All posts tagged: Creepy

Sydney’s “OutPost Project” ReCap

Our sincere thanks to BSA reader and New Yorker Spencer Elzey, who took a trip to Sydney at the beginning of the month and had the opportunity to check out the Outpost Project Street Art festival. Here’s his report.

Overview and a warning. (photo © Spencer Elzey)

Cockatoo Island is the Governor’s Island of Sydney. The ferry leaves Circular Quay, motors beside the shimmering tiles of the Sydney Opera House, sweeps underneath the arching Harbor Bridge and the tourist who pay $200 for a chance to climb the upper deck above. Twenty minutes later, a large “No Trespassing” sign begins to become in focus. We have arrived at the Outpost Project.

Anthony Lister. (photo © Spencer Elzey)

The island, who’s past includes an old Imperial prison and one of Australia’s largest shipyards, welcomes each street art enthusiast with a detailed information brochure. The inner cover contains a fairly easy to follow map of what lies ahead. Right away three large inflatables (imagine a small grounded hot air balloon) greet you adorned with Anthony Lister’s iconic caricatures. The info packet says it best when describing the images; the “superheroes are never indomitable conquerors or unequivocal villains.” Straddled by two of these is a large piece by Belgium artist, and frequent Brooklyn talent, ROA.

ROA. (photo © Spencer Elzey)

Follow the art around the corner through a mural-lined alley between two buildings and some familiar styles present themselves including the stick-figure arms by Perth Street Artist Creepy.

Creepy and Daek. (photo © Spencer Elzey)

The second floor of one of these buildings is the current home to a large private collection of work by Banksy. The OI YOU! Collection had an interesting start, but where it currently stands is 22 pieces by Banksy. Intermixed are items by Faile, Swoon and others. The husband and wife team collecting behind OI YOU!, George Shaw and his wife Shannon Webster, sold both of their cars and re-directed a home improvement loan to feed their need for owning more street art.

Kid Zoom…and documentation of the destruction of three Holden Commodores. (photo © Spencer Elzey)

Inside the main building, known as the Industrial Precinct, MOX (Mark Cawood) is hard at work. After over 120 hours of intricate stencil cutting, his diligence is well on its way toward a completed final product. At the end of the hall, behind the small traffic jam of mangled cars, is a life size recreation of the childhood home of Street Artist and fine artist Kid Zoom.

Kid Zoom. “Home” The artist recreate a scale reproduction of his childhood home from early adolescent memory… (photo © Spencer Elzey)

Located deeper within the hall of the Industrial Precinct are two other impressive arrays; NEXT by T-World and Pastemodernism 3. Both of these installations, while serious in their scope, were whimsical at heart. The NEXT collection, overseen by “Melbourne-born T-shirt messiah Eddie Zammit,” asks 20 artists to assemble over 1,500 T-shirts to display. Local shout-outs included Barcade in Williamsburg and Katz’s Deli on Manhattan’s Lower East Side. Pastemodernism 3, now in it’s third year at OUTPOST, is the self-proclaimed “largest celebration of ‘paste-ups’ in Australia.” Over 100 artists had a part in this collaboration.

A view of the T Shirt installation. (photo © Spencer Elzey)

Traversing the Artery, a limestone lined subterranean tunnel, one passes by a “rogue gallery of 30 hand picked Australian street artists” including HA HA, Ghostpatrol, Numskull, Dmote and Yok, just to name a few.

The Art Gallery in the Tunnel. (photo © Spencer Elzey)

Upon exiting, you end up back at the beginning, next to the “No Trespassing” sign and amongst a collection by Will Coles. His concrete cast items, usually adorned with a word or two, are lifelike enough even the Seagulls seemed a bit confused.

