All posts tagged: How and Nosm

The Pima Air & Space Museum Presents: “Round Trip: Art From The Bone Yard Project” (Tucson, Arizona)

Art From The Bone Yard Project

The Retna Plane (photo courtesy of the curators)

THE BONE YARD PROJECT | PIMA AIR & SPACE MUSEUM | JANUARY 28 – MAY 31

The Pima Air & Space Museum is pleased to announce the opening of Round Trip: Art From The Bone Yard Project on January 28 in Tucson. Conceived in Spring 2010 by Eric Firestone, and organized with curators Medvin Sobio & Carlo McCormick, The Bone Yard Project resurrects disused airplanes from America‟s military history through the creative intervention of contemporary artists, taking entire airplanes and their elements out of aeronautic resting spots in the desert, known as “bone yards,” and putting them into the hands of artists. Re-imagined by Brazilian graffiti artist Nunca, an abandoned DC3 comes to life with a striking picture of an eagle leading men through the skies, and the idealized dreams of flight are able to soar once again in our collective imagination. With a nod to the airplane graffiti and „nose art‟ that became popular during WWII, the project offers a vision of the wonder by which humanity takes to the air through some of the most prominent and acclaimed artists working today.

Round Trip: Selections from The Bone Yard Project, will include selections from the previous exhibition along with more than a dozen cones interpreted by artists new to this project. It will feature five monumental works created on military planes by a dynamic selection of popular graffiti and street artists from around the world. The curatorial team includes Medvin Sobio, an independent curator and consultant, and Lesley Oliver of the Scottsdale Museum of Contemporary Art, a longstanding figure on the Arizona art scene.

More than 30 artists have participated in Round Trip including DC Super 3 planes painted by graffiti artists How & Nosm, Nunca, and Retna, and a C97 cockpit by Saner, and C45 planes by Faile and Andrew Schoultz. Additionally, Nose Job artists Aiko, Peter Dayton, Shepard Fairey, Futura, How and Nosm, Mare, Tara McPherson, Richard Prince, Lee Quinones, Saner, Kenny Scharf, and JJ Veronis will be on display, along with new nose cones by artists Colin Chillag, Crash, Daze, Daniel Marin Diaz, Tristan Eaton, Jameson Ellis, Ron English, Faile, Eric Foss, Mark Kostabi, Lisa Lebofsky, El Mac, Alex Markwith, Walter Robinson, Hector Ruiz, Randy Slack, Ryan Wallace, and Eric White, among others.

The Pima Air & Space Museum is the largest non-government funded aviation museum in the United States, and one of the largest in the world. It maintains a collection of more than 300 aircraft and spacecraft from around the globe and more than 125,000 artifacts. The museum is located at 6000 E. Valencia Rd. , Tucson, and is open 9:00 AM – 5:00 PM daily. Round Trip is open to the public from January 28 through the end of May 2012. Further details may be found at www.pimaair.org.

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How and Nosm Brand New Video – How They Started

Artists, muralists, and graffiti artists How and Nosm – “That’s what we do, that’s who we are.” In this new video they talk about their beginnings in the world of graffiti, before becoming world renowned fine artist and epic muralists.

Produced and directed by The Little Squares.

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Art Basel Miami 2011 : BSA Picks

Miami is basically “South Brooklyn” starting right about now, minus the bagels, the B62 bus, and the compulsive habit of cutting you off mid-sentence.  Artists, galleries, fans, party girls and boys, djs, – they all head south the first few days of December for the big fair and all the little ones.

It already seems a little quieter here because Fountain took the weirdos, Wynwood Walls took the Soho softshoes, and The Underbelly collected the hardcore characters just long enough to sign a book and scarf some pizza before looking for a tunnel somewhere. Art Basel is a feast and the draw of Street Art and graffiti continues apace this year, with entrants from all the strata looking for a wall, and maybe a party, and a honey to go skinny dip with.

We picked a few Street Art related gems here that you might want to hit, but even if you show up in Miami this week with no plans, you’ll easily find some trouble to get into, we trust. Do your best.

Underbelly Project

Photo © Ian Cox courtesy of The Underbelly Project

After a full year underground, The Underbelly Project is coming to Miami during Art Basel. A pop up gallery, the show will feature original artwork from many of the 103 international artists who participated in the hidden subway project in New York. The exhibition will feature a video piece of multiple installations happening simultaneously, as well as new pieces by many of the artists. Additionally a book signing of the first volume to come out about the project, published by Rizzoli, will take place on December 2nd. Artists participating in the signing include: Dabs & Myla, Rone, Gaia, Lister, Eric Haze, Joe Iurato, Adam Feibleman, Know Hope, Jeff Stark, Jason Eppink, Jim and Tina Darling, The London Police, Dan Witz, Specter, Surge and other surprise artists.

