All posts tagged: Will Barras

“Images of the Year 2011” From Brooklyn Street Art (VIDEO)

December 14, 2011

It’s been an excellent year for Street Art all over the world and we’ve had the pleasure of seeing a lot of great stuff from big names to the anonymous. Eye popping, brain-teasing, challenging, entertaining, aspirational and inspirational – it’s all happening at once.  We’ve been walking the streets, meeting the artists, going to shows, curating shows, speaking to audiences, providing walls, and asking questions. It ebbs and flows but never stays the same. With the rise of the Occupy movement this autumn, we’re already seeing an uptick in the number of people taking their messages to the street with a renewed intensity.

Left to Right: Shepard Fairey in Manhattan, D*Face in LA, Ludo in Chicago, JR in the Bronx, Barry McGee at LAMoCA, Mosstika in Brooklyn. All photos © Jaime Rojo

Let’s take a look at some of our favorite shots, whether from a rooftop in Bushwick, Brooklyn, a block-long wall in Miami, or the “Art in the Streets” show at LA MoCA. As you sample this eye-candy platter, dig the staccato soundtrack made of sounds culled from Brooklyn’s streets by electro duo Javelin, who spent a day in the Red Hook neighborhood collecting sounds and then mixed them in the back of their car. This is the kind of D.I.Y. ingenuity that is fueling the fire in artists neighborhoods all over the world, with people taking their stories and skills directly to the streets. With Javelin as the perfect auditory partner here’s 90 shots by photographer Jaime Rojo from 2011.

The scenes and scenester included here: 5 Pointz, 907Crew, Sadue, Gen2, Oze108, Droid, Goya, UFO, Aakash Nihalini, No Touching Ground, Aiko, Martha Cooper, Anthony Lister, Boom, INSA, Miami, Primary Flight, LA Freewalls, Los Angeles, Kim West, Kopye, L.E.T., Purth, Lisa Enxing, Baltimore, Banksy, LA MoCA, Barry McGee, Blek le Rat, Broken Crow, Albany Living Walls, Chris Stain, Billy Mode, AD HOC Arts, Chris Uphues, Monster Island, Wynwood Walls, Creepy, Brooklyn Street Art, Jaime Rojo, Steven P. Harrington, Dabs & Myla, How & Nosm, Vhils, Dain, D*Face, ECB, El Sol 25, Elbow Toe, EMA, The London Police, Kid Acne, Will Barras, Enzo & Nio, Faile, Bast, Faith 47, Gaia Clown Soldier, General Howe, Hellbent, Herakut, Invader, JA JA, Jaz, Cern, Joe Iurato, Welling Court, John Baldessari, JR, Kenny Scharf, Knitta Please!, LMA Cru, LUDO, Mosstika, ND’A, IRGH, Labrona, Overunder, Nick Walker, NohjColey, Nomade, Occupy Wall Street, Os Gemeos, Veng, Chris, RWK, QRST, Radical!, Rambo, Retna, Gifted, Demon Slayers, Read, Booker, Read More Books, ROA, Shepard Fairey, Shin Shin, Wing, Skewville, Specter, Swampy, Sweet Toof, Swoon, Toofly, Various & Gould, VHILS, XAM, YOK, Pantheon Projects

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“Wall & Frames”, Today’s Street Artists, Tomorrow’s Masters

December 10, 2011

There is an uneasy reluctance among some artists in the graffiti and the Street Art community to let themselves be seen hanging with art collectors or even entering galleries sometimes because they might lose credibility among peers for not being ‘street’ enough. Seeing well manicured men in pinstripes and shrieking birdberry women with tinted/straightened/plumped everything looking at your shit hanging on a wall and asking vaguely patronizing questions about it like you are an exquisite curiosity could make you go out and slice their tires after downing a few white wines.  Not surprisingly, “keeping it real” sometimes translates to keeping it out of private collections.

Even as there is an every-growing recognition of art and artists who work sometimes illegally in the street, it’s a sort of high-wire act for anyone associating with art born in margins, mainly because it forces one to face the fact that we marginalize.

