Events

Mighty Tanaka Presents: “Permanently Temporary” Ellis G Solo Show (Brooklyn, NY)

Ellis G

brooklyn-street-art-ellis-g-mighty-tanaka-galleryEllis G Photo Courtesy of the gallery

Mighty Tanaka presents:

Permanently Temporary

A Survey of Works and Installation by Ellis Gallagher AKA Ellis G

Ellis Gallagher, AKA Ellis G, is the quintessential street artist, having created a highly unique and stylized interpretation of the City and its surroundings that New Yorkers take for granted.  Through tracing of shadows with sidewalk chalk, his artwork is the very definition of temporary, marking a specific time and place that few are lucky enough to stumble upon.  Mighty Tanaka is proud to bring you Permanently Temporary, A Survey of Works and Installation by Ellis Gallagher AKA Ellis G.

For the first time ever, original Ellis G shadow and chalk drawings will be made available to the public.  The installation for Permanently Temporary will double as a performance piece during the opening reception on Friday, January 21st, as he will create custom shadow and chalk artwork on site for the gallery visitors.  This special event translates an otherwise temporary form of art into an obtainable milestone of artistic interpretation.

Ellis Gallagher has paid his dues time and time again on the streets of NYC and throughout the world, as he has created an iconic technique that is recognized globally.

OPENING RECEPTION:

Friday, January 21st, 2011

6:00PM – 9:00PM

(Show closes February 4, 2011)

Mighty Tanaka

68 Jay St., Suite 416

Brooklyn, NY 11201

Email: alex@mightytanaka.com

Web: http://www.mightytanaka.com

(F Train to York St.)

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White Walls Gallery Presents: Eine “Greatest” (San Francisco, CA)

Eine
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Opening Reception: Saturday, March 12, 2011 7-11pm

Exhibition on view through April 2, 2011

San Francisco, CA-White Walls gallery is pleased to present, ‘GREATEST’ a solo exhibition by London-based artist, Ben Flynn a.k.a. EINE. The opening reception for ‘GREATEST’ will be held on Saturday, March 12, 2011 from 7-11 PM. The exhibition will be on view from March 12, to April 2, 2011 and is free and open to the public.

‘GREATEST’ is an art exhibition by the artist, Ben EINE, that will utilize both gallery and public space as a two-tiered platform for the artist’s visual expression. EINE’S work is a large-scale study of the shape and structure of the 26 letters found in the modern English alphabet in varied typefaces, color configurations and word arrangements. In the public spaces of San Francisco, EINE will be painting each letter of the alphabet on various walls around the city. A further ten canvases of his work using spray paint, acrylic, and glitter will be on display at White Walls gallery.

In an effort to engage the community through the creation of public artwork, EINE will be painting the entire alphabet throughout the city of San Francisco over the course of several weeks on walls and shutters. This public execution of street art aims to offer viewers a more participatory role in the observation and evaluation of artistic creation. All members of the community from collectors and appreciators to first-time viewers are invited to partake in the dynamic program of events that surround this ambitious undertaking. White Walls gallery will be producing a schedule of live installations, a continually updated map of works as they appear around the city, a public artist talk, and an evening of film screenings related to EINE’S art.

Rooted in the subcultural practice of graffiti, EINE moved into the more socially acceptable expression of street art in the early 2000s as a way to become a full time artist creating public works that were perceived as more legitimate. However, his fundamental art practice has essentially remained the same–he continues to paint words and letters on walls on the street. Letters either appear alone, on shutter fronts, or as words on walls such as ‘scary’, ‘vandalism’, and ‘monsters’ rendered in bright and amiable colors. In this way he turns negative words into positive ones. The contrast of jovial shapes and colors with dark sentiment is also a tongue-and cheek nod to the artist’s furtive and taboo origins as a graffiti writer.

The street art component of ‘GREATEST’ is complimented by a selection of works to be displayed inside the gallery. These works are part of EINE’s continual exploration of letters and words as his quintessential format for aesthetic inquiry. EINE’s studio process involves a layering of stencils onto the primed and painted canvas. Re-envisioning basic Victorian typographical structure, he begins with vintage hand-printed wood block fonts, reworking and refining them until he is inspired to cut the final stencil. This working methodology marks the continual evolution of the font by the artist’s hand.

