All posts tagged: MONEYLESS

Urvanity Madrid Diary 2: 1010 & Moneyless Underfoot and Overhead

Urvanity Madrid Diary 2: 1010 & Moneyless Underfoot and Overhead

This week BSA is in Madrid to capture some highlights on the street, in studio, and at Urvanity 2019, where we are hosting a 3 day “BSA TALKS” conference called “How Deep Is the Street?” Come with us every day to see what the Spanish capital has happening in urban and contemporary.


It is a series of surprises on the streets that are planned here in connection with the Urvanity Art Fair, including some tricky geometricks overhead and underfoot from artists Moneyless and 1010.

Moneyless. Urvanity Art 2019. Madrid, February 2019. (photo © Jaime Rojo)

A 3 dimensional turn on the abstract lineplays that you may associate with the murals and canvasses from the Tuscany-based Italian Ted Pirisi, aka Moneyless, his ongoing investigations of shapes and geometrical spaces has led him to suspend his newest piece between two fine examples of Spanish architecture only a five minute walk from the fair.

Moneyless. Urvanity Art 2019. Madrid, February 2019. (photo © Jaime Rojo)

As you approach it, walk under it, gaze upward to continually re-frame it within the sky and between the facing buildings on this small street full of pedestrians, shops, and lottery ticket sellers. The story is the form, and the form keeps changing.

Moneyless. Urvanity Art 2019. Madrid, February 2019. (photo © Jaime Rojo

Hamburg-based visual illusionist 1010 commands a larger swath of the street, literally, with his wavy cartography of a fictional nature with his “color caves” playing with perception as you stroll along this thoroughfare.

1010. Urvanity Art 2019. Madrid, February 2019. (photo © Jaime Rojo)

Pedestrians gazing down at their phones stop periodically as the earth layers beneath them appears to dip deeper, throwing off your sense of interpretation. It is crazy how these large installations affect perceptions even as they are getting a little weathered by the feet passing over them – a tribute to the effectiveness of 1010’s mastery of visual illusion.

Urvanity Art 2019. Madrid, February 2019. (photo © Jaime Rojo
Please follow and like us:
Read more
BSA Curates at 3rd Artmossphere in Moscow 2018: Open Call For Artists

BSA Curates at 3rd Artmossphere in Moscow 2018: Open Call For Artists

BSA founders Steven P. Harrington and Jaime Rojo are part of the Curatorial Team for the 2018 Artmossphere Biennale and today BSA is pleased to announce the “Open Call” for artists to apply.

The Street Wave Art Biennale, Artmossphere. Open Call for artists.

Paulo Ito at work on his installation for the 2nd Edition of Artmossphere. Moscow 2016. (photo © Jaime Rojo)

Artmossphere is the only Russian biennale that focuses primarily on Street Art and its corollary practices, with the first two launching in 2014 and 2016. You may remember the full coverage BSA had in 2016 at the Moscow Manege;

60 Artists at a Moscow Street Art Biennale: “Artmossphere 2016”

Among the artists participating on previous editions of Artmossphere have been people like The London Police, Brad Downey, Claudio Ethos, Agostino Iocurci Miss Van, L’Atlas, Sickboy, Jaz, Nespoon, Martha Cooper, Remi Rough, Alexey Luka, Remed, Li Hill, Jessie and Katey, Moneyless, El Tono, and many others – but clearly you can see that the quality and diversity in practices and backgrounds is well represented here.

L’Atlas at work on his installation for the 2nd Edition of Artmossphere. Moscow 2016. (photo © Jaime Rojo)

For the 2018 edition of the biennale we will be curating the program along with some of our respected peers internationally in this field and collectively we are asking artists to consider what it means to be “Offline”. So much of graffiti and Street Art’s roots extend back to a practice of making work for a largely local audience that is limited to geography.

Today much work in public space is conceived of, at least in part, for its ability to traverse to audiences on social media, blogs, video, and all manner of digital platforms. As we constantly are flooded with online Street Art, is it possible to be ‘Offline”?

Sepe at work on his painting for the 2nd Edition of Artmossphere. Moscow 2016. (photo © Jaime Rojo)

The 2018 main exhibition will take place in the Excise Storehouse of Winzavod Centre for Contemporary Art in Moscow from August 30th to October 17th. Additional special exhibitions will be held in the Red and White Halls, as well as in the art cluster outdoor territory.

The open call is open to Russian and international artists and applications with projects exploring this year’s theme will be reviewed by an international jury consisting of Steven P. Harrington and Jaime Rojo, co-founders of BrooklynStreetArt.com and curators at Urban Nation Museum of Urban Contemporary Art (UN), Peter Ernst Coolen, curator of the Amsterdam Street Art Museum, Cedar Lewisohn, curator of the Street Art project in Tate Modern, Ethel Seno, researcher of street art and curator, Anna Dimitrova, curator of Adda Gallery, Paris and MTN Gallery, Barcelona, and Nikolay Palazhchenko, the founder of the Winzavod Centre for Contemporary Art in Moscow.

To take part in the biennale, Artmossphere artists should submit their portfolio and their project application for the biennale before June 18th, 2018. All the projects should be made exclusively for the biennale. Click here for all details.

Wes21 at work on his installation for the 2nd Edition of Artmossphere. Moscow 2016. (photo © Jaime Rojo)

Katie and Jesse at work on their installation for the 2nd Edition of Artmossphere. Moscow 2016. (photo © Jaime Rojo)

Pink Power at work on her installation for the 2nd Edition of Artmossphere. Moscow 2016. (photo © Jaime Rojo)

M-City at work on his installation for the 2nd Edition of Artmossphere. Moscow 2016. (photo © Jaime Rojo)

Krzysztof “Proembrion” Syruc at work on his painting for the 2nd edition of Artmossphere. Moscow 2016. (photo © Jaime Rojo)




#ARTMOSSPHERE #BKSTREETART

Please follow and like us:
Read more
Discovering a “Magic City” in Dresden, Germany

Discovering a “Magic City” in Dresden, Germany

A couple of weeks ago BSA was in Dresden, Germany to help lay plans for a new Street Art show opening there this fall called “Magic City” and naturally we hit the streets with bicycles three days in a row to see the city’s graffiti, Street Art, and murals whenever time would permit. The first day we had the honor of getting a tour from Jens Besser, an artist, author, lecturer, and producer of mural festivals in the city who sped ahead of us through a labyrinth of streets to show us a number of the impressive murals he and partners have brought to the city in the last decade or so.

brooklyn-street-art-artist-unknown-jaime-rojo-dresden-07-2016-web-2

Unidentified Artist (photo © Jaime Rojo)

Jens is also a local historian and cultural observer so whether we were talking about a graffiti tag, aerosol hand styles, the Fürstenzug mural of 23,000 porcelain tiles, the overflow of the Elbe River during a European flood in 2002 or the architectural subterfuge of a former cigarrete factory/mosque named Yenidze that escaped allied bombings in 1945, he proved a friendly, adept and educational host.

brooklyn-street-art-optic-ninja-jaime-rojo-dresden-07-2016-web-1

Optic Ninja – a hand rendered wheat paste. (photo © Jaime Rojo)

We did some investigating on our own later through Dresden’s more bohemian/neglected gritty neighborhoods but that first tour clued us in to some of the magic that can be found in this city that lies only two hours south of Berlin. The multitude of skills and voices on the street added additional color to the rich conversations we were invited to contribute to by sage and storied writer, critic and chief curator Carlo McCormick. Carlo generously asked us to be a part of his vision of a “Magic City”, a constructed simulacrum and somewhat surreal streetscape with 30+ artists creating new works of many disciplines and mediums inside a former plane engine factory here, and for years we have provided a platform for this form of storytelling on BSA so it’s fantastic to bring to a theater setting here.

brooklyn-street-art-optic-ninja-jaime-rojo-dresden-07-2016-web-2

Optic Ninja (photo © Jaime Rojo)

McCormick has an intense affinity for the artists and the creative spirit that rivals how extensively he is versed in the antecedents, undercurrents, and greater intellectual and cultural implications of this world that is loosely described as Street Art or Urban art. We’re honored that Carlo tapped us to create a BSA Film Program to work within this newly designed city and to expand the definitions and perceptions of freewill art in the public sphere. Likewise we are grateful to the incredibly talented and ingenious Magic City team under the leadership of Christoph Scholz for inviting us on board for this project – all of which we’ll tell you more about soon.