Sociological considerations aside, over the last decade there is a less traditional definition of Street Artist entering the fray. The graffiti scene originally boasted a sort of grassroots uprising by the voiceless and economically disempowered, with a couple of art school kids and the occasional high-minded conceptualist to mix things up. It’s all changed of course – for myriad reasons – and art in the streets takes every form, medium, and background. Now we see fully formed artists with dazzling gallery careers bombing right next to first time Krinks writers, graffiti writers changing gears and doing carefully rendered figurative work, corporations trying their hand at culture jamming (which isn’t a stretch), and all manner of Street Art referred to as an “installation”.

A new book by Maximiliano Ruiz called “Walls & Frames”, just released last month by Gestalten, presents a large collection of artists who have traversed the now permeable definitions of “street”, gallery, collector and museum. Admittedly, this may be a brief period of popularity for Street Art, if the 1980s romance with graffiti is any indication, but there is evidence that it will endure in some form.  This time one defining difference is that many artists have already developed skill, technique, and a fan base. Clearly the street has become a venue, a laboratory for testing and working out new ideas and techniques by fine artists, and even a valued platform for marketing oneself to a wider audience.

A spread of work by Conor Harrington in “Walls and Frames”.

The resulting work, whether hanging on a nail inside or painted on a street wall, challenges our previously defined boundaries. The current crop of street art stars and debutantes, many of the strongest whom are collected here by Ruiz, continue to stay connected with the energy of the street regardless of their trajectory elsewhere. Some are relatively new, while others have been evolving their practice since the 70s, with all the players sliding in and off the street over time. The rich and varied international collection is remarkable and leaves you wanting to see more work by many of the artists. All considered, “Wall and Frames” is a gorgeously produced book giving ample evidence that many of today’s artists in the streets are tomorrow’s masters, wherever they practice.

Augustine Kofie in “Walls and Frames”.

 

Sixe in “Walls and Frames”.

Remed in “Walls and Frames”.

Anthony Lister in “Walls and Frames”.

Judith Supine in “Walls and Frames”.

Alexandros Vasmoulakis in “Walls and Frames”.

D*Face in “Walls and Frames”.

Interesni Kazki in “Walls and Frames”.

Jorge Rodriguez Gerada in “Walls and Frames”.

M-City in “Walls and Frames”.

 All images © of and courtesy of Gestalten and Maximiliano Ruiz.

Artists included are Aaron Noble, AJ Fosik, Alexandre Farto aka Vhils, Alexandros Vasmoulakis, Alëxone Dizac, Amose, Andrew McAttee, Anthony Lister, Antony Micallef, Axel Void, Basco-Vazko, Base 23, Ben Frost, Blek le Rat, Bom-K, Boris Hoppek, Boxi, C215, Cekis, Conor Harrington, D*Face, Dan Witz, Daniel Muñoz aka San, Dave Kinsey, Der, Dixon, Docteur Gecko, Doze Green, Dran, Duncan Jago aka Mr. Jago, Eine, Ekundayo, El Mac, Evan Roth, Evol, Faile, Faith 47, Fefe Talavera, Gaia, George Morton-Clark, Herakut, Herbert Baglione, Interesni Kazki, Jaybo, Jeff Soto, Jeremy Fish, Jesse Hazelip, Johnny “KMNDZ” Rodriguez, Joram Roukes, Jorge Rodriguez Gerada, Josh Keyes, JR, Judith Supine, Katrin Fridriks, Kevin Cyr, Kofie, L’Atlas, Lightgraff, Logan Hicks, Ludo, M-City, Mark Jenkins, Mark Whalen aka Kill Pixie, Maya Hayuk, Medo & Demência, Meggs, Miss Bugs, Miss Van, Morten Andersen aka M2theA, Mr. Kern, Mudwig, Nicholas Di Genova, Okuda, Patrick Evoke, Paul Insect, Pedro Matos, Peter Owen, Pose, Pure Evil, Remed, Remi/Roughe, René Almanza, Retna, Ripo, Ródez, Sam3, Sat One, Shepard Fairey, Sixe, Smash 137, Sowat, Sten & Lex, Stephan Doitschinoff, Tec, Tilt, Troy Lovegates aka Other, Turf One, Vitché;, Wendell McShine, Will Barras, and Zosen.

