All posts tagged: Rae Martini

Fun Friday 12.14.12

Hey bro and sis! Here are some of our favorite picks for the weekend around the global way as we head into the final holiday and New Year beauty that we hope everyone is surrounded by. Happy 7th night of Hanukkah to the Jews, and Happy ongoing holidayz to the Christmas and Kwanzaa and Solstice people.

1. 215 “Orgullecida” (Barcelona)
2. “Kids Eat For Free” at Tender Trap (BKLN)
3. Fresh Low-cost Original Silkscreens at “First Worldwar in Silkscreen” Group Show (BKLN)
4. “Graffuturism” at Soze Gallery (LA)
5. “Dark Corners, Savage Secrets”, Photography by Imminent Disaster (BKLN)
6. “Snap Back…” Rime and Toper at Klughaus (Manhattan)
7. New2 at White Walls (San Francisco)
8. Dave Kinsey “Everything at Once” at Joshua Liner (Manhattan)
9. Brett Amory at 5 Pieces (Switzerland)
10. RISK: The Skid Row Mural Project by Todd Mazer (VIDEO)
11. Swoon’s Konbit Shelter in Haiti (VIDEO)

215 “Orgullecida” (Barcelona)

French Street Artist C215 has a new solo show titled “Orgullecida” at the Montana Gallery in Barcelona, Spain. The artist has been for awhile using a lot of color with his multilayered stencil work – expanding his established vocabulary bravely in a way that most artists are too afraid to do. His portraits are placed well, are individually hand-cut, and sprayed with a sense of the humanity he’s always giving center stage.  This show is now open to the general public.

A one color stencil from an earlier period by C215 on the streets of Brooklyn, NY. (photo © Jaime Rojo)

A detail from a more recent C215 (© and courtesy the gallery)

For further information regarding this show click here.

“Kids Eat For Free” at Tender Trap (BKLN)

A phrase lifted from restaurant franchises that serve food like you are livestock at a trough, “Kids Eat For Free” is a mini survey of train riders who know the back sides of the country well. Under the moniker of The Superior Bugout, curator Andrew H Shirley continues to explore fresh talent from the emerging margin, and this group exhibition features work by North Carolina’s NGC Crew. Now open, and don’t forget the kids!

For further details regarding this show click here.

Fresh Low-cost original Silkscreens at “First Worldwar in Silkscreen” Group Show (BKLN)

The best way to support your local artist is to give their stuff as a Christmas/Hanukkah/Kwanza/Soltice present. No kidding. Everybody wins. Tonight a show of original silkscreens at totally reasonable prices is at Low Brow Artique in Bushwick. For tonight’s opening of their silk screen print show where you’d be able to purchase prints for $20…yes you read it right $20 bucks buys you art from 25 artists – many of them with work on the street – from Sao Paulo, Brooklyn, Buenos Aires and Berlin. Participating artists include: Selo, Markos Azufre, Hellbent, El Hase, ND’A, XOXU, Daniel Ete, Salles, Baila, Anderson Resende, DOC, SHN, XILIP, Serifire, Vero Pujol, Marquitos Sanabria, Diego Garay, Desastre, and Head Honcho.

Head Honcho. (photo © Jaime Rojo)

Salles (photo © Jaime Rojo)

For further information regarding this show click here.

“Graffuturism” at Soze Gallery (LA)

This is like an exclamation point for the end of the year. No kidding.

POESIA, founder of Graffuturism, the term and website, continues to explore the depths of “Progressive Graffiti” or, as it was previously known, “Abstract Graffiti”. With great intelligence, passion and an acute eye for detail, POESIA brings to the forefront the importance and beauty of this emergent new direction that is impacting the Street Art and graffiti scene (with ramifications for others).

“Graffuturism” opening tonight at Soze Gallery in Los Angeles and promises a smart-headed visual feast of shapes, patterns and color from a mini-galaxy of talent from all over the world. Perhaps more significantly, it’s a bit of a decentralized movement that has been centralized for you. The artists list includes: 2501, Aaron De La Cruz, Augustine Kofie, Boris “Delta” Tellegen, Carl Raushenbach, Carlos Mare, Clemens Behr, Derek Bruno, Doze Green, Duncan Jago, DVS 1, El Mac, Eric Haze, Erosie, Franco “Jaz” Fasoli, Futura, Gilbert 1, Greg “Sp One” Lamarche, Graphic Surgery, Hense, Hendrik “ECB” Beikirch, Jaybo Monk, Joker, Jurne, Kema, Kenor, Lek, Marco “Pho” Grassi, Matt W. Moore, Moneyless, O.Two, Part2ism, Poesia, Rae Martini, Remi Rough, Samuel Rodriguez, Sat One, Sever, Shok-1, Sowat, Steve More, West and Will BarrasSoze Gallery in Los Angeles .

