February 2012

Troy Lovegates. The King and the Artist.

February 20, 2012 ,

Ask a room full of artists living here in New York if anyone every feels like a chump for making soul-sucking mediocre commercial work just to pay the jacked up rent. Hands will fill the air like ‘Amen’s at the Brooklyn Tabernacle at a Sunday morning sermon. Compound the cost of live/work space with the fact that, if you were lucky enough to get an education, your student loans debts are like a massive cinderblock around your neck. Many of today’s artists are expecting to labor long hours doing commercial or corporate art for years, often now without benefits or security – leaving them with ever-less time and energy to build a career, let alone a body of artistic work.

Troy Lovegates (photo © Jaime Rojo)

Street Artist Troy Lovegates is colorfully skewering the King in this County of Kings with his new surreally comedic metaphor called “The King and the Artist”, painted directly on the wall at the Kunsthalle Galapagos Gallery in DUMBO, Brooklyn.  Like days of olde when the Church and Royalty held the purse for most creative expression, the 99% is waking up these days to the unholy marriages that wield growing influence over the entire cultural and institutional landscape, including areas of creative expression. With “The King”, Lovegates depicts a well equipped megaspender imperiously dictating what will be art and claiming it as his own with his platinum sword waving wildly while the barefoot creator, a mind bubbling with a multitude of other ideas, tries to fend himself with tools laughably inadequate.

Troy Lovegates (photo © Jaime Rojo)

It’s a tug of war that is historical and contemporary of course – from faux communist capitalists to gold encrusted power families to religious gangs gilded in sanctity, artists have always procured the propaganda and painted a world view according to someone else’s vision. With signs ever more obvious around us, Mr. Lovegates informs us here that the game is still the same and some young artists are painfully aware of the rigged class system they’re working within.  Hopefully someone will buy it.

Troy Lovegates (photo © Jaime Rojo)

Troy Lovegates (photo © Jaime Rojo)

Troy Lovegates. No he doesn’t paint with his eyes closed. He closes his right eye when he paints details and when he is drunk. (photo © Jaime Rojo)

Troy Lovegates (photo © Jaime Rojo)

Troy Lovegates (photo © Jaime Rojo)

“Ocean Size”, a group show, is currently on view at the Kunsthalle Galapagos Gallery. Click here for further information.

 

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Read more

Images of the Week 02.19.12

February 19, 2012 ,

Our weekly interview with the street, this week featuring 131, 305 Kid, AVOID, Chuck, Clown Soldier, DamZum, Dan Witz, Eddie, Elle, How & Nosm, Nervous, OverUnder, OT, Romi, and Speto.

Eddie (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Speto (photo © Jaime Rojo)

Romi (photo © Jaime Rojo)

Elle pastes on top of a photo-collage by Avoid for the coming-of-age book featuring trains and graffiti. The layers of irony are glued together in this one  (photo © Jaime Rojo)

Overunder literally on the corner and Clown Soldier to the right. (photo © Jaime Rojo)

LA Weekly just got a dose of How & Nosm, who took 7 days to complete this mural for the Culver City offices.  (photo courtesy of and © HowNosm)

How & Nosm ( © HowNosm)

How & Nosm ( © HowNosm)

Nervous (photo © Jaime Rojo)

131 (photo © Jaime Rojo)

A conversation including Avoid and Dan Witz (photo © Jaime Rojo)

OT on the Graffuturism installation in Miami (photo © Jaime Rojo)

I Love Candy (photo © Jaime Rojo)

Chuck an artist from Managua, Nicaragua. (photo © Jaime Rojo)

305 Kid. Detail (photo © Jaime Rojo)

 

Read more

Kid Acne Stabby Ladies in Beijing for “Cloak and Dagger”

February 18, 2012 , , ,

Street Artist Kid Acne just ran in deeply wooded areas outside Beijing with “stabby ladies” in hot shorts and capes. The staged role play was a dream state reinactment to ready himself for his solo show “Cloak & Dagger” at Other Gallery, and thankfully we’ve got video documentation here.