Included in the show are street, graffiti and fine artists alike. The full line-up includes: Faile, Dabs & Myla, TrustoCorp, Aiko, Rone, Revok, Ron English, Jeff Soto, Mark Jenkins, Anthony Lister, Logan Hicks, Lucy McLauchlan, M-City, Kid Zoom, Eric Haze, Saber, Meggs, Jim & Tina Darling, The London Police, Sheone, Skewville, Jeff Stark, Jordan Seiler, Jason Eppink and I AM, Dan Witz, Specter, Ripo, MoMo, Remi/Rough, Stormie Mills, Swoon, Know Hope, Skullphone, L’Atlas, Roa, Surge, Gaia, Michael De Feo, Joe Iurato, Love Me, Adam 5100, and Chris Stain.

THE UNDERBELLY SHOW
29 November – Press Preview 5pm/ Private View 7pm
30 November – Collector’s Preview 7pm
1 December – Secret Wars US vs. UK 6pm
2 December – General Opening 5pm and Artist Book Signing 6pm
The show will take place in the heart of Wynwood at 78NW 25th Street

SCOPE


Jonathan Levine Gallery At Scope with WK Interact, Aakash Nihilani, Olek, and Jason DeCaires Taylor

“Placing a focus on public art for this program, the gallery will present a series of works that highlight a diverse range of distinct styles, cultural perspectives and unconventional mediums. Each of the four artists selected represent fresh directions in creating work in public space through their innovative vision and inventive use of materials. Photography documenting their interventional imagery, sculpture, and performances convey the transformative effect their work has on its surrounding

Aakash Nihalani with Jonathan Levine (photo © Jaime Rojo)

Olek with Jonathan Levine (photo © Jaime Rojo)

WK Interact with Jonathan Levine (photo © Jaime Rojo)

:SCOPE-Miami, Booth E09
NE 1st Avenue @ NE 30th Street, Miami, FL 33127

November 29—December 4, 2011
Tues 11/29, 4—8pm | Wed 11/30—Sat 12/3, 11am—7pm | Sun 12/4, 11am—6pm

Mallick Williams Gallery at Scope with Skullphone and Curtis Kulig

Skullphone + Curtis Kulig will be showing work from their recent collaborations this fall.

Skullphone with Mallick Williams and New Image Art  (photo © Jaime Rojo)

New Image Art Gallery at Scope

This year New Image Art is proud to present Retna, Cleon Peterson, Paul Wackers, and Maya Hayuk at Scope Miami 2011.

Check out Retna with New Image Art (photo © Jaime Rojo)

White Walls Gallery at Scope

White Walls will be hosting four booths at SCOPE, situated in the center of Miami’s Wynwood Gallery Arts District, featuring a MTN Colors Group show with APEX, Neon, Estria, Vogue, Blek le Rat, HUSH, Kofie and Chor Boogie, a White Walls Group show with Casey Gray, Ben Eine and Greg Gossel, and solo shows for both ABOVE and ROA. APEX, Eine, Kofie, ABOVE, ROA and Chor Boogie will also be painting at the Kohn compound on 24th street.

Ben Eine with White Walls (photo © Jaime Rojo)

ROA with White Walls  (photo © Jaime Rojo)

Chor Boogie and Augustine Kofie (photo © Jaime Rojo)

For a full listing of exhibitors and events click here SCOPE

Wynwood Walls

Wynwood Walls is premiering 7 new Street Art murals and 16 new pieces at Wynwood Doors and walls outside.

Debuting in tandem with the new murals and installations during Art Basel this year on Tuesday, November 29, 2011, the “Shop at the Walls” the first Wynwood Walls Pop Up gallery space that will offer artworks and the new Wynwood Walls book.The book has interview with Street Artists and photography by Martha Cooper.

Artists include Retna, The Date Farmers, How and Nosm, Gaia (USA), Saner and Sego (Mexico), Liqen (Spain), Neuzz (Mexico), Nunca (Brazil), Vhils (Portugal), Interesni Kazki (Ukraine), Faile (USA) and b. (Greece)Kenny Scharf is expected to augment his existing wall, and remaining work from the last two years from Nunca, Shepard Fairey, Aiko, Ryan McGinness, Stelios Faitakis and avaf will be on display.

Walls Outside the Wynwood Walls, encompassing key locations outside of the actual art park itself and in the surrounding neighborhood, will be created by Friends With You (USA), avaf (Brazil and France), Nunca, and Interesni Kazki (Ukraine); joining works previously completed by Swoon and Barry McGee.