Also New York chronicler and enthusiastic lover of the graff/street art scene  Daniel Feral will be there with a  special edition of the Feral Diagram in glicee prints, and a couple other formats (salivate). An ambitious exhibition like this is rare and not easy to come by so if you are in Los Angeles you must go.

El Mac on the streets of NYC. (photo © Jaime Rojo)

For further information regarding this show and to read a great essay for the show written by Daniel Feral click here.

“Dark Corners, Savage Secrets”, Photography by Imminent Disaster (BKLN)

Self-appointed moral custodians (mostly white men) have traditionally hampered the exploration of sexuality in formal art history and the academic canon of what gets celebrated and revered continues to evolve more quickly now. The sea change that modern social liberation that was once revolutionary is now a given, but the debate of the appropriate role of sex and sexuality in the arts is far from over. We may have just quashed one Trojan horse of social conservatism in the White House, but the radical right wing has pulled the center pretty far in the last decade and some have even said there was a war on women launched legislatively throughout 2012. So we are pleased to tell you about fine artist and Street Artist Robyn Hasty AKA Imminent Disaster, who has a new show in collaboration with Alex Pergament entitled “Dark Corners, Savage Secrets”. Furthering her exploration of photography Ms. Hasty has semi-retired her now well known hand cut paper pieces and lino prints on the street and traded the cutting knife for the camera. With this show of photographs, sculptures and performance art she’s aiming to tear apart the inhibitions associated with the  sexual act. “Dark Corners, Savage Secrets” opens tomorrow at Weldon Arts Gallery in Brooklyn.

Imminent Disaster and Alex Pergament (exclusive photo for BSA © courtesy of the artist)

For further information regarding this show click here.

“Snap Back…” Rime and Toper at Klughaus (Manhattan)

Freshly snapping back to New York from their successful truck trip to Miami, Klughaus Gallery brings Brooklyn natives RIME and TOPER for their new exhibition titled “Snap Back – Dangerous Drawings About New York”. The storytelling show features illustration and painting inspired by personal stories. Says RIME. “This show aims to tap into our life experience coming up in New York.” Show opens Saturday.

Rime and Toper shown here with Dceve in NYC. (photo © Jaime Rojo)

For further information regarding this show click here.

New2 at White Walls (San Francisco)

The White Walls Gallery in San Francisco are fortunate to host Australian artist New2 with his solo show titled “In One Hand a Ghost, The Other an Atom”. New2’s work on the streets is complex and dynamic with aerosol, but his handcut collage work for the gallery is moreso somehow – maybe because of a painstaking process of arranging thousands of hand cut pieces of paper. This show opens on Saturday.

New2. Detail of one of his hand cut paper pieces. (photo © courtesy of the gallery)

New2 on the streets of San Francisco. (photo © courtesy of the gallery)

For further information regarding this show click here.

Also happening this weekend:

Dave Kinsey with “Everything at Once” at the Joshua Liner Gallery in Manhattan. This show is now open to the general public. Click here for more details.

Brett Amory at the 5 Pieces Gallery in Berne, Switzerland opens on Sunday with his solo show “Lil’ Homies”. Click here for more details.

RISK: The Skid Row Mural Project by Todd Mazer (VIDEO)

Art in the Streets from MoCAtv

 

Swoon’s Konbit Shelter in Haiti (VIDEO)

Street Artist Swoon is looking to return to Haiti to build more shelters for people in the rural part of the country. This video gives a great look at the families and community who are helped. You also can participate by donating to the Kickstarter campaign to help Swoon make it happen.

Please follow and like us:
Read more

Soze Gallery Presents: “Graffuturism” A Group Exhibition (Los Angeles, CA)

Graffuturism

Graffuturism.com, opens in the new Soze Gallery location at 2020 E 7th St, Unit B, Los Angeles, CA, 90021.