 

The launch; “Walls & Frames” will be presented at Gestalten Space Berlin on December 15th.

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London Police and D*Face in Oslo for Human Rights

August 20, 2011

Photos by Logan Hicks

A nearly three week installation of Street Art in Oslo, Norway by Faile, SEEN, D*Face, The London Police, Shepard Fairey, Vitaly Rusakov (Mizer), Logan Hicks, Will Barras, Martin Whatson, Galo, and Nicolay Aamodt is taking place right now as a way to raise awareness and funds for Human Rights Watch.

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The London Police say it’s YOUR turn to support the incredibly good work of Human Rights Watch now. (photo © Logan Hicks)

Street Art fans are typically more in touch with the needs of communities and are fierce advocates of the rights of all people, so BSA is very excited to start this post by offering you with the opportunity to give money to Human Rights Watch – So, 1. GIVE to HRW first, and  2. Look at great pics second.

Donate NowThank you, now cool Street Art photos from Street Artist and photographer Logan Hicks.

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Chas checks his original sketches in his notebook and compares them to the actual wall (photo © Logan Hicks)

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Woah! That’s a bit of a drop. (photo © Logan Hicks)

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Detail of The London Police wall for T&J Art Walk in Oslo, Norway (photo © Logan Hicks)

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Chas says “Check Your Head”, that’s whats up. (photo © Logan Hicks)

“Both Street Art and Humans Rights Watch have come from a desire to empower, help, appeal to the public directly” – D*Face

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D*Face installing a half can of colored inspiration that will splash across this Oslo wall. (photo © Logan Hicks)

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D*Face installing his wall. (photo © Logan Hicks)

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A full screen shot of D*Face installation. (photo © Logan Hicks)

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Love those sneaker shots. (photo © Logan Hicks)

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Learn more about the T&J Art Walk show in Oslo and see completed pieces by clicking the banner above.

Human Rights Watch is one of the world’s leading independent organizations dedicated to defending and protecting human rights. By focusing international attention where human rights are violated, we give voice to the oppressed and hold oppressors accountable for their crimes. Our rigorous, objective investigations and strategic, targeted advocacy build intense pressure for action and raise the cost of human rights abuse. For 30 years, Human Rights Watch has worked tenaciously to lay the legal and moral groundwork for deep-rooted change and has fought to bring greater justice and security to people around the world. To learn more about our work, please visit hrw.org

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L.A. Art Machine At Ace Gallery Presents: D*Face, Mear One, The London Police, Word To Mother, Will Barras and Kofie “Temporary Metropolis” (Los Angeles, CA)

January 12, 2011 , , , , , ,

L.A. Art Machine
brooklyn-street-art-temporary-metropolis-la-art-machine-ace-gallery

In May 2011, BritWeek, in collaboration with the L.A. ART MACHINE (LAAM), will produce a landmark, large-scale, museum-quality art installation by world-renown artists MEAR ONE (USA) and D*FACE (UK). This exhibition will be the centerpiece of the entire BritWeek Contemporary Art Program and will run approximately two weeks at L.A. MART second floor exhibition hall.

Utilizing approximately 25,000 square-feet, BritWeek & LAAM will encourage the artists to entertain an entire range of expression, employing any media that fits the artists’ concept (i.e. sculpture, digital media, paintings, prints, performance, etc.) The overarching theme, which may be interpreted loosely, is the U.S.-British experience and whatever that may mean to the artists.

In addition, D*FACE and MEAER ONE will commandeer chair sculpture in the parking lot of the L.A. MART as a special project piece for the artists to embellish, paint, and post. This outdoor sculpture may remain in perpetuity as a gift from BritWeek to Los Angeles and an internationally-recognized symbol of the L.A. MART.

Time/Date:
Friday, May 6, 2011 at 7:00pm – Saturday, May 14, 2011 at 7:30am

Location:
LA MART (entire 2nd floor)
1933 S. BROADWAY
Los Angeles, CA


Stay tuned for updates as the event draws near.