Kid Acne “Cloak and Dagger” (image © courtesy of Kid Acne)

Touring the back rails and tracks in search of graff, he found that the urban vocabulary in Beijing can be strikingly similar to industrialized cities in the West and that people took great interest in his work. His new video casts a true grit psychedelia to his creative fantasies and appetite for play now planted in the mainland.

A real stabby lady among the wilds of the rails in Beijing – a still from the video by Kid Acne.

Kid Acne “Cloak and Dagger”. Image still from the video.

Kid Acne “Cloak and Dagger”. Image still from the video.

Kid Acne “Cloak and Dagger”. Image still from the video.

 

Read more

Fun Friday 02.17.12

February 17, 2012

Woo Hooooooooo! Street Art and graffiti shows are hopping tonight ya’ll! With shows in Chinatown, Dumbo, and Williamsburg, you’re going to have to take the train and the bus if you want to catch it all.

1. Cake and Don Pablo Pedro at Mighty Tanaka (DUMBO)
2. “All Talk” Group Show at Pandemic (Williamsburg, BK)
3. “Snowblind” at Klughause (Chinatown)
4. “Ocean Size” at Kunsthalle Galapagos Gallery SATURDAY 2/18 (DUMBO)
5. “What I Know,” curated by Jason Andrew
6. ” The Permanent Collection Volume II: My Own Private Serpico,” English Kills Gallery
7. Kraftwerk Retrospective at MOMA in April
8. William Thomas Porter – Splendid Cycles (VIDEO)
9. Connor Harrington “Black Herds of the Rain” (VIDEO)
10. JAZ in Mexico City with MAMUTT (VIDEO)
11. Nuria Mora in South Africa (VIDEO)

Cake and Don Pablo Pedro at Mighty Tanaka (DUMBO)

We’ve interviewed Cake this week, and Don Pablo Pedro when he wasn’t in shows, and we can assure you that “Inside Out” is about all the disgusting little bits you keep inside. Tonight they’re out at Mighty Tanaka.

Cake. Detail. (photo © Jaime Rojo)

For further information regarding this show click here

“All Talk” Group Show at Pandemic (Williamsburg, BK)

“Some of New York City’s boldest anti-heros, cynics and preachers” – Say no more! Tell me where to sign. “All Talk” is the new group show at Pandemic Gallery opens today with the participation of: Aakash Nihalani, Andrew H. Shirley, Cassius Fouler, Destroy & Rebuild, Gabriel Specter, Isabel Lasala, J. Ralph Phillips, Jenna Hicock, Jesse Edwards, Map, Merk, and NohJColey.

Aakash Nihalani (photo © Jaime Rojo)

For further information regarding this show click here.

“Snowblind” at Klughause (Chinatown)

We’re gonna start calling it SLUGHOUSE because their first 3 shows have been heavy hitters for such a small scrappy gallery at the foot of the Manhattan Bridge, near a Police Precinct, and yet in damn near darkness. The concept for tonights show is cool, but what’s cooler is CARNAGE, the magazine by Ray Mock, one of the best graffiti photogs on the street today. Oh, also, Martha Cooper is in the show. See ya there!. “Snowblind” opens today with the participation of Martha Cooper, Ray Mock, Alexander Richter, Mike P, Bob Barry,  Oscar Arriola, Graham Shimberg, Michael Fales, and Jesse Edwards.

For further information regarding this show click here.

“Ocean Size” at Kunsthalle Galapagos Gallery SATURDAY 2/18 (DUMBO)

Yo, we checked this one out as it was going up yesterday – It’s worth it and Toronto based Street Artist and fine artist Troy Lovegates just killed it with this brand new piece which we’re showing you a detail of below.

Troy Lovegates. Detail. (photo © Jaime Rojo)

For further information regarding this show click here.