Since Graffuturism’s inception as a public blog and private Facebook group in 2010, there have been two major group exhibitions that featured associated artists: “Rudimentary Perfection” in Glasgow and “Futurism 2.0″ in London. Both were successful in their curatorial intentions and created a sense of community and motion for the movement. Soze Gallery also has been an early advocate hosting solo exhibitions in 2012 by Jaybo Monk, Moneyless, Remi Rough, Dale Marshall, and a two-man show with Augustine Kofie

and Jaybo. Recognizing the significance of the Graffuturists, Soze Gallery also presented the opportunity for Poesia to curate this exhibition, which he chose to simply call ““Graffuturism.” This exhibition has been eagerly anticipated as the first group show to be curated by Poesia, because he is the founder of Graffuturism.com and also a well-respected graffiti artist with a twenty-year history. Ending up in this unique dual position as artist and commentator, it has fallen on him to be the cultural instigator and diplomatic facilitator of this renewed interest, practice and discourse surrounding what he calls “Progressive Graffiti,” which has also previously been called “Abstract Graffiti.” At this juncture in the three-year history of the website, as well as in the thirty-year history of this over-looked aesthetic trajectory within the Graffiti movement, Graffuturism.com has become a hub and Poesia the dedicated and consistent chronicler and theoretician. With the internet as his podium and round table, he has been historicizing and canonizing these artists, young and old, who have been creating art outside the norms of traditional graffiti, esoteric forms of painting and sculpture that veer outside of the proscribed boundaries into the experimental, the abstract, the poetic, and the hybrid.Artists that fall under the term Progressive Graffiti are generally innately gifted draftsmen, who aspire to a Master’s Level at their craft. Overall this movement could be classified as a “High Style New Millennial Aesthetic.” The art they produce is derived from a dialogue that ricochets around within a pin-ball matrix constructed of coordinates lying between the historical and the contemporary, including high and low influences, fine art and graffiti studies, scholarly and street pursuits, intellectual and visceral marks. Whether the resulting output is graffiti, painting, murals, design, sculpture or installations, the pictorial elements are mutated and transformed through each artist’s unique vision into a personal vocabulary of cross-pollinated styles. Whereas the Street Art movement of the mid-2000s tended to focus on figurative stencils and wheat-pastes, this group of artists on the whole is more concerned with hands-on, singular creation, whether within an academic or street setting. Unlike Post-Modernism, the resultant overall aesthetic is a seamless personal statement, not a collaged juxtaposition of historic styles.

Because of Poesia’s dual roles within the movement, he as been in the unique position to attract this international line up of esteemed contemporary artists, which includes many of the significant forefathers from the seventies and eighties. As a result, by including so many of these original Masters, he has created a chronological continuum within the line up, which defines this historical thread from its earliest days. Therefore this group show has developed into a “survey” that historicizes and canonizes each artist within the Progressive Graffiti thread, as well as within the larger Graffiti movement. One of the earliest, and possibly the most influential to most these artists, is Futura. In the early eighties, after a ten-year career as one of the early seventies writers, he broke away from one of graffiti’s most sacred traditions, the letterform as subject matter. At that point he began to paint in what became known as an “Abstract Graffiti” style. With his groundbreaking subway whole-car “Break,” as well as on the canvasses he was painting at the time, he pushed an atmospheric geometric style to the forefront of his work and began to experiment with a wide array of experimental spray can techniques that had not been seen before.

Around this same time, other early NYC writers, who had also started their careers in the seventies, began to experiment with new hybrid directions not based in pure graffiti traditions. In 1985, Carlos Mare began to combine abstraction and Wildstyle within the medium of sculpture, which over the past couple of decades has expanded to include other mediums under the term Urban Modernism. Haze also began to cross over into the fine art domain and over the years has created a body of work that might be referred to as Iconographic Minimalism. Doze Green was also a significant member of the early community of writers who crossed over with an experimental style that included the use of archetypal icons, poetic typography, figurative motifs and painterly styles. West was also another early intrepid explorer, adopting a gestural expressionist style, applying the muscle memory of train and wall painting to the canvas with his long whole-body marks and splashy, dripping strokes.

This exhibition has also united artists from the second generation who took off along the path forged by those early pioneers. These artists started to formulate their progressive aesthetics in the late eighties, such as Delta, the European three-dimensional geometric letterform pioneer turned pure abstractionist; New Yorker Greg Lamarche aka SpOne, who has been able to establish an abstract typographic collage aesthetic parallel to his foundation as a graffiti writer obsessed with the hand-written letterform; Part2ism was one of the earliest UK experimentalists in Hyperrealism, as well as co-founder of the Ikonoklast Movement in the UK with Juice126, which also came to include abstract colorist Remi Rough in the early-nineties.