Will Coles. (photo © Spencer Elzey)

Will Coles. (photo © Spencer Elzey)

New Rock Crew. 1976 Classic School Bus. (photo © Spencer Elzey)

New Rock Crew. 1976 Classic School Bus. (photo © Spencer Elzey)

New Rock Crew. 1976 Classic School Bus. Anthony Lister balloon on the background. (photo © Spencer Elzey)

Shannon Crees. (photo © Spencer Elzey)

Phibs. (photo © Spencer Elzey)

Mini Graff. (photo © Spencer Elzey)

Max Berry. (photo © Spencer Elzey)

We couldn’t read the artist’s signature. Please let us know if you know who this artist is. (photo © Spencer Elzey)

Hazzy Bee. (photo © Spencer Elzey)

HA HA on the left and Shida on the right. (photo © Spencer Elzey)

Ears. (photo © Spencer Elzey)

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“Outpost: Art From The Streets” Sydney’s Own Mega Street Art Festival

The Outpost Project begins in two days on a former military outpost, Cockatoo Island, the largest island in Sydney Harbour in Sydney, New South Wales, Australia. This city really knows the value of the Street Art scene and celebrates the contributions of artists to the cultural wealth of the people who live there.

The entire island is basically porn for Street Artists, and right now about 150 are readying work their magic ways on the industrial spaces. Artists like ROA, Ethos, KidZoom, Anthony Lister, Everfresh Collective, Os Gemeos, Swoon, Faile, and Banksy are on the bill and a number of other projects will be taking place simultaneously, including a Pro/Am skateboarding exhibition, a region art gallery, DJs, artist battles, and pop-up bars.  The island becomes a canvas, and there is no admission. Um, are you coming?

Kid Zoom will be dominating the Turbine Shed with his project Kid Zoom: “Home”. Right now his home is split between Brooklyn and Perth, so he’s kind of a hometown boy. (photo © Jaime Rojo)


Another Brooklyn/Australia native, Anthony Lister will pepper the island with his signature characters  grinning larger than life transposed on enormous balloons. (photo © Jaime Rojo)

DMOTE will be involved in multiple projects but primarily on his own panel installation demonstrating new leaps and techniques he’s implementing in his ever-evolving style. (photo © Andrius Lippa)

Ben Frost is curating “Pastemodernism 3″ where every inch of surface area will be covered in wheatpasted posters from a slew of hand-picked artists. Probably the most populated exhibition of OUTPOST, “Pastemodernism 3” will include over 250 artists, both local and International. (photo © Andrius Lippa)

REKA. EVERFRESH STUDIO. The crew whose stellar lineup includes Phibs, Meggs, Rone, Reka, Sync, Prizm, Wonderlust, Stabs and Makatron will be tackling the East Apron Cliff Face with a tongue-in-cheek statement of the anti-graffiti rhetoric of yesteryear. (photo © Jaime Rojo)

Street Artist Creepy: Project Ugly will sit gazing over the harbour displaying 20 panels from interstate street artists, including an onsite live painting on an industrial scale by Sydney figure Sprinkles and as well, Brisbane based Shida. Amongst the pre-created collection will be Above (San Francisco), Creepy and Daek (Last Chance Studios, Perth) and Drypnz (NZ). (photo © Jaime Rojo)

Yok. Artery, located in the Dog Leg Tunnel will greet patrons upon first landing – being a sample of the creative tone to come including Meggs, Haha, Rone, Yok and Drewfunk amongst other featured Outpost Artists. (photo © Jaime Rojo)

Also included will be the Oi You! Collection featuring the largest private collection of Banksy’s, amongst works by David Choe and Herakut. As well, live painting by Sao Paulo artist Ethos and Belgian monotone muralist Roa.

Banksy is going to participate, but how? (photo © Jaime Rojo)

ETHOS. (photo © Jaime Rojo)

Herakut. (photo © Jaime Rojo)

ROA. (photo © Jaime Rojo)


From the press release:

“The crown jewel of Sydney harbour, Cockatoo Island, a former military outcrop and penal colony will be transformed this November. In conjunction with the Sydney Harbour Federation Trust, witness the island wide invasion as aMBUSH Gallery launches a curatorial take-over – transforming the industrial monument into a battlefield of street-art. The Outpost Project will be the Southern-hemisphere’s largest Street Art Festival to date, with a projected 90, 000 visitors over the course of 5 weeks. Amongst a myriad of forums, educational programs, aMBUSH will bring to the table the nexus of content featured on the island.”