Location:
Wynwood Walls and the Pop Up Shop are located at NW Second Avenue – between Joey’s Italian Café on 25th Street and the art-filled Wynwood Kitchen & Bar on 26th Street – and are open to the public free of charge.

HERE COMES THE NEIGHBORHOOD: WYNWOOD (Video)

Fountain Art Fair

“Our preferred punk rock lopsided Anti-Fair.” —Brooklyn Street Art

This year Fountain Miami’s signature on-site street art installation is curated by Samson Contompasis, director of Albany’s The Marketplace, and will feature over 150 feet of work Street Artists including Sharktoof, Chris Stain, Olek, Hugh Leeman, Chor Boogie, OverUnder, White Cocoa, Army of One, Clown Soldier, Joe Iurato, CAKE, Tip-Toe, Elle, Ian Ross, Know Hope, Depoe, and Zero Cents.

Gilf! at Fountain  (photo © Jaime Rojo)

Brooklyn’s own Mighty Tanaka Gallery is showing at Fountain Participating artists include: Adam Void, Alexandra Pacula, Alice Mizrachi, ChrisRWK, Ellen Stagg, Gigi Chen, Hellbent, Hiroshi Kumagai, JMR, John Breiner, Max Greis, Mike Schreiber, Robbie Busch, Skewville, TooFly, URnewyork, VengRWK & Miguel Ovalle

Hellbent with Mighty Tanaka (photo © Jaime Rojo)

Skewville with Mighty Tanaka   (photo © Jaime Rojo)

For a full listing of events and schedules click here Fountain Art Fair

December 1–4, 2011
2505 North Miami Avenue (at the corner of 25th St) | Miami, FL 33137
General Hours: 12pm–7pm daily
Tickets: $10 daily / $15 weekend pass. All tickets sold at door.

Primary Projects

 

 

A new exhibit debuting during Art Basel Miami Beach 2011

Thursday, December 1
Opening Reception
7:00 to 10:00 p.m.

RETNA, Jessy NITE, Stormie MILLS, Evan ROBARTS, Lena SCHMIDT, Luis PINTO, Andrew SCHOULTZ, Karen STAROSTA-GILINSKI, Kenton PARKER, TM SISTERS, Samantha SALZINGER, Emmette MOORE, Anthony LISTER, Charles KRAFFT, Tatiana SUAREZ, Edouard NARDON, Andrew NIGON, Johnny ROBLES and Lawrence GIPE.

For further information regarding this event click Primary Projects

Primary Projects
4141 NE Second Avenue
Suite 104
Miami, FL 33137

 

 

Living Walls is working with with Primary Flight, one of the original graffiti and Street Art mural projects, to create 3 new murals in the Wynwood District.

Participating Artists:

JAZ (Buenos Aires, Argentina) (photo © Jaime Rojo)

Know Hope (Tel Aviv, Israel) (photo © Jaime Rojo)

PULSE Fair

 

Andrew Edlin Gallery at Pulse with Elbow Toe

Brian Adam Douglas AKA Elbow Toe (photo © Jaime Rojo)

Joshua Liner Gallery at Pulse with Stephen Powers

Stephen Powers (photo © Jaime Rojo)

For a complete list of exhibitors and schedules of events click here PULSE

 

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The Paris Underbelly Surfaces : A New Gallery Beneath the City

Opening under cover of night somewhere in Paris, four stories beneath la rue, a secret subterranean gallery in a sealed tunnel appears suddenly. While activity on the street overhead is hectic and dense with cars, trucks and pedestrians, the dry dust is ankle-high here in this darkened silent morgue, its cool dank air now permeated with fresh aerosol. The Underbelly has been here, and if you discover this curated collection of Street Art and graffiti in the chilled dim light, you are officially lost. And lucky.

From left to right: Alice, C215, Saber and Futura. (photo © Ian Cox)

“You start climbing down and it seems like it never ends,” says Workhorse, the project leader who, along with a partner named PAC, has lead wandering artists down a similar path with pounds of spray paint in their backpacks once before, “You feel like your descending into this black pit.” The last time Underbelly appeared, it was in Brooklyn with 100 artists mounting an unsanctioned show in abandoned tunnels during a one-year period. Now these organizers stood in an underground location deep beneath Paris with a tense troupe sworn to secrecy; ten artists, three organizers, two photographers and one writer, converging here from five countries for one goal; to paint walls unencumbered, if quietly, for half a day.