Also beginning in the late eighties on the West Coast of the US, the Wildstyle-reductionist Joker was one of the first graffiti artists to paint purely geometric abstractions and pushed for its acceptance within the graffiti community by founding the Transcend Collective in 1991 with She1, who was an abstract writer in the UK. Poesia, became a key member of the collective in 1995, exploring a more hybrid, expressionistic approach to Wildstyle, as well as taking it into pure abstraction, which he is currently pushing in new directions, as well as reaching back to the Baroque painters and reinterpreting their masterpieces as graffiti-dissected new millennial re-paintings. Over in Europe, first in Paris then Italy during the same time period, Marco Pho Grassi started out as a wall and train painter but quickly started mixing in abstraction and more painterly expressionist techniques much like Poesia, yet totally unknown to each other. Then in the mid to late nineties, back in the US along the West Coast, other artists with alternative, experimental mind-sets, who were aware of recent developments, were coming out with brilliant, refined hybrid styles, such as Augustine Kofie and El Mac.

Artists such as these had been forced to skirt the edges of graffiti culture as well as the fine art world for the past ten to thirty years. Due to the esoteric nature and hybrid aesthetics of their graffiti-based paintings, and their disparate locations around the globe, they had no way to band together or find an audience to support them because of the lack of enough interest in their local communities for their esoteric and singular aesthetics. On the other side of the tracks, they were also ignored by the fine arts establishment because of their association with graffiti culture and for unabashedly continuing their gallery-related practices under the term Graffiti, which they still did not entirely leave behind. But, as the world population grows and becomes more connected through the internet, these geographically disparate artists have found it easier to come together, work together, and share global opportunities with each other, rather than being confined to tiny local communities.

Now, as this historical thread comes of age and recognizes itself in the mirror of history and on the faces of its youth, as the pioneers of the culture are canonized and the younger artists are united, there are many more opportunities afforded them within the design market, auction houses and fine art world, as these communities continue grow in their recognition of the cultural value and influence of Graffiti and Street Art, as the most prevalent styles and art movements in the late twentieth and early twenty-first centuries. This particular Graffuturist group exhibition, as well as the previous two, are significant steps in the growth of awareness and activity. This is a significant exhibition because it connects all the artists across the continuum of this overlooked historical trajectory back to these forefathers to finally make the connections and give the recognition due to Progressive Graffiti in all its current manifestations and their historical referents.

Across the board, 2012 has been an explosive year for Progressive Graffiti. The synchronicity of all these group exhibitions and solo shows can only emphasize that there is increased activity by the artists and an amplified interest in the audience. Futura had his first solo show in ten years, which attracted a massive turn out of the wealthy and the fashionable, as well as the highly-respected hardcore members of the graffiti community, which is a testament to his growing importance outside the culture, as well as cementing his stature within it. Following on the heels of the success of his solo show, Futura exhibited with two other crucial esoteric Old School Masters, Rammellzee and Phase2, in conjunction with the Modernist Master Matta in the exhibition “Deep Space” in NYC. This exhibit was particular significant because it canonized these three graffiti artists within the fine art pantheon by successfully illustrating their undeniable aesthetic accomplishments in relation to Matta’s masterworks. Rammellzee also had a banner year, being included in the “Vocabularies Revitalized” exhibition at the MoMA, as well as being given a complete retrospective at the Children’s Museum, both of which were in NYC, not even to mention his solo show at the Suzanne Geiss gallery in 2011 called “The Equation.”

In London, also significant in its curatorial aims to canonize and historicize, as well as it’s grand scope, was “Futurism 2.0,” which compared and contrasted the Futurists and the Graffuturists in an exhibition, book and documentary. Another group show of significance was BrooklynStreetArt.com’s exhibition “Geometricks” which held high the torch of Abstract Graffiti in it’s title and Progressive Graffiti in its roster, which included Hellbent (the curator), Augustine Kofie, Drew Tyndell, Momo, OverUnder and SeeOne. One of the most significant of the many murals and “in situ” collaborations painted this year by Graffuturist-related artists was the abstract mural painted on the Megaro Hotel by Agents of Change members Remi Rough, Augustine Kofie, Lx.One, and Steve More, which is currently the largest mural ever painted in London. Also, a slew of solo and duo exhibitions opened every month around the world by many of the artists associated with Graffuturism and Progressive Graffiti: Poesia, Dale Marshal, Part2ism, Remi Rough, Augustine Kofie, Jaybo Monk, Mark Lyken, Moneyless, Carlos Mare, She One, Matt W. Moore, Jurne, Greg Lamarche, Delta, Hense, Rae Martini, Marco Pho Grassi, and Graphic Surgery. In order to see the full scope of activities though, one would have to go back through Graffuturism.com for a complete review.