Brooklyn-Street-Art-copyright-Frank-Embacher-Steven_Harrington_Ethel_Seno-Carlo-McCormick_Jaime_Rojo-Dresden-Magic-City-740

“Auch das Team von Brooklyn Street Art (Steven P. Harrington und Jaime Rojo) und das Kuratorenteam um Carlo McCormick und Ethel Seno freut sich, Euch als Magic Citizens ab 1. Oktober in der Magic City in der Zeitenströmung Dresden begrüßen zu dürfen. Der Vorverkauf startet am 3. August!” #MagicCityLife  (Photo © Frank Embacher)

In the meantime, here are new images from Dresden for you along with some more information about the upcoming show.

brooklyn-street-art-Frm-Otecki-jaime-rojo-dresden-07-2016-web

Frm-Kid . Otecki for CityBilder – Collaborative Murals in DresdenFriedrichstadt . Curated by Jens Besser and Frank Eckhardt. (photo © Jaime Rojo)

brooklyn-street-art-other-saddo-jaime-rojo-dresden-07-2016-web

Other . Saddo for CityBilder – Collaborative Murals in Dresden Friedrichstadt. Curarted by Jens Besser and Frank Eckhardt. (photo © Jaime Rojo)

brooklyn-street-art-mono-dabtar-gregor-jaime-rojo-dresden-07-2016-web

Mono Gonzalez. Dabtar . Gregor for Time for Murals. Curated by Jens Besser and Denise Ackermann. (photo © Jaime Rojo)

brooklyn-street-art-graphic-surgery-jaime-rojo-dresden-07-2016-web

Graphic Surgery for CityBilder – Collaborative Murals in Dresden Friedrichstadt. Curated by Jens Besser and Frank Eckhardt. (photo © Jaime Rojo)

brooklyn-street-art-jbak-jaime-rojo-dresden-07-2016-web

JBAK. Detail. For CityBilder – Collaborative Murals in Dresden Friedrichstadt. Curated by Jens Besser and Frank Eckhardt. (photo © Jaime Rojo)

brooklyn-street-art-ryan-spring-doodley-moneyless-jaime-rojo-dresden-07-2016-web

Ryan Spring Dooely . Moneyless for CityBilder – Collaborative Murals in Dresden Friedrichstadt. Curated by Jens Besser and Frank Eckhardt. (photo © Jaime Rojo)

brooklyn-street-art-kenor-h101-jaime-rojo-dresden-07-2016-web

Kenor . H101 for CityBilder – Collaborative Murals in Dresden Friedrichstadt. Curated by Jens Besser and Frank Eckhardt. (photo © Jaime Rojo)

brooklyn-street-art-artist-unkonwn-jaime-rojo-dresden-07-2016-web-1

Unidentified Artist (photo © Jaime Rojo)

brooklyn-street-art-artourette-jaime-rojo-dresden-07-2016-web

Artourette (photo © Jaime Rojo)

brooklyn-street-art-Jens-Besser-jaime-rojo-dresden-07-2016-web-1

A day and night diptych from Jens Besser (photo © Jaime Rojo)

brooklyn-street-art-Jens-Besser-jaime-rojo-dresden-07-2016-web-2

Jens Besser. Detail. (photo © Jaime Rojo)

brooklyn-street-art-Jens-Besser-jaime-rojo-dresden-07-2016-web-3

Jens Besser. Detail. (photo © Jaime Rojo)

brooklyn-street-art-Jens-Besser-jaime-rojo-dresden-07-2016-web-4

Jens Besser (photo © Jaime Rojo)

brooklyn-street-art-no-name-no-game-jaime-rojo-dresden-07-2016-web

No Name . No Game. – An “open source” roller tag repeated often and seen in many locations in Dresden. We found this one poignant because of the placement of a commercial real estate developer above it, effectively showcasing two uneasy players in the ongoing discussion about the role of art and artists in the gentrification of neighborhoods. (photo © Jaime Rojo)

brooklyn-street-art-ZCKR-crew-jaime-rojo-dresden-07-2016-web

ZCKR Crew (photo © Jaime Rojo)

brooklyn-street-art-smc-gwk-zbg-jaime-rojo-dresden-07-2016-web

SMC . GWK . ZBG (photo © Jaime Rojo)

For more check out #magiccitylife  magiccity.de

BSA<<>>BSA<<>>BSA<<>>BSA<<>>BSA<<>>BSA<<>>

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

BSA<<>>BSA<<>>BSA<<>>BSA<<>>BSA<<>>BSA<<>>

A version of this article was also published on The Huffington Post

Brooklyn-Street-Art-Huffpost-Dresden-740-Screen-Shot-2016-07-13-at-8.57

Please follow and like us:
Read more
“Art Silos” Rise in the Harbor of Catania, Sicily

“Art Silos” Rise in the Harbor of Catania, Sicily

They’ve been here since the 1950s, these silos for wheat and corn on the harbor of Catania on the east coast of the island of Sicily at the foot of Mount Etna. 28 meters tall and facing the Ionian Sea, they are now some of the largest canvasses in Italy by a small group of international and local Street Artists.

brooklyn-street-art-interesni-kazki-vlady-catania-italy-2015-web-1

Interesni Kazki. Detail. (photo © VladyArt)

The “Art Silos” project includes works completed during an eight month installation begun in June 2015 as part of Festival “I-ART” organized by “Emergence”, thanks to Angelo Bacchelli, curated by Giuseppe Stagnitta. The artists taking part in the project were Okuda (Spain), ROSH333 (Spain), Microbo (Italy), BO130 (Italy), VladyArt (Italy), Danilo Bucchi (Italy) and the duo Interesni Kaxki (Ukraine), mostly all from the graffiti/Street Art world. A separately organized but related project on the harbor-facing row of eight silos was completed by one artist alone, the Lisbon-based Vhils.

brooklyn-street-art-interesni-kazki-vlady-catania-italy-2015-web-3

Interesni Kazki. Detail. (photo © VladyArt)

The project’s completion at the turn of the year culminated in one of the largest Street Art/Graffiti artists’ collective shows in Italy held in the city’s main public gallery Palazzo Platamone, entitled “Codici Sorgenti” (Source Code), which was curated by Stefano S. Antonelli and Francesca Mezzano from Rome’s 999 Contemporary Gallery.

There is talk about the possibility that this exhibition of about 60 artists work will tour throughout Europe with its message of the historic roots of modern graffiti and Street Art along with many of its most impactful practitioners pushing into the contemporary art world.

brooklyn-street-art-interesni-kazki-vlady-catania-italy-2015-web-4

Interesni Kazki. Detail. (photo © VladyArt)

According to Arianna Ascione in Artsblog.it, the gallery exhibition was “divided into three sections that tell the birth, interactive development and consecration of the (graffiti/street art) phenomenon” Indeed, the list contains works by 108, A One, Augustine Iacurci, Alexis Diaz, Alexone, Bo 130, Boris Tellegen (aka Delta), Brad Downey, C215, Clemens Behr, Conor Harrington, Crash, Delta 2, Dondi White, Doze Green, El Seed, Ericailcane, Eron, Escif, Evol, Faile, Feitakis, Gaia, Herbert Baglione, Horfee, Interesni Kazki, Invader, Jaz, Jeff Aerosol, Mark Jenkins, Jonone, JR, Judith Supine, Kool Poor, The Atlas, Lek & Sowat, Lucy McLauchlan, Matt Small, Maya Hayuk, Mensanger, Miss Van, Momo, Moneyless, Peeta, Rammellzee, Retna, Roa, Seth, Philippe Baudelocque, Sharp, Shepard Fairey, StenLex, Swoon, The London Police, Todd James,Toxic, and the aforementioned Vhils.

brooklyn-street-art-interesni-kazki-vlady-catania-italy-2015-web-2

Interesni Kazki. Detail. (photo © VladyArt)

Ironically the genre-melting inclination of so-called “urban art” has eroded the silo mentality of many who follow these art forms as they become known, followed, collected, and exhibited; As a metaphor “Art Silos” may more accurately refer to the past and the dogmatic separation of genres such as graffiti, tattoo, illustration, ad jamming, and Street Art for example.