From left to right: Sheone, Tristan Eaton and Conor Harrington. (photo © Ian Cox)

“The mood was a little tense until we were all safely in the tunnel,’ says Martha Cooper, the graffiti and Street Art photographer who has been doggedly pursuing these kind of painting parties in challenging locations for about 40 years. After decades of urban exploration, the world renowned photog with a journalists tenacity recounts stories like this with a glint in her eye and a sort of seasoned glee. “The process of climbing down steep ladders in narrow spaces in the middle of the night felt like a grand adventure.”

For Workhorse, the fear factor felt much more tangible, “If you get seen and stopped, there really is no good way to explain why you’re entering an illegal location with a dozen cameras and spray paint. I think we were all aware of the fact that it wasn’t a time to joke around or fuck up.”

Harnessing the team to help Conor Harrington with his piece. (photo © Martha Cooper)

If you’ve ever tried to organize artists, you know it’s almost impossible, and it always takes longer than you expect, especially when flights are delayed, luggage gets lost, and traffic is thick. “It took us 36 hours to finalize the supply list, get everyone in at the same time and same place and go over the itinerary of how things would work. We met up before sunrise, and made our way into the tunnel,” says Workhorse when describing the corralling of the crew.

C215 on a ladder with the stencil rolling to the left. (photo © Ian Cox)

The crew for Underbelly this time was a mixture of heavyweights and relative newcomers on the graffiti/Street Art continuum, each with a solid presence in an ever morphing scene; C215, Tristan Eaton, Futura, Conor Harrington, How and Nosm, Alice Pasquini, Saber, SheOne, and Will Barras.  If there was street beef, nobody was showing it. In fact some of the biggest fans of these artists are their peers and many of them were just happy to be in each other’s company for the first time. “I felt very privileged to be a part of such an amazing secretive project in one of my favorite cities. It was an honor to paint with these artists and be photographed by Martha Cooper,” says Los Angeles graffiti artist Saber, whose recent health issues caused the team to craft a contingency plan for one of the intermittent paroxysms he’s had in the last year.

“As real dangers go, these guys had worked out the logistics of how to get me out of the deep hole if I happened to have a seizure. Lifting my unconscious big rear-end up many feet is no easy task. I felt safe with these guys knowing they had looked at all sides of the logistics,” he says, now happily at home.

Saber. (photo © Ian Cox)

But what about his piece on the wall? How did his painting go? “I was next to Futura, so no pressure there! How and Nosm’s piece along with SheOne`s wall was amazing. My piece wasn’t so fancy,” he explains while relating how delayed flights and jetlag contributed to a painting performance he feels was less than his best, “I got crushed by the friendly competition.”

How and Nosm alongside SheOne. (photo © Martha Cooper)

Similarly, the New York Street Artist Tristan Eaton says the poor lighting leaves him wondering what his final piece even looks like today. “My area was only lit on one side, so half of my piece was in darkness while I painted. I planned a figurative piece with mostly dark reds, so how it came out is still a mystery to me. I haven’t seen any pictures, so I’m crossing my fingers that it’s not a total disgrace,” he says only half joking. The guy usually exhibits a technical mastery of the can, so it’s not unusual to hear him talk about taking on a new challenge with gusto. “I was trying to paint the Ferry man from Michelangelo’s Last Judgment in the Sistine Chapel for God’s sake. I’ve been trying to do more figurative spray paint work lately, so I thought I’d push myself. Bad idea. I can normally trust myself to make anything work but given the challenges of the situation, I should have done a classic piece in a comfortable style and called it a day.”

Futura self tethered to his ladder reaching for the stars while painting underground. (photo © Ian Cox)

For the ever sanguine quipster Futura, a graffiti legend whose savoir faire was primed by experience from the moment he arrived underground, his active imagination seemed  enlivened by possibility and fantasy. With an elegant red cape and a can in hand, the graffiti and abstract artist clearly let his mind wander while the groups’ other amazing photographer, Ian Cox, looked for opportunities to capture the action and the attitude of the moment.

Futura. A stunning portrait of the artist. (photo © Ian Cox)

Four years in the US military will make a man look at this art project as a mission, and Futura was thinking of video games, regarding Underbelly as a real life multi-player call of graffiti duty. “You know it’s one thing to play Modern Warfare 3 Spec Ops: Parisian Metro,” he intoned semi-seriously while talking about the planning that brought him to  this sweet spot to paint, “but the precision and logistical coordination was, without question, a highlight in danger and daring.”

Will Barrass. (photo © Ian Cox)

Setting aside heroic associations with the mission, the paintings themselves are imbued with a mysterious quality that is aided by their clandestine location and the conditions in which they were created; There is Connor Harrington’s epic and faceless horseman astride a stately galloping steed, Alice Pasquini’s Pipi Longstocking girl shrouding her frightened face in the corner, and How and Nosm’s sharp swooping symbols, lines and patterns waiting to be decoded.