Also happening this weekend

“What I Know,” curated by Jason Andrew – The Bushwick arts leader who makes art happen, Mr. Andrew curates a 40 person show at NYCAMS (New York Center for Art and Media Studies), opening tonight. Download the PDF here

English Kills Gallery Permanent Collection opening Friday night : ” The Permanent Collection Volume II: My Own Private Serpico,” the second installment of works from the English Kills Permanent Collection featuring David Pappaceno, Don Pablo Pedro, Cleon Peterson, Steven Thompson, Brent Owens, Vilaykorn Sayaphet, Hiroshi Shafer, Joe Borelli, Frank Stella, Peter Dobill, Andy Piedilato, Jim Herbert, Tyrome Tripoli, Kevin Brady, Jenn Brehm, Kevin Regan, Giles Thompson, Jeff Clark, Mike Olin, Shane Heinemeier, Dan Taylor, Lenny Reibstein, Tescia Seufferlein, Andrew Ohanesian, Andrew Hurst, Austin Thomas, Evan Ryer, Gary Cullen

 

Kraftwerk Retrospective at MOMA in April – Tickets on Sale Wed 2/22

The live presentation “Kraftwerk-Retrospective 1 2 3 4 5 6 7 8″ will explore their pioneering electronic music and each of their eight, groundbreaking studio albums with a unique set of projected images (some in 3-D ):

The music called electronic was basically created by Kraftwerk, who began four decades ago and whose influence and flat out appropriated music appears in work by these artists, to name a few: Jay-Z, Coldplay, Afrika Bambaata, Chemical Brothers, Pink Floyd, Fatboy Slim, New Order, Fergie, Ladytron, Missy Elliott, Franz Ferdinand, Thompson Twins, and yes, McDonna.

William Thomas Porter – Splendid Cycles (VIDEO)

Creater and builder of the famous “F*ck Bike 001” now on view at the Museum of Sex show “F*ck Art”, here is a video following William Thomas Porter around on his preferred form of transportation.  “I wouldn’t call them mutants,” he says of his bike caricatures, “because that would make them sound ugly. It’s more like creating this… splendid form.”

Connor Harrington “Black Herds of the Rain” (VIDEO)

JAZ in Mexico City with MAMUTT (VIDEO)

Nuria Mora in South Africa (VIDEO)

 

Read more

Cake Studio Visit : Inside Out

February 16, 2012 , , , , , , , ,

The Street Artist Readies for Her Show “Inside Out” with Don Pablo Pedro

Inside out. The words capture the dynamic of an artists journey to the canvas – and the Street Artists trip to the wall. Cake, her street name, has been hitting New York streets for five years with some of her innermost dialogues; stories of love, loss, addiction, emotional turmoil. The act of painting, cutting, and wheat pasting her figurative work on decayed and battered walls bears witness to the story. The thought of what can happen to it frightens and thrills her, an experience she has referred to as therapy.

“Because it’s relinquishing control, which I have huge problem with doing in my life, so that helps me,” she explains while glancing out at the Brooklyn street below the window of her warm studio in a former factory on a recent winter day. “You put it there and then you leave it. Someone can go over it, or destroy it the next day, you know? That – I mean that would kill me when that happened. I mean I hate when that happens but it helps me – it makes it so that everything is not so precious.”

 

Cake (photo © Jaime Rojo)

It’s all part of the game for Street Artists. You know it’s temporary but it still feels entirely necessary. The new work by Cake for her show at Brooklyn’s Mighty Tanaka this month is not far from the exposed portraits she has pasted on the street – layered and flat, stiffly lifelike, healthy and gaunt, painfully…pretty.

“These are all of my friend Emily mostly. Usually I take pictures of the models myself, because I know what I want. Instead of that, since she’s kind of an actress and an artist too, I told her to pose herself and to take the pictures herself so she wouldn’t be inhibited by my presence. And so she did… and the pictures turned out f*cking amazing.”

