All posts tagged: Jaime Rojo

Street Artist Purth Takes “The Deleras” Cross Country

April 27, 2011 Artists, Boston, Brooklyn, NYC, On the Street

The fine artist and Street Artist named Purth has been completing an urban installation of her family this winter in Austin, Boston, Brooklyn, Cincinnati, and New Orleans . Not literally her blood relatives, the oversize portraits of females are mirrors of her emotional journey and echoes of relationships she may have experienced coupled with ones she is creating for her future. Coupled with bits of prose that ground them somewhat, these women are strong and searching.

This kind of internal migration is not unusual for a painter in scanning the horizon for something however the actual physical distance run, with it’s long spaces of time and travel in between, is. It’s also something that Street Artists around the globe are setting a new standard for by completing installations in towns and cities around the globe much like a campaign. In her dog-eared travelogue, Purth carries ruddy hued people from her fluid imagination and raises them amidst abandoned rubble; high enough to be seen from a distance.

Purth “The Deleras” group in an abandoned train yard east of Boston. (Photo © Heather McGrath)

Having completed roughly the first half of the installations for “The Deleras Project”, she shares these images before Purth hits the road again to complete it with installations in Oakland, Los Angeles, Minneapolis, Chicago, Detroit and Cincinnati.

With the completion of “six months on the road, (with) snow storm & tornadoes endured, a car accident survived, and life affirming environments broken into,” the artist took a moment to chat with Brooklyn Street Art about her project:

Photographer Heather McGrath and a friend assisting Purth after installing The Deleras. East Boston (Photo © Purth)

Brooklyn Street Art: Who are the individuals depicted on your paintings?
Purth: Each piece was created from different sources of inspiration: references of old photographs I’ve been collecting for years, reflections … perhaps of someone’s lover, someone’s child. There will be ten once the work is completed, all of women, young & old, scattered across the country, & each installed with a single stream of thought. The writing is sourced in a very similar way … some pulled from found material, some from the words I was lucky enough to hear uttered; fragments to create a whole. I guess in my mind, they have become the women they are now. Completely independent of the remnants that built them up or who they are to me personally. I hope that for them … the right to stand on their own.

Purth. Detail of Delera. Abandoned brewery directly across from the Roxbury projects in Boston. (Photo © Heather McGrath)

Purth in Cincinnati. A slightly damaged Delera (due to bad climate conditions). She is included “as she is beautiful” (Photo © Zach Fein)

Brooklyn Street Art: Why are you traveling around the country putting them up on abandoned walls and buildings?
Purth: Abandoned spaces have a pronounced hum to them. They are shed, in a sense, but are still heavy with profound undercurrents that I believe can be tapped into … & reinvented. It seems completely fitting for me to search out these spaces as possible locations for the work even if they ultimately make home above, along side, or in areas close by. In regards to the distance covered … we have gaps that need to be bridged. I see them as shepherds and black sheep. It’s my responsibility to find them home.

Purth. “Opal” “I swear there are diamonds …. hundreds of them …
everywhere” East Austin, on the corner of E6th & Chicon. (Photo © Andrew Ashmore)

Purth. “Patricia the Beater” “I will grow …fiercely, love”, New Orleans. (Photo © Zack Smith)

Brooklyn Street Art: What is the genesis of this project?
Purth: The first, Delera, was created at an intense, pivotal moment in my life. I became very weak around the end of 2009 and I began painting her like a child screaming at an overbearing parent. In the simplest sense, I was depicting the strength I needed to rediscover in myself. Once she was suspended and I saw her upright for the first time, she literally took my breath away. Something so intimate, so tender, and so sincere towering over me … it was like gold leafing vulnerability and then lighting the shit on fire.

She was the first, the idea for the others quickly followed.