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Stolen Space Gallery Presents: Will Barras “Bad Reception” (London, UK)

October 20, 2010 , , , , ,

Will Barras
brooklyn-street-art-will-barras_bad-reception

Bad Reception’
By Will Barras
29.10.10 – 14.11.10
“When I used to phone up Duncan (Mr Jago) he would have to go and stand on a chair in his kitchen to get reception, so I painted ‘Bad Reception’, the first painting I made for this body of work and the title of the show. You can see a character standing on the ledge outside his flat on the 25th floor. Does he have to stand on the ledge to get phone reception, has he just been given terrible news and he is about to jump, is he spying on the penthouse opposite, or does he just like standing on the ledge?”

Bad Reception will show case never before exhibited works, painted over the course of the past two years, by Will Barras. Featuring stunning paintings in acrylic, spraypaint, oil and ink on canvas and linen as well as a brand new limited edition hand pulled screen print by the artist.

“Mr Benn was a cartoon character who would leave his house everyday in a suit. I think he probably intended to go to work, but on his journey he walked past a costume shop which he could never resist going inside. Inside he would be given a costume and a fantastic adventure would begin… He would become a spaceman, a caveman, a chef, a knight of the realm, a wizard, a clown, a hunter… the list goes on…The brush strokes tell their own story. The shapes and colours gain momentum and begin to take you on a journey. I want to maintain the natural flow and energy, the tension between abstract and figurative, while developing and elaborating on a narrative. To generate a multiple choice of possibilities of what could be happening Ideas usually develop from the everyday mundane, broken phone converations and awkward situations … and the way we all, in some small way, do what Mr Benn does. And with this in mind its not just whats happening within the paintings…I imagined what kind of person would have made these paintings, who would have painted these pictures. I like the idea that they weren’t painted by me, but found buried underground, or discovered in a monestry, or they’ve been hanging in the quarters of a shipwreck…..” (Will Barras)

Will Barras’ composition and fluid lines provide poignant detail in liquid abstraction. The subject matter is readily familiar, but captured in a manner that seems to jar time and space with psychedelic abstraction. It is his way of expressing the emotional movements of this labour. It is therapy and pleasure and necessity.

STOLENSPACE GALLERY
Dray Walk, The Old Truman Brewery
91 Brick Lane
London E1 6QL
United Kingdom
P: +44 (0) 207 247 2684
info@stolenspace.com

Nearest tube:
Liverpool Street or Aldgate East

OPENING TIMES
Tuesday – Sunday
11:00am – 7:00pm

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Will Barras and Mr. Jago in “Darling, We’re Leaving” at FIFTY24SF Gallery (SF)

November 2, 2009 , , , ,

I was a telemarketer for one day when I was eighteen years old. Actually it was half a day. I never came back from lunch.

I bring this horrible memory freshly to mind because I just learned that Mr. Jago and Will Barras, two artists showing new works at FIFTY24SF Gallery in San Francisco, first met each other when they were both working at telemarketing jobs. They both seem like they are unscarred, but sometimes these things are not obvious on the surface.

Walrus TV Artist Feature: Mr. Jago & Will Barras Interview from “The Run Up”

Mr Jago, a pioneer of the doodle, is a founding member of Scrawl Collective and a veteran in the street art movement. Jagos interests in art and design with influences from classic Marvel comics, graffiti and hip-hop culture have help forge his unique freehand style and distinct colour palette.
http://www.mrjago.com/

Will Barras
Living and working London, Will Barras is an artist and illustrator best known for his work with the Scrawl Collective, a collaboration of artist’s centered around Bristol, UK. He has been hailed as one of the artists that best represent the skate and snowboard lifestyle.
http://willbarras.com/

All that doodling at your telemarketer job could pay off!

All that doodling at your telemarketer job could pay off!

“Darling,We’re Leaving!” features new works on display at FIFTY24SF Gallery from November 5 – November 24, 2009.