In the early 2000s, EINE began a symbiotic collaboration with the street artist, Banksy. The artists worked and exhibited together for several years traveling to Australia, Berlin, Vienna and Denmark where Gallery V1 held the Banksy vs. EINE show in 2003. EINE also collaborated with Banksy on the famous Palestinian Wall project.

In 2010 the Prime Minister David Cameron presented President Barack Obama with a piece of EINE’s work as a gift. This diplomatic exchange between the world powers catapulted EINE’s work into the limelight on both sides of the Atlantic. GREATEST will be EINE’s first show in the US since his work was given to President Obama.

EINE is a London-based artist whose career started over 25 years ago when he tagged anything he could get his hands on. Although EINE’s work was initially illegal, he created a distinct typographical style that has made him one of London’s most ingenious and original street artists. His work has been exhibited in Los Angeles, New York, Toyko and throughout Europe. His painting commissions have also taken him worldwide with trips to Israel, Australia, South Africa and India. EINE was invited to take part in Banksy’s Cans show in London. After EINE worked with Banksy he joined ‘Pictures on Walls’ where he worked as their resident silkscreen artist and produced prints for their artists including Mode 2, and Banksy. He recently exhibited at The Carmichael Gallery of Contemporary Art in Los Angeles.

White Walls Gallery is the premiere West Coast destination for urban art. Combined with the Shooting Gallery just next door, this 4,000 sq ft space is one of the largest art galleries on the West Coast. Justin Giarla founded the gallery in 2005 with a commitment to furthering the urban art movement that stems from street art and graffiti art. Named for its plain white walls, we take a backseat to the real focus: the art.

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L.A. Art Machine At Ace Gallery Presents: D*Face, Mear One, The London Police, Word To Mother, Will Barras and Kofie “Temporary Metropolis” (Los Angeles, CA)

L.A. Art Machine
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In May 2011, BritWeek, in collaboration with the L.A. ART MACHINE (LAAM), will produce a landmark, large-scale, museum-quality art installation by world-renown artists MEAR ONE (USA) and D*FACE (UK). This exhibition will be the centerpiece of the entire BritWeek Contemporary Art Program and will run approximately two weeks at L.A. MART second floor exhibition hall.

Utilizing approximately 25,000 square-feet, BritWeek & LAAM will encourage the artists to entertain an entire range of expression, employing any media that fits the artists’ concept (i.e. sculpture, digital media, paintings, prints, performance, etc.) The overarching theme, which may be interpreted loosely, is the U.S.-British experience and whatever that may mean to the artists.

In addition, D*FACE and MEAER ONE will commandeer chair sculpture in the parking lot of the L.A. MART as a special project piece for the artists to embellish, paint, and post. This outdoor sculpture may remain in perpetuity as a gift from BritWeek to Los Angeles and an internationally-recognized symbol of the L.A. MART.

Time/Date:
Friday, May 6, 2011 at 7:00pm – Saturday, May 14, 2011 at 7:30am

Location:
LA MART (entire 2nd floor)
1933 S. BROADWAY
Los Angeles, CA


Stay tuned for updates as the event draws near.

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Vincent Michael Gallery Presents: Natural Selections & Salvation New Works by Joe Iurato and Shai Dahan (Philadelphia, PA)

Joe Iurato

brooklyn-street-art-joe-iurato-shai-dahan-vincent-michael-gallery

This February, Vincent Michael Gallery is pleased to present a dual exhibition featuring new works from artists Shai Dahan in the exhibition, Natural Selections and Joe Iurato in Salvation. Both exhibitions will be on display February 4th to February 25th. In honor of our artists, Vincent Michael Gallery will be hosting an opening reception Friday, February 4th 7PM to 10PM.

In his newest body of works Natural Selections, artist Shai Dahan has continued to explore the issues of survivalism within the animal habitat by addressing the effect of human’s behavior and disruption to the natural order and environmental conditions. In Natural Selections, Dahan has created a series of aesthetic paintings that exemplify this struggle and focus on wildlife’s two key traits of which they must depend on: Movement and Survival.

Dahan portrays the distress to the natural society of wildlife by combining elements of realistic portrayal and abstract motion. He takes his interpretation of this environmental conflict and unseemingly symbiotic relationship a step further by utilizing amusing hints of industrialism and manmade weapons.
Along the same lines, Joe Iurato explores another deep-seeded relationship for man: the struggle between belief amidst trials and hardship.