Purth. “Lu” “Take my breath away”. Brooklyn, NY. (Photo © Jaime Rojo)

Purth took this shot a few weeks into her trip hoping this would be her home for the next five months. (photo © Purth)

Liqen Converts a Crashed Plane into a Fish Tail on Oaxacan Beach

April 26, 2011 Artists, Mexico, Oaxaca, On the Street

“Lou: It’s the American Dream in a goddamn gym bag!
Hank: You work for the American Dream. You don’t steal it.
Lou : Then this is even better. “

In the book “A Simple Plan”, by Scott Smith, a trio of friends discovers a small crashed plane with $4.4 million stuffed in a gym bag in this moral tale of greed and opportunity. Without knowing how the plane dropped from the sky, the people on the ground are left to their own devices.

Street Artist Liqen discovered this aviatory carcass on Ventanilla Beach in Oaxaca Mexico and wondered what treasure it once carried and why it stood alone on the otherwise pristine white sands of the riviera. As an artists’ imagination will do, he made a story and converted the carcass of the plane with his paint brush into a fish tail.

Liqen. Ventanilla, Oaxaca (photo © Liqen)

“I did this “fish tail” in the ecstasy of the transformation, a comprehensive intervention of the stupid and amazing reality that happens at the hands of art, nature or magic. At the end of my story this fish-plane was eventually caught and died in ‘Ventanilla’, ” says Liqen.

The tail of of the fish plane now has the figure of what could be a indigenous fisherman with spear in hand, ready to haul the oversized catch. But the story does not end there.

Liqen. Ventanilla, Oaxaca (photo © Liqen)

According to website Vagabond Journey, the plane once carried a cargo of marijuana and was shot down six years ago. According to local reports, narcos came with a truck to retrieve the payload immediately after it hit the sands and some locals filled their backpacks with whatever was left, which was a lot. “Whoever got over there got enough to smoke for two years,” a hotel owner is quoted as saying.

In the case of our friend Liqen there wasn’t a rich bounty that we know of. What we know however is that he couldn’t resist the urge to give the remnants of the plane a lil’ pimpin’ and he shares the following images with you here.

Liqen. Ventanilla, Oaxaca (photo © Liqen)

The left wing remains, while the engine appears to have been removed. Liqen. Ventanilla, Oaxaca (photo © Liqen)

In this video on Youtube, a commenter offers an alternate story on the circumstances of the plane’s crash. “It was a Colombian drug shipment that was intercepted by the Mexican army. the drugs were pushed out over the Pacific, they ditched in the ocean and crashed on the beach and got away before the Mexican army, navy or air force could get there. The only part above the sand as of April 2009 is the left engine and wing – the fuselage is completely buried.”

XAM : “Your Ad Here” Tiny Billboards

April 25, 2011 Artists

A funny thing happened on the way to Public Space.

Street Artist XAM has started a new series of miniature billboards that poke their little fingers in the eye of advertising and in the process call into question what kind of messages are legal or illegal. After the Public Ad Campaign last year successfully drew attention to the thousands of outdoor spaces in New York City that were illegally being used for advertising and poster glut was cut, the public became a little more aware of the street fight for their eyeballs.

Not sure what XAM means to say here, but they’re clever installations that can cause a cringe and a chuckle at the same time. These petite Out Of Home (OOH) message platters first seen in LA last week mounted on the back of street signs appear to be faithful reproductions of their gigantic cousins, and ironically the same size as that glowing rectangle you have in your purse or pocket right now.

See more XAM stuff on the Flickr page here.

Images of the Week 04.24.11 MOCA LA Part II

April 24, 2011 Artists

Here’s Part II of our tour of the museum at the “Art in the Streets” show that opened a week ago at MOCA LA. The breadth and depth of the show must have blown away many of the potential critics, because the grousing never really materialized. For our part, the review on the Huffington Post of the show itself (Red Hot and Street: “Art in the Streets” Brings Fire to MOCA) and the images of stuff on the street in 4 0r 5 neighborhoods in LA (Hitting Up LA: The Streets Outside the Show) have been fodder for some conversation (and voting!) and it’s a blast to see how this graffiti/street art movement sparks such intense opinion and feelings.

