culture through Anthony‘s signature artistic style.
Anthony’s paintings, drawings, sculptures and happenings pullfrom his experiences as a youth in Australia. Superheroes,skateboarding, graffiti, tattoos, the internet, and pop culture are reflected in his artistic practice. His fine art has been displayed in galleries across the globe in cities such as New York, London, Los Angeles, Sydney, and we are excited to add Toronto to the list.
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Address 1161 Dundas St. West Toronto, ON M6J 1X3 Canada |
Gallery Hours
Wed – Sat: 1pm -8pm Sun: 1pm – 7pm Mon & Tue: By Appointment Only |
Carmichael Gallery
Boogie "Attack" Image Courtsey of the Gallery
Carmichael Gallery
THE UNCOVERING
New Photography by Boogie
Carmichael Gallery
5795 Washington Blvd
Culver City, CA 90232
June 5 – July 3, 2010
July 10 – August 7, 2010
Opening Reception: Saturday, July 10, 2010, 7-9pm
For Immediate Release:
Carmichael Gallery is pleased to present THE UNCOVERING, a powerful cross section of new photography by Serbian native Boogie. The exhibition comprises a series of limited edition silver gelatin, chromogenic and archival pigment prints whose thematic material considers the space, sensation and narrative depth between endings and new beginnings.
There will be an opening reception for THE UNCOVERING on Saturday, July 10 from 7 to 9pm with the artist in attendance. The exhibition will run through August 7.
Born and raised in the city of Belgrade, Boogie emerged as a documenter of Yugoslavia’s civil
war of the 1990s, capturing through his lens the realities of the violent rebellion that ransacked the nation around him. These early experiences shaped his intensely sober artistic voice and dark perspective of human existence. Upon moving to New York City in 1998, this attraction to hardship and chaos transitioned to a visual exploration of the streets and homes of Brooklyn, presenting gang members, prostitutes and junkies in an astonishingly honest, familiar manner.
Subsequent journeys have taken him to cities such as Sao Paulo, Tokyo, Istanbul, Cuba, and
Mexico.
THE UNCOVERING is both an extension and a departure from Boogie’s previous bodies of
work, reflecting a new phase in his personal life and professional evolution. Having recently
returned home to Belgrade for the birth of his son, his experimentation with new color palettes in several of his works engenders a potent sense of renewal. The vibrancy of these photographs enhances the dialogue initiated by the breathtaking black and white portraits for which he is more widely recognized.
Boogie’s reach in THE UNCOVERING is broad, but cohesive – images of vandalized property, storm clouds, public housing, youth and the elderly both stand alone and chronicle a more extensive, multi-layered story. As a photographer, Boogie is singular in his ability to remove his presence as the mediator between the subjects of his work and those viewing them from without.
His illumination of the complexity of the human condition without the imposition of his
own ego or ideologies presents a more compelling foundation for the contemplation of his
weighty subject matter and the socio-economic, philosophical and emotional currents that press from beneath.
Boogie currently lives and works between Brooklyn and Belgrade. He has published five
monographs: IT’S ALL GOOD (powerHouse Books, 2006), BOOGIE (powerHouse Books,
2007), SAO PAULO (Upper Playground, 2008), ISTANBUL (Upper Playground, 2008) and
BELGRADE BELONGS TO ME (powerHouse Books, 2008). He has shot for many high profile clients and has been published in world renowned publications, including Time Magazine, The New York Times, Playboy, Rolling Stone, Flaunt, Vibe, Source, Maxim and PDN.
Prior solo exhibitions have taken place in Paris, New York, Tokyo and Istanbul, however Boogie claims that his biggest achievement to date is being a father to Maya and Aleksandar, the two most photographed children in the world.
M-City Image Courtesy of the Gallery
Opening Reception
Saturday, July 10 2010
7 – 9 PM
Please RSVP to rsvp at carmichaelgallery dot com
5795 Washington Blvd
Culver City, CA 90232
The exhibition is open to the public through August 7 2010
About Carmichael Gallery:
Carmichael Gallery exhibits works by some of the world’s most exciting emerging contemporary artists, with a focus on narrative and figurative painting, mixed media and sculpture. This is the gallery’s first solo exhibition of photography.
Factory Fresh Gallery
Factory Fresh Gallery
Appropriating an image from the opening lines of Dante’s Inferno as visual and thematic source material for the exhibit, the artists in Among Darkened Woods present works that seek to represent the derivative potential of darkness, to probe the obscure, to lend plasticity to shadows and other forms evanescent, to perceive presences and apparitions in that which seems to have disappeared.
While Dante’s infernal quest leads him from the selva oscura of life’s proper path gone astray, as it were, to visions of the most profound reaches of physical suffering, punishment and ceaseless decay, the works here suggest an earlier stopping point, a less hellish locus, a place perhaps only subtly subterranean where forms have not yet dropped into the abyss of a falling apart, evoking instead the ordered calm of a falling away.
Featuring paintings, drawings, sculptures and mixed-media works by Tim Kent,
SHM Kim, Adam Collison, Amanda Nedham, Mary Kate Maher, Monika Zarzeczna and Paul D’Agostino, and featuring an essay accompaniment by Paul D’Agostino.