Although not strictly what you might call public art either, the scale of “Art Silos”, with its major artworks that typically may take years to be approved in large cities elsewhere, is an occurrence routinely happening in cities around the world.

brooklyn-street-art-bo130-vlady-art-catania-italy-2015-web-2

Vlady Art and BO130. Detail. (photo © VladyArt)

For us this is one more example of the “New Muralism” that is enabling Street Artists to do major works in public spaces via non-traditional routes. On par with a public art works of other committee-approved sorts, this silo project was a private/public collaboration that made selections, secured funding and permissions from the harbor authorities, city figures, politicians and the manager of the silos themselves, according to VladyArt, who along with Microbo is one of the artists and a resident of Catania.

brooklyn-street-art-vlady-art-catania-italy-2015-web-2

Vlady Art (photo © VladyArt)

He says the size of the project and the power of the imagery combined with the process of watching them go up has drawn a lot of attention to the area lately. “The people here were amazed by our speed and the large scale operation. Catania had no large murals like this… this was the very first time for Sicily. They can be seen from far away and even from taking off from and landing at the airport – or coming by cruise line on the sea. It seems that nobody really paid that much attention to this spot before, and everyone is talking about it now.”

brooklyn-street-art-bo130-vlady-art-catania-italy-2015-web

BO130 and Vlady Art. Detail. (photo © VladyArt)

To understand why a project of this nature can happen so quickly these days, look no further than the location. As we have recounted numerous times, often these efforts are deliberately programmed to draw attention to economically challenged areas as a way of encouraging tourism and investment.

In fact VladyArt says that this historic region and city that dates back many centuries before Christ is having a very challenging time economically and socially and could use positive attention from a crowd that appreciates art. “Catania is somehow the most dynamic city of Sicily, because of its industrial and commercial features,” he says.

brooklyn-street-art-lucamaleonte-vlady-art-catania-italy-2015-web-2

Lucamaleonte. Work in progress. (photo © VladyArt)

“Having said that, please be aware that the south of Italy is no way wealthy or an easy place, despite its beauty and lucky location in the sun. Almost the whole city is rough, I can name a many neighborhoods where this is the case.”

So it is all the more remarkable that a multi-artist iconic installation can happen here in Catania and people are exposed to a grassroots-fueled art scene that is currently galloping across the globe.

brooklyn-street-art-lucamaleonte-vlady-art-catania-italy-2015-web-1

Lucamaleonte. Work in progress. (photo © VladyArt)

“Regular people around here don’t know much about the whole thing, street art and stuff,” says Vlady Art. “So, quite frankly they wouldn’t care much about Okuda, Vhils or Interesni. They never heard of them before and probably people will find hard to spell their names. They cannot catch the meaning or the purpose of this. They simply like what they see – they like this energy. They do get the ‘message’, the power of art.”

brooklyn-street-art-danilo-bucchi-vlady-catania-italy-2015-web

Danilo Bucchi (photo © VladyArt)

brooklyn-street-art-okuda-vlady-catania-italy-2015-web

Okuda (photo © VladyArt)

brooklyn-street-art-microbo-vlady-art-catania-italy-2015-web

Microbo (photo © VladyArt)

brooklyn-street-art-rosh333-vlady-art-catania-italy-2015-web

ROSH333 (photo © VladyArt)

brooklyn-street-art-vlady-art-catania-italy-2015-web-1

The Silos facing the city. (photo © VladyArt)

brooklyn-street-art-vhils-vlady-art-catania-italy-2015-web

Vhils on the side of the silos facing the water. (photo © VladyArt)

BSA<<>>BSA<<>>BSA<<>>BSA<<>>BSA<<>>BSA<<>>

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

BSA<<>>BSA<<>>BSA<<>>BSA<<>>BSA<<>>BSA<<>>

This article is also published in The Huffington Post.

Brooklyn-Street-Art-Huffpost-Sicily-Silos-740-Screen-Shot-2016-05-04-at-1.41.39-PM

Please follow and like us:
Read more
BSA Film Friday 07.17.15

BSA Film Friday 07.17.15

Brooklyn-Street-Art-Dionyso-Punk-copyright-Screen-Shot-2015-07-17-at-8.03

bsa-film-friday-JAN-2015

 

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Roma Street Art Tribes as Captured by Dioniso Punk

bsa-film-friday-special-feature

BSA Special Feature: Roma Street Art Tribes as Captured by Dioniso Punk

Gwen Stacy Parts I and II

Disorderly, discordant, and richly chaotic, these two videos are centered around the Italian street art paintings and artists whom you will recognize from our earlier postings on community/gallery organized urban art programming – but within the context of historical art publicly displayed, peoples movements, patronage, fascism, the classics.

Dioniso Punk allows everyone to talk – neighbors, artists, organizers, curators, public philosophers, elected officials, psychologists, sociologists, entrepreneurs, posers, professors, historians, students, an opera singer, the petite bourgeoisie, international visitors and hapless puzzled opinionated locals.

Discussions at panels cut into impassioned discussions by senior women in the courtyard or didactic examinations in the street – some for illustration, others for whimsy, none to be ignored. More of a fact finding mission than cogent analysis, you may find it difficult to follow the narrative and so it is better to let go and allow yourself be battered by the insights and observations delivered with the jumpy cuts and uncompleted thoughts and discussions, preferring instead to sink into the tribe of the humans, here selectively displayed for your pleasure and hopefully, edification.

(turn on the CC (closed captioning) if you do not speak Italian)

 

Featuring interviews with Solo, Gaia, Diamond 0707, Maupal, Best Ever, Bol23, Jerico, Guerrilla Spam Sen One, Sabrina, Dan, Stefano Antonelli (999 Contemporary,) Marta Ugolini (Galleria Ca’ D’Oro), Agathe Jaubourg (Pasolini Pigneto), Alìn Costache (YUT!), Edoardo Martino (Villaggio Globale), and Eleonora Zaccagnino (Acid Drop).

Special Guests: Mp5, Alice Pasquini, Mr. Thoms, Jessica Stewart, Sandro Fiorentini (La Bottega del Marmoraro).

Murals by Blu, Roa, Borondo, Etam Cru, Space Invaders, C215, Hogre, Herbert Baglione, Sten & Lex, JB Rock, Ernest, Pignon-Ernest, Etnik, Axel, Avoid, Sbagliato, Jim Avignon, Fin DAC, Jef Aerosol, Seth, Zed1, Ericailcane, Clemens Behr, Caratoes, Momo, Derek, Bruno, Kid Acne, Mto, Alexey Luka, Tellas, Moby Dick, Philippe Baudelocque, Mr. Klevra, Lucamaleonte, Diavù Kocore, Agostino Iacurci, Danilo Bucchi, Jaz, Desx, Reka, Lek & Sowat, Hopnn, Matteo, Basilé Alberonero, Ex Voto, Andreco, Moneyless, Nicola, Verlato, Ludo, L’Atlas, Escif, and Pepsy Zerocalcare.

