All posts tagged: Eric Haze

“Beyond The Streets” Opens in New York : Beyond Labels, With Roots

“Beyond The Streets” Opens in New York : Beyond Labels, With Roots

Look Who’s Back in the Neighborhood

They used to run from the Vandal Squad in this neighborhood. Now people pay to see their art here.

Through the expansive glass wall on the 6th floor you can look down Kent Avenue to see the spot where a monster pickup truck with a heavy chain tied around a FAILE prayer wheel almost jackknifed on the sidewalk, gave up and sped away. Not that many Brooklynites saw that event in the 2000s – nobody walked here and few people drove through Williamsburg then except truckers looking for street walking ladies wearing high heels and spandex. Oh, and a serial killer.

Faile. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)

Now visitors buy tickets to see a circular colonnade of FAILE prayer wheels here at 25 Kent – including the real estate developers and Wall Street professionals who displaced the community of artists whose work made the neighborhood attractive and “edgy”.

Along with Street Artists in this exhibition like Shepard Fairey, Bast, Swoon, Invader, Aiko, Dan Witz, Katsu, 1UP, and Lister, the FAILE duo put completely illegal artworks on walls under cover of night and threat of arrest in this same neighborhood then – transforming it with many others who are not in this show into an open gallery of the streets, placing Williamsburg on the map as New Yorks’ epicenter of the newly emerging Street Art scene. 

Swoon. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)

The Nature of Graffiti and Street Art

As graffiti and Street Art are migratory and necessarily elusive by nature, this story is only one chapter in a volume of history that serious academics are now reconstructing and analyzing. With each passing year and published white paper, the practices of 20th century public mark-making are being examined in greater detail for archiving and for posterity. Not surprisingly, institutions, patrons, collectors, and brands are increasingly interested in this story as well.

When it comes to the anarchic subculture of illegal street art practice and its influence on society, there are non-stop ironies sprayed en route from verboten to Vuitton, and street culture has supercharged the imagination of the mainstream and high culture throughout history – that’s where the best ideas come from sometimes. Many seminal artworks from “the scene”, as it were, represent much more than what you are seeing at first glance. As art and cultural critic Carlo McCormick has described the iconic Shepard Fairey ‘Hope’ image in Art in America, many graffiti and Street Art works saved are “not a fleeting pop-culture sensation but simply the latest crossover hit in a long line of underground classics.”

The wide-ranging survey that is Beyond the Streets makes sure that you know where the roots are, and who many of the pioneers were. It is impossible to tell a complete story that includes scenes as diverse as west coast Chicano muralism, hobo graffiti, hip-hop commercial design, NY downtown artivism, Japanese low/hi contemporary, skateboard, tattoo, early train writing and a current romance with muralism, but BTS at least gives a serious consideration to each and offers you the opportunity to look further into them.

Martha Cooper with BGirl Rockafelka. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)

With the help of photography documentation from people like Martha Cooper, Henry Chalfant, Jim Prigoff, Lisa Kahane, Joe Conzo, John Fekner, Bill Daniel, Maripol, and Dash Snow, the crucial importance of this work provides needed interstitial and contextual information that enables myriad stories to be elucidated.

Joe Conzo. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)

The Scale, The History

Exhaustive, no. Exhausting, possibly. Pace yourself.

 “I spent my life surrounded by graffiti and Street Art,” says the shows’ director Roger Gastman “and you could say that I have been obsessed with understanding the culture, its origins, and its evolution. It’s incredible to me how far it has come.”

With 150 artists whose practices span five decades and various (mainly) American subcultures displayed in a maze of new walls in this 100,000 sf, two-floor exhibition, the Beyond the Streets senior curatorial team includes Gastman, filmmaker/ graffiti historian Sacha Jenkins SHR, Juxtapoz Editor in Chief Evan Pricco, and author/ graffiti historian / graffiti writer David CHINO Villorente. Each curator brings core competencies and knowledge of the graffiti scene (Gastman, Jenkins, Villorente) as it has evolved to include the Street Art practice and an eventual move toward contemporary art (Pricco).

“It’s absolutely phenomenal,” says Villorente, who says his history as a graffiti writer compounds the impact for him. “I was glad that the show was coming to New York because I was born and raised in Brooklyn. I couldn’t have imagined it – especially when I think back on when I was writing on the trains and doing illegal graffiti. To have of show of this magnitude is really special.”

Mike 171. Beyond The Streets New York. June 2019. (photo © Steven P. Harrington)

“We started writing in ’68 and here we are, fifty-one years later,” says Mike 171 as he gestures toward himself and crew writer SJK 171 when talking about how they began and continued writing their tags on the street in New York City. “This is the history right here,” he says, and you know you are about to be schooled about the plain realities of early graffiti writing. At the opening, you witness each guy tagging in a large dusty window here and realize the love for writing never actually stops.

“We were expressing something that was inside of us,” says SJK 171. “The streets were like ours,” he tells you against a backdrop of their work, Cornbread’s work, and of images full of one color, single line monikers that set the stage for the more colorful, character-driven pieces and burners a decade later, transforming trains into a rolling aesthetic symphony by the mid 1970s.

Cornbread. Beyond The Streets New York. June 2019. (photo © Jaime Rojo). Beyond The Streets New York. June 2019. (photo © Jaime Rojo)

One of the actual “whole car” writers of that period, Lee “LEE” Quinones, here recreates a “Soul Train” car side on a canvas that looks like it could easily wrap an actual MTA #2-line car that he used to slaughter with cans in the middle of the night at the train yard. When describing the new work he said he was intentionally keeping it simple – perhaps owing the style to his earlier practice.

Lee Quinones. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)

“I think this is one of Lee’s most amazing pieces,” says Charlie Ahearn, the director of the seminal 1982 “Wild Style” film that Quinones stars in. Ahearn self-produced that film which became an important distillation of the merging of graffiti with hip-hop culture during a pivotal moment in the history of both. Now also a professor of Hip-Hop, art, design, and documentary film making at Pace University, Ahearn is familiar with many of the artists work here, many relationships reaching back decades. “I told Lee that I liked that it was a one-off, that he painted all the color straight off without the embellishment, texturing, and all that stuff.”

John and Charlie Ahearn. Beyond The Streets New York. June 2019. (photo © Steven P. Harrington)

Charlie’s twin brother John Ahearn is represented here popping out from walls as well, his sculptures serving as authentic portraits of people you may easily have seen on New York streets over the last four decades. Casted directly on top of the people themselves in a technique he has perfected, the placement of the sculptures gives life to the space.

Star Writers, Immersive Environments, Foundations

Dabsmyla. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)

The individual clusters of work and canvasses by 1970s-80s train painters like Futura, Crash, Lady Pink, Freedom, Carlos Mare, Blade, Haze, and Daze and next gen graphic painters like Doze Green and Rime are complemented by a number of so-called “immersive” spaces here like the Mission Schools’ Barry McGee storefront with smashed window, and the Australian Pop duo Dabs & Myla’s eye candy floral walls with thousands of artificial fauna created in collaboration with Amelia Posada.

Myla. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)
Shepard Fairey. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)

The high-profile graphic activist Shepard Fairey’s 30 year career overview takes a large area and encompasses all elements of his street and studio practice, and Bill Barminski’s cardboard home is open for you to explore with a wry smile, remembering the security room installation he did at Banksy’s Dismaland a couple years earlier.

Bill Barminski. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)

You’re also treated to a full rolling wall of Craig Stecyk posters that brings you the sun and surf of California skate culture, sculptures by Mr. Cartoon and Risk, a kid-friendly illustrated room with crafting supplies for young fans on tables from HuskMitNavn, and an astute freight train culture educational display by writer/painter/sculptor Tim Conlon (complete with a mid-sized Southern Pacific freight on train tracks he and friends built), prints/photos by historian Bill Daniel, and original drawings by the man some call the King of Hobo Art, buZ blurr.

John Fekner. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)

“These are a self portrait as predicated on a first Bozo Texino person and I kind of changed the image around,” says Mr. blurr, a legendary figure in denim overalls, as he patiently describes his classic tag image of a railway cowboy.

“It is a writer motif – the pipe smoke is going up and then it is trailing back to signify movement as the train goes down the track,” he says. “I worked in the train yards and my job was as a brakeman. I had a little free time so I started making drawings. I made my first one on November 11, 1971,” he says as he recalls the state of mind that he was in at the time as he began to tag freights with the image and text that came to him clearly – and may have perplexed other travellers.

buZ blurr. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)

“They came from a confused state. I was questioning everything. I was putting kind of cryptic messages under my drawings. It was anybody’s guess as to its literal interpretation. I addressed some of them up to specific people but whether they saw them or responded to them, I wouldn’t have any idea.”  

Tim Conlon. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)

“When it’s shipped in the crate its 550 pounds,” says Conlon as he stands by the 3-foot high freight car re-creation on tracks and ties that is hit with a couple of wild and colorful graffiti burners. “Here I’m going to show you something,” he says as he pulls back the roof to reveal the narrow coffin interior in rusted red. “So I’m going to hide some beer in here during the opening party. This is like the fifth one of these I’ve made,” and he proudly confides that one lives in the house of Robert Downey Jr.