Image Courtsey of the Gallery
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Don Pablo Pedro
Don Pablo Pedro
Image Courtesy of the Gallery
OPENING SAT. 7/31/10 7-11PM
@ PANDEMIC
37 BROADWAY
BROOKLYN, NY 11211
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Pandemic Gallery
37 Broadway between Kent and Wythe
Brooklyn, NY 11211
www.pandemicgallery.com
And who are all these ferocious kittens that Paper Monster features on the street and in the studio and gallery, with their piercing sharp stares and barbed wire bangs? The young NYC street artist isn’t sharing too much about the inner psyche of the creator, but our armchair analyst will only charge you 50 cents to connect the Freudian dots, and it’s worth every penny.
According to the press release for the show opening tonight, “each piece is a beautiful combination of layered imagery, textures and colors conveying themes of love, anger, fear, passion and mystery.” Truth is, Paper Monster has been banging out successively more intricate and polished stencils of these comely ladies, with their alter-ego wild sides, in the quietly consistent manner of a panther. Once you get past their jet-black razor wire exterior, you find a lawless riot of fluorescent color and shapes, decorative and comic, leaping and pouncing about inside.
Enjoy these pics of Paper Monster and his new show, six months in the making. If you are in Philadelphia tonight, stop by and give him a shout out from BSA.
“PaperMonster Ate That Little Boy” running Friday July 2nd to Saturday July 31st
Opening Reception: Friday, July 2nd 6pm-9pm
Vincent Michael Gallery
1050 N. Hancock St. Suite #63
Philadelphia, PA 19147
More information and RSVP Contact: 215.399.1580 x.703 or info@vincentmichael.com
San Diego Museum for Contemporary Art
Date Farmers, Me No Sugar, 2008, mixed media and collage on found metal. Courtesy of Jonathan LeVine Gallery
For the first time in history, the majority of the world’s population lives in urban communities. The urban setting and its corresponding lifestyle are major sources of inspiration in contemporary culture. This is an historic revolution in visual culture, in which the codes and icons of the everyday—found on the streets in graffiti, signage, waste, tattoos, advertising, and graphic design—have been appropriated and used as an integral part of contemporary art-making. The urban landscape inspires and serves as both a platform for innovation and a vehicle for expression for many artists. The city itself, its buildings, vehicles, people, and advertisements, are not only the surface where the art is applied. The city fuels the practice.
A multifaceted exhibition that explores the dialogue between artists and the urban landscape, Viva la Revolución: A Dialogue with the Urban Landscape features works both in the Museum’s galleries as well as at public sites throughout downtown San Diego.
The exhibition includes a diverse range of 20 artists from 8 countries that are linked together by how their work addresses urban issues — Akay (Sweden), Banksy (U.K.), Blu (Italy), Mark Bradford (U.S.), William Cordova (U.S.), Date Farmers (U.S.), Stephan Doitschinoff [CALMA] (Brazil), Dr. Lakra (Mexico), Dzine (U.S.), David Ellis (U.S.), FAILE (U.S.), Shepard Fairey (U.S.), Invader (France), JR (France), Barry McGee (U.S.), Ryan McGinness (U.S.), Moris (Mexico), Os Gemeos (Brazil), Swoon (U.S.), and Vhils (Portugal).
Viva la Revolución: A Dialogue with the Urban Landscape is curated by guest curator Pedro Alonzo and MCASD Associate Curator Lucía Sanromán.
Saturday, July 17 at MCASD Downtown, Jacobs Building
7-10 PM
Members: Free
General: $20
1100 & 1001 Kettner Boulevard
(between Broadway and B Street)
San Diego, CA 92101
858 454 3541
Mighty Tanaka
Mighty Tanaka
Mighty Tanaka is excited to present our next show entitled CityScapes, a four person photography show that delves into and documents a variety of perspectives in and around NYC. Featuring the work of Vinny Cornelli, Mari Keeler, Shane Perez & Bryan Raughton, each photographer individually deciphers their own unique interpretation of the City through a myriad of techniques and inspirations.
CityScapes invites the visitor to explore the seemingly ubiquitous and familiar environments of New York City through the eyes of the photographers, as they excavate new vantage points through their exceptional observations. From grand panoramas to the subtle details, the show looks to provide the viewer with an in depth examination of the urban environment that most people are likely to overlook.
From multiple exposure photography and models posing in precarious locations to textured urban environments and the grimy gems of the City, this New Century art exhibition aims to uncover the hidden treasures constantly found on the streets of NYC and fuse them within our daily lives.
Featuring the photography of:
-Vinny Cornelli
-Mari Keeler
-Shane Perez
-Bryan Raughton
OPENING RECEPTION:
Friday, July 16, 2010 – 6:00PM-9:00PM, and closing August 6, 2010
Mighty Tanaka
68 Jay St., Suite 416 (F Train to York St.)
Brooklyn, NY 11201
Hours: M-F 12PM to 7PM, weekends by appointment only
Office: 718.596.8781
Email: alex@mightytanaka.com
Web: http://www.mightytanaka.com <http://www.mightytanaka.com/>;
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