MOCA Part II Images of the Week, this week featuring Banksy, Barry McGee, ESPO,Steve Powers, Craig Stecyk III, Ed Templeton, Freedom, Invader, Martha Cooper, John Fekner, John Ahearn, Kenny Scharf, Lee Quinones, Margaret Kilgallen, Nunca, Os Gemeos, ROA, and Swoon.

Banksy (photo © Jaime Rojo)

Barry McGee, Steve Powers (photo © Jaime Rojo)

Craig Stecyk III (photo © Jaime Rojo)

Ed Templeton (photo © Jaime Rojo)

Freedom (photo © Jaime Rojo)

Invader (photo © Jaime Rojo)

Invader hovers on Martha Cooper’s room (photo © Jaime Rojo)

Detail of a timeline installation with work by John Fekner and John Ahearn on display (photo © Jaime Rojo)

Kenny Scharf customized Cadillac (photo © Jaime Rojo)

Lee Quinones (photo © Jaime Rojo)

Margaret Kilgallen (photo © Jaime Rojo)

Stelios Faitakis (photo © Jaime Rojo)

A playful detail of the Os Gemeos installation (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

Swoon. Detail (photo © Jaime Rojo)

“Suicidal Tendencies” by NohJColey, Interactive Sculpture With You as Saviour

April 23, 2011 Artists

Street Artist NohJColey continues to stretch his character studies and symbol-heavy storylines and build them into ever more interactive street sculpture. Not content with laborious hand cut and colored wheat-pasted flat pieces, his stuff on the street for almost a year has more dimension and engagement. Naturally, people interact with it and pretty quickly pieces are missing. Maybe it’s curiosity or maybe a Lower East Side messenger needed something to lock his bike to, but here are a couple of images of the piece as it first appeared in Manhattan, where the central form can be adjusted to simulate the figurative and literal falling that can happen in a life.

“Suicidal Tendancies”, by NohJ Coley

Like the protagonist in Don DeLillos Falling Man, Coley’s character could be a metaphor for so many in New York who are losing jobs, wages, and a frayed social net that once prevented them from hitting the pavement. While DeLilos book begins at the Twin Towers during a “time and space of falling ash and near night,” and the vision of office workers jumping out of the buildings, the simulation NohJColey creates here pertains to the plight of bankers, latinos and those affected by mental illness. With American society as a burning building, this piece is entitled “Suicidal Tendencies” and the passerby can actually participate by preventing one man from jumping to his death, see another jumping in front of a train, and witness the anguished expression of the third at the base who has sadly succeeded in his pursuit.

Below are images taken yesterday of the installation, with parts already missing. While the complete story is not told with what remains, somehow they are still interactive.

NohJColey (photo © Jaime Rojo)

Coley spoke to Brooklyn Street Art about the stories behind the three chapter piece:

“I’m currently working on a series of interactive sculptures that are focused on recognizing mental illness. Suicidal Tendencies, which is the first of the three is of course concentrated on suicide. The main figure is a stock broker who is unable to continue existing after the stock market has crashed. So, with his office windows ajar he jumps out. He is partially in purgatory and partially in what we know as existence.

When interacting with Suicidal Tendencies the main objective is to prevent two of the three subjects from committing the act of suicide. When in front of the main figure the viewer is meant to pull the subject up, averting the subject from committing the act of suicide. The succeeding figure is a Hispanic activist that turns to suicide after becoming exhausted with the notion of Hispanics being treated unjustly in the US. So, after another unsuccessful demonstration he comes to the conclusion that he wants to jump in front of a moving train. The main objective with the activist is to prevent the smaller figure from jumping in front of the moving train. The tertiary figure is a young college student that is too far gone to be redeemed.”