Conor Harrington. (photo © Ian Cox)

Imagine walking with a flashlight through this tunnel of darkness and discovering the 12 foot high stencil portrait by hometown Street Art star C215 as it hovers slightly above you. The large grizzled face looms as a memory, perhaps a miner or a railroad worker, with one eye closed, or missing. Maybe he is wincing at you because of the thick dust in this airless tunnel.

From left to right: Alice, C215. (photo © Ian Cox)

He could be also reacting to the aerosol spewing from many cans spraying all at once.  Advance planning aside, one detail escaped the group; ventilation. While none of the participants we spoke with regrets for a minute the opportunity to bury paintings far below the surface of a historical city that celebrates it’s artistic culture, everyone mentions the fumes.

“The tunnel was pretty much sealed with no ventilation,” Cooper remembers, “Had I not been loaned a respirator, I would not have been able to breathe. The paint fumes accumulated so that there was a visible haze in the space.”

Will Barras and Alice Pasquini. (photo © Martha Cooper)

“Inside the tunnel, it became 60% visibility with the spray paint fog with an instant headache wall when you walked in,” says Eaton, “We all felt bad for Saber who showed up last and had to bear the worst of it all.”

Saber agrees, “If you stayed too long you could possibly get inhalation poisoning. Seriously, in my 21 years of painting I have never experienced a wall of fumes like that.”

Curiously, no one bolted from the space and six hours stretched to nine, nine to twelve. After fourteen hours, everyone in the party was exhausted by the stress, the fumes, and the new paintings they had labored over. With completed pieces installed and documented, the crew re-packed their bags and collapsed their equipment to begin their ascent back up the steel ladders to emerge into the streets one small group at a time.

How and Nosm at work. (photo © Martha Cooper)

Brooklyn Street Art: Did you see many rats?
Martha Cooper: I don’t remember seeing any rats.
Workhorse: Nope, usually rodents are in active areas because they are looking for food. We were in a section that hadn’t been used in decades so there was no sign of life there.
Saber: No, but I was searching for as many Space Invaders and Horfe pieces I could find.

“After being in the drafty tunnel we were all a bit dried out and hungry,” says Workhorse when describing the scattering of the team once they hit the street. Above ground they  were much more relaxed, and sleepy. But not everyone hit the couch.

Conor Harrington compares his work to his sketch. (photo © Martha Cooper)

Says Eaton, “We were all doing what we love doing more than anything in the world. We got three blocks from the tunnel and ended up sitting down for five cold beers, covered in black dirt from head to toe. The buzz from the experience was strong. Most artists covet the moment when the work is done and you sit back to reflect on what you did with the weight off your shoulders. This was that moment times infinity.”

As for Futura, he’s just a romantic, “Merci beaucoup Paris . . . Je T’aime.”

From left to right: How and Nosm and SheOne. (photo © Ian Cox)

 

 

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This article is also published on The Huffington Post

See our interview with FUTURA here on Brooklyn Street Art.

Read our conversation with HOW and NOSM on Juxtapoz here.

And our conversation with C215 on Juxtapoz.

Martha Cooper, Photographer of Art on the Streets for Six Decades

Read all BSA pieces on The Huffington Post HERE.

 

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Fun Friday 10.14.11

Fun-Friday

1. MONIKER in London
2. CASH FOR YOUR WARHOL with Garage
3. Dabs & Myla with Shea&Ziegler from London
4. D*Face with Stolen Space
5. Able and Baker Gallery from Cologne: Ben Aine. ROA. Pure Evil. Herakut. Rero.
6. AIKO with Andenken Gallery from Amsterdam
7. AIKO Solo Show at PURE EVIL (London)
8. Word to Mother solo show “Essence of Adolescence” Friday Stolen Space Gallery
9. “Ok, Enough, Goodbye”, film at MOMA
10. How and Nosm solo show “Achtung!” Saturday at Known Gallery (LA)
11. WRONA at Pandemic Saturday (Brooklyn)

MONIKER in London

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Let’s all head to Shoreditch in East London this weekend for the Moniker International Art Fair, where there will be new stuff from a bunch of Street Artists . In addition, some of the galleries at the fair are having openings back home. Here are some of the exhibitors to help you find your way:

CASH FOR YOUR WARHOL with Garage

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Cash For Your Warhol. (photo © Jaime Rojo)

Dabs & Myla with Shea&Ziegler from London

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Image from Dabs and Myla in Los Angeles at ThinkSpace Gallery 2011 (photo © Jaime Rojo)

D*Face with Stolen Space

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brooklyn-street-art-stolen-space-gallery-logo Stolen Space Gallery will be having a print release of ‘Going Nowhere Fast’ By D*Face on Saturday 15th at 11 am at Moniker Art Fair.