In his first solo gallery exhibition, artist Joe Iurato’s latest works in Salvation examine the ever-present bond between man’s faith and misfortune in modern times. With his illusive imagery, Iurato portrays the struggle between seeking solace in self, God, or society – everyone turns to something during times of adversity.
Coming off his recent success at Art Basel Miami with ArtWhino Gallery’s “The Takeover” exhibition, the NBA supported “Art of Basketball” exhibition, and Primary Flight, Iurato set focus on developing a new body of work for his gallery exhibition, utilizing new methods and mostly found materials. For Iurato, Salvation is a deeply personal body of work, one that arose from the question: Is our faith, wherever it may come from, a road to greener pastures or is it merely a component of tragedy in disguise?

Exhibition Details
What: Natural Selections & Salvation: Featuring New Works from Shai Dahan and Joe Iurato
Where: Vincent Michael Gallery
1050 N. Hancock St. Suite #63 Philadelphia, PA 19123
When: Exhibit runs February 4th thru February 25th
Opening Reception Friday, February 4th 7pm – 10pm
More Information 215.399.1580 x. 704 / International – 1.877.291.1138 or contact@vincentmichael.com

About The Artists

Shai Dahan, founder of Abztract Collective, is a New York artist who currently resides in Sweden. Shai’s work predominantly focuses on animals and their environment conditions, and how the repercussion of human tampering causes them to evolve into survivalism. Animals painted and illustrated with witty and humorous hints of man-made weapons, expresses Shai’s hopes in letting the viewer see the hybrid effect of man’s hands in animal society and its disruption on the natural order.

brooklyn-street-art-shai-dahan-vincent-michael-galleryShai Dahan: “Foolishly Loaded” 48″ x 48″. Wheatpaste, acrylic, markers, spraypaint, watercolor on plywood.

Joe Iurato is a New Jersey based artist, prolific in street art and mural installations and has shown
extensively in New York City, L.A., Miami and Europe. Joe Iurato specifically signs his work :01. It’s not an alias to conceal his identity, though. It’s a reminder to himself, and one that he chooses to share, that a single second is the most powerful measurement of time. “It only takes a second to decide you’re going to move forward in a positive direction regardless of the obstacles or challenges you’re facing in life,” Joe says. “And from that decisive moment on, you should never look back. Know that life isn’t a race or a competition – you can’t lose unless you give up on yourself. When you get slapped around, get back up, wipe the dirt off and move forward with purpose and conviction. While you’re at it, make it your business to help others along the way.”

brooklyn-street-art-joe-iurato-vincent-michael-galleryJoe Iurato: “Rubble” Spray paint and polyurethane on cardboard affixed to a reclaimed cabinet door

About Vincent Michael Gallery
Wanting to support and contribute to contemporary art, owners and avid collectors Elizabeth Gault, Armon Vincent and Andrew George established Vincent Michael Gallery in Philadelphia, PA. The gallery is a multifaceted space that exhibits diverse forms of art from both emerging and established artists. By incorporating the use of progressive technology, we strive to challenge contemporary art as well as our artists, and seek to create an open forum for on-going dialogue and community engagement.

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CircleCulture Gallery Presents: “New Art-Formely Known As: New Art” Group Show (Berlin, Germany)

CircleCulture Gallery
brooklyn-street-art-circleculture-gallery-berlin-judith-supine

NEW ART – FORMERLY KNOWN AS: NEW ART
Urban artists paying homage to innovators from the history of art

Opening: January 20, 7 – 9 PM

In this exhibition, artists from all over the world take reference to some ground breaking artists of the past. An homage to the spirit of innovation, non-conformity and alternative thinking of the older days.

Judith Supine / Christian Awe / Jonathan Yeo / Helle Mardahl / XOOOOX / Kevin Earl Taylor / Anton Unai / Jaybo Monk / Adriana Ciudad / Stefan Strumbel / Marco “Pho” Grassi
VS.
Gustav Klimt, Giovanni Battista Tiepolo, Pablo Picasso, Damien Hirst, Andy Warhol, Pierre Soulages, Henri Matisse, Théodore Géricault, James Ensor

Art looks back on a history that is as multi-faceted and fascinating as our own time. Among the illustrators, designers, sculptors, painters, calligraphers, fashion designers and architects of the past centuries, new avant-gardes have constantly emerged, establishing themselves to be replaced soon enough by the next generation craving innovation.
A process of creation that naturally builds upon preceding aesthetics, concepts and techniques that deconstructs them in order to create a contemporary art-remix. Many artists eschew this conscious connection to history. Freely and radically, they create new approaches: the new art.