NohJColey (photo © Jaime Rojo)

A local resident approached while we were shooting the installation to remark that the entire piece was there the day before, and he disapproved of whoever had removed part of it because he really liked it. NohJColey (photo © Jaime Rojo)

Fun Friday 04.22.11

April 22, 2011 Artists

Happy Good Friday!

It’s Good Friday today, which of course means I got a seat on the subway this morning. Apparently it’s a holiday of some sort. Anyway, we have some Street Art news, and some completely unrelated frivolity because it’s good to take a break, for Christ’s sake.

3 Kings by Remi/Rough and System

Remi/Rough & System have just completed their super cool homage to three of graffiti and street art’s most influential artists – Dondi White, Jean Michel Basquiat & RammellZee.

Read about the wall and see more photos here http://remirough.com/blog

Vote for Your Favorite Slide at HuffPost Arts Today

Hitting Up LA: The Streets Outside the Show (SLIDESHOW)

BP Ready To Resume Oil Spilling (Via The Onion)

April 20, 2011 | The Onion

LONDON—A year after the tragic explosion and oil spill that caused petroleum giant BP to cease operations in the Gulf of Mexico, the company announced Wednesday that it was once again ready to begin oil spilling.

http://www.theonion.com/articles/bp-ready-to-resume-oil-spilling,20089/

Image here is the winner of LogoMyWay’s contest to redesign the BP Logo — Stuart Croft, an English Graphics Designer working and studying in Bangkok, Thailand.

Jean Faucher – Early Street Art Pioneer Show Tomorrow in LA

Considered by cultural institutions and by artists as a key figure in the graffiti and urban arts, Jean Faucheur explores new prospective areas of expression that influence and drive hundreds and hundreds of emerging talents.

Jean Faucheur

OPENING RECEPTION:

SATURDAY APRIL 23, 2011 – 6PM – 9PM

Exhibition: April 23 – May 26, 2011

Every Day, 1PM – 8PM, and by appointment (Closed Mondays)

“Brother,” Spray Paint On Canvas, 36″ x 25 3/4″

www.maximilliangallery.com

“Your attitude is your altitude.”

Lynn Dell image © Ari Cohen

New York’s grand dame fashionista Lynn Dell shows how to rock a big hat like this for your Sunday stroll on Fifth Avenue or Flatbush Avenue for Easter. Showing you can be hot at any age, this 78 year old Gotham gal has a whole slideshow here, including this pic from Ari Cohen.

2000 Images of MOCA “Art in the Streets”

Produced by Roger L. Griffith

“A frame by frame animation of the 2011 MOCA show Art In The Streets. This is not meant to be a complete census of all the art at the MOCA, but an introduction and basic virtual tour of the exhibit. Enjoy”

Göla in Sao Paulo : Riotous Color and a Free Imagination

April 20, 2011 Artists, Brazil, São Paulo

Italian Street Artist Göla is in Sao Paulo for his show with Brazilian Paulo Auma called “Hibrido”, or Hybrid. A wild man who channels his emotions into walls and sculptures composed of a kaleidoscope of intense colors and shapes, Göla studies the human condition, the natural world, genetic modification, biodiversity and the spiritual universe, free associating his way from there with saturated color, biomorphic shapes, and vibrating pattern. Together with Auma, he has begun a series of installations outside the gallery for a show that blends blend anger with joy, natural with man made, in a integrated collection of public works.

Here is a sample of some of his new work. More to come.

Göla in Sau Paulo (image © Göla)

Göla poses inside his piece. (image ©Fernando Cesar)

With work that easily lends itself to the imagination of childhood, here is a new colorful public installation by Göla in a park. (image ©Fernando Cesar)

Göla collaborated with Ninguem Dorme for this street collaboration in Sau Paulo (image © Göla)

Street Art:Downtown LA, Culver City, West Hollywood, Echo Park, and Venice

April 19, 2011 Artists, California, Culver City, L.A., Little Tokyo, Los Angeles, On the Street, Santa Monica, West Hollywood

In select neighborhoods of Los Angeles, certain street artists keep it local. You might see them in one neighborhood but not another, as the term “all-city” is not too important. Here’s a selection of pieces from the Arts District, Culver City, West Hollywood, Echo Park and Venice.