Digging Deep to Take Risks

Not content to rest on laurels and previous formulas of success, the show keeps a freshness by presenting known entities pushing themselves further and taking creative risks; a reflection of that spirit of experimentation we have always prized on the street.

Graffiti writer Earsnot from Irak crew, now known professionally as Kunle Martin, said he had been making work for the gallery containing elements of graffiti, but felt they were too “safe”.

Kunle Martin AKA Earsnot. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)

“Then my friend Dan said ‘you should go back to doing drawings,’” he says as he stands before figurative canvasses in black and white on cardboard. “I said ‘I can’t! It’s too hard! But eventually I began working in my studio five days a week, and I made enough for a show.”

Reflective of the attitude of Gastman toward artists in the community, he told Martin that if he made enough of them, he could place them in this show. “I think he was happy to hear that I was in my studio working. He’s been very supportive of it.”

Kunle Martin. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)

A fluorescent color-drenched graphic/photographic collage style is featured with plenty of space in large frames from Chicago’s Pose, who says he is letting photography and geometry lead him away from his previous pop collage style that may have reminded many of Lichtenstein. His inspiration here comes from his research into early photos of graffiti writers running from police “I was obsessed with John Naars photos and I have usually Norman Mailer as in inspiration. Some of these photo references are from the Philadelphia Inquirer,” he says.

Pose. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)
Pose. Beyond The Streets New York. June 2019. (photo © Steven P. Harrington)

New York’s Eric Haze also dares himself to take a new direction with three canvasses featuring a refracted piecing-together of imagery and memories of this city in monochrome. Based on black and white scenes of the city by photographer and NYC taxi driver Matt Weber, the scenes capture aspects that are culled from imagination and impression. The centerpiece canvas captures an iconic piece of the Williamsburg waterfront that has been removed in the last few years by developers; the signage of the old Domino Sugar factory by the Williamsburg Bridge.

Haze. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)

Mr. Haze said he meant it as a gift and tribute to his wife, actress and longtime resident of the neighborhood, Rosie Perez who used to see it along Kent Avenue as a kid.  “He’s not afraid to take risks. He’s not afraid to go in the studio and express what’s inside of him. When he brought me to the studio, he says, ‘I have a surprise for you’,” she remembers. “I saw the beginnings of the Domino painting and I was stunned into silence and I got teary-eyed.”

Rosie Perez. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)

Beyond Labels

An expanded version of the show that first mounted in Los Angeles last year, the collection is focused a great deal on the American history of graffiti with a balance of East/West coast graffiti history – in a way that may remind you of 2011’s “Art in the Streets” at LA MoCA. That makes sense, considering Gastman co-curated that show as well.

“It’s both a historical and current look at where the culture went and where it started and how widespread it is,” says co-curator Evan Pricco, who perhaps provides a lynchpin view toward the big name Street Artists who continued to push expectations in the 2000’s on streets and in commercial galleries around the world. “With the space spread over two floors it has a way better curatorial sense. I also think it does compete with museums because it shows that this kind of work is on the same level. You kind of have to present it in a way that feels very institutional and archival.”

So is Beyond the Streets a graffiti show or a Street Art show or a contemporary art show? For artist Kenny Scharf, who first gained attention during the heyday of Downtown Manhattan’s art scene that benefitted from an interlude where rents were dirt cheap and Wall Street was on a cocaine high, there is no need to categorize what kind of art this is.

Kenny Scharf. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)

“You know I never liked labels or titles anyway so even back in the early 80s I was pegged like ‘oh you’re a graffiti artist,’” he says. “People feel the need to title and label so I’ll let them to continue to do that but I don’t fit into any of them and I don’t want to. I want to fit into all of them and none of them.”

Beyond the Streets opened June 21 and continues through the summer.

MADSAKI. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)
Blade and Doze Green. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)
Katsu. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)
Gajin Fujita. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)
Faith XLVII. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)
John Ahearn. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)
Jane Dickson. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)
Dan Witz. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)
1UP Crew…it’s always a good thing to have your friends near by when you need them the most… Beyond The Streets New York. June 2019. (photo © Jaime Rojo)
1UP Crew. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)ork. June 2019. (photo © Jaime Rojo)
Cleon Peterson. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)
Conor Harrington. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)
Felipe Pantone. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)
Beastie Boys. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)
Nekst . Risk. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)
Bast . Paul Insect. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)
Invader. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)
Ron English. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)
Patrick Martinez. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)
Dust tagger. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)
Martha Cooper with Freedom. Beyond The Streets New York. June 2019. (photo © Jaime Rojo)
What’s left and soon to be gone of the old Williamsburg’s waterfront right across from Beyond The Streets New York. June 2019. (photo © Jaime Rojo)

Martha Cooper’s work as exhibited at Beyond The Streets New York

Beyond The Streets NYC is now open in Williamsburg, Brooklyn to the general public and will run until August 2019. Click HERE for schedules, tickets and details.

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Artists Bring 22 New Murals to “Coney Art Walls 2016”

Artists Bring 22 New Murals to “Coney Art Walls 2016”

Just in time for this weekend’s Mermaid Parade, London’s D*Face is finishing up “Live Fast Die Young,” his beauty-and-the-zombie comic couple sipping an ice cream float at the soda counter. Austrian surrealist slicer Nychos has completed his dissection of a Ronald McDonald-ish character without a sketch; running, jumping, nearly flying through the air with aerosol in hand, flinging the spent cans over his shoulder blindly to skitter across the pavement. Baltimore-based freeform anthropologist Gaia is cavorting with passersby who want to take cellphone selfies in front of his painted wall that depicts exactly that; selfies taken in Coney Island.

This is a modern version of the multi-mirror funhouse in mural form, and Coney Art Walls is bringing it again.

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Nychos. Coney Art Walls – 2016 (photo © Jaime Rojo)

22 new murals on standing slabs of concrete join a dozen or so that were retained from last summer to present an eclectic and savory selection from the old-school and the new. When it comes to art in the streets, a salty luncheonette of city-style treats is on a large public platter these days, with names like graffiti, street art, urban art, installation art, public art, fine art, even contemporary art. For some of those hapless gatekeepers of any of these respective categories, this show in this location presents degrees of discomfort and anger as many subcultural roots are now brought into the light in tandem with one another in a public display – funded by a real estate firm. For the artists and majority of fans, however, the trend is more toward delight and gratitude.

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Nychos. The London Police photo bomb. Coney Art Walls – 2016 (photo © Jaime Rojo)

While you are unpacking that, consider that lead curator Jeffrey Deitch has often proved very adept at plumbing the aesthetic margins of our culture while rearranging and intermingling the parties, helping the viewer to appreciate their differences. This outdoor exhibit co-curated with Joseph Sitt provides a venue for a wide audience to contemplate the range of expression that New York streets have had over the last few decades, including a few artists who are trying this manner of expression for the first time.

As the Thunderbolt, Steeplechase, Cyclone and Wonder Wheel spin and swerve nearby and overhead, sending screams and personal projectiles into the ocean breeze, you have this paved lot full of paintings to peruse, lemonade in one hand and the cotton-candy-sticky hand of a sunscreen-slathered child in the other. Here you’ll see a large two-walled corner smashed with Coney Island themes by Bronx graffiti masters Tats Cru (Bio, BG183, and Nicer), a selection of hand-drawn wheat pasted portraits of Coney Island youth by Tatyana Fazlalizadeh, and 4 full-form sculptures by John Ahearn creating a modernist view of divers on the beach .

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Nychos. Coney Art Walls – 2016 (photo © Jaime Rojo)

Tooling elsewhere through the loose labyrinth you come upon a monochromatic cryptically patterned tribute to Brooklyn-born Beastie Boys vocalist Adam “MCA” Yauch by Brooklyn tagger/train writer/artist Haze and a seemingly lighthearted abstractly collaged wall of mermaids by fine artist Nina Chanel Abney, whose work is currently on the cover of Juxtapoz. There is also a spectacular underwater-themed symmetrical fantasy topped by pylons bearing the likenesses of characters from “The Warriors” film by artist duo The London Police, and a stenciled “Last Supper” featuring heads of world currency playing the disciples and George Washington as Jesus sprayed across the face of a huge dollar bill by Iranian brothers Icy & Sot.

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Pose. Coney Art Walls – 2016 (photo © Jaime Rojo)

We often travel streets and neglected spaces in cities looking for signs of freewill artistic expression and often the creative spirit surprises us as it can be expressed in so many ways with emotion, agenda, and idiosyncratic point of view. It may be the plurality of voices one experiences surfing the Internet or the multi-cultural nature of living in New York with a continuous river of fresh arrivals mixing in with established and old-timers every day, but one comes to expect this variety of viewpoints and rather naturally creates accommodation for inclusion that celebrates without negating – and in many ways Coney Art Walls does that as well.

Oppositional viewpoints are present if you look: There are coded messages and obvious ones, critiques of corporate hegemony, issues of race, commentary on police relations, sexuality, religion, capitalism, community, the languages of advertising, movies, music, entertainment, local history, and examination of roles and power structures.