For further information and a complete list of participating artists, events and schedule please visit the sites below:

http://outpost.cockatooisland.gov.au/

http://www.ambushgallery.com/

 

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Anthony Lister Talks to BSA : Analysis and Constant Consideration

“I’m like a hairdresser I guess.”

Painter Anthony Lister is also a Street Artist. His surreal pop and celebrity culture-infused abstractions are candy encrusted apples which may have something sharp inside. Many are figurative studies and wire frames bending wildly into characters who cavort and mock with blunt swipes of color, overlaid by costumed sexual role play… or is that a personal projection?  Did I mention elegance, defiance, wit? Wait, there is so much here!  Truth is, his work can be a cock-eyed psychological tempest, jarring to the head, strangely sweet.

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Anthony Lister in Brooklyn (photo © Jaime Rojo)

A decade of discovery under his superhero belt, Mr. Lister continues to analyze and build his creative practice and it always includes work inside the gallery and outside on the street. He’s currently preparing for his solo show in Sydney called  “Bogan Paradise” at Gallery A.S. At the same time he’s part of a group show with a gaggle of his Aussie expats on view at 941 Geary in San Francisco for “Young and Free”, including Kid Zoom, Dabs & Myla, Dmote, New2, Ben Frost, Meggs, Ha-Ha, Reka, Rone, Sofles and Vexta.  Not to mention his participation in our show last month in Los Angeles at C.A.V.E. with Thinkspace, “Street Art Saved My Life : 39 New York Stories“.

The artist took some time recently to talk to Brooklyn Street Art about his practice;

Brooklyn Street Art: How much of one of your painted portraits is autobiographical? In other words, what portion of Mr. Lister is super hero, super model, furtive schoolboy, or Homer Simpson?
Anthony Lister: I don’t really think about myself when I paint. My figurative works are more like reflections of characteristics I absorb from real life day to day.

Brooklyn Street Art: If you were to wear colored glasses, which color do you think you would most likely screen the world through?
Anthony Lister: Pink, like John Lennon.

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Anthony Lister in Brooklyn (photo © Jaime Rojo)

Brooklyn Street Art: Francis Bacon said, “The creative process is a cocktail of instinct, skill, culture and a highly creative feverishness.” Would you drink that cocktail?
Anthony Lister: Nice words. I agree.

Brooklyn Street Art: What role does analysis play in your creative process when bringing a painting to fruition?
Anthony Lister: Analysis is the outcome of considered processing. Constant consideration is crucial.

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Anthony Lister in Brooklyn (photo © Jaime Rojo)

Brooklyn Street Art: A big piece you did on Metropolitan in Brooklyn – you reworked that face a couple of times over a period of months, producing what appeared as a slowly morphing image. Were you covering up tags, or were you unhappy with the original, or maybe combating the effects of age with a little nip and tuck?
Anthony Lister: When I re-work street paintings I think of it like I am a hairdresser. When something is in the public it has a different existence to something living privately in a residence. I’m like a hairdresser I guess.

Brooklyn Street Art: You have spoken about your work as reality, or a reaction to realities. What realities are you depicting these days?
Anthony Lister: I just finished a body of work for a solo show in Sydney. This next body of work is about contemporary Australian culture. The exhibition is titled “Bogan Paradise.”

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Anthony Lister in Brooklyn (photo © Jaime Rojo)

Brooklyn Street Art: When you consider the Street Art scene that evolved around Melbourne, how would you characterize its nature in a way that differentiates it from the work in other cities around the world?
Anthony Lister: No different. This whole street art thing has sprung up post the turn of the digital revolution so it is on the Internet quick and the artists who inspire others and the ones who are easily inspired are constantly swimming in the same aesthetic pools of consciousness. Not to mention that most of the prominent artists travel lots so it is easy to see work of the same artist in multiple cities around the world at the same time.