Cake. Detail (photo © Jaime Rojo)

Cake. Detail (photo © Jaime Rojo)

When you see the pretty torment of a Cake wheat-paste on a brick wall low to the sidewalk, the exposed raw uncomfortable nature of the portrait surrounded by graffiti tags, it can be an oasis from falseness, and a mystery. Like the 4, 5, 6 layers of paint she uses to build the canvas, these figures have more drama stirring than is obvious on the surface. Each painting is almost an unconscious act she says, and with the help of talking with others, she gradually peels back the layers of meaning, becoming conscious. One thing is evident; She’s lived this, and she’ll tell you about it when she’s ready.

BSA: When do you realize the underlying stories in your work?
Cake: Usually by talking about it, or from someone else.
BSA: So sometimes with the aid of another person
Cake: No, like a LOT of the times. Because it helps me when other people see things that I can’t see because I’m too close to it.

She explains how she coached her friend to model for the pieces. “I basically told her to think of these dramatic words, like ‘agony’. Like f*cking rip yourself apart and feel that, you know? Like I wanted to see how you look when you are experiencing that kind of reaction to life.”

Cake. Detail (photo © Jaime Rojo)

Her intensity when describing this tells you that pain is not abstract. Ironically, that is exactly how she painted before becoming a Street Artist.

“I was an abstract painter for like 13 years, in Pratt and in Parsons. I didn’t do this figurative work or Street Art. But the second I got out of Parsons in 2007 I was doing it. Because I was an abstract painter for so long… paint is like my – like I can really do f*cking sh*t with paint, just because I’m always doing it – Working with the material.

BSA: You have a deep love and regard for it.
Cake: The paint? Yeah I’ve always been like that. I’m such a f*ckin formalist that way. I’m really obsessed with the material.

BSA: So you are a trained fine artist?
Cake: Yeah, well my grandmother taught me how to paint when I was nine, because she was a fine artist. So I was always doing it.

BSA: There are many fine artists on the street now.
Cake: Yeah, that’s good, I like that.

BSA: Yeah it’s like it has changed the whole nature of Street Art.
Cake: What do you mean?
BSA: Previously in graffiti, and when it kind of morphed into what we call street art, there weren’t many art majors, or graduates, or art school kids, or whatever you want to call them.

 

Cake. Detail (photo © Jaime Rojo)

Cake: Yeah, Street Artists are art-school kids, right?
BSA: Now there are many, yes. The disciplines are many, the techniques. It’s not limited to say, aerosol art, or stickers or massed produced wheat pastes. It seems like the second half of the 2000s there started to appear more one-offs, more highly individual pieces…

Cake: Well I think that’s because there are just so many out there you really have to work harder to make something beautiful. I mean I do it for beauty. I don’t have any political stances or anything like that. Like I don’t give a sh*t about that. I probably should though, huh?
BSA: I don’t know why you should.
Cake: I don’t know. I mean you should be higher quality, that’s for sure. I don’t know. I think everything should be high quality though, like workwise.

Cake. Detail (photo © Jaime Rojo)

BSA: So this one is like “The Virgin Mother with Child in Outer Space”
Cake: (laughs) Oh I got this from this picture in Metro over the summer. I’ve never done this before, but I saw this picture. The thing is, do you see this? – the mother’s face, like she’s not panicking. She’s very peaceful and calm, and somehow she’s okay but she’s holding her like dying f*cking baby. I don’t know …it like hit me really hard so I just painted it. But it took me a long time. I started this picture in the summer and then I stopped working on it. And then I was able to finish it with this series. And I usually don’t take so long, I can finish a painting in a f*cking week.

Cake. Her inspiration for the painting above. (photo © Jaime Rojo)

BSA: What stopped you?
Cake: I don’t know. I didn’t know where to put them. Then I placed them in the night sky. I was looking at all these Renaissance portraits too for this show and there were like f*cking UFOs inside of them. Did you know that?