Exhibition:           January 21 to March 05 2011
Opening hours:    Tue – Sat 12 – 6 PM

For more information please see the press release and online: http://www.circleculture-magazine.com/?p=2547

Circleculture Gallery
Gipsstrasse 11
10119 Berlin Mitte
berlin@circleculture-gallery.com
www.circleculture-gallery.com

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ArtJail Presents: Anthony Michael Sneed “Hell For Hire” (Manhattan, NY)

ArtJail
brooklyn-street-art-anthony-michael-sneed

Anthony Michael Sneed is an emerging artist who will be having a pop-up show at ARTJAIL in NY this Thursday January 13th from 7-10. his exhibition entitled “Hell for Hire” is the culmination of work that has spanned over two years time. Embodying numerous mediums from canvas to Legos, and varying themes from JFK to the KKK, Sneed has amassed an impressive collection of work not only in scale but in content.

About the artist:

Anthony Michael Sneed is a multi-platform visual artist who lives and works in Brooklyn. As a small child, Sneed suffered an accident that crushed his right hand, temporarily disabling its use and thereby forcing him to become ambidextrous. The implications of being right handed and switching to left as a result of this trauma and the plausible impact it has on his right versus left brain functions fascinates Sneed and inspires inquiry into how that has translated in his work.

Legos, video games, and even the arts and craft association of the artist’s process are derivative of Sneed’s childhood memories. These tools and their application to the large-scale canvas comprise an ultimately self-referential language dominated by the basic geometric nature of the pixel. Angular shapes and rational lines constitute the visual framework across all the mediums in which he works and gives form to ideas, both abstract and conceptual. Rigid angles sharply contrast with the playful, tongue in cheek nature of his social commentary. Often incorporating early 80s 8-bit video game aesthetics, the resulting imagery can seem anachronistic or frozen in a particular time, juxtaposing the contemporary topical content with a conscious approach.

Anthony Michael Sneed has been selected by Shepard Fairey for an upcoming show at Subliminal Projects in LA and has shown with Leo Kesting in New York.

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White Walls Gallery Presents Dan Witz New Works: What The %&#@? (WTF) (San Francisco, CA)

Dan Witz
brooklyn-street-art-dan-witz-white-walls-gallery-penelope_Prisoner_2_view_white_walls_card-1

Opening Reception: Saturday, January 08, 2011

Exhibition Dates: January 08 –February 05, 2011

SAN FRANCISCO, CA- October 24, 2010 –White Walls is pleased to present What The %$#@? (WTF), an exhibition by prolific Brooklyn-based artist, Dan Witz. The WTF exhibition will be showcasing the artist’s Dark Doings series, both inside the gallery as well as on the streets of San Francisco. Witz is known for using his mastery of the visual deception of trompe-l’oeil and photorealistic painting techniques to create conceptual visual pranks, producing a definitive and unparalleled street art practice. The artist’s debut San Francisco solo show will be comprised of approximately 30 mixed and digital media works in custom framing hand-created by the artist. The opening reception for What The %$#@? (WTF) will be held at White Walls on January 08, 2011 from 7-11 PM. The exhibit will be on display through February 05, 2011 and is free and open to the public.

Dan Witz’s integrity in expressing beauty through subversion and an enduring interest in realism has sustained the artist a copious 30-year career. Known for his hyper-realistic paintings, Witz challenges himself to keep representational painting relevant in the postmodern era and digital age. This challenge commands that the artist must continually grow and experiment in his art practice which has contributed to him being cited as one of the most progressive and influential painters of our time. Witz’s paintings are meticulous studies of light and it is through these subtleties of light that a sense of spatial dimension takes form. The presence of light becomes more delicate as it illuminates Witz’s subjects of quiet nightscapes and interiors and in stark contrast to his scenes of ominous mosh pits and animal frenzies. The artist’s career as a classical painter has risen while simultaneously championing an original take on street art. His street pieces surpass mere visual messages; rather they are witty puns and conceptual pranks that he integrates into urban environments. A master of the visual deception of trompe-l’oeil, Witz ironically provokes his viewers by placing shockingly unnoticeable art on city walls.