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Anthony Lister in Brooklyn (photo © Jaime Rojo)

Brooklyn Street Art: The titles you give your gallery pieces are entertaining, instructive, illustrative. Do you ever want to place a placard near a piece you’ve done on the street – just to make sure the message gets across?
Anthony Lister: No. My street practice is less thoughtful and therefore needs less commentary.

Brooklyn Street Art: When is a painting complete?
Anthony Lister: When it tells me so.

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Anthony Lister in Brooklyn (photo © Jaime Rojo)

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Anthony Lister in Manhattan (photo © Jaime Rojo)

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Anthony Lister in Miami for Primary Flight. Detail. (photo © Jaime Rojo)

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Anthony Lister in Los Angeles. LA FreeWalls (photo © Todd Mazer)

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Anthony Lister in Los Angeles LA FreeWalls (photo © Todd Mazer)

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Cry me a rainbow, Anthony Lister in Los Angeles. LA FreeWalls (photo © Jaime Rojo)

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Anthony Lister in Venice Beach CA. (photo © Jaime Rojo)

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Anthony Lister in San Francisco for Young and Free at 941 Geary (photo © Andrius Lypia)

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Want to see more work? Just “Lister” it.

www.anthonylister.com

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Gilf! “Back Talk” Conversation

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To introduce readers to some of the Street Artists in the show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.

Today we hear from Gilf!

One reason you make art: I make art to change people’s perspectives, and to bring awareness to major issues that face our whole planet. I also do it to make people smile. Street art is an amazing tool that allows me to speak to people with whom I wouldn’t get the chance in real life.

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Gilf! (photo © Jaime Rojo)

Read “Back Talk: A conversation with Gilf!” on Juxtapoz: http://www.juxtapoz.com/Current/back-talk-a-conversation-with-gilf

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Rene Gagnon “Back Talk” Conversation

Brooklyn-Street-Art-Juxtapoz-BANNER-Back-Talk-Street-Art-Saved-My-Life

Brooklyn-Street-Art-Juxtapoz-RENE-GAGNON-Back-Talk-Street-Art-Saved-My-Life

To introduce readers to some of the Street Artists in the show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.

Today we hear from Rene Gagnon.

The first record or CD you ever bought? The last album you downloaded?
“First has to be RUN DMC – with the Krush Groove jam. Eminem, ‘Relapse & Recovery.’ “

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Rene Gagnon (photo © Jaime Rojo)

Read “Back Talk: A conversation with Rene Gagnon” on Juxtapoz: http://www.juxtapoz.com/Current/back-talk-a-conversation-with-rene-gagnon

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Mark Carvalho “Back Talk” Conversation

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Brooklyn-Street-Art-Juxtapoz-MARK-CARVALHO-Back-Talk-Street-Art-Saved-My-Life

To introduce readers to some of the Street Artists in the show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.

Today we hear from Mark Carvalho.

Something you want the world to know about you:
“I only sing two songs for karaoke; Lionel Richie’s ‘Hello’ and Tupac’s ‘How do you want it’.”

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Mark Carlvalho (photo © Jaime Rojo)

Read “Back Talk: A conversation with Mark Carvalho” on Juxtapoz: http://www.juxtapoz.com/Current/back-talk-a-conversation-with-mark-carvalho

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Indigo “Back Talk” Conversation

Brooklyn-Street-Art-Juxtapoz-BANNER-Back-Talk-Street-Art-Saved-My-Life

Brooklyn-Street-Art-Juxtapoz-INDIGO-Back-Talk-Street-Art-Saved-My-Life

To introduce readers to some of the Street Artists in the show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.

Today we hear from Indigo.

Artists you admire:

“I admire everyone who has the courage to spend hours, weeks, months and years turning thoughts and feelings into things, then putting them out into the world for others to respond with love or hate or complete indifference.  I admire anyone who has the integrity to create for themselves, first and foremost.  I admire those who are constantly pushing themselves to try new ideas, use new mediums, reach out to new audiences and immerse themselves in uniquely challenging experiences.  I admire everyone who has taken a leap of faith, fallen into dark and swirling waters and after what often seems like a lifetime of struggle, reached the sunshine on the other side – only to do it all over again.”