Learn more about these guys and the show at Upper Playground

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Telemarketers Mr. Jago and Will Barras

November 2, 2009 , ,

I was a telemarketer for one day when I was eighteen years old. Actually it was half a day. I never came back from lunch.

We were living through a different recession and I had no practical skills and almost zero job experience and no college education.  That’s why I even considered the job – desperation for bar money and phat threads.  All I remember was sitting on a folding metal chair inside an O-configuration of folding banquet tables in a room looking down to the street with my black telephone, my phone number list, my order form, and my script.

We were selling tickets for the Shriner Circus and we were supposed to stress what a great philanthropic organization they were and how the kids were just thrilled. I didn’t know what a Shriner was, and I didn’t care either.  I tentatively dialed people on my list and had a big lump in my throat and my hands were shaking and I would take the slightest hint of rejection personally, like an anvil had come smashing through the ceiling directly onto my head.  So, around the third time someone said “NO”, I was emotionally destroyed and my nerves were numb and scarred for life.  Wimp.  I know.  Things haven’t gotten a whole lot better in the self-confidence area, if you want to know the truth.

Mr. Jago and Will Barrass discuss their original gig. (image courtesy Upper Playground)
Mr. Jago and Will Barrass discuss their original gig. (image courtesy Upper Playground)

I bring this horrible memory freshly to mind because I just learned that Mr. Jago and Will Barras, two artists showing new works at FIFTY24SF Gallery in San Francisco, first met each other when they were both working at telemarketing jobs.  They both seem like they are unscarred, but sometimes these things are not obvious on the surface.

Walrus TV Artist Feature: Mr. Jago & Will Barras Interview from “The Run Up”

Mr Jago, a pioneer of the doodle, is a founding member of Scrawl Collective and a veteran in the street art movement.  Jagos interests in art and design with influences from classic Marvel comics, graffiti and hip-hop culture have help forge his unique freehand style and distinct colour palette.
http://www.mrjago.com/

Will Barras
Living and working London, Will Barras is an artist and illustrator best known for his work with the Scrawl Collective, a collaboration of artist’s centered around Bristol, UK. He has been hailed as one of the artists that best represent the skate and snowboard lifestyle.
http://willbarras.com/

“Darling,We’re Leaving!” features new works on display at FIFTY24SF Gallery from November 5 – November 24, 2009.

Learn more about these guys and the show at Upper Playground

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Headbanger Logan Hicks Brings His Posse to Celebrate a brand New Green Day

Headbanger Logan Hicks Brings His Posse to Celebrate a brand New Green Day

August 18, 2009 ,

With Punk Rock Chords banging in his ears, the “workhorse” slams together two of his favorite things – Rock and Street Art – with a careful eye.

Logan's portrait's of Green Day; Billie Joe Armstrong, Mike Dimt, and Tre Cool (courtesy the artist)

Headbanger Hicks created portraits for the happy lads of Green Day; Billie Joe Armstrong, Mike Dimt, and Tre Cool (images courtesy Logan Hicks

He likes the dirt and the grit and diversity of New York, where he’s based today, as well as the thoughtfully applied paint of a well-placed stencil.  You’ll see it in his work, painstakingly detailed and applied to faces, sidewalks, subways, tunnels, building facades, and the mighty canyons of Manhattan. Logan Hicks captures the haunted cityscape with his mammoth and marble-heavy photorealism, shocked with stinging hot colors, glowing in the sky like Armageddon looming.

That’s why he’s the perfect force to shepherd street artists to make custom pieces for “21st Century Breakdown”, the new Green Day album. The 90’s punk band’s 9th album has inspired a roving art gallery to be shown off as they roll their tour around the world, and they asked Hicks to assemble an impressive list including Ron English, Chris Stain, The London Police, C215, and Broken Crow.

Green Day frontman Billie Joe Armstrong says, “Punk Rock is ground zero for us. It’s been my education”. His schooling continues in the visual world with help from Hick’s curatorial skills. “Seeing the pieces that our new album has inspired is very exciting. Many of the artists Logan has chosen show their work on the street, and we feel a strong connection to that type of creative expression, ” says Armstrong.