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John Ahearn. Coney Art Walls – 2016 (photo © Jaime Rojo)

When tooling around this collection, you may wonder what, then, are the commonalities of this survey. Certainly there are the recurring references to Coney Island lore and aspects of performance and flimflam, oddity, fantasy, even the erotic. Naturally, there are elements of natural wonder as well, perhaps expected with the proximity to the beach and the ocean and the history of this place as a vacation getaway.

Aside from this, the connective tissue is what we frequently identify as what is distinctly New York – the plurality of voices. Arguing, making fun, praising, preening, bragging, lambasting, mocking, singing. Despite the continuous attempts by others to divide us, we’re strangely (very strangely), beautifully united.

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Jeffery Deitch with John Ahearn. Coney Art Walls – 2016 (photo © Jaime Rojo)

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John Ahearn. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Icy & Sot. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Gaia. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Gaia. Coney Art Walls – 2016 (photo © Jaime Rojo)

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“11 Instagram Posts”, by Gaia. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Gaia. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Haze. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Haze. Coney Art Walls – 2016 (photo © Jaime Rojo)

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D*Face. Coney Art Walls – 2016 (photo © Jaime Rojo)

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D*Face. Coney Art Walls – 2016 (photo © Jaime Rojo)

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D*Face. Coney Art Walls – 2016 (photo © Jaime Rojo)

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D*Face. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Marie Roberts has multi-generational roots here and her work makes you stop and study it. She has painted many visions and views around the neighborhood, and is considered the artist-in-residence. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Marie Roberts. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Marie Roberts. Coney Art Walls – 2016 (photo © Jaime Rojo)

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The London Police. Coney Art Walls – 2016 (photo © Jaime Rojo)

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The London Police. Coney Art Walls – 2016 (photo © Jaime Rojo)

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The London Police. Coney Art Walls – 2016 (photo © Jaime Rojo)

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The London Police. Coney Art Walls – 2016 (photo © Jaime Rojo)

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AIKO. Coney Art Walls – 2016 (photo © Jaime Rojo)

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AIKO. Coney Art Walls – 2016 (photo © Jaime Rojo)

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AIKO. Side A. Coney Art Walls – 2016 (photo © Jaime Rojo)

Originally from Japan, Brooklyn’s AIKO has a double sided stencil sonnet to the romance of the sea. With “Tale of the Dragon King and Mermaids in Water Castle” Aiko tells a new version of Urashima Tarō, an old Japanese legend about a fisherman who rescues a turtle and is rewarded for this with a visit to Ryūgū-jō, the palace of Ryūjin. Says Aiko, “This piece speaks to my and all women’s fantasies; chilling hard super sexy in the beautiful ocean with friendly dragon who is super powerful and a smart guy – they are about going to water castle having good time.”

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AIKO. Side B. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Daze. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Daze. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Nina Chanel Abney. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Nina Chanel Abney. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Nina Chanel Abney. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Mister Cartoon. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Mister Cartoon. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Mister Cartoon. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Steve ESPO Powers. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Steve ESPO Powers. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Steve ESPO Powers. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Jessica Diamond. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Tristan Eaton. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Tristan Eaton. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Tristan Eaton. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Tatiana Fazlalizadeh. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Tatiana Fazlalizadeh photographing her subjects. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Tatiana Fazlalizadeh. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Crash. Coney Art Walls – 2016 (photo © Jaime Rojo)

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BIO – Tats Crew. Coney Art Walls – 2016 (photo © Jaime Rojo)

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NICER – Tats Crew. Coney Art Walls – 2016 (photo © Jaime Rojo)

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BG183 – Tats Crew. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Tats Crew. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Sam Vernon. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Sam Vernon. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Timothy Curtis. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Timothy Curtis. Coney Art Walls – 2016 (photo © Jaime Rojo)

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Martha Cooper. Coney Art Walls – 2016 (photo © Jaime Rojo)

Coney Art Walls
2016 New Artists: Nina Chanel Abney, John Ahearn, Timothy Curtis, D*Face, Jessica Diamond, Tristan Eaton, Gaia, Eric Haze, Icy & Sot, London Police, Nychos, Pose, Stephen Powers, Tats Cru, and Sam Vernon. Returning artists who created new works: Lady Aiko, Mister Cartoon, Crash, Daze, Tatyana Fazlalizadeh, and Marie Roberts. 2015 Murals on display: by Buff Monster, Eine, Ron English, How & Nosm, IRAK, Kashink, Lady Pink,  Miss Van, RETNA, eL Seed and Sheryo & Yok. There are also three community walls.

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This article is also published on The Huffington Post

 

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BSA Images Of The Week: 05.22.16

BSA Images Of The Week: 05.22.16

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No time to talk, you’ve been running to the streets to see new pieces and peaches like a new D*Face in Soho, Rubin’s solo show in the Bronx, the Brooklyn-themed pop up at Doyle’s Auction house in Manhattan, Swoon and Shep and Swizz at Pearly’s in LA, the Social Sticker club collabo melee with Roycer and Buttsup at a bar in Williamsburg, and the growing collection of rocking new Coney Art Walls. Also, Post-It Wars in corporate agency-land Manhattan.

Here’s our weekly interview with the street, this week featuring 1Penemy, BG 183 Tats Cru, Bio, Bristol, Daze, D*Face, Eric Haze, Goms, Nicer, Nova, Pegasus, POE, Stikki Peaches, Thiago Gomez, and Word to Mother.

Our top image: D*Face for The L.I.S.A. Project in Manhattan. (photo © Jaime Rojo)

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HAZE completed this fresh tribute wall dedicated to MCA of the Beastie Boys for Coney Art Walls 2016 in Coney Island, Brooklyn. (photo © Jaime Rojo)

“Ain’t seen the light since we started this band
M.C.A. get on the mike, my man!
Born and bred Brooklyn
The U.S.A.
They call me Adam Yauch
But I’m M.C.A.”

No Sleep Till Brooklyn

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1PENEMY stenciled of a mock mug shot of famed supermodel Stephanie Seymour. (photo © Jaime Rojo)

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Stikki Peaches comes out with a dream posse of rebels; James Dean, Steve McQueen, Elvis Presley, and Marlon Brando on the streets of Brooklyn. (photo © Jaime Rojo)

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DAZE completed this wall for Coney Art Walls 2016. Included in the composition of this mural is the Elephant Hotel, a seven story, 31 room fantasy hotel built in old Coney Island in 1885 shaped like an elephant. Besides the guest rooms the structure also boasted an observatory, a gift shop and a concert hall before it burned down in 1896. (photo © Jaime Rojo)

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A Banksy inspired window piece made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

According to New York Magazine the Post-it “artists” took their craftsmanship to new heights after someone installed a simple “hi” message on  the window of one of the two buildings facing each other on Canal Street. After one week the “war” is in full effect with several messages directed at each other offices ranging from “Will you marry me” to songs’ lyrics and other pleasantries and pop references. The two buildings are known for housing several ad agencies, Getty images and New York Magazine.

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A Keith Haring-inspired window piece made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

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An unidentified “artist” applies his final touches to the Snoopy inspired window piece made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

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A close up of two window pieces made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

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A general view of several windows and pieces made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

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A “Marry Me?” sign made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

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Unidentified artist. The piece is signed but we don’t recognize the signature. (photo © Jaime Rojo)

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Pegasus’ Trump piece on the streets of Bristol, UK. (photo © Urban Art International)

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POE (photo © Jaime Rojo)

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Word To Mother beautified the AthenB Gallery van in Oakland, California on the occasion of his solo show currently on view.  (photo © Brock Brake)

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Bio, Nicer and BG 183 of Tats Cru completed their totally fun and vibrantly hued wall for Coney Art Walls 2016. (photo © Jaime Rojo)

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Thiago Gomez and Emilio Cerezo collaboration wall in Barcelona, Spain. (photo © Lluis Olive Bulbena)

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NOVA (photo © Jaime Rojo)

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Untitled. Berlin. April 2016. (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Fun Friday 12.14.12

Hey bro and sis! Here are some of our favorite picks for the weekend around the global way as we head into the final holiday and New Year beauty that we hope everyone is surrounded by. Happy 7th night of Hanukkah to the Jews, and Happy ongoing holidayz to the Christmas and Kwanzaa and Solstice people.

1. 215 “Orgullecida” (Barcelona)
2. “Kids Eat For Free” at Tender Trap (BKLN)
3. Fresh Low-cost Original Silkscreens at “First Worldwar in Silkscreen” Group Show (BKLN)
4. “Graffuturism” at Soze Gallery (LA)
5. “Dark Corners, Savage Secrets”, Photography by Imminent Disaster (BKLN)
6. “Snap Back…” Rime and Toper at Klughaus (Manhattan)
7. New2 at White Walls (San Francisco)
8. Dave Kinsey “Everything at Once” at Joshua Liner (Manhattan)
9. Brett Amory at 5 Pieces (Switzerland)
10. RISK: The Skid Row Mural Project by Todd Mazer (VIDEO)
11. Swoon’s Konbit Shelter in Haiti (VIDEO)

215 “Orgullecida” (Barcelona)

French Street Artist C215 has a new solo show titled “Orgullecida” at the Montana Gallery in Barcelona, Spain. The artist has been for awhile using a lot of color with his multilayered stencil work – expanding his established vocabulary bravely in a way that most artists are too afraid to do. His portraits are placed well, are individually hand-cut, and sprayed with a sense of the humanity he’s always giving center stage.  This show is now open to the general public.