I’m trying to exploit our collective tendency towards sleepwalking by inserting outrageous things right out there in plain view that are also practically invisible. My goal is to make obvious in your face art that 99% of the people who walk by won’t notice. Eventually when they stumble upon one or find out about it I’m hoping they’ll start wondering what else they’ve been missing.

The What The %$#@? (WTF) series is named for the universal reactions it often inspires within the viewer. For this street art project, Witz is installing his Dark Doings pieces on walls beside highway ramps and interchanges–bottleneck locations where traffic backs up and a captive audience develops as cars pass by at low speeds. Dark Doings is made up of digital photo prints with extensive over-painting mounted on plastic and then framed. For each piece that Witz will be showing within the gallery, a corresponding piece will be put up somewhere in the Bay Area. The artworks come in an edition of 6:3 for the street and 3 for other distribution. The street versions are unsigned, but marked with NFFS*. The asterisk indicates (on the back of the piece) *NOT FOR FUCKING SALE.

Dan Witz is an artist living and working in Brooklyn, NY and has been active as both a street and realist artist since the late 1970’s. He received his BFA from Cooper Union (1981) was awarded a National Endowment of the Arts grant (1983) as well as a fellowships from the New York Foundation of the Arts (1992 and 2000). Witz has shown nationally with Jonathan LeVine Gallery, Carmichael Gallery, DFN Gallery and internationally with Stolen Space Gallery and Addict Galley. The artist has been featured in several notable publications such as New York Magazine, Public Art Review, The New York Times, The Daily News, Newsday, The New Yorker, Harpers, and Adbusters. His first book, The Birds of Manhattan was published by Skinny Books in 1983. His second book, In Plain View, as well as a calendar, Hummingbirds, 2011, were released in 2010 by Gingko Press.

About White Walls:
White Walls Gallery is the premiere destination for Urban Contemporary art. Residing next door to its sister galleries, the Shooting Gallery, Gallery Three and 941Geary, this 4,000 sq ft space is one of the largest art galleries on the West Coast. Justin Giarla founded the gallery in 2005 with a commitment to furthering the Urban Art movement that stems from Street Art and Graffiti as well as support both established and emerging artists within the genre.

Opening Reception
Saturday, January 8, 2011 7-11 PM
Show on view until January 1, 2011

Location:
White Walls Gallery
835 Larkin St.
San Francisco, CA 94109

For More Information:
www.whitewallssf.com

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Albany Center Gallery Presents “Eco Primitive Eco Surreal” Thomas D’Ambrose And Radical (Albany, NY)

Radical
brooklyn-street-art-radical-From-the- Drain

Radical “From The Drain’ Photo Courtesy of the Artist

Gallery Exhibits Work from Two Unexpected Regional Artists

Albany Center Gallery presents Eco Primitive Eco Surreal: Thomas D’Ambrose and RADICAL! to be held January 7, 2011 through February 12, 2011. The receptions will take place on Friday, January 7 and February 4 from 6 p.m. to 8 p.m. in congruence with 1st Friday. Albany Center Gallery is located at 39 Columbia Street between N. Pearl and Broadway in Downtown Albany, NY.

Thomas D’Ambrose is a self taught artist and received his first Special Opportunity Stipend through The New York Foundation for the Arts administered by The Arts Center for the Capital Region in Troy, NY for this exhibit. D’Ambrose has exhibited at The Lark Street Improvement District and Upstate Artists Guild, and recently participated in Flux, an multimedia exhibition at St. Joseph’s church curated by Ken Jacobie. A lifetime resident of the capital district, D’Ambrose has also been musician for the Past 30 years performing with the critically acclaimed group THE SHARKS. He recorded and performed with Albany rock luminaries BLOTTO and appeared in a BLOTTO MTV music video. Thomas received his B.S. in Music Education from the College of St. Rose and M.S. in Educational Communications from the University at Albany. Over the past few years he has taken an interest in the capital district art scene and in 2001 co-founded the TRINK Gallery in Cohoes, N.Y. with Nadia Trinkala and Robert Gullie. His eco-primitive style features a variety of jungle animals which he transforms into colorful and stylized primitive representations. Much of his work incorporates vintage wall paper and found or discarded canvases. Colorful zoological and botanical specimens are recurring themes throughout his work. D’Ambrose states, “the vast majority of my work features spectacular zoological and botanical specimens which I attempt to transform into colorful and stylized primitive representations. I capture a magical feeling of innocence and wonder for the natural world”.