Just back from installing a 6,300 foot mural on the street course of the ESPN X-Games in LA with his crew of Jeremiah Garcia (n10z), Surge MDR, and Meow MDR, you would think Hicks is a little winded. Nahhh, the burly family man isn’t called ‘workhorse’ for nothing.

Getting his X-game on performing live stencil before a crowd

Getting his X-game on with live stencilling before a crowd in L.A..

Logan also

In addition to painting the street course, Hicks painted a mural celebrating the 15th anniversary of the X-Games, featuring an LA skyline and portraits of winners over the last decade and a half (photo courtesy the artist)

We asked Mr. Hicks if he could take a break and talk about the traveling show he curated,

Logan Hicks latest stencil on view at Jonathan Levine Gallery until August 22.

Logan Hicks latest stencil is on view at Jonathan Levine Gallery until August 22nd.

and after he submitted his newest stencil to the “Beach Blanket Bingo” show at Jonathan Levine Gallery, he crowd-surfed over for an inteview…

Brooklyn Street Art: What moved you to take on this responsibility; to curate a roster of this caliber street artists to interpret the entire new album by Green Day?
Logan Hicks: The manager for Green Day is also my manager. We were talking one day and I had told him that Art is the new Rock and Roll. Back when I was in high school, I was always on the look out for the new band, or song that paralleled my own feelings or ideas. Once I found it, I would play that sh*t every day. Back then it was punk rock, so I was on a Black Flag, Circle Jerks, Agent Orange, or MDC kick.

Ron English

Ron English

Adam 5100

Adam 5100

Now I find kids rocking Shepard Fairey stickers the same way I would play music. It is an expression that shows others what you are into. The conversation morphed into the idea of literally drawing a line between the music and the art as a form of expression. From there, I went through tons of artists and worked with Billie Joe Armstrong to pick the ones that we thought would work best for this project. From there the project was born.

Jeremiah Garcia

Jeremiah Garcia

Brooklyn Street Art: Are these one-of-a-kind originals? And are they for sale or is it more of a traveling gallery?
Logan Hicks: They are one of-a-kinds. The execution of the show is still in talks, so we may do prints, or a catalog, but at this point the only concrete plan is that we will travel the show to as many stops as we can, and display the originals in a gallery like setting. I’d like to see this travel, and be as approachable to as many people as possible.

C215

C215

Meggs

Meggs


Eelus

Eelus

Brooklyn Street Art: Each of these pieces is responsive to a specific track on their new release. Did you give the artists any other guidelines for their work, like turn the volume up to 10 and bang your head on a cinder block?
Logan Hicks: Actually the only guideline that I gave them was that I requested they make their piece without listening to the music. I wanted the piece to be a response to the lyrics, not the music. So the majority of the artists got the lyrics before the album was even released. That way they only had the words to go on. I just feel that sometimes the music can skew the perception of the song. Especially with Green Day, their lyrics can be a bit acidic but the melodies are a bit poppy. I wanted them to focus on the content, not the presentation so it was a truer interpretation of the song.

Sixten

Sixten

Component

Component

Sadhuy

Sadhuy

Brooklyn Street Art: Surprisingly to some youth, before there were the 90’s there were the 80’s and 70’s punk rock scenes. What bands were you slam dancing to for inspiration at that time?
Logan Hicks: Tons. A very brief list would be: Minor Threat, Cro-mags, Bad Brains, Butthole Surfers, The Pixies, Rudimentary Peni, 9353, Agent Orange, Circle Jerks, Descendants, Government Issue, TSOL, Joy Division, X, Crass, Exploited, Fear, Agnostic Front, The Cure, SNFU, The Addicts, Unsane, Dead Kennedys, GBH, UK Subs, DI, Sex Pistols, Cock Sparrer, Motorhead, 7 Seconds, Reagan Youth, and Black Flag. There were literally hundreds of bands that I would play on a weekly basis. I was a huge punk rock kid.