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Indigo (photo © Victoria Potter)

Read “Back Talk: A conversation with Indigo” on Juxtapoz: http://www.juxtapoz.com/Features/back-talk-a-conversation-with-anthony-lister

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More Shots from “The Grassy Lot”

More artists stopped by to put up pieces for “The Grassy Lot” show, an impromptu little get-together of 15 artists in a little bit of heaven on the Lower East Side. Jaime Rojo gives us some more shots of the lot.

Read more about the project and opening HERE.

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XAM’s Feeder Unit near YOK’s Traveling Man Foot (photo © Jaime Rojo)

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QRST installing his piece  (photo © Joe Franquinha)

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QRST Rat Tea Party  (photo © Jaime Rojo)

Joe Franquinha, life long New Yorker, told us how he assisted Street Artist QRST with his decision of subject matter for this installation: “I told QRST – Rats have lived in this lot for years so rats should be represented here. Because we have the best f*cking rats and no one is going to take that away from us.”

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QRST Rat Tea Party  (photo © Jaime Rojo)

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Veng from RWK and Overunder on the back wall (photo © Jaime Rojo)

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Veng from RWK and Overunder on the back wall (photo © Jaime Rojo)

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Veng and Overunder working on their collaboration (photo © Joe Franquinha)

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Night shot of Veng and Overunder piece. (photo © Joe Franquinha)

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Jake Klotz installing his piece. (photo © Joe Franquinha)

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Jake Klotz shares a wall with Gaia and Nanook (photo © Jaime Rojo)

For more information about this event please click on the link below:

http://www.brooklynstreetart.com/theblog/?p=23784

To view images from The Grassy Lot Part I click on the link below:

http://www.brooklynstreetart.com/theblog/?p=23726

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Crest Arts in Collaboration with BSA and MaNY Present: The Grassy Lot Show (Manhattan, NY)

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We’re proud to announce the “Grassy Lot Show” coming this Thursday presented by Crest Arts at the Timeshare Backyard. It’s been a little whirlwind of activity with 15 artists putting up brand new work on the walls of this oasis on the Lower East Side for you to come visit. With Keith Schwietzer and us helping Crest out here and there, and of course with Franklin doing lawn roomba duties, it is a bit of a community event. All it is missing is you! What are you doing Thursday?

Crest Arts invites you to the TimeShare Backyard for
“The Grassy Lot Show”

Thursday August 25, from 6-8 pm
145 Ludlow Street between Stanton and Rivington

Admission is free.

Take off your shoes and walk in the grass and do a cartwheel while looking at brand new outside work on the walls by Bishop 203, Creepy, Gaia, General Howe, Jake Klotz, Laura Meyers, Nanook, Over Under, QRST, Quel Beast, Shandor Hassan, Travis Simon, Veng, XAM, and Yok.

Check the event out on Facebook

The project is made possible with the help and support of partners Brooklyn Street Art and the MaNY Project.


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“Grassy Lot Show” Announcement : This Thursday

We’re proud to announce the “Grassy Lot Show” coming this Thursday presented by Crest Arts at the Timeshare Backyard. It’s been a little whirlwind of activity with 15 artists putting up brand new work on the walls of this oasis on the Lower East Side for you to come visit. With Keith Schwietzer and us helping Crest out here and there, and of course with Franklin doing lawn roomba duties, it is a bit of a community event. All it is missing is you! What are you doing Thursday?

Grassy-Lot-Show-WEB-Aug-2011

Crest Arts invites you to the TimeShare Backyard for
“The Grassy Lot Show”

Thursday August 25, from 6-8 pm
145 Ludlow Street between Stanton and Rivington

Admission is free.

Take off your shoes and walk in the grass and do a cartwheel while looking at brand new outside work on the walls by Bishop 203, Creepy, Gaia, General Howe, Jake Klotz, Laura Meyers, Nanook, Over Under, QRST, Quel Beast, Shandor Hassan, Travis Simon, Veng, XAM, and Yok.