A one color stencil from an earlier period by C215 on the streets of Brooklyn, NY. (photo © Jaime Rojo)

A detail from a more recent C215 (© and courtesy the gallery)

For further information regarding this show click here.

“Kids Eat For Free” at Tender Trap (BKLN)

A phrase lifted from restaurant franchises that serve food like you are livestock at a trough, “Kids Eat For Free” is a mini survey of train riders who know the back sides of the country well. Under the moniker of The Superior Bugout, curator Andrew H Shirley continues to explore fresh talent from the emerging margin, and this group exhibition features work by North Carolina’s NGC Crew. Now open, and don’t forget the kids!

For further details regarding this show click here.

Fresh Low-cost original Silkscreens at “First Worldwar in Silkscreen” Group Show (BKLN)

The best way to support your local artist is to give their stuff as a Christmas/Hanukkah/Kwanza/Soltice present. No kidding. Everybody wins. Tonight a show of original silkscreens at totally reasonable prices is at Low Brow Artique in Bushwick. For tonight’s opening of their silk screen print show where you’d be able to purchase prints for $20…yes you read it right $20 bucks buys you art from 25 artists – many of them with work on the street – from Sao Paulo, Brooklyn, Buenos Aires and Berlin. Participating artists include: Selo, Markos Azufre, Hellbent, El Hase, ND’A, XOXU, Daniel Ete, Salles, Baila, Anderson Resende, DOC, SHN, XILIP, Serifire, Vero Pujol, Marquitos Sanabria, Diego Garay, Desastre, and Head Honcho.

Head Honcho. (photo © Jaime Rojo)

Salles (photo © Jaime Rojo)

For further information regarding this show click here.

“Graffuturism” at Soze Gallery (LA)

This is like an exclamation point for the end of the year. No kidding.

POESIA, founder of Graffuturism, the term and website, continues to explore the depths of “Progressive Graffiti” or, as it was previously known, “Abstract Graffiti”. With great intelligence, passion and an acute eye for detail, POESIA brings to the forefront the importance and beauty of this emergent new direction that is impacting the Street Art and graffiti scene (with ramifications for others).

“Graffuturism” opening tonight at Soze Gallery in Los Angeles and promises a smart-headed visual feast of shapes, patterns and color from a mini-galaxy of talent from all over the world. Perhaps more significantly, it’s a bit of a decentralized movement that has been centralized for you. The artists list includes: 2501, Aaron De La Cruz, Augustine Kofie, Boris “Delta” Tellegen, Carl Raushenbach, Carlos Mare, Clemens Behr, Derek Bruno, Doze Green, Duncan Jago, DVS 1, El Mac, Eric Haze, Erosie, Franco “Jaz” Fasoli, Futura, Gilbert 1, Greg “Sp One” Lamarche, Graphic Surgery, Hense, Hendrik “ECB” Beikirch, Jaybo Monk, Joker, Jurne, Kema, Kenor, Lek, Marco “Pho” Grassi, Matt W. Moore, Moneyless, O.Two, Part2ism, Poesia, Rae Martini, Remi Rough, Samuel Rodriguez, Sat One, Sever, Shok-1, Sowat, Steve More, West and Will BarrasSoze Gallery in Los Angeles .

Also New York chronicler and enthusiastic lover of the graff/street art scene  Daniel Feral will be there with a  special edition of the Feral Diagram in glicee prints, and a couple other formats (salivate). An ambitious exhibition like this is rare and not easy to come by so if you are in Los Angeles you must go.

El Mac on the streets of NYC. (photo © Jaime Rojo)

For further information regarding this show and to read a great essay for the show written by Daniel Feral click here.

“Dark Corners, Savage Secrets”, Photography by Imminent Disaster (BKLN)

Self-appointed moral custodians (mostly white men) have traditionally hampered the exploration of sexuality in formal art history and the academic canon of what gets celebrated and revered continues to evolve more quickly now. The sea change that modern social liberation that was once revolutionary is now a given, but the debate of the appropriate role of sex and sexuality in the arts is far from over. We may have just quashed one Trojan horse of social conservatism in the White House, but the radical right wing has pulled the center pretty far in the last decade and some have even said there was a war on women launched legislatively throughout 2012. So we are pleased to tell you about fine artist and Street Artist Robyn Hasty AKA Imminent Disaster, who has a new show in collaboration with Alex Pergament entitled “Dark Corners, Savage Secrets”. Furthering her exploration of photography Ms. Hasty has semi-retired her now well known hand cut paper pieces and lino prints on the street and traded the cutting knife for the camera. With this show of photographs, sculptures and performance art she’s aiming to tear apart the inhibitions associated with the  sexual act. “Dark Corners, Savage Secrets” opens tomorrow at Weldon Arts Gallery in Brooklyn.

Imminent Disaster and Alex Pergament (exclusive photo for BSA © courtesy of the artist)

For further information regarding this show click here.

“Snap Back…” Rime and Toper at Klughaus (Manhattan)

Freshly snapping back to New York from their successful truck trip to Miami, Klughaus Gallery brings Brooklyn natives RIME and TOPER for their new exhibition titled “Snap Back – Dangerous Drawings About New York”. The storytelling show features illustration and painting inspired by personal stories. Says RIME. “This show aims to tap into our life experience coming up in New York.” Show opens Saturday.

Rime and Toper shown here with Dceve in NYC. (photo © Jaime Rojo)

For further information regarding this show click here.

New2 at White Walls (San Francisco)

The White Walls Gallery in San Francisco are fortunate to host Australian artist New2 with his solo show titled “In One Hand a Ghost, The Other an Atom”. New2’s work on the streets is complex and dynamic with aerosol, but his handcut collage work for the gallery is moreso somehow – maybe because of a painstaking process of arranging thousands of hand cut pieces of paper. This show opens on Saturday.

New2. Detail of one of his hand cut paper pieces. (photo © courtesy of the gallery)

New2 on the streets of San Francisco. (photo © courtesy of the gallery)

For further information regarding this show click here.

Also happening this weekend:

Dave Kinsey with “Everything at Once” at the Joshua Liner Gallery in Manhattan. This show is now open to the general public. Click here for more details.

Brett Amory at the 5 Pieces Gallery in Berne, Switzerland opens on Sunday with his solo show “Lil’ Homies”. Click here for more details.

RISK: The Skid Row Mural Project by Todd Mazer (VIDEO)

Art in the Streets from MoCAtv

 

Swoon’s Konbit Shelter in Haiti (VIDEO)

Street Artist Swoon is looking to return to Haiti to build more shelters for people in the rural part of the country. This video gives a great look at the families and community who are helped. You also can participate by donating to the Kickstarter campaign to help Swoon make it happen.

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Soze Gallery Presents: “Graffuturism” A Group Exhibition (Los Angeles, CA)

Graffuturism

Graffuturism.com, opens in the new Soze Gallery location at 2020 E 7th St, Unit B, Los Angeles, CA, 90021.

Since Graffuturism’s inception as a public blog and private Facebook group in 2010, there have been two major group exhibitions that featured associated artists: “Rudimentary Perfection” in Glasgow and “Futurism 2.0″ in London. Both were successful in their curatorial intentions and created a sense of community and motion for the movement. Soze Gallery also has been an early advocate hosting solo exhibitions in 2012 by Jaybo Monk, Moneyless, Remi Rough, Dale Marshall, and a two-man show with Augustine Kofie

and Jaybo. Recognizing the significance of the Graffuturists, Soze Gallery also presented the opportunity for Poesia to curate this exhibition, which he chose to simply call ““Graffuturism.” This exhibition has been eagerly anticipated as the first group show to be curated by Poesia, because he is the founder of Graffuturism.com and also a well-respected graffiti artist with a twenty-year history. Ending up in this unique dual position as artist and commentator, it has fallen on him to be the cultural instigator and diplomatic facilitator of this renewed interest, practice and discourse surrounding what he calls “Progressive Graffiti,” which has also previously been called “Abstract Graffiti.” At this juncture in the three-year history of the website, as well as in the thirty-year history of this over-looked aesthetic trajectory within the Graffiti movement, Graffuturism.com has become a hub and Poesia the dedicated and consistent chronicler and theoretician. With the internet as his podium and round table, he has been historicizing and canonizing these artists, young and old, who have been creating art outside the norms of traditional graffiti, esoteric forms of painting and sculpture that veer outside of the proscribed boundaries into the experimental, the abstract, the poetic, and the hybrid.Artists that fall under the term Progressive Graffiti are generally innately gifted draftsmen, who aspire to a Master’s Level at their craft. Overall this movement could be classified as a “High Style New Millennial Aesthetic.” The art they produce is derived from a dialogue that ricochets around within a pin-ball matrix constructed of coordinates lying between the historical and the contemporary, including high and low influences, fine art and graffiti studies, scholarly and street pursuits, intellectual and visceral marks. Whether the resulting output is graffiti, painting, murals, design, sculpture or installations, the pictorial elements are mutated and transformed through each artist’s unique vision into a personal vocabulary of cross-pollinated styles. Whereas the Street Art movement of the mid-2000s tended to focus on figurative stencils and wheat-pastes, this group of artists on the whole is more concerned with hands-on, singular creation, whether within an academic or street setting. Unlike Post-Modernism, the resultant overall aesthetic is a seamless personal statement, not a collaged juxtaposition of historic styles.