Please follow and like us:
Read more
“Big City Life Rome” Exclusive Shots of All the Walls

“Big City Life Rome” Exclusive Shots of All the Walls

The first thing you’ll notice is that all the walls are the same size. For “Big City Life Rome” all of the artists were given equally large walls for their murals, which is good because you avoid fights that way. We have seen a few festivals where there are heated discussions about which artists have what walls, how large or small they are, and where they are located. This sort of uniformity is rather unique in that way.

brooklyn-street-art-seth_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-4

Seth (photo courtesy © 999 Contemporary Gallery)

The second thing you may notice is that there are only men here. Even the children in photos on the website are male. There may be a couple of females on the Street Art scene here, but this is a male dominated game in Rome.

“Big City Life Rome” brings some of the names you are familiar with, and undoubtedly one or two of your favorites are represented here. Given the similar generous scale of the walls the artists have it is easier to make comparisons between the geometric minimalism of Moneyless, the calligraphic pulsating patterning of Domenico Romeo, and the metaphoric wrestling musclemen of Jaz. Each of these artists has a distinct voice and seeing them revealed over a the period of 7 week festival provides  you ample opportunity to appreciate them individually and as a group.

Our very special thanks to Stefano S. Antonelli, who curated this show for the 999 Contemporary Gallery, for sharing these exclusive images with BSA readers.

brooklyn-street-art-seth_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-5

Seth (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-seth_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-1

Seth (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-seth_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-3

Seth (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-seth_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-2

Seth (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-gaia_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-1

Gaia (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-gaia_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-2

Gaia (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-gaia_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-4

Gaia (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-gaia_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-3

Gaia (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-domenico-romeo_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-2

Domenico Romeo (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-domenico-romeo_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-3

Domenico Romeo (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-domenico-romeo_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-1

Domenico Romeo (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-moneyless_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-2

Moneyless (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-moneyless_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-1

Moneyless (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-moneyless_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-3

Moneyless (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-ALBERONERO_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-3

Alberonero (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-ALBERONERO_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-2

Alberonero (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-ALBERONERO_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-1

Alberonero (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-diamond_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-2

Diamond (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-diamond_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-3

Diamond (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-diamond_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-1

Diamond (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-jaz_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-2

Jaz (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-jaz_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-1

Jaz (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-jaz_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-3

Jaz (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-mr-klevra_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-3

Mr. Klevra (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-mr-klevra_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-1

Mr. Klevra (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-mr-klevra_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-2

Mr. Klevra (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-philippe-baudelocquebig_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-2

Philippe Baudelocquebig (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-philippe-baudelocquebig_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-1

Philippe Baudelocquebig tracing the hand of his muse. (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-philippe-baudelocquebig_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-4

Philippe Baudelocquebig (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-philippe-baudelocquebig_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-3

Philippe Baudelocquebig (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-reka_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-2

Reka (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-reka_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-1

Reka (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-reka_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-3

Reka (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-lek-sowat_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-4

Lek . Sowat (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-lek-sowat_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-3

Lek . Sowat (photo courtesy © 999 Contemporary Gallery)

brooklyn-street-art-lek-sowat_BIG-CITY-LIFE-999Contemporary_Rome-Italy_web-2

Lek. Sowat. “Veni, Vidi, Vinci”  (photo courtesy © 999 Contemporary Gallery)

 

 

 

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA
Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

 

 

 

 

Please follow and like us:
Read more
Tour Paris 13 : Fluorescent & Towering Show Book

Tour Paris 13 : Fluorescent & Towering Show Book

Another book to tell you about today! Remember when BSA took you to Paris that time and we skipped the line and went into all the floors of this soon to be demolished building?

“The numbers are astounding; 105 artists, 9 floors, 36 apartments, 30,000 visitors.

One hour.

That is how much time Street Art enthusiast Spencer Elzey had to himself inside the largest gallery of Street Artists and graffiti artists ever assembled specifically to transform a building for a public show. As he looked out a window to see the snaking lines of Parisians and tourists restlessly waiting to get in, he couldn’t believe his luck to be able to walk through the exhibit by himself and get off some clear shots before the throng hit.”

That is how we described it in November 2013 when Spencer took us on a whirlwind tour of TOUR 13.

brooklyn-street-tour-Paris-13-12-14-web-1

Tour Paris 13 (photo © Jaime Rojo)

Published last month this towering book with the page edges sprayed neon orange was released by Mehdi Ben Cheikh in French and English to commemorate the event, and seeing the installations this way is going to make you wish the place wasn’t destroyed. 500 new photos previously unpublished allows you to see the show as you travel from the cellar to the top floors.

You may wish you had more background on the artists and the context and clearly not all of the artistry is of similar quality but you will be satiated by the images and thankful that they were recorded during their brief duration. Published by Editions Albin Michel, in partnership with the Itinerrance Gallery, this show will continue to soar long after the dust has settled.

brooklyn-street-tour-Paris-13-12-14-web-2

Entes . Tour Paris 13 (photo © Jaime Rojo)

brooklyn-street-tour-Paris-13-12-14-web-3

Inti . Tour Paris 13 (photo © Jaime Rojo)

brooklyn-street-tour-Paris-13-12-14-web-4

Ethos .Tour Paris 13 (photo © Jaime Rojo)

brooklyn-street-tour-Paris-13-12-14-web-5

Seth .Tour Paris 13 (photo © Jaime Rojo)

brooklyn-street-tour-Paris-13-12-14-web-6

Moneyless .Tour Paris 13 (photo © Jaime Rojo)

Artists included in the Tour Paris 13 project:

108, 2MIL FAMILIA, A1ONE, ADD FUEL, AGL, AGOSTINO IACURCI, AMINE, ALEXÖNE, ARRAIANO, AWER, AZOOZ, BOM.K, BTOY, C215, CEKIS, CELESTE JAVA, CLET, COPE2, CORLEONE, DABRO, DADO, DAN23, DAVID WALKER, DEYAA, EIME, eL SEED, ENTES, ETHOS, ETNIK, FENX, FLIP, GAËL, GILBERT, GUY DENNING, HERBERT BAGLIONE, HOGRE, HOPNN, INDIE, INTI ANSA, INTI CASTRO, JAZ, JB ROCK, JÉRÔME GULON, JIMMY C, JOYS, JULIEN COLOMBIER, KAN, KATRE, KEITH HARING, KRUELLA, LEGZ, LEK, LE CYKLOP, LILIWENN, LOIOLA, LUDO, MAIS MENOS, MAR, MÁRIO BELÉM, MARKO, MARYAM, MATÉO GARCIA, MAZ, MONEYLESS, MOSKO, MP5, MYRE, NANO, NEBAY, NEMI “UHU”, NILKO, ORTICANOODLES, PANTÓNIO, PEETA, PHILIPPE BAUDELOCQUE, RAPTO, REA ONE, RODOLPHE CINTORINO, ROTI, SAILE, SAMBRE, SAMINA, SEAN HART, SÉBASTIEN PRESCHOUX, SENSO, SETH, SHAKA, SHOOF, SHUCK 2, SOWAT, SPAZM, SPETO, STeW, STINKFISH, SWOON, TELLA’S, TINHO, TORE, UNO, URIGINAL, VEXTA, VHILS, and WISIGN

 

Click HERE to read BSA’s coverage of this project before the building was demolished.

Please follow and like us:
Read more

BC Gallery Presents: Inaugural Group Exhibition (Berlin, Germany)

Grand Opening

Bumblebee
Interesni Kazki
Inti
Jaz
M-City
Moneyless
Sixeart
Sowat
Stinkfish

Grand Opening 26/Apr/13, 18H

Located in the center of Berlin’s culture magnet Friedrichshain, BC Gallery has its headquarters in a brand new top-of-the-line gallery space at Libauer Strasse and a breathtaking off-location on the famed RAW strip .
The grand inaugural gallery show will feature works by Bumblebee, Interesni Kazki, Inti, Jaz, M-City, Moneyless, Sixeart, Stinkfish and the calligraphy French master Sowat, who just finished an impressive work on the gallery floor.
BC Gallery: Libauer Str. 14, 10245 Berlin . Friday April 26th at 6pm

http://bcgallery.de/?cat=3

Please follow and like us:
Read more

Fun Friday 12.14.12

Hey bro and sis! Here are some of our favorite picks for the weekend around the global way as we head into the final holiday and New Year beauty that we hope everyone is surrounded by. Happy 7th night of Hanukkah to the Jews, and Happy ongoing holidayz to the Christmas and Kwanzaa and Solstice people.