Ben Eine in Venice (photo © Jaime Rojo)

JR in Venice (photo © Jaime Rojo)

Proving that it isn’t just for bankers, here’s Bankrupt Slut in Culver City (photo © Jaime Rojo)

Bankrupt Slut in Culver City (photo © Jaime Rojo)

Longtime Los Angeles Street Artist Becca in Echo Park (photo © Jaime Rojo)

Becca in the Art District in Downtown LA (photo © Jaime Rojo)

Classic piece from Blek Le Rat in Echo Park (photo © Jaime Rojo)

I’ve got an idea! Let’s do a cat stencil in Downtown LA (photo © Jaime Rojo)

Cfer does Kim Kardashian in Downtown LA (photo © Jaime Rojo)

These Curly stickers showed up very quickly in LA this week. (photo © Jaime Rojo)

D*Face in Sunset Blvd (photo © Jaime Rojo)

Invader, a visitor sticker from MOCA, and a Beatlesque statement about graffiti artist Revok in Little Tokyo (photo © Jaime Rojo)

A feeding fest from Kim West in The Art District LA (photo © Jaime Rojo)

JH in The Art District LA (photo © Jaime Rojo)

Word to Mother in Culver City (photo © Jaime Rojo)

Pornography and Taxidermy in Sunset Blvd (photo © Jaime Rojo)

This piece near the museum in Little Tokyo was well placed for a lot of traffic and there were even a few people posing with it. Love More War Less (photo © Jaime Rojo)

Picasso’s famous anti-war “Guernica” is reinterpreted here by Street Artist Ron English in The Art District (photo © Jaime Rojo)

Shepard Fairey lurking behind the fence on Sunset Blvd (photo © Jaime Rojo)

An Obey sticker in Little Tokyo (photo © Jaime Rojo)

Shepard Fairey, Uti, and Charm in Little Tokyo (photo © Jaime Rojo)

A sticker crush in Little Tokyo (photo © Jaime Rojo)

Los Angeles Magnet Walls: An Organic Scene Breeds Free Speech

April 18, 2011 Artists, California, L.A., Los Angeles, On the Street

As we depart the City of Angels and the Devils go back to dirty old New York here are some images from the more organic and populist walls that exist in certain neighborhoods in every city. A Street Art pulse-taking, you can observe and assess the vitals of a community and some of the currents running through it just by observing these magnet walls that attract a cacophony of expression.

Photo © Jaime Rojo

In the case of this block of walls, the Street Art is notable also for the high degree of political speech one can not find in “papers of record” on display for anyone who cares to see it or report on it. Whether it’s AIDS, censorship, or the military industrial complex, political speech has always been integral to the conversation on the street that these artists bring. With references to leaders like Julian Assange, Ronald Reagan, Ben Bernanke, and Nelson Mandela as well topics ranging from Abu Graib, FOX News, corporatized American Indians, and of course MOCA’s Jeffrey Dietch whitewashing the work of Italian Street Artist BLU’s wall, the LA Street Art scene is on fire with popular discontent and acidic criticism. With roots in people’s movements, seeing these displays from a great number of sources is actually a bit of a tribute to free speech and the city that permits its continuance.

A playful skewering of Eli Broad and Jeffrey Dietch for the show “Art in the Streets” went up in advance of the show’s opening. Photo © Jaime Rojo

The variety of styles and processes is pretty wide, ranging from large-run stickers and screen printed posters to hand stitched abstract geometry and penciled portraits, some exhibiting the New Guard that didn’t make it into the timeline at the museum show running this summer. Aside from the political, other themes include celebrity, video games, pop culture and simple illustrations and fascinations or daydreams. As usual, some of the freshest stuff is displayed in the gallery of the streets – uncurated, unpermissioned, unbought, unbossed, and – giving lie to the charge of street art as a simple marketing tool – many times it is unsigned. As today’s new street artists claim what they consider a birthright to circumvent the established system and take their work to the street, you’ll see an ongoing conversation that is full of life.