Because of Poesia’s dual roles within the movement, he as been in the unique position to attract this international line up of esteemed contemporary artists, which includes many of the significant forefathers from the seventies and eighties. As a result, by including so many of these original Masters, he has created a chronological continuum within the line up, which defines this historical thread from its earliest days. Therefore this group show has developed into a “survey” that historicizes and canonizes each artist within the Progressive Graffiti thread, as well as within the larger Graffiti movement. One of the earliest, and possibly the most influential to most these artists, is Futura. In the early eighties, after a ten-year career as one of the early seventies writers, he broke away from one of graffiti’s most sacred traditions, the letterform as subject matter. At that point he began to paint in what became known as an “Abstract Graffiti” style. With his groundbreaking subway whole-car “Break,” as well as on the canvasses he was painting at the time, he pushed an atmospheric geometric style to the forefront of his work and began to experiment with a wide array of experimental spray can techniques that had not been seen before.

Around this same time, other early NYC writers, who had also started their careers in the seventies, began to experiment with new hybrid directions not based in pure graffiti traditions. In 1985, Carlos Mare began to combine abstraction and Wildstyle within the medium of sculpture, which over the past couple of decades has expanded to include other mediums under the term Urban Modernism. Haze also began to cross over into the fine art domain and over the years has created a body of work that might be referred to as Iconographic Minimalism. Doze Green was also a significant member of the early community of writers who crossed over with an experimental style that included the use of archetypal icons, poetic typography, figurative motifs and painterly styles. West was also another early intrepid explorer, adopting a gestural expressionist style, applying the muscle memory of train and wall painting to the canvas with his long whole-body marks and splashy, dripping strokes.

This exhibition has also united artists from the second generation who took off along the path forged by those early pioneers. These artists started to formulate their progressive aesthetics in the late eighties, such as Delta, the European three-dimensional geometric letterform pioneer turned pure abstractionist; New Yorker Greg Lamarche aka SpOne, who has been able to establish an abstract typographic collage aesthetic parallel to his foundation as a graffiti writer obsessed with the hand-written letterform; Part2ism was one of the earliest UK experimentalists in Hyperrealism, as well as co-founder of the Ikonoklast Movement in the UK with Juice126, which also came to include abstract colorist Remi Rough in the early-nineties.

Also beginning in the late eighties on the West Coast of the US, the Wildstyle-reductionist Joker was one of the first graffiti artists to paint purely geometric abstractions and pushed for its acceptance within the graffiti community by founding the Transcend Collective in 1991 with She1, who was an abstract writer in the UK. Poesia, became a key member of the collective in 1995, exploring a more hybrid, expressionistic approach to Wildstyle, as well as taking it into pure abstraction, which he is currently pushing in new directions, as well as reaching back to the Baroque painters and reinterpreting their masterpieces as graffiti-dissected new millennial re-paintings. Over in Europe, first in Paris then Italy during the same time period, Marco Pho Grassi started out as a wall and train painter but quickly started mixing in abstraction and more painterly expressionist techniques much like Poesia, yet totally unknown to each other. Then in the mid to late nineties, back in the US along the West Coast, other artists with alternative, experimental mind-sets, who were aware of recent developments, were coming out with brilliant, refined hybrid styles, such as Augustine Kofie and El Mac.

Artists such as these had been forced to skirt the edges of graffiti culture as well as the fine art world for the past ten to thirty years. Due to the esoteric nature and hybrid aesthetics of their graffiti-based paintings, and their disparate locations around the globe, they had no way to band together or find an audience to support them because of the lack of enough interest in their local communities for their esoteric and singular aesthetics. On the other side of the tracks, they were also ignored by the fine arts establishment because of their association with graffiti culture and for unabashedly continuing their gallery-related practices under the term Graffiti, which they still did not entirely leave behind. But, as the world population grows and becomes more connected through the internet, these geographically disparate artists have found it easier to come together, work together, and share global opportunities with each other, rather than being confined to tiny local communities.

Now, as this historical thread comes of age and recognizes itself in the mirror of history and on the faces of its youth, as the pioneers of the culture are canonized and the younger artists are united, there are many more opportunities afforded them within the design market, auction houses and fine art world, as these communities continue grow in their recognition of the cultural value and influence of Graffiti and Street Art, as the most prevalent styles and art movements in the late twentieth and early twenty-first centuries. This particular Graffuturist group exhibition, as well as the previous two, are significant steps in the growth of awareness and activity. This is a significant exhibition because it connects all the artists across the continuum of this overlooked historical trajectory back to these forefathers to finally make the connections and give the recognition due to Progressive Graffiti in all its current manifestations and their historical referents.

Across the board, 2012 has been an explosive year for Progressive Graffiti. The synchronicity of all these group exhibitions and solo shows can only emphasize that there is increased activity by the artists and an amplified interest in the audience. Futura had his first solo show in ten years, which attracted a massive turn out of the wealthy and the fashionable, as well as the highly-respected hardcore members of the graffiti community, which is a testament to his growing importance outside the culture, as well as cementing his stature within it. Following on the heels of the success of his solo show, Futura exhibited with two other crucial esoteric Old School Masters, Rammellzee and Phase2, in conjunction with the Modernist Master Matta in the exhibition “Deep Space” in NYC. This exhibit was particular significant because it canonized these three graffiti artists within the fine art pantheon by successfully illustrating their undeniable aesthetic accomplishments in relation to Matta’s masterworks. Rammellzee also had a banner year, being included in the “Vocabularies Revitalized” exhibition at the MoMA, as well as being given a complete retrospective at the Children’s Museum, both of which were in NYC, not even to mention his solo show at the Suzanne Geiss gallery in 2011 called “The Equation.”

In London, also significant in its curatorial aims to canonize and historicize, as well as it’s grand scope, was “Futurism 2.0,” which compared and contrasted the Futurists and the Graffuturists in an exhibition, book and documentary. Another group show of significance was BrooklynStreetArt.com’s exhibition “Geometricks” which held high the torch of Abstract Graffiti in it’s title and Progressive Graffiti in its roster, which included Hellbent (the curator), Augustine Kofie, Drew Tyndell, Momo, OverUnder and SeeOne. One of the most significant of the many murals and “in situ” collaborations painted this year by Graffuturist-related artists was the abstract mural painted on the Megaro Hotel by Agents of Change members Remi Rough, Augustine Kofie, Lx.One, and Steve More, which is currently the largest mural ever painted in London. Also, a slew of solo and duo exhibitions opened every month around the world by many of the artists associated with Graffuturism and Progressive Graffiti: Poesia, Dale Marshal, Part2ism, Remi Rough, Augustine Kofie, Jaybo Monk, Mark Lyken, Moneyless, Carlos Mare, She One, Matt W. Moore, Jurne, Greg Lamarche, Delta, Hense, Rae Martini, Marco Pho Grassi, and Graphic Surgery. In order to see the full scope of activities though, one would have to go back through Graffuturism.com for a complete review.

Above and beyond the growing interest in Progressive Graffiti is the expanding interest in the over-all culture as well during these first two decades of the new millennium. Massive museum exhibitions encompassing the full spectrum of subcultures and historical threads within the Graffiti and Street Art cultures have also opened to wide acclaim. The success of ticket sales for “Street Art” in 2008 at the Tate Modern in London and “Art in the Streets” in 2011 at the MOCA in Los Angeles revealed the mass cultural interest of these art movements and all the art forms that are connected to them. The fact that these two exhibitions happened at all signifies the growing acceptance by the fine art community as well.

These museum exhibitions, as well as the trend towards many other smaller historical exhibitions, such as “Deep Space” and “Futurism 2.0” at the end of 2012, and “Pantheon: A history of Art from the Streets of NYC” in 2011, indicate a new interest in the study of the history and cultural significance of these movements. Other indicators are the release of high quality scholarly books, articles and movies, such as “Abstract Graffiti” by Cedar Lewisohn in 2011; “Beyond Graffiti” published in ArtNews in 2011 by Carolina Miranda; the 2005 documentary “Next: A Primer on Urban Painting” by Pablo Aravena; and “The Feral Diagram 2.0: Graffiti and Street Art” published in 2012 by Daniel Feral. These are all testament to the growing enthusiasm of scholars, historians, and theoreticians to examine, define and record the fifty year history of graffiti and street art, and recently in particular the Progressive Graffiti thread. Like any misunderstood movement before these, such as rock’n’roll, comic books, and cinema, eventually the art forms, the audiences and the scholars united to finally recognize the movement’s undeniable cultural value, relevance and resonance in all their forms from the simple and visceral to the esoteric and intellectual.

Text by Daniel Feral

On Friday, Dec 14, 2012, the eponymously-titled “Graffuturism” exhibition curated by Poesia, the founder of Graffuturism.com, opens in the new Soze Gallery location at 2020 E 7th St, Unit B, Los Angeles, CA, 90021.