1. 215 “Orgullecida” (Barcelona)
2. “Kids Eat For Free” at Tender Trap (BKLN)
3. Fresh Low-cost Original Silkscreens at “First Worldwar in Silkscreen” Group Show (BKLN)
4. “Graffuturism” at Soze Gallery (LA)
5. “Dark Corners, Savage Secrets”, Photography by Imminent Disaster (BKLN)
6. “Snap Back…” Rime and Toper at Klughaus (Manhattan)
7. New2 at White Walls (San Francisco)
8. Dave Kinsey “Everything at Once” at Joshua Liner (Manhattan)
9. Brett Amory at 5 Pieces (Switzerland)
10. RISK: The Skid Row Mural Project by Todd Mazer (VIDEO)
11. Swoon’s Konbit Shelter in Haiti (VIDEO)

215 “Orgullecida” (Barcelona)

French Street Artist C215 has a new solo show titled “Orgullecida” at the Montana Gallery in Barcelona, Spain. The artist has been for awhile using a lot of color with his multilayered stencil work – expanding his established vocabulary bravely in a way that most artists are too afraid to do. His portraits are placed well, are individually hand-cut, and sprayed with a sense of the humanity he’s always giving center stage.  This show is now open to the general public.

A one color stencil from an earlier period by C215 on the streets of Brooklyn, NY. (photo © Jaime Rojo)

A detail from a more recent C215 (© and courtesy the gallery)

For further information regarding this show click here.

“Kids Eat For Free” at Tender Trap (BKLN)

A phrase lifted from restaurant franchises that serve food like you are livestock at a trough, “Kids Eat For Free” is a mini survey of train riders who know the back sides of the country well. Under the moniker of The Superior Bugout, curator Andrew H Shirley continues to explore fresh talent from the emerging margin, and this group exhibition features work by North Carolina’s NGC Crew. Now open, and don’t forget the kids!

For further details regarding this show click here.

Fresh Low-cost original Silkscreens at “First Worldwar in Silkscreen” Group Show (BKLN)

The best way to support your local artist is to give their stuff as a Christmas/Hanukkah/Kwanza/Soltice present. No kidding. Everybody wins. Tonight a show of original silkscreens at totally reasonable prices is at Low Brow Artique in Bushwick. For tonight’s opening of their silk screen print show where you’d be able to purchase prints for $20…yes you read it right $20 bucks buys you art from 25 artists – many of them with work on the street – from Sao Paulo, Brooklyn, Buenos Aires and Berlin. Participating artists include: Selo, Markos Azufre, Hellbent, El Hase, ND’A, XOXU, Daniel Ete, Salles, Baila, Anderson Resende, DOC, SHN, XILIP, Serifire, Vero Pujol, Marquitos Sanabria, Diego Garay, Desastre, and Head Honcho.

Head Honcho. (photo © Jaime Rojo)

Salles (photo © Jaime Rojo)

For further information regarding this show click here.

“Graffuturism” at Soze Gallery (LA)

This is like an exclamation point for the end of the year. No kidding.

POESIA, founder of Graffuturism, the term and website, continues to explore the depths of “Progressive Graffiti” or, as it was previously known, “Abstract Graffiti”. With great intelligence, passion and an acute eye for detail, POESIA brings to the forefront the importance and beauty of this emergent new direction that is impacting the Street Art and graffiti scene (with ramifications for others).

“Graffuturism” opening tonight at Soze Gallery in Los Angeles and promises a smart-headed visual feast of shapes, patterns and color from a mini-galaxy of talent from all over the world. Perhaps more significantly, it’s a bit of a decentralized movement that has been centralized for you. The artists list includes: 2501, Aaron De La Cruz, Augustine Kofie, Boris “Delta” Tellegen, Carl Raushenbach, Carlos Mare, Clemens Behr, Derek Bruno, Doze Green, Duncan Jago, DVS 1, El Mac, Eric Haze, Erosie, Franco “Jaz” Fasoli, Futura, Gilbert 1, Greg “Sp One” Lamarche, Graphic Surgery, Hense, Hendrik “ECB” Beikirch, Jaybo Monk, Joker, Jurne, Kema, Kenor, Lek, Marco “Pho” Grassi, Matt W. Moore, Moneyless, O.Two, Part2ism, Poesia, Rae Martini, Remi Rough, Samuel Rodriguez, Sat One, Sever, Shok-1, Sowat, Steve More, West and Will BarrasSoze Gallery in Los Angeles .

Also New York chronicler and enthusiastic lover of the graff/street art scene  Daniel Feral will be there with a  special edition of the Feral Diagram in glicee prints, and a couple other formats (salivate). An ambitious exhibition like this is rare and not easy to come by so if you are in Los Angeles you must go.

El Mac on the streets of NYC. (photo © Jaime Rojo)

For further information regarding this show and to read a great essay for the show written by Daniel Feral click here.

“Dark Corners, Savage Secrets”, Photography by Imminent Disaster (BKLN)

Self-appointed moral custodians (mostly white men) have traditionally hampered the exploration of sexuality in formal art history and the academic canon of what gets celebrated and revered continues to evolve more quickly now. The sea change that modern social liberation that was once revolutionary is now a given, but the debate of the appropriate role of sex and sexuality in the arts is far from over. We may have just quashed one Trojan horse of social conservatism in the White House, but the radical right wing has pulled the center pretty far in the last decade and some have even said there was a war on women launched legislatively throughout 2012. So we are pleased to tell you about fine artist and Street Artist Robyn Hasty AKA Imminent Disaster, who has a new show in collaboration with Alex Pergament entitled “Dark Corners, Savage Secrets”. Furthering her exploration of photography Ms. Hasty has semi-retired her now well known hand cut paper pieces and lino prints on the street and traded the cutting knife for the camera. With this show of photographs, sculptures and performance art she’s aiming to tear apart the inhibitions associated with the  sexual act. “Dark Corners, Savage Secrets” opens tomorrow at Weldon Arts Gallery in Brooklyn.

Imminent Disaster and Alex Pergament (exclusive photo for BSA © courtesy of the artist)

For further information regarding this show click here.

“Snap Back…” Rime and Toper at Klughaus (Manhattan)

Freshly snapping back to New York from their successful truck trip to Miami, Klughaus Gallery brings Brooklyn natives RIME and TOPER for their new exhibition titled “Snap Back – Dangerous Drawings About New York”. The storytelling show features illustration and painting inspired by personal stories. Says RIME. “This show aims to tap into our life experience coming up in New York.” Show opens Saturday.

Rime and Toper shown here with Dceve in NYC. (photo © Jaime Rojo)

For further information regarding this show click here.

New2 at White Walls (San Francisco)

The White Walls Gallery in San Francisco are fortunate to host Australian artist New2 with his solo show titled “In One Hand a Ghost, The Other an Atom”. New2’s work on the streets is complex and dynamic with aerosol, but his handcut collage work for the gallery is moreso somehow – maybe because of a painstaking process of arranging thousands of hand cut pieces of paper. This show opens on Saturday.

New2. Detail of one of his hand cut paper pieces. (photo © courtesy of the gallery)

New2 on the streets of San Francisco. (photo © courtesy of the gallery)

For further information regarding this show click here.

Also happening this weekend:

Dave Kinsey with “Everything at Once” at the Joshua Liner Gallery in Manhattan. This show is now open to the general public. Click here for more details.