Above and beyond the growing interest in Progressive Graffiti is the expanding interest in the over-all culture as well during these first two decades of the new millennium. Massive museum exhibitions encompassing the full spectrum of subcultures and historical threads within the Graffiti and Street Art cultures have also opened to wide acclaim. The success of ticket sales for “Street Art” in 2008 at the Tate Modern in London and “Art in the Streets” in 2011 at the MOCA in Los Angeles revealed the mass cultural interest of these art movements and all the art forms that are connected to them. The fact that these two exhibitions happened at all signifies the growing acceptance by the fine art community as well.

These museum exhibitions, as well as the trend towards many other smaller historical exhibitions, such as “Deep Space” and “Futurism 2.0” at the end of 2012, and “Pantheon: A history of Art from the Streets of NYC” in 2011, indicate a new interest in the study of the history and cultural significance of these movements. Other indicators are the release of high quality scholarly books, articles and movies, such as “Abstract Graffiti” by Cedar Lewisohn in 2011; “Beyond Graffiti” published in ArtNews in 2011 by Carolina Miranda; the 2005 documentary “Next: A Primer on Urban Painting” by Pablo Aravena; and “The Feral Diagram 2.0: Graffiti and Street Art” published in 2012 by Daniel Feral. These are all testament to the growing enthusiasm of scholars, historians, and theoreticians to examine, define and record the fifty year history of graffiti and street art, and recently in particular the Progressive Graffiti thread. Like any misunderstood movement before these, such as rock’n’roll, comic books, and cinema, eventually the art forms, the audiences and the scholars united to finally recognize the movement’s undeniable cultural value, relevance and resonance in all their forms from the simple and visceral to the esoteric and intellectual.

Text by Daniel Feral

On Friday, Dec 14, 2012, the eponymously-titled “Graffuturism” exhibition curated by Poesia, the founder of Graffuturism.com, opens in the new Soze Gallery location at 2020 E 7th St, Unit B, Los Angeles, CA, 90021.

The complete artist list in alphabetical order by first name is as follows: 2501, Aaron De La Cruz, Augustine Kofie, Boris “Delta” Tellegen, Carl Raushenbach, Carlos Mare, Clemens Behr, Derek Bruno, Doze Green, Duncan Jago, DVS 1, El Mac, Eric Haze, Erosie, Franco “Jaz” Fasoli, Futura, Gilbert 1, Greg “Sp One” Lamarche, Graphic Surgery, Hense, Hendrik “ECB” Beikirch, Jaybo Monk, Joker, Jurne, Kema, Kenor, Lek, Marco “Pho” Grassi, Matt W. Moore, Moneyless, O.Two, Part2ism, Poesia, Rae Martini, Remi Rough, Samuel Rodriguez, Sat One, Sever, Shok-1, Sowat, Steve More, West, Will Barras.

Please follow and like us:
Read more

Fun Friday 09.07.12

Happy Friday! Not much to do this weekend, sorry – Aside from these eighteen possibilities.

1. Maya Hayuk at Cooper Cole (Toronto)
2. NohJColey “In the Midst of Living” Friday (BKLN)
3. Judith Supine at Jonathan Levine Saturday (Manhattan)
4. Swoon Opens Pearly’s Beauty Shop Sat (Long Island City, Queens)
5. Brooklyn Busts Open Studio Doors for “GO” Courtesy Brooklyn Museum
6. “Epilogue” at Hold Up (LA)
7. “Disamiguation” at Carmichael (LA)
8. Mind Trip with ETAM at Inoperable (Vienna)
9. Bien Urbain Festival (Besancon, France)
10. Graffitimundo “Walls of Buenos Aires” at Newcastle Project Space
11. ESPO “A Word is Worth a Thousand Pictures” at Joshua Liner (NYC)
12. TRXTR “Lucked Up” at Get Up Gallery (Vegas)
13. Group show “This Art is So Street” (Philadelphia)
14. “Public Display” at Agnes b. (NYC)
15. “100 Story House” with Leon Reid IV at JJ Byrne Park
16. RERO Image Not Available at Fabien Castanier in Studio City, CA
17. RONE at White Walls (SF)
18. Ben Frost at Shooting Gallery (SF)

Maya Hayuk at Cooper Cole (Toronto)

Street Artist, Fine Artist and Brooklyn resident Maya Hayuk has a solo show at the Cooper Cole Gallery in Toronto, Canada is now open to the general public. Ms. Hayuk paintings are saturated with color, catching the prism from the crystal and permuting it into a multitude of geometrically inspired patterns and shapes, realize on canvas and walls across the land. Crisply precise, or improvised and free wheeling, Hayuk let’s her mind and her palette run with enthusiasm for the raw creative spirit.