The complete artist list in alphabetical order by first name is as follows: 2501, Aaron De La Cruz, Augustine Kofie, Boris “Delta” Tellegen, Carl Raushenbach, Carlos Mare, Clemens Behr, Derek Bruno, Doze Green, Duncan Jago, DVS 1, El Mac, Eric Haze, Erosie, Franco “Jaz” Fasoli, Futura, Gilbert 1, Greg “Sp One” Lamarche, Graphic Surgery, Hense, Hendrik “ECB” Beikirch, Jaybo Monk, Joker, Jurne, Kema, Kenor, Lek, Marco “Pho” Grassi, Matt W. Moore, Moneyless, O.Two, Part2ism, Poesia, Rae Martini, Remi Rough, Samuel Rodriguez, Sat One, Sever, Shok-1, Sowat, Steve More, West, Will Barras.

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Anonymous Gallery Hosts: “Art, Music, Success” A Live Auction Event To Benefit the Bronx Success Academy 1 (Manhattan, NYC)

Art Music Success

ART MUSIC SUCCESS
Art, Auction, Fundraiser on Wednesday, July 25th from 7-11pm at 2 Cooper Square
(corner of Bowery and 4th Street) to support the Bronx Success Academy 1 (“BSA”).
– – – – – – – – – – – – –

Michael Anderson, Donald Baechler, Hisham Bharoocha, Kadar Brock,
Michael DeFeo, Helen Dennis, Erik Foss, Eric Freeman, Gaia, Evan Gruzis,
Eric Haze, Matt Jones, Curtis Kulig, Greg Lamarche, Maripol, Dennis McNett,
Chris Mendoza, Tom Otterness, Stefan Sagmeister, Bill Saylor, Yuri Shimojo,
Peter Sutherland, Swoon, Chuck Webster, Wendy White, Dan Witz,
Romon Kimin Yang (Rostarr), Davide Zucco, and more!
Advance tickets can be purchased now for $100 and will sell out soon.
Please visit:  http://sabronx1event.eventbrite.com/ and encourage your friends to come as well.
A preview of the artworks will be available online 5 days before the event.
NEW YORK CITY:
Wendsday, July 25, 2012 / 7-11 PM
2 Copper Square (Bowery and E. 4th st)
New York, NY
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Me Collectors Room Berlin Presents: “At Home I’m A Tourist” The Collection of Selim Varol (Berlin, Germany)

Selim Varol

“my collection, that’s me –
my childhood, my friends, my heroes, my role models, what i enjoy, what moves me. pictures from my journey: ‘at home i’m a tourist’” (Selim Varol)

From 26 May to 16 September 2012, me Collectors Room Berlin will be presenting the collection of Selim Varol. The exhibition will thus mark a return to an essential leitmotif of the foundation: the theme of collecting and the passion of the collector. The 39-year-old collector from Düsseldorf with Turkish roots has been collecting toys since his childhood and owns one of the largest collections of figurines in Europe, numbering some 15,000 pieces. A further focus of his collection lies in works by artists who trace their origins back to street art and ‘Pop Surrealism’. One characteristic shared by all the works in this collection is the close link between art and the everyday, as well as their often playful and humorous or subversive character.

The world of toys, most of which are produced in Asia, is a world full of plastic and vinyl. The figurines are detailed miniature sculptures that have variously emerged from the imaginations of contemporary urban artists and designers, or from politics and current events (Andy Warhol, Fidel Castro, Hitler), the dream factory of the film industry (Batman, Superman, Rambo and many others) or comics and manga. Many works in this collection are well-known due to their presence in public spaces. Shepard Fairey helped create a groundswell for Barack Obama with his iconic ‘HOPE’ poster during the United States presidential race in 2008. And JR, the current TED Prize winner, attracted international attention in 2008 with his film ‘28 millimètres: Women Are Heroes’ in the favelas of Rio de Janeiro, where he mounted giant images of female residents on the façades of houses in order to raise awareness about their life stories and give these women a voice. The New York artist KAWS (Brian Donnelly) is another artist who has exerted a major influence on Selim Varol’s collection, with Varol’s first acquisition of his work in 1999. KAWS first made a name for himself in 1998 with his alienated images on bus stops, phone boxes and billboards (for instance the ‘Christy Turlington Calvin Klein Ad Disruption’). He is represented in this

exhibition with more than 160 works. The exhibition includes a total of 3,000 works by more than 200 artists & designers from over 20 countries.

Plans are under way to enable artists involved in the exhibition to paint or paste designated facades in the area around the venue.

The exhibition will be accompanied by an extensive catalogue of the collection that will include a text by Jeffrey Deitch.

Events:

Saturdays, 3 p.m.: Public guided tour

01.06.2012, 6.30 p.m.: Expert talk with Selim Varol

September: Reading with Autonama & Participation in “Internationales Literaturfestival Berlin”

Children’s Programme: For schools and kindergartens (upon agreement); scavenger hunt (anytime)

Pop-Up Shop: In collaboration with Toykio, a selection of designer toys and exclusive editions will also be on offer in our shop.

Prior registration is required for all events. Programme details are available on our website: www.me-berlin.com

List of artists:

123Klan, Rita Ackermann, Adam5100, Chiho Aoshima, Giorgio Armani, Suki Bamboo, Banksy, Garry Baseman, Bäst, Beast Brothers, Beejoir, Andrew Bell, Biff, Bigfoot one, Tim Biskup, Blek le Rat, Blu, Bob Dob, Bountyhunter, Randy Bowen, Brin Berliner, Bshit, Buffmonster, Milton Burkhart, Thomas Campbell, Case, James Cauty, Mori Chack, Henry Chalfant, Chip Kidd, David Choe, Luke Chueh, Coarse, Martha Cooper, Harmony Corine, Matias Corral, Robert Crumb, Dalek, Date Farmers, Dehara, Delta, Devilrobots, Dface, DJ Shadow, Dolce & Gabbana, Dolk, Doma Dr.Romanelli, Dran, Dust, Tristan Eaton, Eelus, Ben Eine, El Mac, Ron English, F.C .Ware, Fafi, Faile, Shepard Fairey, Ferg, Jeremy Fish, Florian Flatau, Sam Flores, Flying Fortress, Pete Fowler, Glen E. Friedman, Friends with you, Phil Frost, Daniel & Geo Fuchs, Hiroshi Fujiwara, Futura, Rene Gagnon, John Galliano, Jean Paul Gaultier, Huck Gee, Os Gemeos, Doze Green, Sadi Güran, Eric Haze, Evan Hecox, Herakut, Jean-Louis Dumas Hermes, Jamie Hewlett, Damien Hirst, David Horvath, David Horvath & Sun-Min Kim, Marc Jacobs, Todd James, Jamungo, James Jarvis, Oliver Jeffers, JR, Nathan Jurevicius, Alex Katz, Rei Kawakubo, Audrey Kawasaki, KAWS, Peter Kennard, Josh Keyes, K-Guy, Margaret Kilgallen, Dave Kinsey, Jeff Koons, Frank Kozik, Charles Kraft, Curtis Kulig, Kurt Vonneggut & Joe Petro III, Christian Lacroix, Lady Aiko, Karl Lagerfeld, Helmut Lang, Michael Lau, Joe Ledbetter, Karin Lehmann, Matt Leines, Michael Leon, Paul Leung, Anthony Lister, Livingroom Johnston, London Police, Robert Longo, Lunartik, MAD*L, Herman Makkink, Mantis, Martin Margiela, Marok, Mars 1, Ben Mathis, Barry Mcgee, Lucy McLauchlan, Bill Mcmullen, Dennis Mcnett, Tara McPherson, Alexander McQueen, Eugenio Merino, Mexxer, Anthony Micallef, Donny Miller, Miss Bugs, Miss Van, Mist, Brendan Monroe, Polly Morgan, Mr. Clement, Takashi Murakami, Scott Musgrowe, Muttpop, Yositomo Nara, Caleb Neelon, Nigo, Tim Noble & Sue Webster, Steve Olsen, Katsushiro Otomo, Tony Oursler, Jose Parla, Paul Insect, Marion Peck, Perks & Mini, Stefano Pilati, Ricky Powell, Miuccia Prada, Rob Pruit, Pure Evil, Pushead, Oliver Räke, Jamie Reid, Retna, Terry Richardson, Rocketworld, Jermaine Rogers, Rolitoboy, Ryca, Mark Ryden, Saber, Erick Scarecrow, Todd Schorr, Semper Fi, Since, Jason Siu, Sket-one, Skewville, Skullphone, Hedi Slimane, PaulSmith, Hajime Sorayama, Jeff Soto, Space Invader, Spanky, SPQR, SSUR, Jeff Staple, Stash, Static, Tyler Stout, Stefan Strumbel, Suckadelic, Superdeux, Judith Supine, Swoon, Tado, Gary Taxali, Osamu Tezuka, Tilt, Tokidoki, Touma, Tim Tsui, Nasan Tur, Unkl, Urban Medium, Usugrow, Valentino, Gee Vaucher, Mark Dean Veca, Donatella Versace, Viktor & Rolf, Amanda Visell, Nick Walker, Vivienne Westwood, Dondi White, Kehinde Wiley, WK interact, Jim Woodring, Word to Mother, Bubi Au Yeung, Zevs

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Fun Friday 05.11.12

1. “Streets of the World” Now Open in Soho
2. “A Night With The London Police” (Newcastle)
3.  Word To Mother (San Francisco)
4. “Lo-Cal” at C.A.V.E.
5. “French Invasion” in Ventura City
6. “The Exchange Project: Series I” in LA
7.  Lister in a video by Carlos Gonzalez
8.  REVOK: The Seventh Letter x The Hundreds

“Streets of the World” Now Open in Soho

“Streets of the World”, the massive new show at Opera Gallery is open to the public today after a boffo opening last night. It’s not all brand new stuff, but we’ve never seen it before – this is a very fun Street Art to go see. Also, for Aunt Bea, there’s even a real live Banksy! Make sure to go down stairs as well as the show continues in the basement.