Brett Amory at the 5 Pieces Gallery in Berne, Switzerland opens on Sunday with his solo show “Lil’ Homies”. Click here for more details.

RISK: The Skid Row Mural Project by Todd Mazer (VIDEO)

Art in the Streets from MoCAtv

 

Swoon’s Konbit Shelter in Haiti (VIDEO)

Street Artist Swoon is looking to return to Haiti to build more shelters for people in the rural part of the country. This video gives a great look at the families and community who are helped. You also can participate by donating to the Kickstarter campaign to help Swoon make it happen.

Please follow and like us:
Read more

Soze Gallery Presents: “Graffuturism” A Group Exhibition (Los Angeles, CA)

Graffuturism

Graffuturism.com, opens in the new Soze Gallery location at 2020 E 7th St, Unit B, Los Angeles, CA, 90021.

Since Graffuturism’s inception as a public blog and private Facebook group in 2010, there have been two major group exhibitions that featured associated artists: “Rudimentary Perfection” in Glasgow and “Futurism 2.0″ in London. Both were successful in their curatorial intentions and created a sense of community and motion for the movement. Soze Gallery also has been an early advocate hosting solo exhibitions in 2012 by Jaybo Monk, Moneyless, Remi Rough, Dale Marshall, and a two-man show with Augustine Kofie

and Jaybo. Recognizing the significance of the Graffuturists, Soze Gallery also presented the opportunity for Poesia to curate this exhibition, which he chose to simply call ““Graffuturism.” This exhibition has been eagerly anticipated as the first group show to be curated by Poesia, because he is the founder of Graffuturism.com and also a well-respected graffiti artist with a twenty-year history. Ending up in this unique dual position as artist and commentator, it has fallen on him to be the cultural instigator and diplomatic facilitator of this renewed interest, practice and discourse surrounding what he calls “Progressive Graffiti,” which has also previously been called “Abstract Graffiti.” At this juncture in the three-year history of the website, as well as in the thirty-year history of this over-looked aesthetic trajectory within the Graffiti movement, Graffuturism.com has become a hub and Poesia the dedicated and consistent chronicler and theoretician. With the internet as his podium and round table, he has been historicizing and canonizing these artists, young and old, who have been creating art outside the norms of traditional graffiti, esoteric forms of painting and sculpture that veer outside of the proscribed boundaries into the experimental, the abstract, the poetic, and the hybrid.Artists that fall under the term Progressive Graffiti are generally innately gifted draftsmen, who aspire to a Master’s Level at their craft. Overall this movement could be classified as a “High Style New Millennial Aesthetic.” The art they produce is derived from a dialogue that ricochets around within a pin-ball matrix constructed of coordinates lying between the historical and the contemporary, including high and low influences, fine art and graffiti studies, scholarly and street pursuits, intellectual and visceral marks. Whether the resulting output is graffiti, painting, murals, design, sculpture or installations, the pictorial elements are mutated and transformed through each artist’s unique vision into a personal vocabulary of cross-pollinated styles. Whereas the Street Art movement of the mid-2000s tended to focus on figurative stencils and wheat-pastes, this group of artists on the whole is more concerned with hands-on, singular creation, whether within an academic or street setting. Unlike Post-Modernism, the resultant overall aesthetic is a seamless personal statement, not a collaged juxtaposition of historic styles.

Because of Poesia’s dual roles within the movement, he as been in the unique position to attract this international line up of esteemed contemporary artists, which includes many of the significant forefathers from the seventies and eighties. As a result, by including so many of these original Masters, he has created a chronological continuum within the line up, which defines this historical thread from its earliest days. Therefore this group show has developed into a “survey” that historicizes and canonizes each artist within the Progressive Graffiti thread, as well as within the larger Graffiti movement. One of the earliest, and possibly the most influential to most these artists, is Futura. In the early eighties, after a ten-year career as one of the early seventies writers, he broke away from one of graffiti’s most sacred traditions, the letterform as subject matter. At that point he began to paint in what became known as an “Abstract Graffiti” style. With his groundbreaking subway whole-car “Break,” as well as on the canvasses he was painting at the time, he pushed an atmospheric geometric style to the forefront of his work and began to experiment with a wide array of experimental spray can techniques that had not been seen before.

Around this same time, other early NYC writers, who had also started their careers in the seventies, began to experiment with new hybrid directions not based in pure graffiti traditions. In 1985, Carlos Mare began to combine abstraction and Wildstyle within the medium of sculpture, which over the past couple of decades has expanded to include other mediums under the term Urban Modernism. Haze also began to cross over into the fine art domain and over the years has created a body of work that might be referred to as Iconographic Minimalism. Doze Green was also a significant member of the early community of writers who crossed over with an experimental style that included the use of archetypal icons, poetic typography, figurative motifs and painterly styles. West was also another early intrepid explorer, adopting a gestural expressionist style, applying the muscle memory of train and wall painting to the canvas with his long whole-body marks and splashy, dripping strokes.

This exhibition has also united artists from the second generation who took off along the path forged by those early pioneers. These artists started to formulate their progressive aesthetics in the late eighties, such as Delta, the European three-dimensional geometric letterform pioneer turned pure abstractionist; New Yorker Greg Lamarche aka SpOne, who has been able to establish an abstract typographic collage aesthetic parallel to his foundation as a graffiti writer obsessed with the hand-written letterform; Part2ism was one of the earliest UK experimentalists in Hyperrealism, as well as co-founder of the Ikonoklast Movement in the UK with Juice126, which also came to include abstract colorist Remi Rough in the early-nineties.

Also beginning in the late eighties on the West Coast of the US, the Wildstyle-reductionist Joker was one of the first graffiti artists to paint purely geometric abstractions and pushed for its acceptance within the graffiti community by founding the Transcend Collective in 1991 with She1, who was an abstract writer in the UK. Poesia, became a key member of the collective in 1995, exploring a more hybrid, expressionistic approach to Wildstyle, as well as taking it into pure abstraction, which he is currently pushing in new directions, as well as reaching back to the Baroque painters and reinterpreting their masterpieces as graffiti-dissected new millennial re-paintings. Over in Europe, first in Paris then Italy during the same time period, Marco Pho Grassi started out as a wall and train painter but quickly started mixing in abstraction and more painterly expressionist techniques much like Poesia, yet totally unknown to each other. Then in the mid to late nineties, back in the US along the West Coast, other artists with alternative, experimental mind-sets, who were aware of recent developments, were coming out with brilliant, refined hybrid styles, such as Augustine Kofie and El Mac.

Artists such as these had been forced to skirt the edges of graffiti culture as well as the fine art world for the past ten to thirty years. Due to the esoteric nature and hybrid aesthetics of their graffiti-based paintings, and their disparate locations around the globe, they had no way to band together or find an audience to support them because of the lack of enough interest in their local communities for their esoteric and singular aesthetics. On the other side of the tracks, they were also ignored by the fine arts establishment because of their association with graffiti culture and for unabashedly continuing their gallery-related practices under the term Graffiti, which they still did not entirely leave behind. But, as the world population grows and becomes more connected through the internet, these geographically disparate artists have found it easier to come together, work together, and share global opportunities with each other, rather than being confined to tiny local communities.

Now, as this historical thread comes of age and recognizes itself in the mirror of history and on the faces of its youth, as the pioneers of the culture are canonized and the younger artists are united, there are many more opportunities afforded them within the design market, auction houses and fine art world, as these communities continue grow in their recognition of the cultural value and influence of Graffiti and Street Art, as the most prevalent styles and art movements in the late twentieth and early twenty-first centuries. This particular Graffuturist group exhibition, as well as the previous two, are significant steps in the growth of awareness and activity. This is a significant exhibition because it connects all the artists across the continuum of this overlooked historical trajectory back to these forefathers to finally make the connections and give the recognition due to Progressive Graffiti in all its current manifestations and their historical referents.