Check the event out on Facebook

The project is made possible with the help and support of partners Brooklyn Street Art and the MaNY Project.


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Crest Has a Posse in an Empty Lot on L.E.S.

Joe Franquinha and his executive personal manager Liza brought their pet pig Franklin to check out the abandoned lot on Ludlow Street on Manhattan’s Lower East side. Franklin surveyed the new sod while Yok put up a new piece.

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Yok and Franklin (photo © Mike Pearce)

Invited by a couple of entrepreneurs who have rented the open space for two months to make the outdoor location a little more welcoming, Joe looked at the ground, then up at the walls. Decaying, unfinished, rough, full of New York character, the walls immediately brought his mind to the many Street Artists busy in the city right now.

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With help from Keith Schweitzer, Joe has mobilized a handful of Street Art talent to convert the lot into an impromptu outdoor gallery installation – calling it Timeshare Backyard. With an NYC theme honoring his favorite city, the artists have been getting up here for a week. In Gotham, no story surprises you, so it’s unclear what the fate of this lot will be; New York is always knocking down and building up, the cycle of destruction and renewal never stops. By next spring this could be a new glass and steel condo, who knows. In this brief interlude in this grassy lot, why not mount a momentary show, a commentary on life here right now?

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Gaia working on his collaboration with Nanook (photo © Jaime Rojo)

As the owner of Crest Hardware in Brooklyn with his dad, stylishly moustachioed Joe celebrates the local community of artists that has boomed in BK and he’s known for opening the doors to any number of creative types – providing materials, suggestions, conversation, and great opportunities like these to show their stuff. As summer’s long days melt into the firey New York autumn these (mainly) street artists relished the opportunity to paste or paint just one more wall, at their leisure, while Joe and Liza put down giant garden plants and a wood-chip perimeter. If you get invited to some barbecue or bar or fashion show or something on the LES in the next 60 days, keep your eyes up above the gate to see these pieces peeking at you.

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Upper East Side represents in the Lower East Side. Gaia working on his collaboration with Nanook (photo © Jaime Rojo)

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Gaia, Nanook (photo © Jaime Rojo)

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Gaia, Nanook (photo © Jaime Rojo)

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Gaia in the background (photo © Jaime Rojo)

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Gaia sortin’ out (photo © Jaime Rojo)

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Gaia, Nanook (photo © Jaime Rojo)

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Nanook (photo © Jaime Rojo)

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“Too much art. Not enough grass,” thinks Franklin as he surveys his lunch options on the Lower East Side. (photo © Mike Pearce)

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Gaia (photo © Jaime Rojo)

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Nanook (photo © Jaime Rojo)

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Creepy was invited by Gaia and Nanook to add some of his organic patterns to their collab (photo © Jaime Rojo)

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Gaia, Nanook with Creepy’s subtle additions to the finish wall (photo © Jaime Rojo)

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Bishop 203 (photo © Jaime Rojo)

“You have many ways to look at New York back here – love, anger, faith in the city,” remarks Joe while looking at the wheatpastes in the back of the lot.

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General Howe (photo © Jaime Rojo)

This is a very unusual wheatpaste by Street Artist General Howe, who is making some important decisions in life.  “General Howe is physically coming up on a crossroads, and looking at this kid who may be a younger him,” says Joe.