Image of D*Face in Los Angeles 2011 (photo © Jaime Rojo)

Able and Baker Gallery from Cologne: Ben Aine. ROA. Pure Evil. Herakut. Rero.

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Image of Herakut in Los Angeles, CA (photo © Jaime Rojo)

AIKO with Andenken Gallery from Amsterdam

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Image of Aiko in downtown Los Angeles, 2011 with LA Freewalls Project. (photo © Jaime Rojo)

For full details, schedule of events and venues for Moniker International Art Fair click on the link below:

http://www.brooklynstreetart.com/theblog/?p=25420

AIKO Solo Show at PURE EVIL (London)

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AIKO’S solo show “Unstoppable Ways” at Pure Evil Gallery opens today from 6 to 9 pm

Aiko at work on a wall in Los Angeles Arts District for LA Freewalls Project (photo © Jaime Rojo)

For more details regarding this show click on the link below:

http://www.brooklynstreetart.com/theblog/?p=25406

Word to Mother solo show “Essence of Adolescence” Friday Stolen Space Gallery

‘Essence of Adolescence’ is an enlightening glimpse into the artist’s visually obsessed mind. Word To Mother invites the viewer to take a glimpse of his inner mindscape. An outward manifestation that combines references drawn from his childhood and the visual stimulation that he absorbed; cartoons juxtaposed with more serious emotive thoughts and fears that face him as an adult living and painting in East London.

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Word to Mother. Los Angeles 2011. (photo © Jaime Rojo)

For more information regarding this show click on the link below:

http://www.stolenspace.com/section.php?xSec=3

“Ok, Enough, Goodbye”, film at MOMA

Rania Attieh and Daniel Garcia will be on hand to answer questions when they screen their new film “Ok, Enough, Goodbye” at  The Museum of Modern Art in New York City this weekend.

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Rania Attieh and Daniel Garcia. “Ok, Enough, Goodbye” Still from the movie.

The screenings with the Auteurs in attendance will be held this weekend on Friday and Saturday.

For more information about times and tickets please click on the link below:

http://www.brooklynstreetart.com/theblog/?p=25441

How and Nosm solo show “Achtung!” Saturday at Known Gallery (LA)

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How and Nosm in NYC 2011 (photo © Jaime Rojo)

For more information regarding this show click on the link below:

http://www.brooklynstreetart.com/theblog/?p=25158

WRONA at Pandemic Saturday (Brooklyn)

Wrona solo show “Pretty Horrible” opens on Saturday at Pandemic Gallery in Williamsburg, Brooklyn where there is always assured a good time.

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For more information regarding this show click on the link below:

http://www.brooklynstreetart.com/theblog/?p=25446

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“Heartship” Takes Flight: How and Nosm Complete Mural in LA

Street Artists How and Nosm have just completed a 6 day installation of a brand new piece with the LA Freewalls project here in the Arts District of downtown Los Angeles. With occasional interruptions for rain and food and sleep, the twins methodically knocked out a complex and detailed mural 106 feet wide and 60 feet tall (32m x 18m) that effectively nails their reputation as two of the most talented artists on the Street Art scene today, not that it was in doubt. With two decades of work under their belts, it is a rare combination of focus, relentless creative exploration, and artistic integrity that has shifted the work of these guys into an international limelight over the past couple of years.

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How and Nosm. (photo courtesy LA Freewalls Project © Birdman)

brooklyn-street-art-how-nosm-birdmna-la-freewalls-project-web-1How and Nosm. In this image you can appreciate the scale and proportion of this mural on the far right. (Photo courtesy LA Freewalls Project © Birdman)

Named “Heartship” the gargantuan mural is on a mission to entertain, elate, and educate about what self-taught artists with heart can produce and add to the man-made environment. In a direct way the whole project strikes at the center of the current “mural moratorium” in LA, which many local artists view as narrow, marginalizing, and inept.

“The fact that this mural exists contrary to any official public art policy in Los Angeles is a miracle, and a testament to the courage, will, and determination of everyone involved in the project,” says Daniel Lahoda, who’s LA Freewalls Project has routinely advocated for a review and revising of the City’s official policy toward public art and Street Art.

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How and Nosm. (photo courtesy LA Freewalls Project © Birdman)

This Saturday (10/15) the brothers will also be celebrating ACHTUNG!”, their first solo show, with 50 new original works at Known Gallery in LA. Expect to be suitably blown away, and to see a huge crowd.