Maya Hayuk on the streets of Brooklyn. (photo © Jaime Rojo)

For further information regarding this show click here.

Maya Hayuk will also be featured in GEOMETRICKS September 22nd in Brooklyn, curated by Hellbent and presented by BSA.

NohJColey “In the Midst of Living” Friday (BKLN)

NohJColey first solo show “In The Midst of Living” opens tonight at Weldon Arts Gallery in Brooklyn. Come and see in person NohJ characters and stare at their eyes. See who blinks first.

NohJColey. Detail (photo © Jaime Rojo)

For further information regarding this show click here.

To read our preview and for more images click here.

Judith Supine at Jonathan Levine Saturday (Manhattan)

Judith takes over the project room at the Jonathan Levine Gallery in Manhattan for a triple header with Audrey Kawasaki and Jeff Soto sharing the bill. Get there early because the line will be long so you can see them all and appreciate this opportunity to see why Judith Supine is “Too Much for One Man”.

Judith Supine. Detail. (photo © Jaime Rojo)

For further information regarding this show click here.

To read our interview and studio visit with JS as he prepared for this show click here.

Swoon Opens Pearly’s Beauty Shop Sat (Long Island City, Queens)

Nails done by a painter? Hair diorama by a sculptor? Makeup by a conceptual artist? When was the last time that at the SPA you got pampered by a bevy of talented, happy, fun, funny and not shy fine artists? Never?

A fundraiser for the Braddock project, Street Artist and fine artist Swoon has dreamed a perfect SPA party for you, inviting and recruiting many of her close artists friends to make you feel special and to look glorious. “DJ’s Roofeeo, Dirtyfinger, Manhate, and 3 Kings International Sound will make your body move and your fresh coat of glam shine while you explore indoor and outdoor dance parties, music, installations and performances by Lady Circus’ Anya Sapozhnikova, Marshall LaCount, Shenandoah Davis, Audra Pace, and Yea, Well, Whatever all situated in a stunning visual landscape.” This Saturday pick your outfit and be prepared to have the experience of a lifetime.

For further information regarding this event click here.

Brooklyn Busts Open Studio Doors for “GO” Courtesy Brooklyn Museum

The Brooklyn Museum continues to plug into community and show love for the blossomed artists neighborhoods that are transforming Brooklyn into the true creative powerhouse rivaling Manhattan, which is looking so “last century” across the river. BAM is a loved museum that regularly gets “it” by bringing community in, thanks to the efforts of many, including the talented curatorial team headed by Sharon Matt Atkins who opens the conversation and knows how to listen to the beat on the street and make a huge institution relevant to a new generation.

This time Ms. Atkins and the museum’s Chief of Technology, Shelley Bernstein are taking  inspiration from the thousands of artists who work and live in Brooklyn, creating the largest open studios event we’ve heard of in DUMBO, Williamsburg, Bushwick, Greenpoint, Gowanus, and Red Hook this weekend. You can vote for your favorites by nominating three artists for inclusion in an exhibition at the museum. The museum’s curators then will visit the ten artists who received the most nominations and they will select two or more artists to have their work shown at the Brooklyn Museum for and Exhibition opening on December 1.

1735 artists have responded to this call. How many can you visit? You have this Saturday and Sunday to GO AND SEE ART.

For further information regarding this project click here.

“Epilogue” at Hold Up (LA)

“Epilogue” is a trio exhibition opening this Saturday in Los Angeles at Hold Up Art Gallery with Street Artists Eddie Colla, Hugh Leeman and V Young D have combining talents to explore themes of their vision of a coming collapse of society. Fun times!

“Epilogue” (photo © Taylor Morgan)

For further information regarding this show click here.

To read our preview for this show and to see a video click here.