Os Gemeos serenading you out the window (photo © Jaime Rojo)

For further information regarding this show click here.

Also…“The Streets of the World” Converge at Opera Gallery

“A Night With The London Police” (Newcastle)

If you are up to spending the night with the naughty boys of The London Police then head over to Newcastle yonder in the UK where at Unit 44 Gallery where they’ll charm you with their natural wit and talent tonight at the opening of their show “A Night With The London Police”.

And now Chaz will attempt to hypnotize you. The London Police (photo © Unit44)

For further information regarding this show click here.

Word To Mother (San Francisco)

In San Francisco at the White Walls Gallery will be the British Street Artist named Word To Mother on Saturday. He’s been busy tagging and will be glad to tell you why he “Can’t Afford To Be Broke”.

Word To Mother (photo © Jennifer Goff)

For further information regarding this show click here.

Also happening this weekend:

At C.A.V.E. Gallery in Venice Beach, CA “Lo-Cal” A group show including BECCA in the back room. Click here for more details on this show.

At the Fabien Castanier Gallery in Ventura City, CA a “French Invasion” takes place with JonOne, Nasty, Rero, Speedy Graphito and Tilt in a group show. Click here for more details on this show.

At The Navarro Residence “The Exchange Project: Series I” in LA opens on Saturday with Radical!, Patrick Porter and Scott Michael Ackerman. Click here for more details on this show.

 

Lister in a video by Carlos Gonzalez

On this video Carlos Gonzalez interviews and documents Anthony Lister during his multiple trips to Los Angeles.

REVOK: The Seventh Letter x The Hundreds

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“The Streets of the World” Converge at Opera Gallery Tonight

Without much fanfare, the Opera Gallery is selling the streets of the world. The crossroads of many countries meet there tonight as the gallery presents a survey of some of the better-known Street Artists of the moment and a few predecessors; a show of their growing roster of names from the last decades’ explosion on the street and a reflection of the tastes of a new generation of collectors.

Take a survey of the action in auctions, galleries, art fairs, Flickr pages, and even blogs, and anyone would conclude that the streets are a source of life that ignites the imagination of many in the art world today. While the movement of Street Art and graffiti-inspired art into commercial sales always sparks debate about it’s rightful place (or definition), the undeniable fact is that the market for Street Art is now in full bloom.

Banksy. This piece was originally shown at the Bristol Museum. (photo © Jaime Rojo)

So here they are, some of your favorite Street Artists, most of whom have been profiled here on BSA, collected in one space for you to view and appreciate under well lit conditions and protected from the elements. Watching the transition from ignominy to untouchable over a little more than a decade is positively head spinning as the identities of many of these same artists were once shrouded, and some still are. When you look at pieces made specifically for the gallery, it can be gratifying and illuminating to see whose talent can evolve and deepen when there is no need to hit and run, or look over your shoulder.  As we cross this gossamer veil to see the work of these artists once more before it disappears into private collections, it’s worth noting that the creative spirit is always alive for anyone who wants to access it. That’s what keeps us running to the street.

BSA got a chance to see the show going up – and caught just a few of the amazing pieces – but many were not unpacked yet or hung.  If you are in New York, this little show is a big one that you will be glad you saw.

Among the artists on view are Anthony Lister, Rone, Kid Zoom, ROA, Dal East, Blek le Rat, Herakut, How and Nosm, Alexandros Vasmoulakis, b., Know Hope, The London Police, M-City, Sixeart, Hyuro, Liqen, Interesni Kazki, Paul Insect, Remi Rough, Nick Walker, Mark Jenkins, Saber, Augustine Kofie, Revok, Faile, Bäst, Swoon, Ron English, Trustocorp, Mare 139, Jose Parla, Eric Haze, Logan Hicks, Aiko.

Swoon (photo © Jaime Rojo)

Swoon. Detail (photo © Jaime Rojo)

Swoon (photo © Jaime Rojo)

Saber (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

ROA. Detail (photo © Jaime Rojo)

Os Gemeos (photo © Jaime Rojo)

Interesni Kazki (photo © Jaime Rojo)

Interesni Kazki (photo © Jaime Rojo)

Mark Jenkins (photo © Jaime Rojo)

Logan Hicks (photo © Jaime Rojo)

Blek le Rat (photo © Jaime Rojo)

Jose Parla (photo © Jaime Rojo)

Ron English (photo © Jaime Rojo)

Nick Walker (photo © Jaime Rojo)

Nick Walker (photo © Jaime Rojo)

Mare139 (photo © Jaime Rojo)

How & Nosm (photo © Jaime Rojo)

Love Me (photo © Jaime Rojo)

Faile (photo © Jaime Rojo)

b. (photo © Jaime Rojo)

Alexandros Vasmoulakis (photo © Jaime Rojo)

Anthony Lister (photo © Jaime Rojo)

Bast (photo © Jaime Rojo)

“Streets Of The World” opens today at the Opera Gallery in Manhattan. Click here for further information regarding this show.

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Opera Gallery Presents: “Streets of the World” (Manhattan, NY)

Opera Gallery

Lister “Dancer in Motion-Black” (photo © courtesy of the gallery)

May 11th – May 31st
Free admission: 11:00 – 7:00 daily
Telephone number: 212.966.6675

For the first time, Opera Gallery will be uniting forty of the most important contemporary artists to emerge from the Street Art Movement. These artists span the globe, including the United States, Brazil, France, Ukraine, Poland, Belgium, Israel, Spain and China, proving that the Street Art Movement has no borders. Opera gallery is proud to have put together this unique show. Thank you to all the artists for creating some of their best works for this occasion.

Featuring Anthony Lister, Rone, Kid Zoom, ROA, Dal East, Blek le Rat, Herakut, How and Nosm, Alexandros Vasmoulakis, b., Know Hope, The London Police, M-City, Sixeart, Hyuro, Liqen, Interesni Kazki, Paul Insect, Remi Rough, Nick Walker, Mark Jenkins, Saber, Augustine Kofie, Revok, Faile, Bäst, Swoon, Ron English, Trustocorp, Mare 139, Jose Parla, Eric Haze, Logan Hicks, Aiko.

Know Hope “What Happens When the Blues Set It” (photo © courtesy of the gallery)

Opera Gallery

115 Spring Street  New York, NY 10012

(212) 966-6675
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Art Basel Miami 2011 : BSA Picks

Miami is basically “South Brooklyn” starting right about now, minus the bagels, the B62 bus, and the compulsive habit of cutting you off mid-sentence.  Artists, galleries, fans, party girls and boys, djs, – they all head south the first few days of December for the big fair and all the little ones.

It already seems a little quieter here because Fountain took the weirdos, Wynwood Walls took the Soho softshoes, and The Underbelly collected the hardcore characters just long enough to sign a book and scarf some pizza before looking for a tunnel somewhere. Art Basel is a feast and the draw of Street Art and graffiti continues apace this year, with entrants from all the strata looking for a wall, and maybe a party, and a honey to go skinny dip with.

We picked a few Street Art related gems here that you might want to hit, but even if you show up in Miami this week with no plans, you’ll easily find some trouble to get into, we trust. Do your best.

Underbelly Project

Photo © Ian Cox courtesy of The Underbelly Project

After a full year underground, The Underbelly Project is coming to Miami during Art Basel. A pop up gallery, the show will feature original artwork from many of the 103 international artists who participated in the hidden subway project in New York. The exhibition will feature a video piece of multiple installations happening simultaneously, as well as new pieces by many of the artists. Additionally a book signing of the first volume to come out about the project, published by Rizzoli, will take place on December 2nd. Artists participating in the signing include: Dabs & Myla, Rone, Gaia, Lister, Eric Haze, Joe Iurato, Adam Feibleman, Know Hope, Jeff Stark, Jason Eppink, Jim and Tina Darling, The London Police, Dan Witz, Specter, Surge and other surprise artists.