See BSA’s interview with How and Nosm this summer in Juxtapoz here.

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How and Nosm. (photo courtesy LA Freewalls Project © Birdman)

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How and Nosm. (photo courtesy LA Freewalls Project © Birdman)

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How and Nosm. (photo courtesy LA Freewalls Project © Birdman)

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How and Nosm. (photo courtesy LA Freewalls Project © Birdman)

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How and Nosm. (photo courtesy LA Freewalls Project © Birdman)

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How and Nosm. (photo courtesy LA Freewalls Project © Birdman)

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How and Nosm. (photo courtesy LA Freewalls Project © Birdman)

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“Heartship”, by How and Nosm. (photo courtesy LA Freewalls Project © Birdman)

With special thanks Daniel Lahoda and to Dante at Madison Realty Group. All photographs © “Birdman Photos” (@birdmanphotos on Twitter).

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The Warrington Museum and Gallery Presents: “Gossip Well Told” (Warrington, UK)

“Gossip Well Told”

brooklyn-street-art-cheryl-dunn-gossip-well-told-warrington-mueum-ukImage courtesy of the Museum © Cheryl Dunn

Shea and Ziegler present GOSSIP WELL TOLD supported by Moniker Projects

24 September – 29 October 2011|Large Art Gallery|Free

Following its success in London this exhibition moves to Warrington Museum & Art Gallery. As well as showcasing artworks emanating from the street art scene, Moniker will be widening its scope of reference with the inclusion of artists such as Anthony Lister from London, Pop surrealist Luke Chueh from California, and acclaimed New York photographer Cheryl Dunn. Moniker attracts some of the most renowned and talked-about artists, galleries and curators to highlight the trend in which they are spearheading; art with its roots firmly embedded in urban culture.

For more more information about this show and related events click on the link below:

http://www.warringtonartsfestival.co.uk/

Warrington Museum & Art Gallery
Museum Street, Cultural Quarter, Warrington, WA1 1JB
Tel. No. 01925 442733

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Images of the Week 09.18.11, during Living Walls : Albany

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For the last 10 months this initiative to bring Street Art and public art to the forefront of the conversation in New York’s capital has been a boon to discourse, unusual during a period of retrenchment and an ongoing financial crises that is rocking every segment of society in the US. After years of incremental cuts to arts programming in public schools and cultural institutions at every level, it is a perfect opportunity for artists to re-assert their voices as this Street Art movement continues to evolve and develop in an organic way. Ironically this scene with roots in graffiti has shape-shifted and its emergence looks like a democratic movement, messily yet constructively filling a creative void for this new generation while the budgetary axes continue to fall around them.

As Street Artists have been installing their new works on walls around Albany these past 10 days or so, the common story one witnesses is the level of engagement of adults and kids stopping on the sidewalk, in their cars, watching the process, photographing and discussing the art, and exploring the creative process. Some folks have even become assistants to the artists, creating a sense of ownership, and yes, community. There is obviously more to this evolving story, and we’ll continue to track it.

Below are photos from photographer Jaime Rojo to give you an idea of the wealth of creativity that is alive in Albany at the moment. And we commence with our weekly interview with the street this week featuring Broken Crow, Chris Stain, Gaia, How and Nosm, Joe Iurato, LNY, Nanook, ND’A, NohJColey, OverUnder, Radical! ROA, Shin Shin, and Wing.  First, we go to church with Joe Iurato.

brooklyn-street-art-joe-iurato-jaime-rojo-living-walls-albany-09-11-web-1Joe Iurato (photo © Jaime Rojo)

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Joe Iurato (photo © Jaime Rojo)

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Joe Iurato (photo © Jaime Rojo)

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Joe Iurato (photo © Jaime Rojo)

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ROA (photo © Jaime Rojo)

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ROA (photo © Jaime Rojo)

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Gaia and Nanook (photo © Jaime Rojo)

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Overunder (photo © Jaime Rojo)

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Overunder (photo © Jaime Rojo)

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Overunder (photo © Jaime Rojo)

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Overunder (photo © Jaime Rojo)

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Overunder (photo © Jaime Rojo)

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Overunder (photo © Jaime Rojo)

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NohJColey (photo © Jaime Rojo)

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NohJColey made one of his most expansive and eclectic sculptural installations yet inside St. Joseph’s church. (photo © Jaime Rojo)

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NohJColey (photo © Jaime Rojo)

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LNY (photo © Jaime Rojo)

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Broken Crow called a quorum of penquins to hold a discussion on weighty topics of the day .  (photo © Jaime Rojo)