RADICAL! is not the artist’s birth name, rather an identity created to embody the imaginative. A prolific artist, RADICAL! is the youngest to exhibit in a two person exhibit at Albany Center Gallery. The artist states, “I work with whatever I can find, and I hope to reach a point someday where I can pick up anything I see and treat it as a new canvas…my fondness of the urban landscape dwells inside me, and beckons me”. RADICAL! often incorporates needles and other blunt objects; however, it is never the artist’s intent to promote drugs or violence. Instead, RADICAL’S! use of illustrative imagery are incorporated to serve as a metaphor for the lack of societies discomfort to communicate. Before the age of 18, RADICAL! exhibited all over the world including Artsic Festival at The Haven Wolverhamton in London, UK, the Re-Use Project II exhibition in Tel Aviv Isreal, Waxploitation:Lost in Transit in Washington D.C., Everybody Get Up in London, UK and Cut Out at The Sommercasino in Basel Switzerland. RADICAL’S! artwork has been published in “We Were Here: a steet book” by After the Fall and “Stickerbomb 2” published by Laurence King Publishers, and he has exhibited his work locally with the Grand Street Community Arts, The Marketplace Gallery, and Kismet Gallery to name a few. RADICAL! has also exhibited his work in Russia, Moscow, and most recently in Rosendale, NY.

brooklyn-street-art-radical-Carrot-Mans- Revenge

Radical “Carrot Man’s Revenge” Photo Courtesy of the Artist

Albany Center Gallery

39 Columbia St.
Albany, NY 12207

P: 518.462.4775

Gallery Hours
Tuesday – Saturday
Noon to 5 p.m.
or by appointment

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Carmichael Gallery Presents “After The Rain” A Group Show With Works By Boogie, Guy Denning, Aakash Nihalani, Pascual Sisto (Culver City, CA)

Carmichael Gallery
brooklyn-street-art-carmichael-gallery train_rider

Carmichael Gallery Invites You To Attend
our first exhibition of the new year!

After The Rain

Boogie, Guy Denning, Aakash Nihalani, Pascual Sisto
5795 Washington Blvd
Culver City, CA 90232

January 8 – February 5, 2011

Opening Reception: Saturday, January 8, 2011, 6-8pm

please RSVP by email rsvp at carmichaelgallery dot com

Carmichael Gallery is pleased to present After The Rain, a group exhibition featuring Boogie, Guy Denning, Aakash Nihalani and Pascual Sisto. After The Rain merges and contrasts the palettes of four artists who work in a range of media. The precise neon color sculptures and abstract mixed media canvases of Aakash Nihalani highlight the raw, candid nature of Boogie’s black and white photographs, while Guy Denning’s dark portraits, built with indulgent layers of oil paint, situate Pascual Sisto’s video and sculptural works in a new contextual light.

There will be an opening reception for the exhibition on Saturday, January 8 from 6 to 8pm with Pascual Sisto in attendance. The exhibition will run through February 5, 2011.

Boogie (b. 1969 Belgrade, Serbia)
As a photographer, Boogie is singular in his ability to remove his presence as the mediator between the subjects of his work and those viewing them from without. His illumination of the complexity of the human condition without the imposition of his own ego or ideologies presents a more compelling foundation for the contemplation of his weighty subject matter and the socio-economic, philosophical and emotional currents that press from beneath. He will present a series of black and white photographs.

Recent solo and group shows include Hell’s Half-Acre, Lazarides Gallery at The Old Vic Tunnels (2010) and The Uncovering, Carmichael Gallery, Los Angeles (2010). He lives and works in Belgrade.

Guy Denning (b. 1965 Bristol, England)
Guy Denning’s enigmatic portraits of androgynous figures possess a strange and often ethereal beauty, blending the smoothness of classical form with a blunt contemporary perspective. Sexual and temporal politics, objectification, and isolation are illuminated through carefully honed contrasts of shape and shade. His will present a series of oils on canvas.

Recent solo and group shows include Behemoth, St Martin in the Fields, London (2010), Surface Tension, Brooklynite Gallery, Brooklyn (2010), Represent, Blackall Studios, London (2010) and Celebrity Will Eat Itself, Carmichael Gallery, Los Angeles (2009). He lives and works in Finistère.