BSA: No!
Cake: Yeah! In some Renaissance paintings you’ll see a UFO. I’m not kidding you, and it’s totally weird.

BSA: Is it like an aura, an aurora borealis?
Cake: No it’s clearly like a UFO. And in some of them there is a person in them. It’s really bizarre. It’s kind of hokey but I don’t know. It’s like this; everyone is always in wonder “the universe is so big, what does it matter?”. But look at this. This matters. Oh my God I just figured this out. That’s good.

Cake. The first layer of a piece in progress. (photo © Jaime Rojo)

Cake (photo © Jaime Rojo)

Cake (photo © Jaime Rojo)

Inspiration in Cake’s studio (photo © Jaime Rojo)

Cake. Detail (photo © Jaime Rojo)

Cake. Detail (photo © Jaime Rojo)

Cake (photo © Jaime Rojo)

Portrait of the artist. (photo © Jaime Rojo)

Cake and Don Pablo Pedro show “Inside Out” opens Friday February 17, 2012 at the Mighty Tanaka Gallery in DUMBO. Click here for further information regarding this show.

Read more

Black Rat Projects Present: “Invisible Cities” Swoon, Banksy and Sheparad Fairey (London, UK)

February 15, 2012 , , , , ,

Invisible Cities

Our first show of the year will open on Friday 24rd February. Invisible Cities features secondary market works by Banksy and Shepard Fairey alongside works by Swoon. This diverse group of artists are eponymous with the current Street Art movement in their retrospective cities.  While these three artists work in very different styles addressing a range of different themes and concerns, what unites them is their creation of Invisible Cities; laid out over the pre-existing landscape in unexpected places – in these we find moments of unrestricted creativity and human connection. We will be holding a preview evening for Invisible Cities on Thursday 23rd February from 6.30pm – 9pm.

the black rat projects
through cargo garden
arch 461, 83 rivington street
London EC2A 3AY

tel: +44 (0)207 613 7200
fax: +44 (0)207 739 6304

info@blackrat.com

Opening Hours – Tues, Wed, Thurs, Fri 10-6 Sat 10-4

Read more

Kunsthalle Galapagos Gallery Presents: “Ocean Size” A Group Show (Brooklyn, NY)

February 15, 2012 , , , , ,

Ocean Size

Troy Lovegates (image courtesy of the gallery)

Kunsthalle Galapagos presents:

Ocean Size

February 18 – March 4th 2012

Opening Reception: Saturday Feb. 18, 2012 6-9pm

Image: David Enters Adulthood by Jebediah Long, 2012

Tony Ingrisano, Sylvia Jeffriess, Jebediah Long, Troy Lovegates,

James Moore, Fumi Nakamura

Kunsthalle Galapagos is pleased to present Ocean Size, a group
exhibition of six artists who question our perceptions of reality.
Their works coax us to join them in fantastical worlds of bold colors,
precise lines, and mutated patterns. Distorted characters and
fragments morph and fray into an ordered chaos. Disjointed narratives,
found memories and alter-egos situate us, then shift our perceptions
of our own state of being. The work compels us to reach beyond our
own comprehension to something bigger than ourselves, something “ocean
size”.

Along with the exhibition, Kunsthalle Galapagos presents a new limited
print edition by Troy Lovegates,

published by Marginal Editions.

Ocean Size is curated by Julie McKim, Erik Hougen, Albert Shelton, Gracie Kazer

Kunsthalle Galapagos

16 Main St.

DUMBO

Brooklyn, NY

www.kunsthallegalapagos.com

Gallery Hours: Thurs – Sun 1-6pm

F train to York St

A/C train to High St

Read more

LUDO New Project in Rotterdam: Inspired by Warhol’s Soup Cans

February 15, 2012

You may never know for sure who or what will influence the work of a Street Artist, but sometimes you know instantly. As we mark this month the 25th anniversary of his death, it could easily be said that the single most influential artist on the work of this generation is 20th century pop art superstar Andy Warhol.  His aesthetic sensibility and merging of commercial advertising with fine art continues to appear in new work daily.