Across the board, 2012 has been an explosive year for Progressive Graffiti. The synchronicity of all these group exhibitions and solo shows can only emphasize that there is increased activity by the artists and an amplified interest in the audience. Futura had his first solo show in ten years, which attracted a massive turn out of the wealthy and the fashionable, as well as the highly-respected hardcore members of the graffiti community, which is a testament to his growing importance outside the culture, as well as cementing his stature within it. Following on the heels of the success of his solo show, Futura exhibited with two other crucial esoteric Old School Masters, Rammellzee and Phase2, in conjunction with the Modernist Master Matta in the exhibition “Deep Space” in NYC. This exhibit was particular significant because it canonized these three graffiti artists within the fine art pantheon by successfully illustrating their undeniable aesthetic accomplishments in relation to Matta’s masterworks. Rammellzee also had a banner year, being included in the “Vocabularies Revitalized” exhibition at the MoMA, as well as being given a complete retrospective at the Children’s Museum, both of which were in NYC, not even to mention his solo show at the Suzanne Geiss gallery in 2011 called “The Equation.”

In London, also significant in its curatorial aims to canonize and historicize, as well as it’s grand scope, was “Futurism 2.0,” which compared and contrasted the Futurists and the Graffuturists in an exhibition, book and documentary. Another group show of significance was BrooklynStreetArt.com’s exhibition “Geometricks” which held high the torch of Abstract Graffiti in it’s title and Progressive Graffiti in its roster, which included Hellbent (the curator), Augustine Kofie, Drew Tyndell, Momo, OverUnder and SeeOne. One of the most significant of the many murals and “in situ” collaborations painted this year by Graffuturist-related artists was the abstract mural painted on the Megaro Hotel by Agents of Change members Remi Rough, Augustine Kofie, Lx.One, and Steve More, which is currently the largest mural ever painted in London. Also, a slew of solo and duo exhibitions opened every month around the world by many of the artists associated with Graffuturism and Progressive Graffiti: Poesia, Dale Marshal, Part2ism, Remi Rough, Augustine Kofie, Jaybo Monk, Mark Lyken, Moneyless, Carlos Mare, She One, Matt W. Moore, Jurne, Greg Lamarche, Delta, Hense, Rae Martini, Marco Pho Grassi, and Graphic Surgery. In order to see the full scope of activities though, one would have to go back through Graffuturism.com for a complete review.

Above and beyond the growing interest in Progressive Graffiti is the expanding interest in the over-all culture as well during these first two decades of the new millennium. Massive museum exhibitions encompassing the full spectrum of subcultures and historical threads within the Graffiti and Street Art cultures have also opened to wide acclaim. The success of ticket sales for “Street Art” in 2008 at the Tate Modern in London and “Art in the Streets” in 2011 at the MOCA in Los Angeles revealed the mass cultural interest of these art movements and all the art forms that are connected to them. The fact that these two exhibitions happened at all signifies the growing acceptance by the fine art community as well.

These museum exhibitions, as well as the trend towards many other smaller historical exhibitions, such as “Deep Space” and “Futurism 2.0” at the end of 2012, and “Pantheon: A history of Art from the Streets of NYC” in 2011, indicate a new interest in the study of the history and cultural significance of these movements. Other indicators are the release of high quality scholarly books, articles and movies, such as “Abstract Graffiti” by Cedar Lewisohn in 2011; “Beyond Graffiti” published in ArtNews in 2011 by Carolina Miranda; the 2005 documentary “Next: A Primer on Urban Painting” by Pablo Aravena; and “The Feral Diagram 2.0: Graffiti and Street Art” published in 2012 by Daniel Feral. These are all testament to the growing enthusiasm of scholars, historians, and theoreticians to examine, define and record the fifty year history of graffiti and street art, and recently in particular the Progressive Graffiti thread. Like any misunderstood movement before these, such as rock’n’roll, comic books, and cinema, eventually the art forms, the audiences and the scholars united to finally recognize the movement’s undeniable cultural value, relevance and resonance in all their forms from the simple and visceral to the esoteric and intellectual.

Text by Daniel Feral

On Friday, Dec 14, 2012, the eponymously-titled “Graffuturism” exhibition curated by Poesia, the founder of Graffuturism.com, opens in the new Soze Gallery location at 2020 E 7th St, Unit B, Los Angeles, CA, 90021.

The complete artist list in alphabetical order by first name is as follows: 2501, Aaron De La Cruz, Augustine Kofie, Boris “Delta” Tellegen, Carl Raushenbach, Carlos Mare, Clemens Behr, Derek Bruno, Doze Green, Duncan Jago, DVS 1, El Mac, Eric Haze, Erosie, Franco “Jaz” Fasoli, Futura, Gilbert 1, Greg “Sp One” Lamarche, Graphic Surgery, Hense, Hendrik “ECB” Beikirch, Jaybo Monk, Joker, Jurne, Kema, Kenor, Lek, Marco “Pho” Grassi, Matt W. Moore, Moneyless, O.Two, Part2ism, Poesia, Rae Martini, Remi Rough, Samuel Rodriguez, Sat One, Sever, Shok-1, Sowat, Steve More, West, Will Barras.

Please follow and like us:
Read more

Fun Friday 09.28.30

BROOKLYN! Jay-Z opens the new stadium in Brooklyn tonight with a lot of fanfare – and if you don’t have tickets just have a blast in the hundreds of studio spaces and gallery shows and “in the street” installations and performances starting tonight at the Dumbo Arts Festival that brings thousands coursing through the neighborhood over the next three days.

Jay-Z, Lil Wayne, and Quincy Jones. (VIDEO)

Here’s a clean way to see writing on Brooklyn walls and to practice your lyrical skillz.

1. Jay-Z, Lil Wayne, and Quincy Jones. (VIDEO)
2. Nuart 2012 Begins in Norway
3. NY ART BOOK FAIR at PS1 (LIC, Queens)
4. DUMBO ARTS FESTIVAL 2012 (Brooklyn)
5. Futurism 2.0 at Blackall Studios (London)
6. JAZ “Metodologias del Discurso” (Argentina)
7. Narcelio Grud “Paraphernalia” (VIDEO)
8. Daytime Bombing with HNR (VIDEO)

Nuart 2012 Begins in Norway

Named the Cultural Capital of Europe a few years back, Stavanger has remarkably open minds and has embraced a select slice of the Street Art scene that is displayed this time of year via large mural installations, indoor shows, and speakers. NUART was born here and it set the standards for many Street Art Festivals that have followed since NUiART first opened its walls to visiting international Street Artists in the early 2000s. NUART 2012 opened Thursday with a full day of activities related to NUART PLUS and it will continue thorughout the weekend with the opening of Tout Scene on Saturday. The list of participating artists this year include: AAKASH NIHALANI (US), DOLK (NO), EINE (UK), RON ENGLISH (US), SABER (US), HOWNOSM (US), MOBSTR (UK) NIELS SHOW MEULMAN (NL), JORDAN SEILER (US), THE WA (FR), SICKBOY (UK).

How & Nosm. Detail. (photo © Ian Cox)

For more information on all activities and schedules regarding NUART PLUS click here.

For more information regarding Saturday’s Opening of Tout Scene click here.

NY ART BOOK FAIR at PS1 (LIC, Queens)

People who are designing and creating independent zines and books are a really important part of the Street Art and graffiti D.I.Y. culture and PS1 in Long Island City is a vast feast of cool printed matter this weekend.  Starting today and running through Sunday, the Fair is presented by the esteemed establishment Printed Matter and if you don’t find stuff that engages you and blows your mind, it will be a surprise. One of the groups we highly recommend that you go and visit is the Pantheon Projects table (#12) where you’d find delicious hand crafted zines by Avoid, Droid, R2 and Carnage.