Included in the show are street, graffiti and fine artists alike. The full line-up includes: Faile, Dabs & Myla, TrustoCorp, Aiko, Rone, Revok, Ron English, Jeff Soto, Mark Jenkins, Anthony Lister, Logan Hicks, Lucy McLauchlan, M-City, Kid Zoom, Eric Haze, Saber, Meggs, Jim & Tina Darling, The London Police, Sheone, Skewville, Jeff Stark, Jordan Seiler, Jason Eppink and I AM, Dan Witz, Specter, Ripo, MoMo, Remi/Rough, Stormie Mills, Swoon, Know Hope, Skullphone, L’Atlas, Roa, Surge, Gaia, Michael De Feo, Joe Iurato, Love Me, Adam 5100, and Chris Stain.

THE UNDERBELLY SHOW
29 November – Press Preview 5pm/ Private View 7pm
30 November – Collector’s Preview 7pm
1 December – Secret Wars US vs. UK 6pm
2 December – General Opening 5pm and Artist Book Signing 6pm
The show will take place in the heart of Wynwood at 78NW 25th Street

SCOPE


Jonathan Levine Gallery At Scope with WK Interact, Aakash Nihilani, Olek, and Jason DeCaires Taylor

“Placing a focus on public art for this program, the gallery will present a series of works that highlight a diverse range of distinct styles, cultural perspectives and unconventional mediums. Each of the four artists selected represent fresh directions in creating work in public space through their innovative vision and inventive use of materials. Photography documenting their interventional imagery, sculpture, and performances convey the transformative effect their work has on its surrounding

Aakash Nihalani with Jonathan Levine (photo © Jaime Rojo)

Olek with Jonathan Levine (photo © Jaime Rojo)

WK Interact with Jonathan Levine (photo © Jaime Rojo)

:SCOPE-Miami, Booth E09
NE 1st Avenue @ NE 30th Street, Miami, FL 33127

November 29—December 4, 2011
Tues 11/29, 4—8pm | Wed 11/30—Sat 12/3, 11am—7pm | Sun 12/4, 11am—6pm

Mallick Williams Gallery at Scope with Skullphone and Curtis Kulig

Skullphone + Curtis Kulig will be showing work from their recent collaborations this fall.

Skullphone with Mallick Williams and New Image Art  (photo © Jaime Rojo)

New Image Art Gallery at Scope

This year New Image Art is proud to present Retna, Cleon Peterson, Paul Wackers, and Maya Hayuk at Scope Miami 2011.

Check out Retna with New Image Art (photo © Jaime Rojo)

White Walls Gallery at Scope

White Walls will be hosting four booths at SCOPE, situated in the center of Miami’s Wynwood Gallery Arts District, featuring a MTN Colors Group show with APEX, Neon, Estria, Vogue, Blek le Rat, HUSH, Kofie and Chor Boogie, a White Walls Group show with Casey Gray, Ben Eine and Greg Gossel, and solo shows for both ABOVE and ROA. APEX, Eine, Kofie, ABOVE, ROA and Chor Boogie will also be painting at the Kohn compound on 24th street.

Ben Eine with White Walls (photo © Jaime Rojo)

ROA with White Walls  (photo © Jaime Rojo)

Chor Boogie and Augustine Kofie (photo © Jaime Rojo)

For a full listing of exhibitors and events click here SCOPE

Wynwood Walls

Wynwood Walls is premiering 7 new Street Art murals and 16 new pieces at Wynwood Doors and walls outside.

Debuting in tandem with the new murals and installations during Art Basel this year on Tuesday, November 29, 2011, the “Shop at the Walls” the first Wynwood Walls Pop Up gallery space that will offer artworks and the new Wynwood Walls book.The book has interview with Street Artists and photography by Martha Cooper.

Artists include Retna, The Date Farmers, How and Nosm, Gaia (USA), Saner and Sego (Mexico), Liqen (Spain), Neuzz (Mexico), Nunca (Brazil), Vhils (Portugal), Interesni Kazki (Ukraine), Faile (USA) and b. (Greece)Kenny Scharf is expected to augment his existing wall, and remaining work from the last two years from Nunca, Shepard Fairey, Aiko, Ryan McGinness, Stelios Faitakis and avaf will be on display.

Walls Outside the Wynwood Walls, encompassing key locations outside of the actual art park itself and in the surrounding neighborhood, will be created by Friends With You (USA), avaf (Brazil and France), Nunca, and Interesni Kazki (Ukraine); joining works previously completed by Swoon and Barry McGee.

Location:
Wynwood Walls and the Pop Up Shop are located at NW Second Avenue – between Joey’s Italian Café on 25th Street and the art-filled Wynwood Kitchen & Bar on 26th Street – and are open to the public free of charge.

HERE COMES THE NEIGHBORHOOD: WYNWOOD (Video)

Fountain Art Fair

“Our preferred punk rock lopsided Anti-Fair.” —Brooklyn Street Art

This year Fountain Miami’s signature on-site street art installation is curated by Samson Contompasis, director of Albany’s The Marketplace, and will feature over 150 feet of work Street Artists including Sharktoof, Chris Stain, Olek, Hugh Leeman, Chor Boogie, OverUnder, White Cocoa, Army of One, Clown Soldier, Joe Iurato, CAKE, Tip-Toe, Elle, Ian Ross, Know Hope, Depoe, and Zero Cents.

Gilf! at Fountain  (photo © Jaime Rojo)

Brooklyn’s own Mighty Tanaka Gallery is showing at Fountain Participating artists include: Adam Void, Alexandra Pacula, Alice Mizrachi, ChrisRWK, Ellen Stagg, Gigi Chen, Hellbent, Hiroshi Kumagai, JMR, John Breiner, Max Greis, Mike Schreiber, Robbie Busch, Skewville, TooFly, URnewyork, VengRWK & Miguel Ovalle

Hellbent with Mighty Tanaka (photo © Jaime Rojo)

Skewville with Mighty Tanaka   (photo © Jaime Rojo)

For a full listing of events and schedules click here Fountain Art Fair

December 1–4, 2011
2505 North Miami Avenue (at the corner of 25th St) | Miami, FL 33137
General Hours: 12pm–7pm daily
Tickets: $10 daily / $15 weekend pass. All tickets sold at door.

Primary Projects

 

 

A new exhibit debuting during Art Basel Miami Beach 2011

Thursday, December 1
Opening Reception
7:00 to 10:00 p.m.

RETNA, Jessy NITE, Stormie MILLS, Evan ROBARTS, Lena SCHMIDT, Luis PINTO, Andrew SCHOULTZ, Karen STAROSTA-GILINSKI, Kenton PARKER, TM SISTERS, Samantha SALZINGER, Emmette MOORE, Anthony LISTER, Charles KRAFFT, Tatiana SUAREZ, Edouard NARDON, Andrew NIGON, Johnny ROBLES and Lawrence GIPE.

For further information regarding this event click Primary Projects

Primary Projects
4141 NE Second Avenue
Suite 104
Miami, FL 33137

 

 

Living Walls is working with with Primary Flight, one of the original graffiti and Street Art mural projects, to create 3 new murals in the Wynwood District.

Participating Artists:

JAZ (Buenos Aires, Argentina) (photo © Jaime Rojo)

Know Hope (Tel Aviv, Israel) (photo © Jaime Rojo)

PULSE Fair

 

Andrew Edlin Gallery at Pulse with Elbow Toe

Brian Adam Douglas AKA Elbow Toe (photo © Jaime Rojo)

Joshua Liner Gallery at Pulse with Stephen Powers

Stephen Powers (photo © Jaime Rojo)

For a complete list of exhibitors and schedules of events click here PULSE

 

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Eric Firestone Gallery Presents: DOWN BY LAW: New York’s Underground Art Explosion, 1970s–1980s (East Hampton, NY)

ERIC FIRESTONE GALLERY PRESENTS:

I wanted to invite you to the launch of DOWN BY LAW: New York’s Underground Art Explosion, 1970s–1980s, a new exhibition I am co-curating, which opens at the Eric Firestone Gallery in East Hampton on Saturday, August 14.

The exhibition surveys the originators and innovators of the graffiti and street art movements, looking at where they have been and where they have come over the past 40 years. Highlights include:

  • Paintings by Coco 144, whose work in the early 1970s earned him the title “The Marcel Duchamp of graffiti subculture.”
  • Rarely seen canvases from the early 1980s by style master Dondi White, who by age 22 had had seven solo exhibitions and whose painting was in several European museum collections.
  • Zephyr’s animation sequence frames for Charlie Ahearn’s iconic film, Wild Style.
  • Original drawings from “Yo! MTV Raps”, plus original logo designs for the Beastie Boys, Run-DMC, and the Cold Chillin’ record label.


Featured artists include Charlie Ahearn, Jean-Michel Basquiat, Blade, Henry Chalfant, Coco 144, Joe Conzo, Martha Cooper, Cope 2, Daze, Jane Dickson, Dr. Revolt, John Fekner, Cousin Frank aka Ghost, Michael Halsband, Keith Haring, Eric Haze, Keo, Eric Kroll, LA2, Lady Pink, Greg LaMarche, Michael Lawrence, Chris Pape aka Freedom, Rammellzee, Carlos “Mare 139″ Rodriguez, Anita Rosenberg, Sharp aka Aaron Goodstone, Jamel Shabazz, T-kid 170, Dondi White, and Zephyr.

EAST COAST SPACE
4 NEWTOWN LANE
EAST HAMPTON, NY 11937
631-604-2386

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