Andy Warhol soup cans (© WallyG)

Street Artist LUDO is currently in frozen Rotterdam where he is installing his own Warhol-inspired Del Monte cans wheat pastes in bitter cold that has dipped to -15°C.  Rather than elevating the pedestrian to art status as Warhol did, LUDOs somewhat darker work has a more serious mission of drawing attention to modern methods of food production and the legacy of our scientific  manipulation of the natural world. The large wheat pastes feature food items merged with symbols of death and bathed in his signature acid green wash.

When in Los Angeles last August to participate in the BSA “Street Art Stories” show he toured the MoCA museum while attending our panel discussion at the museum and he says at that moment he gained some new appreciation for the can.

Says the artist, “Funny because the first time I really saw the Warhol Campbell cans, it was when I went to the MOCA panel this August with you – there was some kind of retrospective. Then I thought I would do mine, ‘Del Monte Cans’.”

Ludo (image © courtesy of Ludo)

Ludo (image still from the video)

Ludo (image © courtesy of Ludo)

Ludo (image © courtesy of Ludo)

Read more

Dorothy Circus Gallery Presents: Mr. Klevra “Animal Landing” (Rome, Italy)

February 14, 2012 , , , , ,

Mr. Klevra

DOROTHY CIRCUS GALLERY 

Open Tuesday, Wednesday, Thursday: 3:30 pm – 7:30 pm
Friday, Saturday, Sunday 11:30 am – 7:30 pm
Via dei Pettinari, 76 00186 Roma • ph: +39 06 68805928 – +39 338 9499432
Dal 18 febbraio al 7 Aprile 2012
From February 18th till April 7th 2012

Il capodoglio, il cane, l’orso, l’ara e altri animali “lunari” sono rappresentati in 7 tavole e una scultura che Mr. Klevra presenta in questa mostra. L’artista “veste” gli animali come veri astronauti, li correda di cose che li rappresenta. Il bestiario approda sulla luna dove tutto è cupo e buio, e gli animali con i loro colori, suoni e comportamenti renderanno questo pianeta pieno di vita, cosa che l’uomo ancora non è riuscito a fare. Non è un‘arca di Noè, ma singoli e solitari animali che partono per conoscere, dare vita, dove non vita non c’è, lontano da un mondo che odiano. E’ una partenza forse senza ritorno (come la povera Laika). Animali dentro tute spaziali di ogni epoca, come fossero veri e propri pionieri spaziali. Si tratta della preparazione non per un viaggio spaziale, ma per un viaggio in un mondo molto più remoto, quell’aldilà che tanto ha affascinato e tuttora affascina l’ansia di mistero dell’uomo moderno. Ma c è anche un altro aspetto: come appare agli animali il mondo da lontano? Ammirare la Terra dal di fuori è uno spettacolo affascinante, esserne gli abitanti un po meno. E che dire della sensazione completamente nuova di chi si trova improvvisamente a galleggiare senza peso? È un’emozione diversa da tutto quanto si può provare sulla Terra, che lascia un’impronta indelebile nella memoria: un’esperienza che sembra allargare la sfera dei sensi, introducendo una nuova dimensione, una diversa percezione del proprio corpo. Anche quando si torna ‘con i piedi per terra’ alla fine di una missione, nella mente rimane incancellabile il ricordo esatto di quella sensazione e qualche volta, durante il sonno, si sogna di volare senza peso, come quando si è in orbita.
Gli animali vengono scelti per le proprie caratteristiche, o meglio, per quello che all’uomo rappresentano: il cane e la sua fedeltà, il gatto per la sua elegante riservatezza, l’orso per il suo isolamento, la balena per la sua capacità di autonomia, l’ara che con i suoi colori rallegra il mondo, il cerbiatto per la sua eleganza nei movimenti, il primate che segna le nostre origini, il boa smeraldino che non uccide ma che sa solo mimetizzarsi. Che la missione della space crew sia quella di partire e non tornare più in dietro?