LA Special: Images of the Week 04.17.11

April 17, 2011 Artists, California, L.A., Los Angeles, On the Street

It’s been a hot week in Los Angeles for the Brooklyn set, this much warmth and sun consecutively is unsettling for cold northerners accustomed to six months of winter and unbearable cold. The hundreds of museum goers who are lined up to enter the MOCA “Art in the Streets” show this morning mark the end of official events over the last week as well as the private openings, events, and walls that popped up everywhere.

This weeks interview with the streets is largely an interview with Daniel Lahoda, an Angelino who has procured walls for visiting and local street artists in a few neighborhoods of the city since 2009. With no membership fee or admission, everyone is able to see the work of a whole lot of street artists where it was originated thanks to his organizational and diplomatic skills and his vision. We were very fortunate to receive a personal tour of the walls from Daniel over the course of a couple of days, including the gargantuan piece finished this week by Dabs & Myla with How & Nosm and the still fresh 42nd LA Free Wall as it was being completed by Street Artist Aiko. Since so many artists were in town for the general craziness, expect to see some new walls going up shortly that will thrill and delight.

So here’s this weeks interview with the street featuring Aiko, Augustine Kofie, CA, Carl Rauschenbach, Crayola, Dabs & Myla, David Flores, DFace, X, Herakut, How & Nosm, JR, Kid Zoom, M-City, Nomade, Philip Lumbang, Ripo, Roa, Saber, and Shepard Fairey.

Street Artist Aiko repels the punishing sun with a big hat while working on this stencil she created in honor of the people of Japan during the aftermath of the earthquake and tsunami as well as to her friend Martha Cooper who shot the original image it is based on. (photo © Jaime Rojo)

INSA adorned the side of this fine family establishment with hot fleshy pinks and red undulating color. (photo © Jaime Rojo)

Part of Shepard Fairey’s brand new series, this image of Ronald Reagan is pre-defaced with an “intervention” (photo © Jaime Rojo)

As if in a “free speech zone” behind the barbed wire, the man who started this all, Ronald Reagan, salutes “Mourning in Amerca”, by Shepard Fairey (photo © Jaime Rojo)

French artist JR, part of a 16 piece installation across LA this spring called “Wrinkles in the City” (photo © Jaime Rojo)

Kid Zoom and Insa reversed the red and blue part of this piece, shot both with a camera, and created a stunning piece of GIF art that makes Kid Zoom’s skull float above it. (photo © Jaime Rojo)

Gif Image courtesy LA Freewalls project.

Judith Supine “Ladyboy” Walking In L.A.

April 16, 2011 Artists, California, Gallery, Los Angeles, West Hollywood

Amid the madness that is the MOCA LA rollout of “Art in the Streets” this week, one of Brooklyn’s hometown favorites popped in her falsies and applied a fresh coat of Chanel Rouge lipstick before sinking her pointy incisors into the New Image Gallery in West Hollywood.

Dressed head to stiletto in black and florescent night glamooouuuur, the gallery that had the balls to champion a number of unconventional street artists for more than a decade gave every inch of floor, wall and ceiling to Street Artist Judith Supine for this installation. Since the MOCA show so far looks like a compendium of the last 50 years, it’s understandable that it overlooks the 30 or so New Guard on the streets today who are ushering in an era of storytelling and mashups, but clearly Miss Supine will be in BSA’s “Art In The Streets” show when we’re talking about the 2010s.

A smaller version of the full blowout Supine did at English Kills in Bushwick Brooklyn a couple of years ago, “Ladyboy” is a more focused and tight hallucinatory play of collaged and freakish imagery alluding to the underground sex industry, child exploitation, and the magnetic allure of iniquity. When this heavy stuff is cut with a handy pen knife in your handbag, fed through the surreal filter of Ms. Supine’s mind and flooded over with a thick shiny coat of liquid glass, the dark magic is suspended in time. Our time.