Aakash Nihalani (b. 1986 New York, USA)
Aakash Nihalani has fashioned a visual language all his own. The neon in his work highlights details that might otherwise go unnoticed, while his minimalist patterns form self-contained pockets which encourage examination both within the isolated space and of the world at large. His work often engages the public by creating three-dimensional environments that can be physically entered, transforming passersby or gallery visitors into participants and offering them a momentary escape from daily life. He will present new sculptural works from his Optiprism series, as well as new works on canvas.

Recent solo and group shows include Overlap, Bose Pacia, New York (2010), Re-Creation II, Carmichael Gallery at Ogilvy & Mather (2010), Off & On (Often On), Carmichael Gallery, Los Angeles (2010), Tape and Mirrors, Eastern District Gallery, Brooklyn (2009) and Paraphrase, Arario Gallery, New York (2009). 2009 and 2010 also saw him complete ephemeral, site-specific tape installations (both commissioned and otherwise) throughout the US and in India, Austria and France. He lives and works in Brooklyn.

Pascual Sisto (b. 1975 Ferrol, Spain)
Pascual Sisto’s works, which include neon, video, photography and text-based series, reassess and recontextualize a range of historical dialogues that have been instrumental in shaping both contemporary society and his own artistic practice. He will present a video installation, amongst other works, in one of the gallery’s project rooms.

Recent solo and group shows include Please Remember Everything, Actual Size, Los Angeles (2010), Looped, Salt Lake Art Center, Salt Lake City (2010), Get Wet, UGM / Maribor Art Gallery, Maribor (2010), Instant LA Summer, Carmichael Gallery, Los Angeles (2010) and Absolutely Not, Fifty Thirty Three, Los Angeles (2010). He lives and works in Los Angeles.

About Carmichael Gallery:

Founded in 2007 by husband and wife team Seth and Elisa Carmichael, Carmichael Gallery focuses on a select group of artists breaking ground in painting, mixed media, photography and sculpture. Their annual program consists of a series of solo and group exhibitions that document the progress of these artists.

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Crewest Gallery X Abztract Collective present: “STREET DEGREES OF SEPARATION” A Group Show (Los Angeles, CA)

Abztract and Crewest Gallery
brooklyn-street-art-abztrac-collective-crewest-gallery

Crewest Gallery X Abztract Collective present:
STREET DEGREES OF SEPARATION

An art opening featuring the artwork of:
CHRIS CLARK
CHRIS RWK
CLOWN SOLDIER
DAMON GINANDES
DAVID FLORES
ERNESTO YERENA
EYEFORMATION
FAKE
GABE COPELAND
GAIA
HIDDENMOVES
JOE IURATO
JMR
PHILIP LUMBANG
SHAI DAHAN
and special guest artist and Pro Skater:
DANNY GONZALEZ

Opening Reception: Jan. 8th
Downtown Artwalk: Jan 13th – 6:00-10:00

CREWEST GALLERY
110 Winston Street
Los Angeles CA 90013
213-627-8272
info@crewest.com
www.crewest.com

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Pandemic Gallery Presents “Trespass” A Group Show Curated by Evan Robarts (Brooklyn, NY)

Pandemic Gallery
brooklyn-street-art-pandemic-gallery-trespass

Opening Sat. Jan. 15th, 7-11pm

Pandemic presents:

TRESPASS

Curated by Evan Robarts

A group show featuring 10 young artists working in different media and vernaculars. Along with the traditional meaning of the word, TRESPASS violates social conventions and openly engages in the taboo. TRESPASS places private moments in a public exhibition, where the act of viewing invades personal boundaries. TRESPASS questions established and preconceived notions of art.

TRESPASS is an action, a state of mind, an invitation.

___________________________________________________________

The show will feature a wide array of styles and mediums. Painting, sculpture, photography, video, and more. The artists themselves represent a new age of aesthetic visionaries and emerging inspirations. The visual mix, in perfect tandem, will provide a glimpse into a world of stimulating beauty often hidden from view.

Featured Artists:

Edouard Nardon
Grear Patterson

Victor Payares
Evan Robarts

PANDEMIC gallery
37 Broadway btwn Kent and Wythe
Brooklyn, NY 11211
www.pandemicgallery.com

Gallery hours:
Tues.-Fri. 11-6pm
Sat. & Sun. 12-7pm
closed Monday
or by appointment

L train to Bedford ave, J train to Marcy ave, or Q59 bus to Broadway/Wythe


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