Illegal Trouble II by Droid and R2. B & W photos, poems, recipes and interviews with Fade AA and Skuzz. (photo © Jaime Rojo)

These little art books capture stuff on the street in a way that helps you organize and appreciate it – with wit and a street poet approach. They also can give advice occasionally, like the recipe we found for juicing cucumbers/pineapple and something else to  produce “donut water”. Feast your eyes on the dope  images and take in the authors’ notes and observations as they rack up serious road miles for the love of art and discovery. Here is a selection of images from spreads of these zines to give you an idea of what we’re talking about.

Illegal Trouble II by Droid and R2. B & W photos, poems, recipes and interviews with Fade AA and Skuzz. (photo © Jaime Rojo)

Live The Dream Learn to Die II by Droid 907 and Avoid. A Road Trip with B & W photos, maps, inserts, guides and journals.  (photo © Jaime Rojo)

Live The Dream Learn to Die II by Droid 907 and Avoid. A Road Trip with B & W photos, maps, inserts, guides and journals.  (photo © Jaime Rojo)

Carnage. The stickers issue.  (photo © Jaime Rojo)

Carnage. The stickers issue.  (photo © Jaime Rojo)

Carnage. The doors issue.  (photo © Jaime Rojo)

Carnage. The stickers issue.  (photo © Jaime Rojo)

For further information, schedules and transportation regarding this Art Fair click here.

DUMBO ARTS FESTIVAL 2012 (Brooklyn)

This weekend Brooklyn is the the cultural STAR of New York City once again. The DUMBO Arts Festival opens today with more than 500 artists participating from all over the world. There will be open studios for you to visit, outdoor installations for you to explorer and huge video projections for you to be in awe of. Hop on the F train and get off at Jay Street and take in the breathtaking and majestic views of the Manhattan and Brooklyn Bridges with the city’s skyline as a background.

XAM installation from DUMBO Arts FEst 2011 (photo © Jaime Rojo)

Leo Kuelbs projection from Dumbo Arts Fest 2011. (photo © Jaime Rojo)

For full schedule of events click here.

Futurism 2.0 at Blackall Studios (London)

The Future is in London tonight with FUTURISM 2.0 a group exhibition at the Blackall Studios presented by Gamma Proforma is now opens today to the general public with a reception starting at 6:00 pm.

Augustine Kofie, fresh from his participation in our GEOMETRICKS show show, turns his attention to London to showcase his beautiful paintings alongside other artists who collectively are illustrating the same direction of abstract geometry on the streets right now, including Phil Ashcroft, Boris Tellegen (Delta), James Choules (sheOne), Matt W. Moore, Mark Lyken, Sat One, Christopher Derek Bruno, Moneyless, Mr Jago, Nawer, O. Two, Morten Andersen, Keith Hopewell(Part2ism), Jaybo Monk, Poesia, Derm, Jerry Inscoe (Joker), Remi/Rough, Divine Styler and Clemens Behr.

Augustine Kofie. Detail. GEOMETRICKS (photo © Jaime Rojo)

For further information regarding this show click here.

JAZ “Metodologias del Discurso” (Argentina)

JAZ’s new solo show is now open at the Kosovo Gallery in Cordoba, Argentina. Known for his representational exploration of beasts and men this artists likess to work big with over scaled representations of his subjects. Internationally known, you’ll see his stuff at Street Art Festivals around the world, and in some back alleys and empty lots too.

JAZ at Open Walls in Baltimore this Spring. (photo © Jaime Rojo)

For further information regarding this show click here.

Narcelio Grud “Paraphernalia” (VIDEO)

Daytime Bombing with HNR (VIDEO)

From Tags and Throws.com

Please follow and like us:
Read more

Gamma Proforma Presents: Futurism 2.0 A Group Exhibition (London, UK)

Futurism 2.0

FUTURISM 2.0 / Group Exhibition 

 

Augustine Kofie, Phil Ashcroft, Boris Tellegen (Delta), James Choules (sheOne), Matt W. Moore, Mark Lyken, Sat One, Christopher Derek Bruno, Moneyless, Mr Jago, Nawer, O. Two, Morten Andersen, Keith Hopewell(Part2ism), Jaybo Monk, Poesia, Derm, Jerry Inscoe (Joker), Remi/Rough, Divine Styler and Clemens Behr.

 

Blackall Studios

73 Leonard Street

Shoreditch, London,

EC2A 4QS.

Tel: +44 (0) 20 7739 9551

Launch Night

Thursday 27th September, a private preview for Sponsors, VIP’s and collectors with artists present. A selection of left-field DJ’s will be providing the soundtrack, a mix of classic and contemporary sounds.

RSVP: events@gammaproforma.com

 

Public Opening/

Friday 28th September 2012, the gallery will be open to the public all day. DJ’s and drinks from 6pm.

The exhibition will run from Thursday 27th September – Tuessday 2nd October.

Friday – Saturday 11am – 8pm
Sunday 12pm – 5pm
Monday – Tuesday 11am – 8pm

Live Paint/

Saturday 29th / Sunday 30th September. An ensemble of artists will paint live in London.

 

++

 

“We stand on the last promontory of the centuries! Why should we look back, when what we want is to break down the mysterious doors of the Impossible? Time and Space died yesterday. We already live in the absolute, because we have created eternal, omnipresent speed.” – Marinetti, Futurist Manifesto, 1909.

 

SYMMETRY ACROSS CENTURIES

In 1912, just three years after the manifesto was published, the Futurists exhibited in London for the first time. A hundred years later on September 27th, 2012, just three years after the creation of Graffuturism.com, the Graffuturists will exhibit for the first time in London at Blackall Studios.

 

THE IDEALS OF DYNAMISM AND PROGRESSION

At the core of both movements are the parallel ideals of “dynamism” and “progression.” Both of these keywords conjure a sense of action, motion and movement, wavering disturbances of change pulsing forward, like an electrocardiogram, along a historical continuum into the future. Marinetti extolled the virtues of a dynamic art form that was alive and motivated; Poesia, the founder of Graffuturism.com, has stated that the word Graffuturism was inspired by the desire to articulate a progressive impetus for graffiti.

 

URBAN, ONLINE, GLOBAL

Uplifting arms together in spirit, both these movements revel in the urban environment as a petri dish for the advancements and inventions of their age. Just as Futurism embraced the Industrial Age and its recently mechanized urban centers, Graffuturism embraces the Digital Age and its recently wired urban-global community. For the Futurists, the ideals of dynamism were expressed in images of their century’s new inventions, such as the motor car, the steam engine, the airplane, the telephone; whereas for the Graffuturists, the icons of salvation are the subway car, electric/ diesel freight trains, markers, spray paint, rollers, fire extinguishers, and so on. A different set of symbols for this century, but still imbued with the same impetus.

 

GRAFFITI, PAINTING AND ABSTRACTION

Because of the global composition of the group, the Graffuturists consist of disparate backgrounds, professions, and locations. They create in different styles, but their unifying theme is abstraction, their medium is painting, and their influence is graffiti. In their work on the streets and on canvas, these painters aspire to a high level of proficiency at their craft, which creates a visual poetry of depth and complexity. The Graffuturists could be classified as a High Style New Millennium Painting movement, consisting of a long dialectic and cross-pollination between advanced graffiti and fine art painting techniques.

 

Wildstyle Graffiti is combined with Abstract Expressionism or Geometric Abstraction, then transposed through the artist’s unique vision into a personal vocabulary of hybrid techniques, an experimental mix of the high and low, the intellectual and visceral, the visionary and the primitive. Whereas the Street Art movement of the mid-2000s tended to focus on collaged and wheat-pasted illustrations and figurative stencils, this group of artists focuses on the act of Painting, whether on the street or off, whether with spray paint or oils, with a fat cap or a sable brush.

Just as Be-bop developed from jazz, Raw Magazine from Superman comics, and Wildstyle from Original Writing, Graffuturism progresses from graffiti, and then takes up the oily-rag torch to ignite the future.

 

Daniel Feral (Pantheon Projects / 12oz Prophet)

Please follow and like us:
Read more