Also happening this weekend:

  • The Carmichael Gallery in Culver City, CA is hosting Carlos Mare, Rae Martini, Remi/Rough, Sixeart in a group show titled “Disambiguation” opening tomorrow. Click here for more details on this show.
  • ETAM, the Polish duo open a new show, “Mind Trip” at Inoperable Gallery in Vienna, Austria is now open to the general public. Click here for more details on this show.
  • BIEN URBAIN the Art Festival being held in Besançon, France has begun and it will continue until early October. With a great inclusion of Street Art in its abundant program this year they invited Mark jENKINs et sandra FERNANDEz (USA), hYURO (Argentine), MOMO (USA), ElTONO (France), EsCIF (Espagne), sAM3 (Espagne), Agostino IACURCI (Italie), Guillaume BERTRAND (France), pascal RUEFF (France), Graffiti Research lab (France), pascal RUEFF (France), jIEM (France), Caroline AMOROs & Co (France) to paint murals. Click here for more details on this festival.
  • The walls of Buenos Aires have moved to London with Graffitimundo show “The Talking Walls of Buenos Aires”. Interested to hear what they have to say? Head over to the Newcastle Project Space and put your ear to the walls and your eyes on the art. This show is now open. Click here for more details.
  • “A Word is Worth a Thousand Pictures” is the title of the new show by Stephen Powers AKA ESPO now open at the Joshua Liner Gallery in Manhattan. Click here for more details on this show.
  • TRXTR is in Vegas, with a new show titled “Lucked Up” at the Get Up Gallery. Now open, click here for more details on this show.
  • Curly’s curatorial debut takes place in Philadelphia with a group show titled “This Art is So Street” opening tonight at the Stupid Easy Gallery. With the inclusion of a certain Mr. Brainwash is in the line up of artists with talent and skills, Curly might be sending a secret message. Let us know if you decode it. The artists are: LNY, NoseGo, Don Pablo Pedro, Darkclouds, The Yok and Sheryo. Click here for more details .
  • The fashion label and store(s) Agnès b is on “Public Display” with a group show curated by ASVP opening Saturday at their store on Howard Street in Manhattan. The participating artists include: D*Face (London, UK), Faile (Brooklyn), Gaia (Baltimore), Hellbent (Brooklyn), Invader (Paris, FR), Miss Bugs (Bristol, UK), ND’A (Brooklyn), QRST (Brooklyn), and ASVP (New York). Click here for more details on this show.
  • Artists Leon Reid IV and Julia Marchesi‘s new public art project “100 Story House” will be open to the public on Saturday at the JJ Byrne Park, 5th Avenue btwn 3rd & 4th St. Park Slope, Brooklyn. Bring Books if you go! Click here for more details on this exhibition.
  • French artists RERO is a wordsmith with an extensive experience as a graffiti artist. His new solo show titled “RERO: Image Not Available” opens on Saturday at the Fabien Castanier Gallery in Studio City, CA. Click here for more details on this show.
  • Australian Street Artist RONE new show “Darkest Before The Dawn” at the White Walls Gallery in San Francisco opens on Saturday. Click here for more details on this show.
  • Ben Frost is in San Francisco at the Shooting Gallery with his new show “See Inside the Box for Details“. Click here for more details on this show.

 

Please follow and like us:
Read more

Carmichael Gallery Presents: “Disambiguation” A Group Exhibition (Culver City, CA)

Disambiguation

Sixeart (photo courtesy of the gallery)

Carmichael Gallery

Disambiguation

Carlos Mare, Rae Martini, Remi/Rough, Sixeart

Carmichael Gallery

5797 Washington Blvd

Culver City, CA 90232

September 8 – October 6, 2012

Opening reception: Saturday, September 8, 6-9pm.

Carmichael Gallery is pleased to present Disambiguation, a group exhibition featuring new works by Carlos Mare, Rae Martini, Remi/Rough and Sixeart. The exhibition will be on view in the Los Angeles gallery space from September 8 to October 6, 2012, with an opening reception on September 8 from 6-9pm.

The spirit of the street, the communities that are created and gathered therein, and the subsequent movements that are formed and fostered have assisted in setting the foundations for the work of the artists presented in Disambiguation. Years of experience sharing their vision in a public forum combined with daring experimentation in form and material has resulted in four exciting contemporary abstract interpretations of the traditional graffiti form.

New Yorker Carlos Mare captures the moving human form in both two and three-dimensional form. By applying his study of Modernist and Futurist masters Marcel Duchamp, Wilfredo Lam and Kazimir Malevich to his observations of the gestures and attitude of b-boy veterans such as Ken Swift, Mare has honed a practice that translates the patterns, rhythms and beats of dance and modernism into sculpture and drawing.

Italian painter Rae Martini is equally inspired by Futurism and its obsession with the machine. His formative past as a young graffiti artist translates into abstract works that emulate the grit and texture of the streets, often using fire and dirt to create the desired effect. The dual presence of intricately patterned layers and pure minimalism is achieved by a persistent process of adding to and substracting from the initial image, creating a surface reminiscent of a storied urban wall.