Judith Supine
Lady Boy
April 13—May 13, 2011
New Image Art Gallery
Los Angeles, California

Red Hot and Street: “Art in the Streets” Brings Fire to MOCA

April 15, 2011 Artists, California, Events, Little Tokyo, Los Angeles, Museum, Opening

Yes, Banksy is here. The giant “Art in the Streets” show opening this weekend at the Museum of Contemporary Art in Los Angeles gives a patch of real estate to the international man of mystery who has contributed greatly to the worldwide profile of this soon to be, maybe already, mainstream phenomenon known as street art. A smattering of his pranksterism is an absolute must for any show staking claim to the mantle of comprehensive survey and an excellent way to garner attention. But “Streets” gets it’s momentum by presenting a multi-torch colorful and explosive people’s history that began way before Banksy was born and likely will continue for a while after.

To continue reading about this exhibition go to The Huffington Post ARTS by clicking on the link after the image below.

Direct link to article on HuffPost Arts

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Purth “The Deleras” group in an abandoned train yard east of Boston. (Photo © Heather McGrath)

Photographer Heather McGrath and a friend assisting Purth after installing The Deleras. East Boston (Photo © Purth)

Purth. Detail of Delera. Abandoned brewery directly across from the Roxbury projects in Boston. (Photo © Heather McGrath)

Purth in Cincinnati. A slightly damaged Delera (due to bad climate conditions). She is included “as she is beautiful” (Photo © Zach Fein)

Purth. “Opal” “I swear there are diamonds …. hundreds of them … everywhere” East Austin, on the corner of E6th & Chicon. (Photo © Andrew Ashmore)

Purth. “Patricia the Beater” “I will grow …fiercely, love”, New Orleans. (Photo © Zack Smith)

Purth. “Lu” “Take my breath away”. Brooklyn, NY. (Photo © Jaime Rojo)

Purth took this shot a few weeks into her trip hoping this would be her home for the next five months. (photo © Purth)

Liqen. Ventanilla, Oaxaca (photo © Liqen)

Liqen. Ventanilla, Oaxaca (photo © Liqen)

Liqen. Ventanilla, Oaxaca (photo © Liqen)

The left wing remains, while the engine appears to have been removed. Liqen. Ventanilla, Oaxaca (photo © Liqen)

A funny thing happened on the way to Public Space.

Banksy (photo © Jaime Rojo)

Banksy (photo © Jaime Rojo)

Barry McGee, Steve Powers (photo © Jaime Rojo)

Craig Stecyk III (photo © Jaime Rojo)

Ed Templeton (photo © Jaime Rojo)

Ed Templeton (photo © Jaime Rojo)

Freedom (photo © Jaime Rojo)

Invader (photo © Jaime Rojo)

Invader hovers on Martha Cooper’s room (photo © Jaime Rojo)

Detail of a timeline installation with work by John Fekner and John Ahearn on display (photo © Jaime Rojo)

Kenny Scharf customized Cadillac (photo © Jaime Rojo)

Lee Quinones (photo © Jaime Rojo)

Margaret Kilgallen (photo © Jaime Rojo)

Stelios Faitakis (photo © Jaime Rojo)

A playful detail of the Os Gemeos installation (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

Swoon. Detail (photo © Jaime Rojo)

“Suicidal Tendancies”, by NohJ Coley

NohJColey (photo © Jaime Rojo)

NohJColey (photo © Jaime Rojo)

NohJColey (photo © Jaime Rojo)

NohJColey (photo © Jaime Rojo)

A local resident approached while we were shooting the installation to remark that the entire piece was there the day before, and he disapproved of whoever had removed part of it because he really liked it. NohJColey (photo © Jaime Rojo)

Happy Good Friday!