Broken Crow

Broken Crow

Chris Stain

Chris Stain

Peat Wollaeger

Peat Wollaeger

Brooklyn Street Art: A lot of the street-artists on this project work with themes of social injustice. Was that why you thought they would be able to interpret Green Day?
Logan Hicks: Yes, partially. Artists like Chris Stain are perfect for a band like green day because both are talking about the inequality, or finding your place in the world. Others like Ron English point out the absurdity and injustice in the world. Other artists were chosen because I thought their style was raw, or particularly suited for the project.

Lucamonte

Lucamonte

Myla/Adam 5100

Myla/Adam 5100

“Well maybe I’m the faggot America, I’m not a part of the red-neck agenda..”

Brooklyn Street Art: American Idiot” was a blunt instrument that smacked some sleepy heads. Do you like art that attempts to wake people up?
Logan Hicks: I crave diversity, so yes, I like blunt work, but I also think that work like Lucamaleonte is great too. His work is subtle, and a bit somber. I have never been the kind of guy who is into just one kind of style. I like the full array of style. Back when I was listening to punk rock, I would also put on Run DMC or Public Enemy. Even Bob Willis and the Texas Playboys would find their way into my play list. I just like art that is well thought out, purposeful, and well executed.

M City

M City

Will Barras

Will Barras

Pisa 73

Pisa 73

Brooklyn Street Art: Among the international group of fine artists you called upon to submit work, who handed their work in on time, who was late, and who told you the dog ate it?
Logan Hicks: Ha-ha. Most were good. When you deal with a large group of artists, you have to expect that some will drag their feet. I did have one rather well known stencil artist who waited 3 months to read the contract, then one week before things were due told me ‘ this is not a good project for me’. That was rather disappointing. Rather than say who was bad, I will say who was good. Ron English was extremely prompt and had his shit in more than month ahead of schedule. Total pro, and great guy to work with. There is no one in the group that I wouldn’t work with again though.

Brooklyn Street Art: Bonus Question: Which one is your favorite? Why?
Logan Hicks: Mine. Why? Cause I totally rock.

Logan Hicks’ Website

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ModArt – A Celebration of 20 Issues at ThinkSpace (LA)

June 27, 2009 , , , ,

Thinkspace is proud to present:

ModArt – A Celebration of 20 Issues & All That Lay Ahead

August 14th – September 4th

Opening Reception: Fri, August 14th, 7-11PM

(Los Angeles, CA) Thinkspace is proud to present a very special group show which is being curated by the good folks from ModArt magazine out of Europe. The show helps to celebrate the release of ModArt’s 20th issue and a switch to a new quarterly book-based format. This is going to be one visually arresting show featuring a vast array of artists from around the globe.

UK based Mr. Jago will be the featured artist alongside a group show featuring works from an international lineup consisting of Ado Jahic, Bo130, Brooke Reidt, Chris Bourke, Christopher Lambert, Dave The Chimp, El Gato Chimney, Faith 47, Galo, Guillaume Desmarets, Jon Bugerman, KuKula, Laundry and Limbo, Microbo, Morcky, SheOne, Stefan Strumbel, Stephen Smith (aka Neasden Control Centre), Tim Biskup, Vincent Skoglund, Will Barras, & more

The folks from ModArt will be in town, so please plan to come through and help us properly welcome them to Los Angeles and offer them congratulations on fighting the good fight for the new contemporary movement over in Europe and beyond.

Mr. Jago (featured artist):

Bristol Based Mr. Jago, pioneer of the doodle, is a founding member of the Scrawl Collective and a veteran in the street art movement and much respected among his peers.

Growing up in a small town, Jago’s interests lie in art and design with influences ranging from classic Marvel comics to graffiti and hip-hop culture. These influences have helped to forge his unique freehand style and distinct color palette.

His work has shown the world over, including such established galleries as Stolen Space (UK), The Don Gallery (Italy), Gallery 1988 (Los Angeles), Space Junk (France), Opus Underground (UK), Compound Gallery (Portland), Scion Installation LA (Los Angeles), Nelly Duff (UK), Lazy Dog (France), and has taken part in such high profile events as Brave Art (Canada) and Artists 11 @ Bonhams (UK) plus numerous live painting events and exhibitions the world over as part of the Scrawl Collective.