Attention to the formal elements of fine art, in particular that of Minimalism, is central to the work of Remi/Rough. His color palette is selected through deceptively simple arrangements of lines and angles that bring a variety of hues into unexpected encounters with each other. By working on canvas and sculpture, he transports the movement and style of train writing into the gallery space.

Sixeart’s mixture of psychedelic abstraction and comic book-inspired figuration has become an essential element of the urban fabric in his hometown of Barcelona. His work has a childlike innocence combined with an almost hallucinogenic sense of second sight. “Sinister tragicomedy with notes of psychopathology and touches of acid” is one definition the artist himself has offered of his unique style. “My own universe of characters comes from a happy childhood and a close contact with mother nature,” he explains. The dreamlike quality of his work shows an affinity with Surrealist artists such as Joan Miró, another native of Barcelona.
About the artists:

Carlos Mare

Carlos Mare was born in New York, NY in 1965. He was a notable member of the golden age of subway graffiti in the 1970s and 1980s, painting under the moniker “Mare”, an abbreviation for “Nightmare”. He wrote alongside many of the style masters of his generation, among them Kel First, Dondi White, Crash, Kase2 and Noc167. This experience, along with his interest in modernizing the graffiti art form, has led him to reinterpret the concepts and aesthetics of style writing. Recent exhibitions include Martha Cooper: Remix, a group exhibition at Carmichael Gallery in 2011, Art Is Study: 36 Years of Process and Practice at Pratt Gallery, New York City and Physical Graffiti: Art of the B-boy Dance at Skalitzers Contemporary Art, Berlin, both in 2012. Mare has also designed several awards, including the B-Boy SPY Award for the Rock Steady Crew, the 2005 and 2007 Red Beat Battle Awards, and the award for the annual BET/Black Entertainment Awards show.

Mare currently lives and works in New York.

Rae Martini

Rae Martini was born in Milan in 1976. His first sketches at the age of 12 led to a career in street and train bombing that began in the late 80s and has lasted a dozen years. The development of both his graffiti and fine art is documented in 24 Carat Dirt, a 208 page hardcover book edited by Damiani and accompanied by a short film. The project was sponsored by clothing and lifestyle brand WeSC. Martini exhibited at the 54 Venice Biennale International Art Show Special Project, Pavilion Italy – Lombardia, Palazzo della Regione, Milan, Italy and participated with the Graffuturism group for In Situ during Art Basel Miami Beach, 2011. Additional  exhibitions have taken place at the Don Gallery, Milan, the Unruly Gallery, Amsterdam (2012), Castel Nuovo – Fondazione Valenzi, Naples (2010), Museum Recoleta, Buenos Aires (2008), Santa Maria della Scala Museum, Siena (2008), MAC – Contemporary Art Museum of San Paolo (2008) and PAC Museum – Contemporary Art Pavilion, Milan (2007).

Martini currently lives and works in Milan.
Remi/Rough

Remi Morgan, alias Remi/Rough, was born in South London in 1971. Since his debut art show in 1989, he has gone on to exhibit in London, Paris, Perth, Tokyo, Santander, Los Angeles, Miami, San Francisco, Vancouver, Hong Kong, Berlin, Ibiza and more. Remi is a founding member of artist collective Agents of Change and took part in their award-winning Ghost Village Project in 2009. His work has appeared in the books Graffiti World, Abstract Graffiti and Untitled III. In 2008, Remi was invited to speak on the history of UK graffiti in front of a sell-out auditorium at the Tate Modern as part of the museum’s street art exhibition. The following year saw the publication of his first monograph, Lost Colours and Alibis, which he followed up with How to use colour & manipulate people in 2012.

Remi/Rough currently lives and works in London.

Sixeart

Sergio Hidalgo, alias Sixeart, was born in Barcelona in 1975. Having painted from an early age, he has developed a highly personal visual language that comprises a host of recurring figures and animals. In addition to making sculpture, screen prints and works on canvas, he has collaborated with fashion designers to create clothing based on his distinctive style. In 2008, Sixeart was commissioned by the Tate Modern in London to paint a mural on the building’s iconic river façade alongside fellow artists Os Gemeos, Faile, Blu, Nunca, and JR. This was the first major public museum display of street art in London. Recent solo exhibitions have taken place at Alice Gallery, Brussels and N2 Galeria, Barcelona.

Sixeart currently lives and works in Barcelona.

Please follow and like us:
Read more