3 Kings by Remi/Rough and System

Vote for Your Favorite Slide at HuffPost Arts Today

BP Ready To Resume Oil Spilling (Via The Onion)

April 20, 2011 | The Onion

LONDON—A year after the tragic explosion and oil spill that caused petroleum giant BP to cease operations in the Gulf of Mexico, the company announced Wednesday that it was once again ready to begin oil spilling. http://www.theonion.com/articles/bp-ready-to-resume-oil-spilling,20089/

Image here is the winner of LogoMyWay’s contest to redesign the BP Logo — Stuart Croft, an English Graphics Designer working and studying in Bangkok, Thailand.

Jean Faucher – Early Street Art Pioneer Show Tomorrow in LA

“Your attitude is your altitude.”

2000 Images of MOCA “Art in the Streets”

Göla in Sau Paulo (image © Göla)

Göla poses inside his piece. (image ©Fernando Cesar)

With work that easily lends itself to the imagination of childhood, here is a new colorful public installation by Göla in a park. (image ©Fernando Cesar)

Göla collaborated with Ninguem Dorme for this street collaboration in Sau Paulo (image © Göla)

Ben Eine in Venice (photo © Jaime Rojo)

JR in Venice (photo © Jaime Rojo)

JR in Venice (photo © Jaime Rojo)

Proving that it isn’t just for bankers, here’s Bankrupt Slut in Culver City (photo © Jaime Rojo)

Bankrupt Slut in Culver City (photo © Jaime Rojo)

Longtime Los Angeles Street Artist Becca in Echo Park (photo © Jaime Rojo)

Becca in the Art District in Downtown LA (photo © Jaime Rojo)

Classic piece from Blek Le Rat in Echo Park (photo © Jaime Rojo)

I’ve got an idea! Let’s do a cat stencil in Downtown LA (photo © Jaime Rojo)

Cfer does Kim Kardashian in Downtown LA (photo © Jaime Rojo)

These Curly stickers showed up very quickly in LA this week. (photo © Jaime Rojo)

D*Face in Sunset Blvd (photo © Jaime Rojo)

Invader, a visitor sticker from MOCA, and a Beatlesque statement about graffiti artist Revok in Little Tokyo (photo © Jaime Rojo)

A feeding fest from Kim West in The Art District LA (photo © Jaime Rojo)

JH in The Art District LA (photo © Jaime Rojo)

Word to Mother in Culver City (photo © Jaime Rojo)

Pornography and Taxidermy in Sunset Blvd (photo © Jaime Rojo)

This piece near the museum in Little Tokyo was well placed for a lot of traffic and there were even a few people posing with it. Love More War Less (photo © Jaime Rojo)

Picasso’s famous anti-war “Guernica” is reinterpreted here by Street Artist Ron English in The Art District (photo © Jaime Rojo)

Shepard Fairey lurking behind the fence on Sunset Blvd (photo © Jaime Rojo)

An Obey sticker in Little Tokyo (photo © Jaime Rojo)

Shepard Fairey, Uti, and Charm in Little Tokyo (photo © Jaime Rojo)

A sticker crush in Little Tokyo (photo © Jaime Rojo)

Photo © Jaime Rojo

A playful skewering of Eli Broad and Jeffrey Dietch for the show “Art in the Streets” went up in advance of the show’s opening. Photo © Jaime Rojo

Photo © Jaime Rojo

Photo © Jaime Rojo

Photo © Jaime Rojo

Photo © Jaime Rojo

Photo © Jaime Rojo

Purth. “Opal” “I swear there are diamonds …. hundreds of them …
everywhere” East Austin, on the corner of E6th & Chicon. (Photo © Andrew Ashmore)

LONDON—A year after the tragic explosion and oil spill that caused petroleum giant BP to cease operations in the Gulf of Mexico, the company announced Wednesday that it was once again ready to begin oil spilling.

http://www.theonion.com/articles/bp-ready-to-resume-oil-spilling,20089/