Artist website: www.mrjago.com

Scrawl Collective website: http://www.scrawlcollective.co.uk/index.php

Artist websites for those in the group show portion of the exhibit:

Ado Jahic – http://www.nonewenemies.net/nne_version1/page16/page29/page29.html

Bo130 – http://www.bo130.org/

Brooke Reidt – http://www.brookereidt.com/

Chris Bourke – http://chrisbourkeart.com/

Christophe Lambert – http://www.nonewenemies.net/nne_version2/page16/page31/page31.html

Dave The Chimp – http://www.davethechimp.co.uk/home.php

El Gato Chimney – http://www.steambiz.com/

Faith 47 – http://www.faith47.com/

Galo – http://galoart.net/

Guillaume Desmarets – http://www.nonewenemies.net/nne_version2/page16/page42/page42.html

Jon Burgerman – http://www.jonburgerman.com/

KuKula – http://www.kukulaland.com/

Laundry and Limbo

Microbo – http://www.microbo.com/

Morcky – http://www.morcky.com/asusual.html

SheOne – http://www.blackatelier.com/

Stefan Strumbel – http://deine-heimat.blogspot.com/

Stephen Smith (aka Neasden Control Centre) – http://www.neasdencontrolcentre.com/

Tim Biskup – www.timbiskup.com

Vincent Skoglund – http://www.vincentskoglund.com/

Will Barras – http://willbarras.com/

PLUS some surprise guests TBA

ModArt Magazine – http://web.modarteurope.com/

No New Enemies – http://www.nonewenemies.net/nne_version2/index.html

‘Sneak Peek’ of works from Mr. Jago and others featured this August:

http://www.flickr.com/photos/thinkspace/sets/72157618025058584/

thinkspace

4210 Santa Monica Blvd. – Los Angeles, CA 90029 – Tel: 323.913.3375

www.thinkspacegallery.com

Hours:

Thursday thru Sunday

1 p.m. – 6 p.m. (or by appointment)

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“Get Rich Quick” Collectors Group Show at Carmichael (LA)

March 23, 2009 , ,

‘GET RICH QUICK’


A Selection from the Collections of our Collectors

Featuring 

Antony Micallef, Banksy, Barry McGee, Bast, Beejoir, D*Face, Dalek, David Choe, David Choong Lee, Faile, Ian Francis, KAWS, Nick Walker, Paul Insect, Shepard Fairey, Skullphone, Space Invader, Swoon, Will Barras and more to be announced!

Address: Carmichael Gallery of Contemporary Art
1257 N. La Brea Avenue
West Hollywood CA 90038

Opening reception: Thursday, May 7th 2009 / 7.00pm – 10.00pm
Exhibition Dates: May 7th – May 28th 2009

For Immediate Release:

Get Rich Quick at Carmichael Gallery of Contemporary Art on Thursday, May 7th, 2009 from 7.00pm – 10.00pm! Carmichael Gallery is proud to present a selection of artwork from some of the strongest voices in the contemporary art world, including Antony Micallef, Banksy, Barry McGee, Bast, Beejoir, D*Face, Dalek, David Choe, David Choong Lee, Faile, Ian Francis, KAWS, Nick Walker, Paul Insect, Shepard Fairey, Skullphone, Space Invader, Swoon, and Will Barras. Both original works and a selection of rare, sold-out prints will be on display. 

Contact art@carmichaelgallery.com to preview available work. Please note that these artists are not represented by the gallery. 
The exhibition will be open for viewing through Thursday, May 28th 2009 from 1.00pm -7.00pm. 

The gallery is still accepting submissions for this show; please contact art@carmichaelgallery.com if you have strong pieces you are interested in consigning.

Also opening May 7th: ‘When All The Stars Are Gone’ – A Solo Exhibition of New Artwork by Thais Beltrame in our Front Gallery and Alexone in our Showcase Space
________________________________________
For media inquiries contact: Elisa Carmichael
Email: elisa@carmichaelgallery.com
Tel#: (323) 969-0600

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