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General Howe (photo © Jaime Rojo)

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General Howe (photo © Jaime Rojo)

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Creepy (photo © Jaime Rojo)

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Creepy (photo © Jaime Rojo)

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Looking skyward at Creepy’s integrated installation (photo © Mike Pearce)

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Creepy (photo © Jaime Rojo)

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Creepy checking the sketch (photo © Mike Pearce)

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Creepy (photo © Jaime Rojo)

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Laura Mayers (photo © Jaime Rojo)

Joe explains, “Laura Myers said she started sketching it and she started seeing the sacred heart, like the picture her grandmother used to have in her house. I love it! I love the way the heart is the apple, with the city coming out. “

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Yok (photo © Jaime Rojo)

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Yok, Travis W. Simon (photo © Jaime Rojo)

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Yok (photo © Jaime Rojo)

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Yok (photo © Jaime Rojo)

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Yok, Travis W. Simon (photo © Jaime Rojo)

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Creepy, Yok (photo © Jaime Rojo)

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Quel Beast (photo © Jaime Rojo)

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Special thanks to photographer Mike Pearce for his contributions to this piece. See Mikes photos on Flickr at Pearce_Pics

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Opening Shots from “Street Art Saved My Life” in Los Angeles

Images from the Show

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The show in Los Angeles last weekend was a lot of fun, with 500 people flowing through C.A.V.E. Gallery to see studio work by some of the artists on the streets of NYC. What impressed us the most was the number of conversations we saw taking place with two or three friends gathered around a piece and discussing it and really taking it in. Marsea Goldberg, owner of New Image Gallery told us, “This is Los Angeles, we take art seriously”, and judging by the enthusiasm and knowledgeable people we met at the opening, in the back patio, and on the street, many Angelinos are interested in street art from the east coast. After comments about the dense and layered quality of the show, the next most popular topic was, “When are you going to do an LA street art show in New York?”  After we catch our breath. Thank you LA, and thank you all the artists who came out to make work on the walls.

Thank you also to photographer Carlos Gonzalez for shooting all the pieces in the show, which follows after this collage of opening night shots by Andrew Hosner from ThinkSpace, who was our partner with C.A.V.E. to make this show happen.

See a couple of links at the end of this posting for more pictures of the opening from Andrew Hosner and Karin Freda.

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Adam Void (photo © Carlos Gonzalez)

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Anthony Lister  (photo © Carlos Gonzalez)

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Broken Crow (photo © Carlos Gonzalez)

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C215 (photo © Carlos Gonzalez)

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Cake (photo © Carlos Gonzalez)

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Chris Stain (photo © Carlos Gonzalez)

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Clown Soldier (photo © Carlos Gonzalez)

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Creepy (photo © Carlos Gonzalez)

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Dan Witz (photo © Carlos Gonzalez)

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El Sol 25 (photo © Carlos Gonzalez)

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EMA (photo © Carlos Gonzalez)

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Faile (photo © Carlos Gonzalez)

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Futura (photo © Carlos Gonzalez)

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Gaia (photo © Carlos Gonzalez)

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Gilf! (photo © Carlos Gonzalez)

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Hargo (photo © Carlos Gonzalez)

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Hellbent (photo © Carlos Gonzalez)

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How and Nosm (photo © Carlos Gonzalez)

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Imminent Disaster (photo © Carlos Gonzalez)

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Indigo (photo © Carlos Gonzalez)

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Kid Acne (photo © Carlos Gonzalez)

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Know Hope (photo © Carlos Gonzalez)

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Ludo (photo © Carlos Gonzalez)

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Mark Carvalho (photo © Carlos Gonzalez)

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Miss Bugs (photo © Carlos Gonzalez)

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Nick Walker (photo © Carlos Gonzalez)

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NohJColey (photo © Carlos Gonzalez)

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Other (AKA Troy Lovegates) (photo © Carlos Gonzalez)

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OverUnder (photo © Carlos Gonzalez)

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Radical! (photo © Carlos Gonzalez)

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Rene Gagnon (photo © Carlos Gonzalez)

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Skewville (photo © Carlos Gonzalez)

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Specter (photo © Carlos Gonzalez)

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Sweet Toof (photo © Carlos Gonzalez)

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Swoon (photo © Carlos Gonzalez)

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Tiptoe (photo © Carlos Gonzalez)

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White Cocoa (photo © Carlos Gonzalez)

If you want to see pics of opening night on Andrew Hosner’s Facebook Page please go here:

To see Karin Freda’s Flickr page of photos from the show please go here :http://www.flickr.com/photos/karinfreda/sets/72157627427952010/

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