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Broken Crow worked overnight and completed this elk downtown on Mikes birthday this week.  (photo © Jaime Rojo)

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Broken Crow is literally stopping traffic on Second Avenue with this powerful stencilled piece. People are jumping out to take pictures of this and question what it might symbolize. The puncturing of the foreground plain with the spilling of “blood” from the carcass is a temporary and powerful effect that will last only until winter. (photo © Jaime Rojo)

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Broken Crow (photo © Jaime Rojo)

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A bird in the hand from GAIA (photo © Jaime Rojo)

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Birds of a different feather from Street Artist Radical (photo © Jaime Rojo)

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N’DA (photo © Jaime Rojo)

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How and Nosm (photo © Jaime Rojo)

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How and Nosm (photo © Jaime Rojo)

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Shin Shin and Wing (photo © Jaime Rojo)

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Radical (photo © Jaime Rojo)

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This new large scale mural created by Street Artist Chris Stain is at the entrance of the New York State Museum, where many presentations and symposia have been taking place since Friday under the “Living Walls : Albany” auspices. (photo © Jaime Rojo)

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Chris Stain (photo © Jaime Rojo)

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Work in Progress :How and Nosm and Overunder at “Living Walls: Albany”

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Industry! The city of Albany is percolating with painters and wheat-pasters on walls all over the place as “Living Walls : Albany” is in full effect, causing people in neighborhoods to stop and talk and discuss the works that are happening before their eyes. Here are a couple in-progress scenes with German twins How & Nosm on a lift beginning their new mural Friday afternoon after arriving from Miami, where they completed new work for Wynwood Walls. Also we were excited to have spent some time seeing OverUnder working with a local tile maker and two new assistants from the neighborhood mixing up mortar and slapping those newly cut tiles to the wall. So much industry, so much excitement, and so many one way streets – including the one which earned us an interview with the police and a fancy new traffic ticket! It’s never a dull moment with the Street Art scene, but you can always be assured of a good show.

brooklyn-street-art-how-nosm-jaime-rojo-albany-living-walls-09-11-web-2How and Nosm (photo © Jaime Rojo)

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How and Nosm (photo © Jaime Rojo)

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Overunder with his assistants Roberto and Messiah (photo © Jaime Rojo)

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Overunder with his assistants Roberto and Messiah (photo © Jaime Rojo)

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Images Of The Week 02.13.11

Brooklyn-Street-Art-IMAGES-OF-THE-WEEK_05-2010This week Revok was in town and hit up a wall with Tats Cru; a new mural entitled “The Quiet Before the Storm”, providing the Lower East of Manhattan with some much need color. We also re-visited a couple of BSA favorites like the Shepard Fairey’s piece on the Cooper Square Hotel and a few WK Interacts scattered around LES. It’s great to see and photograph these pieces when imbued with February’s cold gray and blue light.

And now our weekly interview with the street, this week including Bio, BG183, GS, How & Nosm, Invader, Revok, Shark Toof, Shepard Fairey, Spazmat, Tats Cru, TMNK and WK Interact. Update. Thank you RJ at Vandalog for sending out the tweet abut the Mel Kadel (on the no loitering sign) sticker and helping our readers with the artist’s name.

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Revok and Tats Cru “The Quiet Before the Storm” (photo © Jaime Rojo)

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Revok and Tats Cru “The Quiet Before the Storm” Detail (photo © Jaime Rojo)

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Revok and Tats Cru “The Quiet Before the Storm” Detail (photo © Jaime Rojo)

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Revok and Tats Cru “The Quiet Before the Storm” Detail (photo © Jaime Rojo)

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Shepard Fairey (photo © Jaime Rojo)

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Shepard Fairey. Detail (photo © Jaime Rojo)

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TMNK (photo © Jaime Rojo)

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A poppy colored veil for Spazmat so you can’t read lips while he’s on the phone. Wait, he doesn’t have lips. (photo © Jaime Rojo)

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Invader (photo © Jaime Rojo)

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Minotaur Stencil (photo © Jaime Rojo)

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Mel Kadel..You heard it! (photo © Jaime Rojo)

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WK Interact (photo © Jaime Rojo)

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Seems like people are in such a rush these days, doesn’t it? WK Interact (photo © Jaime Rojo)

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“For the last time, this is not 1C and I did not order a pizza!” Vintage WK Interact (photo © Jaime Rojo)

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“Forgive me Father for I….erm, uh, too late buddy.  (photo © Jaime Rojo)

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Home of the golden mustache ride! GS in Miami Art Basel 2010 (photo © Jaime Rojo)

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This photo was shot mere seconds before Invader was eaten in Miami!  (photo © Jaime Rojo)

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