Read more

Valentines from the Street : BSA With Love

February 14, 2012

If Street Art reflects society back to itself, and we contend that it does, then we must be in love. Among the myriad sentiments you’ll find on the street are those that are politically angry, socially strident, or comically sarcastic. Additionally we often find emotional expressions on the street that are positively loving, or lustful. Whether a sign of attainment or of aspiration, these amorous interludes let us know that feelings of longing for another are universal. Happy Valentines to you with love from the street.

Street Artist AIKO with a stencil based on a photo by Martha Cooper (photo © Jaime Rojo)

Aiko (photo © Jaime Rojo)

Boxi. Love in the times of catastrophe. (photo © Jaime Rojo)

Bast (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

Specter’s very public declaration of love.  (photo © Jaime Rojo)

Queen Andrea and Cernesto (photo © Jaime Rojo)

A sticker from Paradox (photo © Jaime Rojo)

ND’A and Labrona (photo © Jaime Rojo)

Love Me (photo © Jaime Rojo)

Interesni Kazki (photo © Jaime Rojo)

Faile (photo © Jaime Rojo)

Faile (photo © Jaime Rojo)

Chris Uphues (photo © Jaime Rojo)

Bishop 203 (photo © Jaime Rojo)

Adam Dare (photo © Jaime Rojo)

Untitled (photo © Jaime Rojo)

Read more

New Image Art Gallery Presents: Anthony Lister. A Body Of New Work. (Los Angeles, CA)

February 13, 2012 , , , , ,

Anthony Lister

 

ANTHONY LISTER

OPENING RECEPTION

THURSDAY

FEBRUARY 23, 2012

6PM – 9PM

 

Opening Thursday, February 23, 2012, with a body of new work, New Image Art is pleased to present a new solo exhibition by returning artist Anthony Lister. Lister’s work takes influence from street art, expressionism, and pop art. Taking inspiration from his immediate surroundings he paints the parodies of modern life. His distinctive style is a visible tension between figuration and abstraction executed with bold confidence.

For his new exhibition Lister has created a montage of figurative renderings with special focus on the central theme of the beautiful and sometimes twisted form of the dancing ballerina. Along with a special print release and new series of sculptures, this new body of work promises to wow the viewer in its technical skill and refinement derived from sketching a live model. The opening reception will also feature a live dance performance as well as a hanging installation.

Born in Brisbane, Australia in 1979, Lister is a renowned painter and installation artist with an international profile. Lister graduated from Queensland College of Art in 2001, shortly after, he went to New York and worked under the mentorship of New Zealand painter Max Gimblett in 2002 and was the recipient of the 2004 Education Queensland Minister’s Art Awards, with a further mentoring workshop residency at Blender Studio, Melbourne. A selection of Lister’s work was the focus of the monograph, Twice on Sundays, published by Fox Galleries (Brisbane, AU) in 2005. Recently, he undertook a research residency in Berlin, and his travels have extended him to take part in an impressive list of sell-out solo and group exhibitions around the world. Lister’s work has been acquired by the National Gallery, featured in Juxtapoz magazine, and he was a finalist in the 2007 ABN Amro Award. In 2010 Lister was named one of the top 50 collectable artists in Australia by Australian Art Collector. He has held solo exhibitions throughout the US, Europe and Britain, straddling the boundaries of street art and the gallery world. His work has been featured in numerous publications including Forthcoming title, Wooster Collective, Taschen and Beyond the Street, 100 Leading Figures in Street Art, Gestalten.

New Image Art

7920 Santa Monica Blvd.

Los Angeles, CA 90046

323.654.2192

www.newimageartgallery.com

Read more

Featured Video | Martin Wong’s “Houston Street”

Recent Articles on BSA